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CHORAL - VOCAL - CHOIR
Viola, Piano
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6 Sonates En Trio Pour Orgue (BACH JOHANN SEBASTIAN)
Français
Viola, Piano
[Sheet music]
Delrieu
Par BACH JOHANN SEBASTIAN. Transcription pour alto et piano par Bruno Monsaingeo...
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Par BACH JOHANN SEBASTIAN. Transcription pour alto et piano par Bruno Monsaingeon et Antoine Joly On ne saurait affirmer que le répertoire original de concert de l'alto, en tant qu'instrument soliste, soit richement pourvu en chefs-d'oeuvre. Au mieux, et encore si on inclut les sonates de Brahms, elles-mêmes transcrites de la clarinette, deux programmes de récital et on a fait le tour de la question. Avec le présent recueil, nous n'avons d'autre ambition que de contribuer à élargir cet éventail. Les six sonates - dites en trio - pour orgue de Johann Sebastian Bach, figurent parmi les oeuvres les plus rigoureuses du compositeur. A l'inverse d'autres compositions pour orgue de Bach, ses grandes Fantaisies et Toccatas, dans lesquelles abondent de luxuriantes formules virtuoses de nature indubitablement instrumentale, les sonates relèvent d'une stricte écriture à trois voix, sans que jamais le moindre ajout harmonique, la moindre tentation exhibitionniste, viennent troubler leur parfaite pureté polyphonique. Il nous est apparu que leur facture fondamentalement a-instrumentale était telle que ces sonates se prêtaient sans doute mieux que toutes autres à la transcription. De surcroît, il était clair qu'il existait une évidente adéquation entre leur écriture et celle destinée à un instrument à archet, et que la vocalité intensément expressive de leurs mouvements lents, comme la sobre alacrité de leurs mouvements rapides, conviendraient à merveille aux couleurs sonores très spécifiques de l'alto. Restait à faire en sorte que la transcription pour cet instrument crée l'illusion qu'elles avaient été originellement conçues pour lui. A cet égard, deux types de problèmes étaient à résoudre. Le choix des tonalités. Bach lui-même, lorsqu'il adaptait pour le clavier ses concertos originellement écrits pour le violon, recourait toujours à un changement de tonalité, en transposant systématiquement ces oeuvres d'un ton vers le bas. Passer du clavier de l'orgue à l'alto requérait de procéder à un traitement analogue, pour faire en sorte que l'instrument à cordes soit exposé dans le registre qui lui serait le plus favorable, tout en tenant compte de ses propres limites. Dans notre recherche des tonalités les mieux adaptées à chacune des sonates, nous avons été guidés par le souci de contourner deux écueils celui qui contraindrait l'alto à jouer dans un registre trop aigu, où sa sonorité a tendance à se faire claironnante - et à éviter parallèlement de l'emmener trop souvent vers son registre grave, magnifique pour les notes tenues et chantantes, mais qui sied mal aux notes rapides, telles que les doubles croches, dont les Allegros de Bach font une allègre consommation. Du fait de l'épaisseur des cordes graves de l'alto, leur émission y est quelque peu confuse, et elles y prennent presque inévitablement une sonorité pelucheuse qui rend l'équilibre acoustique de la souveraine polyphonie de Bach peu perceptible. C'est ainsi qu'après bien des essais et tâtonnements, nous sommes arrêtés aux transpositions suivantes: de Mi bémol majeur à Sol majeur pour la 1e sonate, d'Ut mineur à Sol mineur pour la 2e, de Mi mineur à Ré mineur pour la 3e, et ainsi de suite. Dans l'édition, nous indiquons à chaque fois la tonalité d'origine. Pour finaliser nos choix, nous avons d'ailleurs dû jouer avec un paramètre supplémentaire, car il va sans dire qu'une fois décidée la tonalité d'ensemble de telle ou telle sonate, nous nous sommes fixé pour règle de respecter les