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CHORAL - VOCAL - CHOIR
Opera
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3 Clarinets (trio) (14)
Nursery rhyme (14)
DVD concert (14)
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Choeur SATB/SATB, (8 Instrumen… (13)
Djembe (13)
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Clavier Ou Piano (11)
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Choeur SATB, 2 Violons et Bass… (10)
Solistes STB, Choeur SATB, 3 C… (10)
Scores (10)
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Solistes SAB, Choeur SATB, 4 F… (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Cello, Guitar (duet) (10)
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Saxophone (band part) (10)
Horn Ensemble (10)
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Accessoire (10)
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Timpani (10)
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Baritone Ukulele (9)
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Soli (T (Evangelist), B (Jesus… (9)
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Book (9)
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Fake Book (8)
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Choeur SSATB, 2 Hautbois, 2 Vi… (8)
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Cello Ensemble (8)
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Affiche (7)
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Lyrics only (7)
2 Choeurs Mixtes Et Orchestre … (7)
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4 Trompettes Et 4 Trombones (7)
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Clavier Electronique et Ligne … (7)
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Lute (7)
Flûte à Bec et Piano (7)
2 Flutes, Piano (7)
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Voix Mixtes (7)
2 Trompettes Et 2 Trombones (7)
Cornet (7)
Porte-partition (7)
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4 Voix Mixtes et Guitare (7)
Choeur SA Et Piano (7)
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4 Voix Mixtes (7)
Batterie et Percussions (7)
Pocket, Study conductor (7)
Instruments Variés (Satb) Bas… (6)
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4 Solistes, Choeur Et Orchestr… (6)
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Solo S (T), Viola da braccio (… (6)
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Basse, Choeur Mixte (SATB) Et … (6)
Soli (STB), Choeur Mixte (SATB… (6)
Solistes (SATB) . Choeur Mixte… (6)
Soli (SATB), Choeur Mixte (SAT… (6)
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Orgue, 2 Hautbois, Cor Anglais… (6)
Saxhorn en Sib en Clé de Sol (6)
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Flûte à Bec Soprano, Cordes … (6)
Clarinette Alto et Piano (6)
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Solistes SATB, Choeur SATB, Pa… (6)
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Saxhorn en Sib Basse Continue (6)
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Cordes (Quatuor Pour Flûtes A… (6)
Fiddle (6)
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Electric bass, Drums (6)
Orgue et Fanfare (6)
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Hohe Stimme, Melodie-Instrume… (6)
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CD only (6)
Xylophone or Marimba or Vibrap… (6)
2 Euphoniums (6)
String Quintet: 2 violins, vio… (6)
Soprano, Trompette, 2 Violons,… (6)
Gemischter Chor (SATB/CantoATB… (6)
Percussions Diverses (6)
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Choeur de Jeunes et Piano (6)
Voix Mixtes SAB et Piano (6)
Chamber Music (6)
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Guitare ou Luth (5)
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Oboe, Guitar (duet) (5)
Children choir, Instruments (5)
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Ligne Mélodique/Instruments D… (5)
Octuor De Cuivres (5)
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SAM a Cappella (5)
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Conga (5)
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Alto voice, Piano (5)
Ukulélé Soprano (5)
2 Flûtes à Bec (5)
Guitar, Orchestra (5)
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Choeur Mixte et Orchestre (5)
Oboe and Orchestra (5)
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Violon 1 (5)
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Quatuor à Vents variable (4)
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Clarinet Quartet: Clarinet, Vi… (4)
5-Part Flexible Band and Opt. … (4)
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Flûte Traversière, Cordes et… (4)
Flûte Traversière Clarinette… (4)
Trompette, Trombone et Basse C… (4)
Violoncelle, Contrebasse et Pe… (4)
Flute, Oboe, Piano (trio) (4)
Solo S (T), Flûte à Bec F1 (… (4)
Guitar and Bass Tablatures, Ch… (4)
Flûte A Bec Soprano Et Flûte… (4)
Quatuor de Cordes (4)
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Quintette à vent et Percussio… (4)
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Hautbois et Harpe (4)
Plectrum Orchestra (4)
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Mixed Choir, Ensemble and Dan… (4)
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Orgue et Flûte à Bec Soprani… (4)
2 Violons, 2 Altos et 2 Violon… (4)
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Clarinet (band part) (4)
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Violon Principal et 13 Cordes (4)
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Handbells (4)
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Instrumentation Flexible (4)
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Gaetano Donizetti: Maria Stuarda: Opera: Vocal Score
Opera
[Sheet music]
Ricordi
Riduzione per Canto e Pianoforte-Opera Completa Per Canto E Pianoforte Edizione ...
