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CHORAL - VOCAL - CHOIR
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Piano solo (2736)
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Trumpet, Piano (46)
Marching band (46)
Conducteur (45)
French horn (45)
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Solistes SSATTB, Choeur SATB, … (43)
Solistes SATB, Choeur SATB, 2 … (43)
Accordion (43)
String Trio: 2 violins, cello (43)
Musical course - Solfege (43)
Easy Piano (43)
Recorder (42)
Low voice, Piano (42)
Solistes (SATB), Choeur Mixte … (39)
Partie Séparée (39)
2 Flutes (duet) (39)
Guitar notes and tablatures (37)
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Alto Saxophone (36)
2 Pianos, 4 hands (36)
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Exemplaire Complet (34)
Piano and Orchestra (34)
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2 Flûtes Traversières, 2 Cor… (32)
Horn and Orchestra (32)
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Voice, Guitar (29)
Choeur SATB, 2 Flûtes Travers… (28)
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2 Violins (duet) (27)
Double bass, Piano (duet) (27)
2 Flutes, Piano (27)
CD (26)
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Choral 2-part (24)
Violin, Viola (duet) (24)
2 Hautbois, 2 Clarinettes, 2 C… (23)
School Ensemble (23)
Partition de Poche (23)
Trompette Et Orchestre (22)
Oboe and Orchestra (22)
Voix et Instruments Divers (21)
Flûte à Bec F1 (Hautbois), 1… (20)
Flûte Traversière ou Violon)… (20)
String Quintet: 2 violins, vio… (20)
2 Violons, Alto et Basse Conti… (20)
Clarinet Quartet: Clarinet, Vi… (20)
Flute and Guitar (20)
Flute, Violin and Violoncello (20)
Trumpet, Orchestra (19)
Choeur SATB, 2 Hautbois, 2 Cla… (19)
Melody line, (Lyrics) and Chor… (19)
Saxophone (19)
Orchestre: Choeur SATB, 2 Haut… (18)
Concert band, Choral (18)
Trio (17)
Solistes SATB, Choeur SATB, 2 … (17)
Voice, Clarinet, Piano (17)
Solistes ST, Choeur SATB, Flû… (17)
Trombone and Piano (17)
Quintette à Cordes (17)
Conducteur et Poche (17)
Trombone (17)
Lyrics and Chords (17)
Solistes STB, Choeur SATB, (2 … (16)
Solistes STB, Choeur SATB Vers… (16)
Descant (Soprano) Recorder (16)
Piano ou Clavecin et Instrumen… (16)
2 Flûtes Traversières et Vio… (15)
Clarinette et Orchestre (15)
Brass Quartet: 4 trombones (15)
Solistes SSATB, Choeur SSATB, … (15)
Bassoon, Orchestra (15)
Bassoon, Piano (duet) (15)
Livret (15)
Choeur d'Hommes et Guitare (14)
Orchester (14)
Choeur Mixte et Orchestre (14)
Guitare et Musique de Chambre (14)
Trio avec Piano (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Solo S, (2 Clarinettes, 2 Bass… (13)
Violoncelle (Alto, Flûte Trav… (13)
Solo S, Choeur SATB, 2 Hautboi… (13)
Biography (13)
Flute Trio: 3 flutes (13)
Clarinet Ensemble (13)
Saxophone Quartet: 4 saxophone… (13)
2 Guitars (duet) (13)
3 Recorders (trio) (13)
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Solo S (AT), Choeur SATB, 2 Tr… (12)
Trio à Cordes (12)
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Choral Unison (12)
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2 Trompettes Sib, 1 Cor, 1 Tro… (12)
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Voice and Orchestra (12)
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Choral SSAA (12)
2 Sopranos, Choeur Mixte (SATB… (12)
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Flute Quartet: Flute, Violin, … (12)
