Volume 9 of the new Urtext edition of Schubert???s lieder contains lieder composed during the spring and summer of 1816 some of which follow upon series started in 1815. They are available in separate books for high medium and low voice. The volume was completed by the eminent Schubert scholar Walter D?rr who passed away at the beginning of 2018.It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In the summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart(???Grablied auf einen Soldaten??? and 'An mein Klavier???) the author of the words to one of his most famous songs ???Die Forelle???/ 'The Trout??? (see Volume 2).Based on the Urtext of the ???New Schubert Edition???Clear and uncluttered engravingForeword by Walther D?rr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/Eng)Includes English translations of the lieder texts by Richard Wigmore

Schuberts Ave Maria Op.52 Nr.6-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier das Ave Maria von Franz Schubert op. 52 Nr. 6. Die Bearbeitung für Chor SATB mit Klavierbegleitung ist von Thorsten Kuhn. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).Ebenso erhältlich mit Orgelbegleitung unter der Bestellnummer PMV16157O.

An anthology of 45 songs for low voice from Franz Schuberts's celebrated compositions many of which are widely regarded as the finest ever written. Essential repertoire for the accomplished singer.

Terzetto Für 3 Männerstimmen Und Gitarre, Zur Namensfeier Des Vaters, D 80. Par SCHUBERT FRANZ. 3MSti Git / Niveau : Facile à Assez Facile / Répertoire / Voix et Instruments Divers

Tiefe Stimme / Low Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice.This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume.• Based on the Urtext of the “NewSchubert Edition”• Clear and uncluttered engraving• Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng)• Includes English translations of the lieder texts by Richard Wigmore

The Shepherd on the Rock D. 965 for Voice Clarinet and Piano-The Shepherd on the Rock composed in the final year of Schubert’s life was in a certain sense a commission. The opera singer Anna Milder-Hauptmann the first Leonore in Beethoven’s Fidelio had asked Schubert in letters written between 1824 and 1825 to write a grand scene for voice for her. Yet he only finally started work on it in autumn 1828. He used three different poems as the basis for his work combining them to form an equally brilliant and atmospheric musical scene.The Clarinet adds to its particular charm sometimes joining in as a soloist at other times following the voice like an echo - ensuringSchubert’s Shepherd a special place in the repertoire even today.

Arrangeur: Andreas Köln. Par SCHUBERT FRANZ. This edition of Franz Schubert's 'Magnificat” D 486 is based on the composer's autograph score and is the first to make use of his authorised performance material. It offers alternative readings that make the performance practice of Schubert's day accessible to today's performers. This entertaining large-scale 'Magnificat” was composed in September 1815. The edition is based on the Urtext from the 'New Schubert Edition” and offers an informative Foreword with editorial notes in German and English. The original figured bass numerals found in Schubert's score have been modernised in all performance material and meticulously adapted to meet the demands of today's performers./ Répertoire / Chant et Piano

Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 ActsIn late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober?s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881 2 allegedly with 'brilliant acclaim'.Urtext of the New Schubert EditionFull score (BA5540) and vocal score (BA5540-90) available for salePerformance material (BA5540-72) available for hire

Mittlere Stimme / Medium Voice-Schubert lieder for discerning musicians. The New Schubert Edition is the only scholarly-critical edition that will once completed include Franz Schubert's lieder in their entirety. In response to the rising expectations of performers and listeners alike all the lieder will be published over the next few years in performing editions containing the text of Walther Dürr the eminent Schubert scholar and former Managing Editor of the New Schubert Edition.Includes the definitive musical text from the New Schubert EditionNewly engraved with a spacious appearance and larger format (23 x 30 cm)Ideal page turnsEditorial decisions andconflicting readings from main sources are now identified in this performing editionAlternative versions are reproduced in the appendixIntroduction by Walther Dürr focuses on peculiarities in the genesis and performance history of each lied and provides solid information on performance practiceAdopts straightforward ordering principle from the New Schubert Edition: first by opus number then in chronological orderComplete transposition into three vocal registers finally allows every singer to work with the latest findings of Schubert scholarshipIncludes English translations of the lieder texts by Richard WigmoreThe edition is scheduled to consists of 13 volumes. Each volume will appear in three editions; one for high voice one for middle voice and one for low voice.