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Riduzione per Canto e Pianoforte-Opera Completa Per Canto E Pianoforte Edizione Critica A Cura Di Anders Wiklund.
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Geoffrey Burgon: Orpheus: Voice: Vocal Score
Opera
[Sheet music]
Chester
A chamber opera in one act for soprano tenor baritone and bass soli TTBB chor...
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A chamber opera in one act for soprano tenor baritone and bass soli TTBB chorus and orchestra commissioned for the Wells 800 Celebration in 1982. Libretto by Peter Porter. Vocal score with piano reduction. Duration: c. 55minutes.Orpheus is a Chamber Opera or perhaps more properly might be described as an ‘Opera-Cantata’. It is designed to be performed as a short opera fully staged and costumed or as a concert piece. Either way itsstructure is dramatic rather than reflective. It tells the story of Orpheus probably the most familiar story in music and en emblem of their art for composers of all periods as a direct narrative. Since the legend is set inthe world of pagan mythology it has been lightly Christianised for its Church setting. The Aeneid has often been seen as speaking of Christ avant la lettre and Renaissance Humanists were always willing to identify forerunnersof Christian types in Classical personages: in this manner Orpheus pursues without undue emphasis musical parallels with St Francis St Cecilia and even Adam and Eve.The work is framed briefly by a prologue and epilogue. ThePrologue introduces the four solo singers Hades (bass) Orpheus (tenor) Eurydice (soprano) and Charon (baritone). It also introduces the chorus who do not only portray at various stages Orpheus’s wedding companions thedenizens of Hell and Blessed Spirits in the Elysian Fields but also comments on the action as it proceeds.
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Luís Tinoco: Paint Me: Opera: Score
Opera
[Score]
University Of York Music Press
Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera...
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Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera for six singers and Chamber Orchestra.Rui Horta and Joana Carneiro are responsible for the stage direction and the musicaldirection.'My idea in writing Paint Me was to bring together six characters all of whom have a prolific imaginative interior life and to explore what they would make of each other in the confines of a railwaycompartment. The model for my libretto is Geoffrey Chaucer’s The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury but they are strangers thrown together by the randomness of modern travel. Theirtales are not told publicly but in their own imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. Thisintrospection in public opens up a private fantasy space in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each character’s fantasy into a full narrative. Theresult is a kind of anthology of operatic short stories surrounded by the framework of an ordinary journey.' - Stephen Plaice
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Mark Adamo: Little Women: Mixed Choir: Vocal Album
Opera
Schirmer
Libretto by Mark Adamo-Libretto by Mark Adamo. For this opera in two acts compo...
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Libretto by Mark Adamo-Libretto by Mark Adamo. For this opera in two acts composer and librettist Mark Adamo revisits Louisa May Alcott's classic chronicle of growing up female in post-Civil War New England focusing on the theme that even sincerestlove and strongest will cannot stave off change and loss.
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Vincenzo Bellini: Norma - Vocal Opera Score: Opera: Vocal Score
Opera
[Sheet music]
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Opera Completa Per Canto E Pianoforte (In Brochure).
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Giuseppe Verdi: Falstaff - Opera Vocal Score: Opera: Vocal Score
Opera
[Sheet music]
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Vocal Score-Opera Completa Per Canto E Pianoforte.
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Wagner R. - Tristan Und Isolde Wwv 90 - Facsimile
Opera
Barenreiter
Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologic...