Woodwind Quintet: flute, oboe,… (12)
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Treble (Alto) Recorder (12)
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Soli (STB), Choeur Mixte (SATB… (11)
Soliste, Choeur Mixte, Orgue e… (11)
Soprano ou Ténor, Clarinette … (11)
Choeur d'Hommes et Piano (11)
3 Hautbois et Cor Anglais (11)
Violon, Violoncelle, Hautbois,… (11)
Solistes ST (A) TBarB, Choeur … (11)
2 Clarinets (duet) (11)
Opera (11)
Choeur Mixte (SATB) ou Choeur … (10)
Pocket, Study conductor (10)
Orgue Et Orchestre (10)
Choeur Mixte (SATB) Avec Choeu… (10)
String Trio: 3 cellos (10)
Choeur SSATTBB (TTBB), 2 Tromp… (10)
Choeur SATB (TTBB), 2 Cors, 2 … (10)
Solistes STBarB, Choeur SATB, … (10)
Choeur SSAATTBB, 2 Cornetti, 3… (10)
Euphonium, Piano (duet) (10)
Flûte Traversière, Violon, A… (9)
2 Cellos (duet) (9)
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Choeur SATB, 2 Hautbois, 2 Bas… (9)
5 Part Ensemble (9)
2 Clarinets, Piano (9)
Ochestre à Cordes (9)
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4 Trombones Ou Instruments Cui… (9)
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Mezzo-Soprano voice, Piano (9)
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Choeur d'Hommes et Cordes (8)
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Clarinette et Orchestre à Cor… (8)
Guitare, Voix, Clarinette (8)
Solistes SS, 2 Altos, 2 Violon… (8)
Quintette Pour Piano (8)
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2 Flûtes Traversières ou Hau… (8)
Trompette Sib 1 Cor en Fa 1 Tr… (8)
2 Clarinettes en Sib et Clarin… (8)
Flûte Traversière, Hautbois,… (8)
Choeur SATB, 2 Hautbois ou 2 C… (8)
Violoncelle, Quintette à vent… (8)
Saxophone ensemble (8)
2 Hautbois, 2 Clarinettes, 2 C… (8)
Clarinette, Basson, Cor, 2 Vio… (8)
Solistes STB, STB et Orgue, Vi… (8)
Trompette, Cor et Piano ou Org… (8)
Solistes, 1-2stg Choeur d'Enfa… (8)
Violin, Cello (duet) (8)
Flûte Traversière, 2 Cors, V… (8)
Choeur SSTBBar/ST (A) TBBar, 2… (8)
Piano, Trio à vent, Percussio… (8)
3 Trombones (trio) (8)
Piano Quartet: piano, violin, … (8)
Flute Quartet: 4 flutes (8)
Solistes SSAATTBar, Choeur SSA… (8)
Choeur SSA, 2 Flûtes Traversi… (8)
Flûte Traversière, Hautbois,… (8)
3 Bassons (8)
Low voice (8)
Solistes ST, 2 Hautbois, 2 Bas… (8)
Piano Accompaniment (8)
Chant (8)
Choeur SATB, Cor, 2 Violons, V… (7)
Solo S, 2 Clarinettes ou 2 Hau… (7)
Soprano, Choeur Mixte à 4 Voi… (7)
Soliste, Double Choeur Mixte e… (7)
Solo T, 2 Hautbois, 2 Bassons,… (7)
Piano (Ou Clavecin) Et Orchest… (7)
Choeur SATB, 2 Violons, Alto, … (7)
Solo B, Choeur SATB, 2 Violons… (7)
Symphonic Band (7)
Violin, Basso continuo (7)
Cor, 2 Flûtes Traversières, … (7)
Clarinette, Basson, Cor, 2 Vio… (7)
Ensemble A 4 Parties (7)
2 Saxophones (duet) (7)
Clarinet Quartet: 4 clarinets (7)
Violon 1 (7)
Flûte Traversière, 2 Hautboi… (7)
Piano avec 2 Hautbois, 2 Cors … (7)
Tuba and Piano (7)
Accordion ensemble (7)
Organ, Trumpet (duet) (7)
2 Hautbois, 2 Clarinettes, 2 C… (7)
Tenor Saxophone (7)
Harp (7)
Violon, Clavecin Obligatoire E… (6)
Hautbois, Basson, Violon, Viol… (6)
Solistes HeldenTénor, Soprano… (6)
Solo S, 2 Violons, Alto et Vio… (6)
Cornet and Piano (6)
Tuba (6)
Brass Quartet: 2 trumpets, 2 t… (6)
Bugle Et Piano (6)
2 Flûtes Traversières, 2 Hau… (6)
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2 French horns, Piano (6)
Contrebasse Et Orchestre (Cord… (6)
Piano, Guitar (Chords) (6)