relations de tonalité adoptées par Bach entre les mouvements rapides et lents de ses oeuvres. La distribution des voix entre les deux instruments. Bach ayant naturellement réparti les deux voix de 'dessus' et la voix de basse de ses sonates entre les deux mains et le pédalier de l'organiste, la solution qui apparaissait à première vue s'imposer pour notre transcription, consistait à attribuer la voix supérieure à l'alto, tandis que les deux mains de l'instrument à clavier se chargeraient de la voix médiane et de la basse. Et de fait, c'est ainsi que nous procédâmes pour l'essentiel. Néanmoins, en de nombreuses occasions, nous avons jugé bon de faire exception à ce principe trop simple. Deux types de raisons nous ont ainsi conduits à recourir ici ou là à une redistribution des parties d'un instrument à l'autre. Le souci là encore de ne jamais placer l'alto dans une tessiture extrême, et surtout d'éviter d'aboutir à une confusion des entrées et des réponses fuguées. Ce faisant, nous croyons être parvenus par la même occasion à créer des échanges d'une grande vitalité entre les deux instruments. En publiant ici le résultat du travail prodigieusement stimulant qui fut le nôtre - accompagné de propositions de coups d'archet soigneusement étudiées (mais évidemment révisables selon les choix interprétatifs de chacun), destinées à en rendre clairs le phrasé, l'expression et la facture - nous avons la conviction de pourvoir à l'enrichissement du répertoire des altistes sous la forme de six chefs-d'oeuvre de tout premier ordre, sans que la transcription les ait d'aucune manière dénaturés. Nous sommes également persuadés que le soi-disant 'parent pauvre' de la famille des cordes ne le cédera en rien au 'roi des instruments' dans l'expression du sublime lyrisme constamment présent dans ces oeuvres de Johann Sebastian Bach. / classique / Répertoire / Alto et Piano
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Hugh Wood: Variations Op. 1: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Chester
For Viola and Piano this is the composer's first opused work. Premiered at the ...
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For Viola and Piano this is the composer's first opused work. Premiered at the Wigmore Hall in July 1959 by Cecil Aronowitz and Margaret Kitchen.Wood: In 1957 I knew I had newly discovered the music of Schoenberg and hispupils and I knew at once that they were to show me the way forward for my music; as indeed they have ever since. The revelation was primarily an emotional experience for me and however imperfectly their influence wasreceived it was obviously reflected in the all-out chromaticism (new for me then) in the many chains of twelve notes or lesser chromatic formations (which do not here amount to serial working and have only rarely done sosince) in the characteristic harmonic and rhythmic formations the wide and sometimes angular intervals of the melodies and in general the introverted romanticism. Anyway I knew then that this was the sort of music that Ihenceforth would want to write and so I called these Variations my Opus One.The declamatory Introduction leads into the Theme heard on the viola. Six Variations follow of which No.3 is the most violent and No.4 the mostsustainedly lyrical. The recitative-like sixth variation leads into the Finale a more extended movement. The Theme returning on the piano leads to a climax at which there is a citation from Beethoven’s C minor Variations forpiano. Then their characteristics sequence of chords is heard on the piano as an accompaniment to the final statement of my own theme on the viola in the closing bars of the work.
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Santa's Helper
Viola, Piano
[Sheet music + CD]
Santorella Publications
Remember fighting off the Sandman, desperately struggling to stay awake at the c...