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Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologica II/45 / Bärenreiter Facsimile Editor: Konrad, Ulrich Language(s) of work: English, German Product format: Facsimile Binding: Half-leather binding Pages / Format: 405 S. - 41,7 x 30,0 cm “This Tristan will be something formidable! This last act!” “I fear the opera will be banned – if the whole work is not parodied through bad performance: only mediocre performances can save me! Thoroughly good ones will surely drive people crazy.” Richard Wagner While working on the score to “Tristan und Isolde”, Richard Wagner expressed his excitement and elation about his new musical drama. Indeed, the radical originality of the work proved to be both unique and forward-looking: Over 150 years ago it signified the “dawn” of the modern era and to this day it has not lost any of its fascination. Throughout his life, Richard Wagner was proud of his even handwriting. He constantly strove to produce manuscripts of a high calligraphic standard. The Tristan manuscript is also clearly written. More so than in his other scores however, traces of his working process are evident. It is precisely this aspect of the autograph that makes it fascinating. Reading it, one is witness to Wagner’s highlyconcentrated, powerful and relentless writing. This manuscript is in every possible way unparalleled reflecting individuality and uniqueness. In time for the 200th anniversary of Wagner’s birth in 2013, this great work will be published as a BÄRENREITER FACSIMILE in cooperation with the National Archive of the Richard-Wagner-Stiftung Bayreuth. In addition to the complete score, the edition includes the autograph concert ending of the Vorspiel as well as three pages that Wagner rejected while composing and later used for sketches. Ulrich Konrad, the renowned musicologist describes the genesis and performance history of the work in his comprehensive commentary. He also details the physical appearance and condition of the autograph as well as giving an insight into the musical language of Wagner.
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Antonio Vivaldi: La Griselda RV 718: Opera
Opera
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Ed. critica delle opere di A. Vivaldi - Riduzione per canto e pianoforte di A. F...
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Ed. critica delle opere di A. Vivaldi - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score just published in this catalog. La Griselda was composed and performed in Venice in the spring of 1735 for the occasion of the Ascensiontide fair (Sensa). The taskof adapting the libretto by Apostolo Zeno to the particular exigencies of the production was assigned to a young writer of comedies attached to the company led by Giuseppe Imer: Carlo Goldoni. The latter immortalized in his Mémoires hismeeting with Vivaldi and the composer?s inseparable prima donna the contralto Anna Giraud confessing to having been forced against his will to ?assassinate? Zeno?s drama at the composer?s whim. La Griselda was favourably received bythe audience at the San Samuele theatre remained the sole opera by Vivaldi to be staged at a theatre owned by the powerful Grimani family. The present edition includes a synthetic introduction of the historical context the description of the mainsource employed and a choice of the critical Notes to the musical text.
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Musique Vocale Profane, Vol.1: Cantates Pour Voix De Dessus. Canons
Opera
[Score and Parts]
Barenreiter
/ Divers / Partition
72.00 EUR - Sold by LMI-partitions
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Thomas Adès: The Tempest: Opera: Vocal Score
Opera
[Sheet music]
Faber Music Limited
Opera in 3 acts Text: Meredith Oakes after Shakespeare-The opera The Tempest i...
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Opera in 3 acts Text: Meredith Oakes after Shakespeare-The opera The Tempest is inspired by Shakespeareâ??s play rather than literally being based on every aspect of it. There are key images from the play as well as new material. From among the playâ??s many themes and possible interpretations the opera focusses on the difficulty and the necessity of mercy. The libretto uses contemporary vocabulary. Its lines are short rhythmic and rhymed or semi-rhymed echoing Shakespeareâ??s strophic songs more than his blank verse. This choice reflects the playâ??s magical ritual childlike elements and acknowledges the traditional power of incantation in song. The operatic Prospero is the passionately vengeful man seen in the play more than the wise disconnected actor also seen there. Despite his near-omnipotence he finds things out as he goes along and experiences contradictory emotions to the end. Please note: Full Score and Parts are rental material. Please contact hire@fabermusic.com
65.00 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Full Score: Opera: Score
Opera
[Sheet music]
Chester
Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the ...