2 Euphoniums et Piano ou Orgue… (6)
Bb Instruments (6)
Soli and Orchestra (6)
Choeur TTBB et Orgue (6)
Bass guitar (6)
Trio A Cordes (6)
Choeur SATB, 2 Violons, Violon… (6)
Solistes SS, Choeur SATB, 2 Vi… (6)
Violoncelle, Cordes Et Claveci… (6)
Viola, Cello (duet) (6)
Soprano voice, Orchestra (6)
Quatuor (6)
Piano (Ou Clavecin) Et Orchest… (6)
Violon II (6)
Solistes SS, Choeur SATB, 2 Vi… (6)
SingSt, Klavier (6)
2 Violons Et Basse (Ou Violonc… (6)
Tenor voice, Piano (6)
Recorder Ensemble (6)
Saxophone and Piano (6)
Soprano ou Ténor et Piano (5)
Choeur SATTB (SAATB) (5)
Bass Trombone and Piano (5)
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2 Flûtes Traversières ou Vio… (5)
Voix Hautes (Original) et Pian… (5)
Choeur SATB, 2 Hautbois, 2 Cla… (5)
Quatuor A Cordes Contrebasse A… (5)
2 Violins and Basso (5)
Flûte, 2 Hautbois, 2 Clarinet… (5)
Choeur SATB et Orgue ou Piano (5)
2 Flûtes Traversières, 2 Hau… (5)
Descent (Soprano) Recorder, Pi… (5)
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Clavecin (5)
Chorale (5)
Flûte Traversière, 2 Hautboi… (5)
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Solo et Accompagnement de Cord… (5)
Partition D'Orchestre (5)
Violon Et Cordes (5)
Harpsichord (5)
Horn Ensemble (5)
Tenor Saxophone and Piano (5)
Partition D'Orchestre In 16 Po… (5)
Quintette Variable (5)
Quintette de Cuivres (5)
Violon 2 (5)
Solistes STB, Choeur STB, Orgu… (5)
Hautbois, 2 Clarinettes, 2 Cor… (5)
Jazz Ensemble (5)
3 Flûtes A Bec (SSA), 1 A 3 A… (5)
2 Violins, Piano (5)
Choeur d'Hommes et 4 Cors (5)
Double bass, Orchestra (5)
C Instruments (5)
3 Clarinets (trio) (5)
All Instruments (5)
Cor, Trombone et Piano ou Orgu… (4)
6 Hautbois, 2 Clarinettes, 2 C… (4)
Basson, 2 Altos et Violoncelle… (4)
Flûte Traversière et Trio à… (4)
2 Violons, Violoncelle (Ou Bas… (4)
Trombone, Tuba, Euphonium, Sax… (4)
7 Flûtes A Bec (SSAATTB) (4)
Hautbois, Basson et Piano ou O… (4)
Flûte Traversière, Clarinett… (4)
Concert Band/Harmonie (4)
Hautbois 1 Clarinette en Sib 1… (4)
Flûte Traversière ou Hautboi… (4)
3 Recorders, Piano (4)
Violon, 2 Altos et Violoncelle… (4)
Violon ou Flûte Traversière,… (4)
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Piano, Guitar (duet) (4)
Flûte Traversière, Hautbois,… (4)
Flûte Traversière, Cor, Viol… (4)
Flûte Traversière, Orchestre… (4)
Flûte Traversière, Hautbois,… (4)
Choeur D'Hommes, Choeur D'Enfa… (4)
Clarinet, Violin, Cello, Piano… (4)
Violon 1 (6 parts) Violon 2 (6… (4)
Flûte Traversière ou Violon)… (4)
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Clavecin (Ou Piano), 2 Violons… (4)
Solistes (SSATTB), Choeur Mixt… (4)
Piano, Flûte Traversière, Ha… (4)
Flûte Traversière ou Violon,… (4)
Flûte Traversière, Alto et C… (4)
Flûte Traversière Hautbois, … (4)
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Ensemble Mixte (4)
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Flûte Traversière, Violon et… (4)
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2 Flûtes Traversières et 2 C… (4)
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Flûte Traversière, Violon, 2… (4)
Solistes TTBB, Choeur TTBB, (2… (4)
Voix (Ou Récitant) Et Piano (4)
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Quintette Avec Piano (4)
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Batterie Et Percussions (4)
Low voice, Organ (4)
Flûte Traversière, Clarinett… (4)
Quatuor de Cors et Octuor de V… (4)