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Remember fighting off the Sandman, desperately struggling to stay awake at the chance that you might catch a glimpse of Saint Nick. Every rustle or bump made you jolt from your quilted pod and race to the living room where the lit tree posed, draped in soft light. Still no Santa! It took all your energy to climb back into bed with your eyelids drawn and your body heavy. Tucked back in as best as you could with the sheets and pillows slightly disheveled, you dozed off while musical thoughts fill your groggy head. A wide, animated grin filled your face as you dreamt of chilly nights of caroling and warm, fire-lit sing-a-longs. Music has always been an integral part of the holiday season. As everyone knows, there is no better way to celebrate than with a song. Re-live your childhood memories and share your love of music this holiday season with Santa's Little Helper published by Santorella Publications. Santa's Little Helper for Viola is also written as solos or duets in accommodating keys for Violin, Cello and Bass. This best selling Santorella Publication includes a piano accompaniment CD with lyrics, so the whole family can sing along. The Piano Accompaniment book for this Stringed Instrument Edition is sold separately. Santorella's Horn Edition is also available for trumpet, clarinet, flute, alto sax and trombone../ Recueil / Alto et Piano
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Johannes Brahms: Sonatas In F Minor And E-Flat For Viola: Viola: Instrumental
Viola, Piano
Barenreiter
for Viola and Piano-Brahms had already announced his 'retirement' from compositi...
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for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice
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Darius Milhaud: Quatre Visages Op.238 No.3 - La Bruxelloise: Viola: Instrumental
Viola, Piano
[Sheet music]
Heugel
Third of the series of “Quatre Visages” by Darius Milhaud III. La ...
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Third of the series of “Quatre Visages” by Darius Milhaud III. La Bruxelloise is a short piece for Alto and Piano. Easy to play it still requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music quite slow is really delicate and is supposed to represent a Belgian girl coming from Brussels. She is part of the four faces with: I. The Californian girl II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. Hewas also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443.
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Kevin Volans: viola:piano: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Chester
Commissioned by the Wigmore Hall for the composer's 60th birthday with funds fro...
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Commissioned by the Wigmore Hall for the composer's 60th birthday with funds from ACNI.'viola:piano is one of a set of 6 pieces which I wrote in 2008 and 2009. Two of the others violin:piano and cello:piano requirethe instrumentalists to play at different tempi from each other throughout. In this piece the players are playing together but their material is for the most part quite different and for the first 12 minutes the two partshave little in common. It is only after this that they begin a more conventional contrapuntal relationship. This is the first of these pieces to be premiered. It was commissioned by the Wigmore Hall with funding from the ArtsCouncil of Ireland. The piece is dedicated to Mary R?rich.'????????????- Kevin Volans
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William Walton: Viola Concerto: Viola: Instrumental Work
Viola, Piano
Oxford University Press
Reduction for viola and piano-William Walton composed his Viola Concerto in 1928...
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Reduction for viola and piano-William Walton composed his Viola Concerto in 1928-9 and it was given its premiere at a Promenade Concert at Queen's Hall London on 3rd October 1929. In the beginning Viola players adjusted the solo line to fit their own ideas of the work's character and Walton was generally happy to accomodate this. However he came to regard one player's version above all the others for its discipline and balance - that of Frederick Riddle. Riddle's edition was originally published with a Piano reduction of the first Orchestration in 1938 and it is this that forms that basis for the solo line in this edition. This present Piano reduction was made by Geoffrey Pratleyand published in 1993.
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Play it Again: Viola: Instrumental Album
Viola, Piano
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Easy
Faber Music Limited
Tired of the same old exam pieces? Need a little light relief? Then here's the a...
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Tired of the same old exam pieces? Need a little light relief? Then here's the answer to your problems. Play it Again is a lively collection of favourite tunes both new and old expertly arranged for easy viola with upbeat but playable piano accompaniments. All viola parts are written in first position so they are perfect for the absolute beginner helping young players to gain confidence and learn basic technique in a fun and lively way. Both you and your teacher can really relax and have fun!The solo viola part is also included on a separate insert.
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Jules Massenet: Meditation (Thais): Viola: Instrumental Work
Viola, Piano
[Sheet music]
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Intermediate/advanced
Viola World
Jules Massenet was born in Montaud France May 12 1842. He was one of the best...
