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Beethoven, Ludwig Van : Concerto for Pianoforte and Orchestra no. 1 C major op. 15
Piano and Orchestra
[Sheet music]
-
Advanced
Barenreiter
New findings in Beethoven?s first piano concerto'
'
The Bärenreiter edito...
(+)
New findings in Beethoven?s first piano concerto'
'
The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven?s works now turns his focus on the piano concertos.'
'
In the Piano Concerto No. 1 in C major op. 15, Del Mar has found no less than 17 corrections in Beethoven?s autograph which were made after the work was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor.'
'
This new critical edition sets the highest scholarly standards without losing sight of the needs of modern performers. '
'
- Urtext edition reflecting the latest musicological research'
- Includes Beethoven?s cadenzas '
- Piano reduction with a separate solo piano part / [Concerto pour Piano et Orchestre n°1 Do majeur Opus 15] / Classique / Partition / Agrafé /
27.50 EUR - Sold by Note4Piano
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Konzertante Werke Op. 32 Wev N.15
Piano and Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
(+)
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
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Concerto No. 1 C Major Op. 15 (BEETHOVEN LUDWIG VAN)
Piano and Orchestra
Barenreiter
Par BEETHOVEN LUDWIG VAN. The Bärenreiter Urtext edition of Ludwig Van Beethove...
(+)
Par BEETHOVEN LUDWIG VAN. The Bärenreiter Urtext edition of Ludwig Van Beethoven 's Concerto No. 1 In C Major Op. 15 For Piano features a detailed commentary by Bärenreiter editor and Beethoven expert Jonathan Del Mar. In Beethoven ’s autograph for Concerto No. 1 In C Major Op. 15 For Piano Del Mar found no less than 17 corrections which were made after the work was published. These have been brought to light in this volume and all the sources and findings made by the editor have been documented. This critical edition reflects the latest musicological research and sets the highest scholarly standards without losing sight of theneeds of modern performers. This is a full score./ Répertoire / Piano et Orchestre
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