Raymond Briggs' charming Christmas story of the boy who builds a snowman who comes to life has become a children's classic. Its popularity has been further enhanced by frequent television broadcasts of the award winning cartoon film The Snowman. The full score version includes the music and words for the story so singing and narrating is possible. The score includes the well known songs: Dance of the Snowman, Walking in the Air and Music Box Dance. / [Howard Blake: The Snowman (Full Score)] / Classique / Partition /

Par BARRY JOHN. John Barry, le célèbre Golden Globe et cinq fois Academy Award-winning compositeur, est surtout connu pour ses travaux sur les films de James Bond, pas moins de douze ans de la liaison ayant marqué de films. Il est aussi le compositeur de la musique pour les films Zulu, Out of Africa, Dances With Wolves, Macadam Cowboy et King Kong (1976 version) entre autres. / TV, Film, Comédie musicale / Recueil / Piano, Chant et Guitare

80 of the best Irish songs ever written in one comprehensive collection. Includes: Danny Boy * If I Knock the L Out of Kelly * Macnamara's Band * Molly Malone * My Wild Irish Rose * Peg O' My Heart * Too-Ra-Loo-Ra-Loo-Ral (That'san Irish Lullaby) * Wearin' of the Green * When Irish Eyes Are Smiling * and more./ Recueil / Piano, Chant et Guitare

Complete lyrics, guitar chord boxes and symbols for seventy classic unplugged songs. Includes music by The Rolling Stones, Dido, Moby, Blur, Badly Drawn Boy, REM and many more. / Niveau : Facile / Recueil / Piano, Chant et Guitare

Par STING. The Best Of Sting 1984-1994 Matching folio to his greatest hits album featuring 14 songs: Fortress Around Your Heart £ If I Ever Lose My Faith In You £ We'll Be Together £ When We Dance £ and more./ Recueil / Piano, Chant et Guitare

Music from the Motion Picture Soundtrack. Par JOHN ELTON. Retrouvez 20 chansons extraites de la bande-originale du nouveau biopic à succès de 2019, retraçant la vie et la carrière de Sir Elton John. Ce recueil comprend des arrangements pour Piano, Chant et Guitare de la chanson-titre, ainsi que : Bennie and the Jets, Crocodile Rock, Don't Go Breaking My Heart, Goodbye Yellow Brick Road, Honky Cat, I'm Still Standing, Pinball Wizard, Saturday Night's Alright (For Fighting), Tiny Dancer, Your Song et plus./ Recueil / Piano, Chant et Guitare

The Gold Radio Network is the UK's biggest classic hits network. Gold plays a fantastic mix of classic tracks from decade defining artists and era such as The Beatles, The Rolling Stones, Motown, Madonna, U2, Blondie, The Who, Aretha Franklin, David Bowie, The Beach Boys, Diana Ross, The Eagles, Rod Stewart, Stevie Wonder and Elton John - just to name a few! This songbook contains 30 classic Gold favourites, arranged for piano, voice and guitar. **Contains recommended songs for Trinity Rock and Pop Exams. See songlist below./ Recueil / Piano, Chant et Guitare

Björk Guðmundsdóttir is one of the key recording artists of the 21st century. Moving effortlessly between disciplines and genres so fluidly it would shame David Bowie, Björk has tackled neo-classical, showtunes, house, pop, indie as well as acting (winning best actress at the Cannes Film Festival for her turn in Dancer In The Dark) and creating a visual template for her work that is staggeringly rich. Björk has used collaboration as a key part of her work and her work available in sheet music is perhaps her most radical example of this. In her own words ?I wanted to question how I felt about musical documentation, when CDs were slowly becoming obsolete, I was curious about the difference of midi (digital notation) and classical notation and enthusiastic in blurring the lines and at which occasions and how one would share music in these new times. What is the difference of karaoke and the lyrical recitals of the 19th century? Can one meet at bonfires and sing techno songs? (well icelanders do obvs) Maybe I should share digital notation that people could connect to their synths or do harpsichord versions of electronic beats to enjoy in the living rooms and hopefully families singalong to?.
All Is Full Of Love
The Anchor Song
Atom Dance
Aurora
Bachelorette
Black Lake
Cover Me
Declare Independence
Desired Constellation
The Dull Flame Of Desire
Gratitude
I've Seen It All
Immature
Isobel
Joga
Mother Heroic
My Juvenile
New World
Notget
Oceania
Pagan Poetry
Pleasure Is All Mine
Pneumonia
Stonemilker
Sun In My Mouth
Unravel
Venus As A Boy
Vertebrae by Vertebrae
Where Is The Line?
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / HAL LEONARD