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Jules Massenet was born in Montaud France May 12 1842. He was one of the best-respected French composers of his day and a member of the Academy and a professor of composition at the Paris Conservatoire. Massenet was very influential on other French composers in France. His students were also successful due to Massenet's tutelage. Though he was principally an opera composer he also wrote ballets orchestral works and several oratorios. Massenet died in Paris on August 13 1912.This is the Meditation from Massenet’s famous opera Thais and has been transcribed for solo Viola with Piano accompaniment by Alan Arnold.
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Leonard Bernstein: West Side Story: Viola: Instrumental Album
Viola, Piano
[Sheet music + CD]
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Intermediate/advanced
Boosey and Hawkes
Instrumental Solos-Since its opening in 1957 the musical West Side Story has bee...
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Instrumental Solos-Since its opening in 1957 the musical West Side Story has been a hit on Broadway. Made into a successful film starring Rita Moreno Natalie Wood and Richard Beymer in 1961 this tale of star-crossed lovers caught between feuding New York gangs has been gripping audiences for decades. The arrangements in the West Side Story: Instrumental Solos series remain faithful to Bernstein's original score. In this edition the pieces have been idiomatically adapted for the solo Viola. This book features 10 of the best-known songs from the musical including Maria Tonight America I Feel Pretty and more. West Side Story:Instrumental Solos - Viola comes with an enhanced CD featuring Piano accompaniments for all tracks. Playable on both CD player and computer tempo adjustment software is also included for CD-Rom computer use only.
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Alexander Glazunov: Élégie op. 44 for Viola and Piano: Viola: Instrumental Work
Viola, Piano
G. Henle
Élégie op. 44 for Viola and Piano-A precious gem of romantic Viola literature ...
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Élégie op. 44 for Viola and Piano-A precious gem of romantic Viola literature is now available in Henle quality. Thanks to the publisher’s good connections to Russian archives we were able to assess Glazunov’s autograph for the first timefor this first Urtext edition and uncover the discrepancies between the autograph and the first print. Written in 1893 for the Danish violist Franz Hildebrand the ?l?gie is one of the few originalworks of the 19th century for Viola and thus a welcome enrichment of the repertoire. Since the piece does not make any particularly high technical demands on the soloist the ?l?gie is ideally suited forteaching as well – and Tabea Zimmermann’s fingerings guarantee the best possible support.
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Erik Satie: Gymnopédie No. 1: Viola: Score
Viola, Piano
Schott
The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world...
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The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet Parade on 18 May 1917 caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes' Pablo Picasso (scenery and costumes) Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style in deliberate rejection of the 'Wagnérisme' of his time. Classical form models new harmonies stylistic ease meditative and clownish elements amalgamated in an original way the perfect example being his 3 Gymnopédies of 1888 the first of which was here arranged for a solo instrument with Piano accompaniment: Thus it is now possible even for non-pianists to play this famous miniature by Satie. Thanks to its easy playability it can also be used for educational purposes.
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Viola All Sorts. Initial-Grade 1: Viola: Instrumental Album
Viola, Piano
[Sheet music]
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Easy
Trinity College London
Viola and piano albums-An assortment of 19 fun pieces to pick and mix - from eas...
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Viola and piano albums-An assortment of 19 fun pieces to pick and mix - from easy classics to great new pieces this collection covers it all.All Sorts is designed to fit the technique and capabilities of the young player with easy-to play Piano accompaniments for the teacher.
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Viola All Sorts. Grades 2-3: Viola: Instrumental Album
Viola, Piano
[Sheet music]
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Easy
Trinity College London
Viola and piano albums-An assortment of 20 fun pieces to pick and mix - from eas...
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Viola and piano albums-An assortment of 20 fun pieces to pick and mix - from easy classics to great new pieces this collection covers it all.All Sorts is designed to fit the technique and capabilities of the young player with easy-to play Piano accompaniments for the teacher.
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Max Reger: Romance G major WoO II/10: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Schott
Born in the village of Brand in the Upper Palatinate Max Reger (1873 1916) was ...