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Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the Royal Academy of Music London UK and The Juilliard School New York USA.UK premiere: 18th March 2011 - Royal Academy of MusicOpera and Sinfonia at the Royal Academy of Music London conducted by Jane Glover.US premiere: 16th November 2011 - Students of The Julliard School at Peter Jay Sharp Theatre New York conducted by AnneManson.Overview.The piece consists of three interlocking stories of students involved in political action in three different situations.?Die Weiße Rose? was the name taken by a group of students atthe University of Munich led by Sophie and Hans Scholl. They produced leaflets protesting against the National Socialist government of Germany in 1942-3 until they were arrested and guillotined.?Soar to Heaven? follows twocharacters Wu and Zhou involved on opposite sides of the Cultural Revolution in China.?The Oxford Revolution? tells the story of James Meredith who fought a lonely battle against segregation and racial prejudice to becomethe first black student to enrol at ?Ole Miss? the University of Mississippi in the USA.Librettist's Note.There are inevitably and properly some differences between the original libretto and whatMax ultimately set to music. Most of these are insignificant but all the Latin texts in the opera were added by Max and texts for the alternating black / white choruses (Scene 19) and final chorus (Scene 28) were written by him.
79.99 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Messiah HWV 56: Mixed Choir: Score
Opera
[Sheet music]
Barenreiter
Messiah occupies a unique position in Handel’s work. Even if it does not ...
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Messiah occupies a unique position in Handel’s work. Even if it does not represent the absolute zenith several other oratorios could challenge it in this respect its strongly universal character and directness of expression which appeal to men of all creeds make it the most renowned work in the whole of the composer’s monumental output.That this oratorio is unquestionably a work of individual character is shown by all its features: its material which presents liturgical traditions alongside popular elements; its structure which combines an ever-changing variety of elements from opera cantata concerto and anthem; its musicalorganization which at once unifies and dramatically juxtaposes the various styles. All are united in an extraordinary manner with great artistry most accomplished technique and superb invention.Urtext of the Halle Handel EditionFull score and performance material (BA4012) vocal score (BA4012-73 English; BA4012-90 English-German) and study score format 22.5 x 16.5cm (TP175) available for sale.
151.00 GBP - Sold by Musicroom UK
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Alexander Zemlinsky: A Florentine Tragedy Op.16: Opera: Study Score
Opera
Universal Edition
One of the most outstanding operas of the first half of the 20th century can be ...
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One of the most outstanding operas of the first half of the 20th century can be seen again in its full glory: Alexander Zemlinsky's gripping one-act Eine florentinische Tragödie which the composer wrote in 1916 based on a drama by Oscar Wilde has been subjected to years of critical revision by Antony Beaumont.
90.50 GBP - Sold by Musicroom UK
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Richard Wagner: Die Walküre: Opera: Libretto
Opera
Schirmer
Of the four episodes of the 'Ring Cycle' 'Die Walkure' is most often performed ...
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Of the four episodes of the 'Ring Cycle' 'Die Walkure' is most often performed separately and may be Wagner?s best-loved work. The source of this affection is certainly the sensitive depictions of Siegmund and Sieglinde's loveand the father-daughter relationship of Wotan and Brünnhilde.Siegmund stumbles into an unfamiliar house Sieglinde?s for shelter and the two fall for each other quickly. However Sieglinde's husband (from a forcedmarriage) Hunding is a kinsman of Siegmund?s foes and challenges Siegmund to a duel. Sieglinde gives Hunding a sleeping potion and the two realise they are brother and sister. Siegmund claims Sieglinde as his bride. Watching Wotan and Fricka tell Brünnhilde that she must defend Hunding's marriage rights. Brünnhilde sets out to observe the lovers. When Sieglinde falls asleep Brünnhilde berates Siegmund but when he argues she decides to help him.Hunding and Siegmund battle when Siegmund is about to win however Wotan appears and shatters his sword; he is killed. Brünnhilde escapes with Sieglinde and the broken sword. Wotan fells Hunding with a wave of his handand leaves to punish Brünnhilde. Sieglinde realises she bears Siegmund's child so takes the pieces of the sword and rushes off into the forest to hide. Brünnhilde herself flees to the Valkyries' Rock to hide but Wotan fins herand sentences her to become a mortal woman: she must lie in sleep to be claimed by any man who finds her but behind a wall of fire that only the bravest hero can pierce. This is the Schirmer edition of the Libretto inthe original German with an nglish translation by Stewart Robb.
