For SATB chorus Clarinet in Bb Percussion Harp and String Orchestra.Commissioned by the Barlow Endowment for Music Composition at Brigham Young University the Dale Warland Singers Commission Award presented by Chorus America and funded by the American Composers Forum and Utah Chamber Artists.First performed 30 April 2012 at the Libby Gardner Concert Hall University of Utah Salt Lake City by Utah Chamber Artists conducted by Barlow Bradford.InstrumentationSATB chorus with divisionssolo soprano(optional soprano alto tenor & bass soli) Clarinet in Bb offstagePercussion (1player):    Tubular Bells Glockenspiel large Bass Drum large Suspended CymbalHarpString orchestra    (minimum 6.6.4.4.2 players)

Symphonie dramatique-Roméo et Juliette Op.17 Hol.73: Symphonie dramatiqueFor his third symphony ?Roméo et Juliette? (1839) Berlioz turned to his greatest literary passion Shakespeare drawing once again on his own most fervent experiences. Berlioz?s discovery of Shakespeare in 1827 had been overwhelming not only for the dramatic force of the poetry and drama but also because the leading actress of the company Harriet Smithson immediately won his heart. She later became his wife.He began to think seriously about composing some kind of musical ?Romeo and Juliet? but it was not realised until 1839. The symphony is scoredfor double chorus (to represent the two warring families) solo voices as secondary characters with the lovers themselves represented by the Orchestra.Urtext of the New Berlioz EditionFull score (BA5458) vocal score (BA5458-90) and study score (TP334) available for salePerformance material (BA5458-72) available for hire

Opera Instrument : soloists, choir and orchestra Type : study score Series : Eulenburg Miniature Scores Nombre de Pages : 688 Content : Vorwort - Revisionsbericht - Preface - Editorial Notes - Ouvertüre - 1. Akt - 2. Akt

POD-Sursum Corda is a work by Martin Shaw. A cantata for Tenor Solo Chorus and Orchestra the work sets a poem by Laurence Binyon and was written for the Three Choirs Festival Hereford in 1933.

The vocal score for Saint Ludmila by Anton n Dvo ák scored for Soli Chorus and Orchestra. Featuring a libretto by prominent Czech poet Jaroslav Vrchlický. The entire work lasts around 2 hours 30 minutes.

The full score for this large work for Orchestra Mezzo-Soprano soloist and chorus was written in 1999 as part of the New York Philharmonic's Millenium commission. Characteristic of Ades the Orchestral writing is dense and challenging set against an unusual and startling vibrato-less solo voice. As the title suggests the work gained further significance since the turn of the Millenium. However from a musical perspective the score represents a significant example of 21st Century Orchestral composition.

Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).

Work for SATB Chorus and Orchestra. Revised by Colin Matthews in 1973 in consultation with Imogen Holst. Words by Walt Whitman. / Scores

Movement 2: Happy Voices Fuga for Orchestra. Par TREDICI DAVID DEL. Les notes du compositeur: and ldquo - Child Alice a été conçu comme une continuité unique... les divers extraits peuvent être effectuées séparément. Options incluent : partie II de l'enfant Alicemay être joué sans partie I * événements pittoresques (no 1) et Happy Voices (no 2) peuvent être joué comme une unité * Quainty événements peut être joué séparément * Happy Voices peut être joué séparément * tous les après-midi de Golden peut par joué séparément. and rdquo -/ Répertoire / Soprano et Orchestre

Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).

Par PERGOLESI GIOVANNI BATTISTA. Durée: 60', Langue: Latin, German,/ Répertoire / Choeur de Femmes (SA) avec Solistes (SA), Orchestr

Par SCHROEDER HERMANN. Messen, deutsch - Langue : Allemand / Messe / Répertoire / Choeur SATB, Paroisse et Orgue, (Vents ou Orchestr

Par PURCELL HENRY. Durée: 15', Langue: English, German, Format: 17, 8 x 25, 5/ Répertoire / Choeur Mixte (SATB), Solistes (SAATBB) et Orchestr

Par PERGOLESI GIOVANNI BATTISTA. Durée: 60', Langue: Latin, German,/ Répertoire / Choeur de Femmes (SA) avec Solistes (SA), Orchestr