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Born in the village of Brand in the Upper Palatinate Max Reger (1873 1916) was taught by the renowned music theoretician Hugo Riemann. After finishing his studies and working as a freelance performer and composer in Wiesbaden he moved to Weiden beset by personal crises and eventually to Munich. To make himself better known in the musical scene he had some of his smaller works inserted in the magazine Neue Musikzeitung. This is how his Romanze G-Dur for violin and piano was published in November 1901 a beautiful occasional work ideal for music lessons or as a tranquil encore after a concert also in an arrangement for viola and piano.
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James Rae: Play It Cool For Viola: Viola: Instrumental Work
Viola, Piano
[Sheet music + CD]
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Easy
Universal Edition
”Designed for the beginner this collection of pieces provides stimulating...
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”Designed for the beginner this collection of pieces provides stimulating performing material at the easiest possible level. The accompaniments (piano or CD) provide a good solid backing and will inspire the soloist to play with energy and enthusiasm. I have made much deliberate use of the repetition of phrases as I feel that this is the best way for pupils to absorb new rhythms.” James Rae• Performing pieces for the beginner in a variety of styles including Swing Funk Reggae Blues and Latin• Each piece is recorded with a professional soloist for listening and learning. The following track provides the accompaniment minus the solo forplaying along• The versions available for other instruments can all be played together and used as elementary ensemble material• Ideal for group tuition• Pieces from Play it Cool Viola have been set on the new Trinity Guildhall Examination Syllabus 2007 for Viola Grades 1 and 2
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Darius Milhaud: Sonata For Viola And Piano No.2: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Heugel
French composer and teacher Darius Milhaud (1892-1974) was a prolific composer ...
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French composer and teacher Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded Sonata No. 2 for Viola and Piano being no exception. Milhaud's compositions are influenced by jazz and polytonality as exemplified in Sonata No. 2. Composed in 1944 Sonata No. 2 for Viola and Piano is an alternative exciting sonata made up of three movements; 1) Rural 2) Dramatic and 3) Rough. Milhaud makes use of variation in articulation complex rhythms chromaticism accidentals harmonics altering tempos variation in dynamics and a wide tessitura amongst other aspects. Milhaud's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire.
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Ludwig van Beethoven: Fur Elise (Viola): Viola: Instrumental Work
Viola, Piano
[Sheet music]
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Intermediate
Viola World
Beethoven's ever popular Fur Elise has been beautifully arranged for Viola with ...
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Beethoven's ever popular Fur Elise has been beautifully arranged for Viola with Piano accompaniment by Alan Arnold. This is an arrangement of the complete piece featuring all of the favourite themes which interact between the Viola and Piano.The solo Viol apart is also included on a separate insert.
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Benjamin Britten: Portrait No.2 E.B.B: Viola: Instrumental Work
Viola, Piano
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Intermediate/advanced
Chester
Portrait No.2 ‘E.B.B’ is taken from Two Portraits for Strings compo...
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Portrait No.2 ‘E.B.B’ is taken from Two Portraits for Strings composed by Benjamin Britten. This fantastic flowing Viola solo over soft staccato Piano chords really expresses a range ofgripping emotions.Here it is present in a version arranged for Viola and Piano by Martin Outram violist of the Maggini Quartet.
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Robert Schumann: Adagio and Allegro: Viola and Accomp.: Instrumental Album
Viola, Piano
Southern Music Ltd
for Viola and Piano-This adagio and allegro edited by Lorenzo Sansone has vers...
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for Viola and Piano-This adagio and allegro edited by Lorenzo Sansone has versions available for horn violin viola and cello from the publisher.
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Peter Spitzer: Easy Classics For Viola: Viola: Instrumental Album
Viola, Piano
[Sheet music]
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Beginner
Mel Bay
Easy Classics for Viola is part of the Easy Classics Series written to provide ...