7.99 GBP - Sold by Musicroom UK
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Henry Purcell: Purcell Society Volume 4: Opera: Score
Opera
[Sheet music]
Novello & Co Ltd.
Song For The Duke Of Gloucester's Birthday 1695 (Full Score)-Henry Purcell (1659...
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Song For The Duke Of Gloucester's Birthday 1695 (Full Score)-Henry Purcell (1659-1695) held numerous appointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output.One of Purcell’s last pieces Who Can From Joy Refrain? (Z 342) was written for the 6th birthday of Prince William Duke of Gloucester in June 1695. The Prince was said to enjoy the brash tone of the Trumpet so the prominent Trumpet part was written especially for him. Unusually Purcell also made use of therecently-introduced Oboe and Bassoon.A real asset to the catalogue A Song For The Duke Of Gloucester's Birthday showcases the very best of Purcell’s genius.
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Giacomo Puccini: La Bohème: Opera: Libretto
Opera
Schirmer
Puccini's 'La Boheme' is based on Henri Murger's novel 'Scènes de la vie de boh...
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Puccini's 'La Boheme' is based on Henri Murger's novel 'Scènes de la vie de bohème' which draws it's inspiration from the Bohemian lifestyle which was somewhat in vogue in Paris at the time. This Libretto by Giuseppe Giacosa andLuigi Illica runs as follows:Rodolfo?s neighbour in his garret Mimi knocks at the door saying her candle has gone out on the stairs. Rodolfo and Mimi sit in the dark talking and fall for each other. They go to meetRodolfo?s friends. While there Marcello's former lover Musetta arrives with her new husband Alcindoro but distracting him falls into Marcello's arms. Some time later Mimì pours out her distress to Marcello over Rodolfo'sincessant jealousy Rodolfo is actually concerned about Mimi?s poor health and wants to part with her. On realising this the two decide to stay together until spring Marcello and Musetta meanwhile part when she isunfaithful.Some months later Rodolfo Marcello and friends are amusing themselves in the garret when Musetta bursts in saying Mimi is downstairs and has begged to be taken to her lover to die. She dies almost happily recalling their early love.
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Giacomo Puccini: Turandot: Opera
Opera
Ricordi
Ed. Tradizionale - Opera Completa / Testo Cantato In Italiano-Inglese
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Didactica Musical Activa V.1 (ESCUDERO MARIO)
Español
Opera
[Sheet music]
Real Musical
Par ESCUDERO MARIO. Canciones y melodías (con instrumentación escolar) La Did...
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Par ESCUDERO MARIO. Canciones y melodías (con instrumentación escolar) La Didáctica Musical Activa se propone despertar el sentido del sonido, del movimiento y del ritmo.En esta colección se proponen canciones populares, folklorísticas, clásica y originales, con una serie de actividades a realizar por el alumno que norán una rigidez, sino más bien serán como una proposición flexible, que motive e incite a los alumnos al desarrollo de la creatividad, de la libre expresión, del conocimiento corporal, de la coordinación rítmica y del desarrollo psicomotriz./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
13.50 EUR - Sold by LMI-partitions
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Cantates, Canons, Airs
Opera
Barenreiter
/ Divers / Partition
304.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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Ear Training + 2Cd Ita
Opera
Volonte and Co
Per il musicista contemporaneo.Una volta sentito un motivo riesce a rieseguirlo ...
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Per il musicista contemporaneo.Una volta sentito un motivo riesce a rieseguirlo a memoria, a ideare una melodia e mettere tutto ciò per iscritto senza cambiare nemmeno una nota, oppure suonare subito, senza alcun apparente sfasatura tra il pensiero e l'esecuzione. Nonostante di soi si riferisca a questa abilità in termini di 'dono? -ovvero un qualcosa che è stato conferito ad una persona da una forza esterna- in realtà questa dote si basa su abilità concrete che possono essere apprese attraverso una corretta educazione musicaesto testo, completato da 2 cd allegati, accompagna passo dopo passo proprio nella direzione di un giusto ed efficace percorso didattico attraverso il famoso corso di Ear training del Musician Institute. Grazie a questo metodo si potranno migliorare lmente le proprie abilità musicali. Le analisi e le lezioni comprendono: l Intonazione di base - l Cantare scale maggiori e minori - l Riconoscimento degli intervalli - l Trascrizione di melodie e ritmi - l Riconoscimento di accordi e successioni di / Opéra Théorique/Didactique
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Wolfgang Amadeus Mozart: Lucio Silla K.135: Voice: Vocal Score
Opera
[Sheet music]
Barenreiter
Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Moz...
