6 Saxophone Pieces Vol. 1 for Tenor Saxophone and Piano by Winstrup Olesen dating from 1937.

Hermann Regner, compositeur, professeur de musique et élève de Orff, tourné 80 le 12 mai. Il est plutôt actif dans le domaine de la littérature de l'enseignement facile-à-play. Avec des moyens faciles de la nouvelle musique, il veut stimuler l'imagination des joueurs. Par son ' Suite ', il tout d'abord veut apporter une contribution au répertoire ' classiques ' saxophone. Composé de 5 mouvements (Gehüpft und gesprungen - Bedächtig schreitend - Rundtanz - Blues - Taktwechsler), la composition rend les références à l'origine de la suite classique comme une séquence de danses. La difficulté modérée de la partie de saxophone ainsi que le paramètre piano plutôt facile en font un choix idéal pour les auditions et les compétitions de travail. / Saxophone Tenor Et Piano

Saxophone Solos for B Flat Tenor Saxophone with piano accompaniment. Edited by Paul Harvey. Includes music by Ravel Harvey Cowles and Fiocco. Suitable for ABRSM examinations for Tenor Sax.

for Tenor Saxophone and piano-C?est en associant les caractéristiques des musiques traditionnelles à sa créativité que la compositeur néerlandais Jacob de Haan a composé deux mosaïques originales. Klezmerantics est une pièce dans le style klezmer ; Dancing Dalmatians s?inspire des airs de danses traditionnelles dalmates.

Noël est le moment de la musique, le temps de jouer ensemble dans différentes formations. Le volume actuel contient la plus belle et la plus connue allemand et chants de Noël internationaux avec un facilement jouable, mais un accompagnement au piano belle sonorité. Un coffre au trésor pour les leçons, les concerts et faire de la musique à la maison pendant la période de Noël. / Saxophone Tenor Et Piano

A collection of 7 original pieces for Alto or Tenor Saxophone with Piano accompaniment. The styles range from rock and jazz to gospel and latin presenting a varied and interesting repeRtoire. The book comes with Backing CD which includes full examples of the Piano parts. Suitable for Grades 4-8

Inspiré par les 24 Préludes de Chopin, Gershwin commença à écrire ses propres 'Préludes' pour le piano, au milieu des années 1920. Ces 'Préludes' combinent des moments classiques avec des éléments du jazz en un tout convaincant. Ils peuvent etre joués séparément ou comme une petite sonate de jazz. / Saxophone Tenor Et Piano

Part of the Anglo Music Play-along Series Philip Sparke's 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range.The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles from Bach to Grieg and from Purcell to Satie.This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Also available for Alto (SP827). Songs for Claire is intended to portray a life journey with all the joys and trials that may be encountered. From a personal point of view it was written in memory of my childhood best friend Claire who sadly died of cancer aged 10. I think most people will be able to relate to the moods of the three movements and draw from their ownlife experiences in order to create the expression desired.Living Life begins with a pure and innocent piano introduction where life twinkles into being. The performers should aim for a sweetness and pure innocence. At this stage there have been no challenges and trials. Try to see this through theeyes of a child. At bar 71 we should be able to soar with the sheer exuberance and joy of life. Themood begins to take a downward turn via the piano there after bar 91. This is where situations begin to take a turn for the worse with much more agitation and a darker emotion takes over.Troubled Times now takes us onto a road that we would prefer not to be on everything should be quite agitated and restless. I had a strong feeling in this movement that it should show a battle of wills within; trying to stay positive (the sweeter timbral trills) and trying to fight the ever nagging negative thoughts. Performers should feel able to release fully where the score is marked 'desperately' because these are the cries of one who is struggling to keep fighting. At letter E the pianist should play almost with anger with strong stress to accented notes. At letter H the timbral trills stop abruptly and this indicates that the struggle is over if you imagine a heart monitoring machine that suddenly gives out is length monotone indicating the end of life. The rest of the movement relaxesinto the peace of the final movement.Flying Free is similar in feel to Living Life. You will see that the initial theme is reversed. In the first movement we see the theme very introverted probably as we often look inwards in life. In