Par SCHUBERT FRANZ. La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d??uvres classiques, allant de la Renaissance à l?époque moderne. Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d?une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l?unité, a fait l?objet d?un travail éditorial attentif, tant sur le plan de l?établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces ?uvres. Les partitions sont proposées sous la forme d?ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement. Franz Schubert compose « l'Ave Maria » pour voix et piano en 1825. Celui-ci est publié en 1826 sous l'opus 52 n°6, en Sib Majeur. A cette époque, il voue une grande admiration à la Sainte Marie, la mère de Jésus. Il met en musique un extrait de la poésie de « Madame du lac » écrit par l'écrivain anglais Walter Scott qui a été traduit en Allemand par Adam Storck. « L'ave Maria » est appelé par Schubert son dritter Gesang « la troisième chanson d'Ellen ». L'héroïne de la poésie, Ellen Douglas, prie la vierge en se cachant. Dans une de ses correspondances avec ses parents, il avoue exprimer dans cette chanson un hymne à la Sainte Marie. Les mots d'origines de Walter Scott incluent beaucoup de référence à la prière latine de « l'Ave Maria ». Finalement, les mots latins adaptés de la prière est maintenant la version la plus généralement exécutée. L'ave Maria s'inscrit dans le répertoire marial du 19ème siècle. Encore aujourd'hui, cette pièce musicale reste une des oeuvres les plus prisées des amoureux pour l'accompagnement de la cérémonie du mariage. / Date parution : 2023-03-21/ Répertoire / Chant et Piano

Great Is Jehovah The Lord (Die Allmacht; D 852) is a song written by Franz Schubert in 1825 as the second half of his opus 79. It has been arranged for Tenor solo with Piano Organ and Male Voice Choir accompaniment by Franz Lizst. The words have been taken from a poem by Campbell Clarke.Franz Schubert (1797-1828) was an Austrian composer working in the early Romantic era. He is best remembered for his ever-popular Ave Maria which was memorably adapted by Walt Disney for his 1940 film Fantasia.

Masterpiece Edition-Franz Schubert was born in Vienna in 1797. He was involved in music at an early age learning music theory and many different instruments including piano violin organ and voice. During his brief but prolific life he wrote a wide variety of music. His compositions included symphonies piano sonatas piano duets operas masses chamber works and several hundred songs. Among the hundreds of songs the most loved and revered is Ave Maria. Ave Maria was first published in 1826 under the German title Ellen's Gesang 111: Hymne and die Jungfrau (Ellen's Song 111: Hymn to the Virgin). The text used was taken from a novel written by Sir Walter Scott entitled 'Lady of the Lake'. It was then translated into German as it appeared in Schubert's song. After Schubert's death in 1828 the Latin text began being used and eventually surpassed either the use of the German or English text. 'Antiphon of the Blessed Virgin' is a text which has been used in religious contexts since the beginning of Christianity. This vocal classic was originally envisioned as a devotional piece but over time the magnificent beauty of both music and text has made this song equally popular for secular performances. Schubert's Ave Maria arranged for High Voice is recommended for Soprano or Tenor ranges. We have included a separate vocal line with lyrics written in Latin just above the piano accompaniment stave(s). The English translation is also included to explain this fabled story. This Minstrel Press Edition of Schubert's Ave Maria for High Voice is exclusively distributed by Santorella Publications.

Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale

Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.Urtext of the New Schubert EditionFull score performance material (BA5621) and vocal score (BA5621-90) available for sale

For solo soprano alto tenor bass mixed choir and piano. 'To strive for the highest in art' - these are the words with which Franz Schubert announced his A flat major Mass in 1828 a work which he designated as 'Missa solemnis' in his autograph. Alone the genesis of the work shows the importance which the composer placed on this work. Schubert wrote the score between 1819 and 1822 an unusually long period of time for him. He later fundamentally revised the mass when he applied for the post of Vice Court Kapellmeister in Vienna which he did not obtain. After this disappointment he rejected his original intent of dedicating the mass 'to the Emperor orEmpress.' Thanks to Peter Jost's 'Breitkopf Urtext' edition Schubert's 'Missa solemnis' once again adds its luster to the publisher's catalogue: Breitkopf & Härtel published its final version in the Schubert Gesamtausgabe in 1887.