Description This delightful collection of 99 rounds, canons and partsongs makes a great introduction to part-singing for groups of all ages. The wide-ranging selections are arranged by categories including English Pre-1700 (Secular), Pre-1700 (Sacred), Post-1700, From Around The World and Wordless Rounds. Compiled by the internationally renowned King's Singers. Songlist A Round Of Three Country Dances In One Adieu, Sweet Amarillis Ah, Poor Bird Ah, Robyn, Gentil Robyn All Things Shall Perish Alleluia Alleluya Ave Maria Benedictus Blow Thou Horne, Thou Jolly Hunter Christe, Der Du Bist Tang Und Licht Christmas Is Coming Coffee Canon Come Follow Come Let Us All A-maying Go Dame, Lend Me A Loaf De Terra Christus Ascendit Dona Nobis Pacem Fie, Nay, Prithee, John Flow, O My Tears Follow Me Quickly French Cathedrals Freu Duch Des Lebens Friends, Forget The Cares Happy Be Thou, Heavenly Queen Hark! The Bonny Christchurch Bells Ring Hava Na Shira He That Will An Ale House Keep Hey Down A Down Hey Ho, Anybody Home Hey Ho, To The Greenwood Hotaru Koi I Gave Her Cakes And I Gave Her Ale I Goe Before My Darling I Will Not Plead If Turn'd Topsy Turvy Jack Boy, Ho Boy Newis Jesu, Rex Admirabilis Joan, Come Kiss Me Now Jolly Shepherd Jubilate Deo Kukurika Lady, Come Down And See Me Little Jack Horner Lo Yisa Goi Mi Gallo Musing My Dame Hath A Lame, Tame Crane New Oysters Non Nobis, Domine Now God Be With Old Simeon Now, Robin Lend To Me Thy Bow O Lord, Turne Not Away Thy Face Oaken Leaves Oh Praise The Lord Once, Twice, Thrice One, Two, Three, Our Number Is Right Perche Vezzosi Rai Round (Beethoven) Round (Demantius) Round (Haydn) Round (Perti) Round (Schubert) Round (Telemann) Round [Salieri] Round 1 (Caldara) Round 1 (Mozart) Round 2 (Caldara) Round 2 (Mozart) Round 3 (Caldara) Shalom Chaverim Since Time So Kind Sing We Now Merrily Sing With Thy Mouth Sing You Now After Me Summer Is A-coming In Swiftly Flowing Labe Tallis' Canon Tan Ta Ra Ran Tan Tant The Little Bells Of Westminster The New Day The Owl And The Cuckoo The Silver Swan There Is A Flower There Was An Old Man 'tis Thus, Thus And Thus To Portsmouth Turn Again, Whittington Under This Stone Viva La Musica Wake Up Canon Welcome, Welcome, Ev'ry Guest Well Rung, Tom Boy When Jesus Wept White Coral Bells White Sand And Grey Sand Who'll Buy My Roses

Par BOWIE DAVID. Bowie: Hits presents over 40 of David Bowie?s greatest songs spanning his entire career, newly arranged for piano

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

100 Songs in the Key of C. The sequel to Your First Fake Book and The Easy Fake Book, this new second edition includes 100 favorite songs all in the key of C, complete with lyrics and simplified chords that remain true to each tune. It also features convenient stay-open binding, introductions to make the arrangements sound more polished, and large, easy-to-read music notation that beginning or older players will love! The songs come from all musical genres - standards, rock, Broadway and the movies, love songs and more/ Recueil / Mélodie, Paroles et Accords

Ce livre excellent et maniable contient les paroles de cent Golden Oldies de la vaste gamme de chansons Country and Western et de ballades. Il comprend les favoris traditionnels et classiques populaires tels que la maison du soleil levant, Love Me tendre, Jolene et Hey Good Lookin '. La forme et le style du livre signifie qu'il est utile comme référence gig-sac, mais la collection fera appel à toute personne qui aime la rejoindre en à une chanson de chanter et séances de karaoké ou même un vieux grand croon dans la salle de bain ! / Voix / 52 pages / Chanson En Séparée