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2 Flûtes Traversières ou Fl… (4)
Trio de Vents (4)
Flute ensemble (4)
Trompette, 2 Violons et Basse … (4)
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Harp, Flute (duet) (4)
2 Flûtes Traversières, 2 Hau… (4)
Piano (Ou Clavecin) Et Cordes … (4)
Voix Mixtes (4)
2 Cors, Orchestre et Continuo (4)
Cor, Trombone et Orchestre à … (4)
Quatuor de Cordes (4)
Guitar, Violin, Viola, Violonc… (4)
Hautbois, 2 Cors, 2 Altos et V… (4)
Cor, Trombone et Cordes (4)
Quatuor à vent (4)
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VLC/FLT/VLN::Cello, Flute, Vio… (4)
Trombone, Organ (4)
Trompette, Trombone et Piano (4)
Flûte 1 Clarinette en Sib 1 C… (4)
Cor en Mib et Piano ou Orgue (4)
Flute, Basso continuo (4)
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Violon I (4)
Choeur de Femmes et Piano (4)
4 Cellos (4)
Alto et Orchestre (4)
Orgue et Brass Band (4)
String Quintet: 2 violins, vio… (4)
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String Trio: 2 violins, viola (4)
Octuor A Vent (4)
Hautbois ou Flûte Traversièr… (4)
Quintette de Bois (4)
Flûte Traversière et Violon … (4)
Piano Quintet: piano, violin, … (4)
Oboe, Violin, Viola and Violon… (4)
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Voice, Organ (4)
Soprano voice (4)
High voice (4)
Travaux Pour Choeurs (3)
Solistes (SATB), Choeur Mixte … (3)
2 Violons Et Violoncelle Ou Or… (3)
2 Bassoons (duet) (3)
Flute, Horn and Piano (3)
Ténor, Choeur D'Hommes et Pia… (3)
Medium Voice (3)
Saxhorn and Piano (3)
Trompette Solo, Cordes Et Bass… (3)
Flûte Traversière Et Orchest… (3)
3 Euphoniums et Piano ou Clavi… (3)
Flute and Strings Trio (3)
2 Pianos 8 Mains (3)
Ensemble de Violons (3)
3 Flûtes A Bec Soprano (3)
Voice, Cello and Piano (3)
2 Flutes, Basso continuo (3)
Saxophone Ténor et Piano (3)
Contrebasse (Partie séparée)… (3)
4 Euphoniums et Piano ou Orgue… (3)
Piano Quartet: piano, 2 violin… (3)
Alto, Choeur d'Hommes et Piano… (3)
Bugle et Orchestre (3)
Choeur SA et Orgue (3)
Choeur SATB, 2 Hautbois, 2 Cla… (3)
Choeur de Femmes (SSAA) avec S… (3)
Alto Partie Séparée (3)
Klavier (Cembalo), 2 Violinen… (3)
3 Cornets (3)
Choeur SATB et Violoncelle ou … (3)
Choeur d'Hommes et Instruments… (3)
Euphonium Clé de Sol et Fa (3)
Violoncelle (Partie Séparée)… (3)
Solistes SATB, Choeur SATB, 2 … (3)
Instruments A Vent (3)
2 Pianos, 3 hands (3)
2 Violas, Piano (3)
Solo B, Violon et Basse Contin… (3)
Tuba Solo (3)
Voix Seule (3)
Mezzo-Soprano ou Baryton et Pi… (3)
Choeur SSA et Orgue (3)
Choeur D'Hommes Et Orchestre (3)
Drums (3)
Percussion (3)
4 Guitars (Quartet) (3)
Violin, Cello, Clarinet (3)
Oboe, Clarinet, Bassoon (trio)… (3)
Solistes (Choeur) SATB et Pian… (3)
Choeur Mixte (SSAAATTBBB) (3)
String Quintet: 2 violins, 2 v… (3)
Guitar Ensemble (3)
4 Tubas (2 Euphoniums, 2 Tubas… (3)
Contrebasse et Orchestre (Cord… (3)
Ensemble Moyen Contemporain (3)
Soli (STB), gemischter Chor u… (3)
Choeur TTBB (SATB) et Orgue (3)
String quintet (3)
Solo à (Baryton), Choeur TTBB… (3)
Choeur De Femmes (SSSAA) (3)
Mandolin (3)
Tuba en Mib et Piano ou Orgue (3)
Solistes SATB, Choeur SATB, Vi… (3)
Orgue et Orchestre à Vent (3)
Euphonium (3)
Solistes SATB, Choeur SATB/SAT… (2)
Choeur D'Enfants (Mez) Et Inst… (2)
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Harmonie (2)
Solo à (Baryton), Choeur SSAA… (2)
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Livre Musical (2)