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Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate K.87 (74a) for the 1770–71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770 and the première duly took place on the Feast of St. Stephen (26 December) in 1770. The second Lucio Silla (K. 135) again commissioned for the 1771–72 Carneval season inMilan doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand the third son of Maria Theresia scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba K. 111.)- Urtext of the New Mozart Edition- Full score (BA4590-01) and vocal score (BA4590-90) available for sale- Performance material (BA4590-72) available for hire
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Wolfgang Amadeus Mozart: Requiem: Voice
Opera
Ricordi
Opera Completa (Testo Cantato In Latino)
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Enciclopedia Lettura Ritmica
Italiano
Opera
Volonte and Co
Gary Hess ha scritto il libro definitivo sulla Lettura Ritmica. Il testo contien...
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Gary Hess ha scritto il libro definitivo sulla Lettura Ritmica. Il testo contiene tutte le nozioni fondamentali di teoria musicale che stanno alla base della musica moderna. I simboli musicali, i concetti di suddivisione ritmica, pulsazione, indicazi tempo e metro vengono esposti in modo a tutti comprensibile. Il metodo è basato sulle innovative tecniche di Counting, che consistono nel sistema di scansione verbale delle suddivisioni ritmiche, su cui si fonda da più di mezzo secolo la teoria modempio spazio è dedicato allo studio dei tempi tipici della musica contemporanea quali il tempo tagliato, gli ottavi swing, i sedicesimi shuffled, i tempi composti. Il libro consente, inoltre, di sviluppare la capacità di lettura delle partiture tipicha tradizione Jazz, Fusion, Blues, Big Band. L'intero metodo si presenta come un manuale operativo grazie alle tabelle dove l'utente può annotare i propri progressi. Da sottolineare, infine, che quest'opera costituisce il programma di Lettura Ritmica / Opéra Théorique/Didactique
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Lenguaje Musical Elemental 2B (SIERRA F)
Español
Opera
[Sheet music]
Real Musical
Par SIERRA F.. Metodología de Lenguaje Musical que abarca el Grado Elemental y ...
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Par SIERRA F.. Metodología de Lenguaje Musical que abarca el Grado Elemental y Grado Medio. Adaptándose a las más modernas líneas pedagógicas, estos libros persiguen introducir al alumno progresivamente en el Lenguaje Musical de una manera completamente lúdica, utio para ello los más variados recursos, como canciones que combinan palmas, movimiento, improvisación, juegos de creatividad. Todo ello añadido a una atractiva presentación que incluye numerosos dibujos, ilustraciones y páginas a todo color. Cada cursta de dos volúmenes: A y B. Metodología de acuerdo con la LOGSE./ Autre FM / Opéra Théorique ou Didactique
19.40 EUR - Sold by LMI-partitions
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Didactica Musical Activa V.4 (ESCUDERO MARIO)
Español
Opera
[Sheet music]
Real Musical
Par ESCUDERO MARIO. La Didáctica Musical Activa se propone despertar el sentido...
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Par ESCUDERO MARIO. La Didáctica Musical Activa se propone despertar el sentido del sonido, del movimiento y del ritmo.En esta colección se proponen canciones populares, folklorísticas, clásica y originales, con una serie de actividades a realizar por el alumno que norán una rigidez, sino más bien serán como una proposición flexible, que motive e incite a los alumnos al desarrollo de la creatividad, de la libre expresión, del conocimiento corporal, de la coordinación rítmica y del desarrollo psicomotriz./ Recueil / Opéra Théorique ou Didactique
21.80 EUR - Sold by LMI-partitions
(Seller in french langage)
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