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Easy Classics for Viola is part of the Easy Classics Series written to provide beginning to intermediate students with an enjoyable introduction to classical music. This book features 16 solos and duets in viola-friendly keys with accompaniment. All of the pieces may be played as solos or duets and the content in this book is fully compatible with Easy Classics for Violin and Easy Classics for Cello.
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Fritz Kreisler: Praeludium And Allegro: Viola: Instrumental Work
Viola, Piano
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Intermediate/advanced
Viola World
Fritz Kreisler's Praeludium And Allegro transcribed for Viola with Piano accompa...
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Fritz Kreisler's Praeludium And Allegro transcribed for Viola with Piano accompaniment by Alan Arnold.
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Andrew Lloyd Webber: The Phantom of the Opera: Viola Solo: Instrumental Album
Viola, Piano
[Sheet music]
Hal Leonard
Solos for Viola-Nine songs from the Andrew Lloyd Webber musical masterpiece The...
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Solos for Viola-Nine songs from the Andrew Lloyd Webber musical masterpiece The Phantom of the Opera arranged for solo Viola: All I Ask of You · Angel of Music · Masquerade · The Music of the Night · The Phantom of the Opera · The Point of No Return · Prima Donna · Think of Me · Wishing You Were Somehow Here Again
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Edward Elgar: Concerto For Cello Op.85: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Novello & Co Ltd.
Elgar's last major work was the cello concerto and it is unique in its poignanc...
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Elgar's last major work was the cello concerto and it is unique in its poignancy and intensity. Through Jacqueline Du Pre's overwhelming interpretation this work has now received the recognition it deserved and it will undoubtedly remain one of the best-loved concertos of all time. The Cello solo part has been arranged for viola and piano by Lionel Tertis.
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Carl Ditters von Dittersdorf: Sonate Es-Dur: Viola: Instrumental Work
Viola, Piano
[Sheet music]
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Intermediate/advanced
Hofmeister Musikverlag
Sonata in Eb Major was originally composed for Viola and Bass in the 1780s. It w...
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Sonata in Eb Major was originally composed for Viola and Bass in the 1780s. It was arranged for Viola and Piano by Hans Mlynarczyk in 1929. It comprises 5 movements: Allegro Moderato - Menuetto I - Adagio - Menuetto II - Tema Con Variazioni. Karl Ditters Von Dittersdorf (1739-1799) was an Austrian composer and violinist. He was well-known by Mozart and Haydn and often played string quartets with them together with his pupil Johann Baptist Wanhal. Unlike his contemporaries his compositional style is dominated by lyrical Italianate melodic progression rather than extended harmonic development.
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The Willow Brook and Alla Sarabanda: Viola: Instrumental Work
Viola, Piano
Stainer and Bell
The Willow Brook and Alla Sarabanda
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Frank Bridge: Two Pieces for Viola and Piano: Viola: Instrumental Work
Viola, Piano
Stainer and Bell
Pensiero; Allegro Appassionata.Pensiero is set for the Associated Board examinat...
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Pensiero; Allegro Appassionata.Pensiero is set for the Associated Board examinations Grade 7 and Allegro Appassionata for the Guildhall School examinations Grade 8. Both pieces are set for the Trinity College examinations Grades 7/8 and for the London College Associate examination.
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M. Cohen: Superstudies 2: Viola: Instrumental Work
Viola, Piano
[Sheet music]
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Easy
Faber Music Limited
This collection of twelve original imaginative studies for solo viola continues...
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This collection of twelve original imaginative studies for solo viola continues the technical progression of Superstudies Book 1. Aimed at young players of Grades 2-4 level these studies introduce a wide range of musical styles while consolidating all the finger patterns used in 1st position and introducing easy 3rd position. New bowing techniques found in this volume include spicatto and hooked bows. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.
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Joseph-Hector Fiocco: Allegro: Viola & Piano: Instrumental Work
Viola, Piano
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Intermediate/advanced
Viola World
Allegro
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