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Clarinette en Sib et Orchestre… (2)
Soliste, Choeur Mixte et Orgue… (2)
Flute and Vibraphone (2)
Musique de chambre (2)
Soli (STB), gemischter Chor (S… (2)
Blasinstrumente (2)
2 Violons et Orchestre (2)
Tambours (2)
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Alto Et Cordes Avec Clavecin 2… (2)
Voice and several instruments… (2)
Récitant(E) Et 9 Musiciens (F… (2)
Basse Partie Séparée (2)
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Partition Complète / Full Sco… (2)
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Quatuor De Pianos (2)
4 Saxophones (Soprano, Alto, T… (2)
Soprano, Choeur Mixte A 4 Voix… (2)
Hautbois Et Instruments Divers… (2)
Sopran solo, Alt solo, Tenor … (2)
6 à 8 Ténors, 4 à 6 Altos, … (2)
Soprano (2)
Clarinette Et Cordes (2)
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Lieder, Band 11 (SCHUBERT FRANZ)
Piano, Voice
[Sheet music]
Barenreiter
Par SCHUBERT FRANZ. Neue Ausgabe Sämtlicher Werke. Urtext/ Répertoire / Chant ...
(+)
Par SCHUBERT FRANZ. Neue Ausgabe Sämtlicher Werke. Urtext/ Répertoire / Chant et Piano
359.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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La Terre Promise
Voice solo
Schott
Petr ?ajkovskij besaß nicht nur französische Wurzeln. Von Kindheit an wuchs er...
(+)
Petr ?ajkovskij besaß nicht nur französische Wurzeln. Von Kindheit an wuchs er in engem Kontakt zur französischen Kultur auf, die ihn zeitlebens fesseln sollte. Der Komponist hielt sich immer wieder in Paris auf, machte Bekanntschaft mit den Größen des dortigen Musiklebens und träumte davon, eine Oper für die französischen Bühnen zu komponieren. Der Band rekonstruiert neben diesen biographischen Aspekten die französische ?ajkovskij-Rezeption zwischen 1877 und 1900 mit ihren verschiedenen Stationen, Protagonisten und ästhetischen Positionen. Es wird gezeigt, wie die anfänglich begeisterte Aufnahme des Komponisten in den französisch-russischen Salons der 1880er Jahre in eine Ablehnung umschlägt, die das stereotype Bild vom Trivialmusiker ?ajkovskij vorwegnimmt. In ?ajkovskijs Oeuvre hat der Bezug zu Frankreich gleichwohl deutliche Spuren hinterlassen. Dargestellt wird eine ganz Gruppe von Kompositionen, die für französische Interpreten oder Auftraggeber geschaffen wurden. Einen Schlüssel zum Verständnis von ?ajkovskijs Musik bietet auch seine Auseinandersetzung mit französischer Musik von Hector Berlioz über Georges Bizet bis zu Camille Saint-Saëns. Anhand der französischen Musikzitate, die in seinen Werken immer wieder begegnen, kann schließlich ?ajkovskij Umgang mit fremder Musik und die Herausbildung einer hybriden musikalischen Sprache analysiert werden. / Voix
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Sheet music]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
13.00 EUR - Sold by LMI-partitions
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Sheet music]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Sheet music]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Sheet music]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Sheet music]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Sheet music]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Sheet music]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Franz Schubert: Great Is Jehovah: Men's Choir: Vocal Score
Choral
Novello & Co Ltd.
Great Is Jehovah The Lord (Die Allmacht; D 852) is a song written by Franz Sch...
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Great Is Jehovah The Lord (Die Allmacht; D 852) is a song written by Franz Schubert in 1825 as the second half of his opus 79. It has been arranged for Tenor solo with Piano Organ and Male Voice Choir accompaniment by Franz Lizst. The words have been taken from a poem by Campbell Clarke.Franz Schubert (1797-1828) was an Austrian composer working in the early Romantic era. He is best remembered for his ever-popular Ave Maria which was memorably adapted by Walt Disney for his 1940 film Fantasia.
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Schreker: Das Chorwerk (SCHREKER FRANZ)
Choral SATB
[Sheet music]
Carus Verlag
Par SCHREKER FRANZ. Franz Schreker had a long and close association with choral ...
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Par SCHREKER FRANZ. Franz Schreker had a long and close association with choral music. As founder and director of Vienna's Philharmonic Chorus he led world premieres and first performances of works by contemporary composers. It is surprising, therefore, that Schreker wrote relatively few independent choral works; only three of these works [with various scorings] were published in his lifetime. Now, for the first time this critical edition, prepared by Christopher Hailey, director of the Franz Schreker Foundation, makes available a body of works that sheds new light on Schreker’s musical evolution and, in its own right, constitutes a notable addition to twentieth-century choral literature. / Mottet / Répertoire / Choeur Mixte
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Ave Maria Opus 52 n°6 ? Voix Elevées (Collection Anacrouse) (SCHUBERT FRANZ)
Piano, Voice
[Sheet music]
EBR Editions Bourges
Par SCHUBERT FRANZ. La collection ANACROUSE offre aux pianistes novices et confi...
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Par SCHUBERT FRANZ. La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d??uvres classiques, allant de la Renaissance à l?époque moderne. Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d?une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l?unité, a fait l?objet d?un travail éditorial attentif, tant sur le plan de l?établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces ?uvres. Les partitions sont proposées sous la forme d?ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement. Franz Schubert compose « l'Ave Maria » pour voix et piano en 1825. Celui-ci est publié en 1826 sous l'opus 52 n°6, en Sib Majeur. A cette époque, il voue une grande admiration à la Sainte Marie, la mère de Jésus. Il met en musique un extrait de la poésie de « Madame du lac » écrit par l'écrivain anglais Walter Scott qui a été traduit en Allemand par Adam Storck. « L'ave Maria » est appelé par Schubert son dritter Gesang « la troisième chanson d'Ellen ». L'héroïne de la poésie, Ellen Douglas, prie la vierge en se cachant. Dans une de ses correspondances avec ses parents, il avoue exprimer dans cette chanson un hymne à la Sainte Marie. Les mots d'origines de Walter Scott incluent beaucoup de référence à la prière latine de « l'Ave Maria ». Finalement, les mots latins adaptés de la prière est maintenant la version la plus généralement exécutée. L'ave Maria s'inscrit dans le répertoire marial du 19ème siècle. Encore aujourd'hui, cette pièce musicale reste une des oeuvres les plus prisées des amoureux pour l'accompagnement de la cérémonie du mariage. / Date parution : 2023-03-21/ Répertoire / Chant et Piano
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Missa Pro Defunctis (SUPPE FRANZ VON)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...
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Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Magnificat In C Major D 486 (SCHUBERT FRANZ)
Piano, Voice
[Sheet music]
Barenreiter
Arrangeur: Andreas Köln. Par SCHUBERT FRANZ. This edition of Franz Schubert's '...
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Arrangeur: Andreas Köln. Par SCHUBERT FRANZ. This edition of Franz Schubert's 'Magnificat” D 486 is based on the composer's autograph score and is the first to make use of his authorised performance material. It offers alternative readings that make the performance practice of Schubert's day accessible to today's performers. This entertaining large-scale 'Magnificat” was composed in September 1815. The edition is based on the Urtext from the 'New Schubert Edition” and offers an informative Foreword with editorial notes in German and English. The original figured bass numerals found in Schubert's score have been modernised in all performance material and meticulously adapted to meet the demands of today's performers./ Répertoire / Chant et Piano
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Stabat Mater - Op. : 154 (LACHNER FRANZ)
Choral SATB
SATB/SATB (Double Choir)
[Sheet music]
Carus Verlag
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music...
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Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technicaldifficulty in the voice parts./ Répertoire / Choeur SATB/SATB
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Missa Pro Defunctis (SUPPE FRANZ VON)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...
(+)
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Schubert Franz - A Taste Of Schubert - Voix Haute and Piano
High voice, Piano
Barenreiter
Schubert, Franz A Taste of Schubert for High Voice - Representative cross-sectio...
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Schubert, Franz A Taste of Schubert for High Voice - Representative cross-section of Schubert Lieder for high and medium voice - Based on the Urtext of the ?New Schubert Edition? (edited by Walther Dürr ?) Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. ?A Taste of Schubert? presents one to three pieces from each volume to create a cross-section of Schubert?s complete lieder ?uvre. Lieder from his famous cycles are included as well as ?Sehnsucht?, a Lied in different settings from his own pen. Contrasting genres have also been taken into consideration, beginning with simple strophic songs, via the ballad ?Der König von Thule? through to his long Ossian Lied ?Cronnan?. Schubert, Franz A Taste of Schubert for High Voice - Representative cross-section of Schubert Lieder for high and medium voice - Based on the Urtext of the ?New Schubert Edition? (edited by Walther Dürr ?) ·Der König in Thule op. 5, 5 D 367 ·Wohin? op. 25, 2 D 795, 2 from Die schöne Müllerin ·Sehnsucht D 310 1st setting, 1st version ·Sehnsucht D 359 2nd setting ·Lied er Mignon op. 62, 4 D 877, 4 5th setting of Sehnsucht; from Gesänge aus 'Wilhelm Meister' ·An die Musik op. 88, 4 D 547 2nd version ·Wasserflut op. 89, 6 D 911, 6 from Winterreise ·Das Fischermädchen D 957, 10 from Schwanengesang ·Adelaide D 95 ·Die Sterne D 176 ·Die Mainacht D 194 ·Cronnan D 282 2nd version ·Die Nacht D 358 2nd version
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Messe G-Dur D 167 (SCHUBERT FRANZ)
Soli, Mixted choir and accompaniment
[Sheet music]
Breitkopf & Härtel
Vl2. Par SCHUBERT FRANZ. Editeur(s) d'origine: Beyer, Franz/ Répertoire / Solis...
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Vl2. Par SCHUBERT FRANZ. Editeur(s) d'origine: Beyer, Franz/ Répertoire / Soliste, Choeur Mixte et Orchestre
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Der 116. Psalm (SCHREKER FRANZ)
Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C
[Sheet music]
Carus Verlag
Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wie...
(+)
Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms’s romantic classicism. Thus, Schreker’s psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same yearby the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms’s Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. / Psaumes / Répertoire / Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C
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Missa Pro Defunctis (SUPPE FRANZ VON)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...
(+)
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Messe G-Dur D 167 (SCHUBERT FRANZ)
Soli, Mixted choir and accompaniment
[Sheet music]
Breitkopf & Härtel
Vl1. Par SCHUBERT FRANZ. Editeur(s) d'origine: Beyer, Franz/ Répertoire / Solis...
(+)
Vl1. Par SCHUBERT FRANZ. Editeur(s) d'origine: Beyer, Franz/ Répertoire / Soliste, Choeur Mixte et Orchestre
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Via Crucis (LISZT FRANZ)
Solistes SATB, Choeur SATB et Orgue
[Sheet music]
Carus Verlag
Die 14 Stationen Des Kreuzwegs. Par LISZT FRANZ. Franz Liszts orgelbegleitete 'V...
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Die 14 Stationen Des Kreuzwegs. Par LISZT FRANZ. Franz Liszts orgelbegleitete 'Via crucis' für Soli und Chor ist eine musikalische Kreuzwegdarstellung und als solche ein Unikum in der Musikliteratur. Dies gilt nicht nur für das Genre als solches, sondern auch für die musikalische Faktur: ihre progressive Harmonik, ihr Expressivität, ihr abwechslungsreiches Formvokabular. Die Hälfte der 14 Kreuzwegstationen sind reine Orgelsätze bzw. vorwiegend Orgelstücke, technisch zwar nur mäßig anspruchsvoll, musikalisch aber höchst raffiniert. Die Ausgabe enthält ein detailliertes Verzeichnis der vokalen Besetzungsmöglichkeiten, bei denen auch eine Aufführung ganz ohne Solisten denkbar ist. / Musique religieuse / Répertoire / Solistes SATB, Choeur SATB et Orgue
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Missa Pro Defunctis (SUPPE FRANZ VON)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...
(+)
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Messe G-Dur D 167 (SCHUBERT FRANZ)
Soli, Mixted choir and accompaniment
[Sheet music]
Breitkopf & Härtel
Par SCHUBERT FRANZ. Editeur(s) d'origine: Beyer, Franz/ Répertoire / Soliste, C...
(+)
Par SCHUBERT FRANZ. Editeur(s) d'origine: Beyer, Franz/ Répertoire / Soliste, Choeur Mixte et Orchestre
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Missa Dalmatica (SUPPE FRANZ VON)
Solistes TTB, Choeur TTB et Orgue
[Sheet music]
Carus Verlag
Tonalité : F-Dur -. Par SUPPE FRANZ VON. In addition to the Requiem, the Missa ...
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Tonalité : F-Dur -. Par SUPPE FRANZ VON. In addition to the Requiem, the Missa Dalmatica, which was first composed in 1835 and revised in 1876, offers further proof of the remarkable sacred music composed by the famous composer of operettas, Franz von Suppè. He dedicated the Mass to his Dalmatian homeland. In this Mass for three-voiced men’s choir and organ, which in his unmistakable personal style combined the most varied influences of the tradition of church music, Italian and German opera, as well as the folk idioms of Vienna and Dalmatia, Suppè created an attractive and unique work which has earned a special place in the history of 19th century church music. / Messe / Répertoire / Solistes TTB, Choeur TTB et Orgue
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Der 116. Psalm (SCHREKER FRANZ)
Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C
[Sheet music]
Carus Verlag
Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wie...
(+)
Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms’s romantic classicism. Thus, Schreker’s psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same yearby the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms’s Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. / Psaumes / Répertoire / Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C
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Messe G-Dur D 167 (SCHUBERT FRANZ)
Soli, Mixted choir and accompaniment
[Sheet music]
Breitkopf & Härtel
Par SCHUBERT FRANZ. Editeur(s) d'origine: Beyer, Franz/ Répertoire / Soliste, C...
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Par SCHUBERT FRANZ. Editeur(s) d'origine: Beyer, Franz/ Répertoire / Soliste, Choeur Mixte et Orchestre
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Mass In Eb Major D950 (SCHUBERT FRANZ)
Choral
Peters
Par SCHUBERT FRANZ. Mass No. 6 in E flat major, D 950, is a mass composed by Fra...
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Par SCHUBERT FRANZ. Mass No. 6 in E flat major, D 950, is a mass composed by Franz Schubert. It was originally scored for two tenor soloists, soprano, alto and bass soloists, SATB choir with divisi, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, violin I and II, viola, cello, and double bass and is presented in this edition as a vocal score for SATB. It was Schubert's final setting of the order of Mass, and is classified as a missa solemnis. / Urtext / Répertoire / Travaux Pour Choeurs
12.61 EUR - Sold by LMI-partitions
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