Volume 9 of the new Urtext edition of Schubert???s lieder contains lieder composed during the spring and summer of 1816 some of which follow upon series started in 1815. They are available in separate books for high medium and low voice. The volume was completed by the eminent Schubert scholar Walter D?rr who passed away at the beginning of 2018.It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In the summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart(???Grablied auf einen Soldaten??? and 'An mein Klavier???) the author of the words to one of his most famous songs ???Die Forelle???/ 'The Trout??? (see Volume 2).Based on the Urtext of the ???New Schubert Edition???Clear and uncluttered engravingForeword by Walther D?rr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/Eng)Includes English translations of the lieder texts by Richard Wigmore

L'Ave Maria de Schubert, arrangé pour trio de voix féminines (SSA) par Henry Geehl. / Voix / niveau : Intermédiaire / Partition

An anthology of 62 songs from Franz Schuberts's celebrated compositions many of which are widely regarded as the finest ever written. Essential repertoire for the accomplished singer.

In this one of Schuberts first and most successful artsongs Gretchen reflects on her sudden infatuation with Faust. The piano accompaniment with its relentless sixteenth notes in the right hand depicts both Gretchens accumulating madness andthe perpetual motion of the spinning wheel.

Tiefe Stimme / Low Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice.This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume.• Based on the Urtext of the “NewSchubert Edition”• Clear and uncluttered engraving• Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng)• Includes English translations of the lieder texts by Richard Wigmore

16 German Dances and two Ecossaises op. 33-Schubert au piano livrant la richesse inépuisable de ses airs de danse des amis dansant et plai-santant autour de lui ? cette image fait partie des clichés circulant couramment dès lors qu?il s?agit de ce compositeur. Le terme de «Schubertiades» inventé pour l?illustrer est devenu une expression consacrée. Sur les plus de 300 pièces de danse composées par Schubert pour le piano 177 parurent tout de même de son vivant réparties en huit recueils. Parmi elles figurent les 16 danses allemandes et deux écossaises op. 33 des années 1823/24.

Schubert, Franz A Taste of Schubert for High Voice - Representative cross-section of Schubert Lieder for high and medium voice - Based on the Urtext of the ?New Schubert Edition? (edited by Walther Dürr ?) Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. ?A Taste of Schubert? presents one to three pieces from each volume to create a cross-section of Schubert?s complete lieder ?uvre. Lieder from his famous cycles are included as well as ?Sehnsucht?, a Lied in different settings from his own pen. Contrasting genres have also been taken into consideration, beginning with simple strophic songs, via the ballad ?Der König von Thule? through to his long Ossian Lied ?Cronnan?. Schubert, Franz A Taste of Schubert for High Voice - Representative cross-section of Schubert Lieder for high and medium voice - Based on the Urtext of the ?New Schubert Edition? (edited by Walther Dürr ?) ·Der König in Thule op. 5, 5 D 367 ·Wohin? op. 25, 2 D 795, 2 from Die schöne Müllerin ·Sehnsucht D 310 1st setting, 1st version ·Sehnsucht D 359 2nd setting ·Lied er Mignon op. 62, 4 D 877, 4 5th setting of Sehnsucht; from Gesänge aus 'Wilhelm Meister' ·An die Musik op. 88, 4 D 547 2nd version ·Wasserflut op. 89, 6 D 911, 6 from Winterreise ·Das Fischermädchen D 957, 10 from Schwanengesang ·Adelaide D 95 ·Die Sterne D 176 ·Die Mainacht D 194 ·Cronnan D 282 2nd version ·Die Nacht D 358 2nd version

Mittlere Stimme / Medium Voice-Schubert lieder for discerning musicians. The New Schubert Edition is the only scholarly-critical edition that will once completed include Franz Schubert's lieder in their entirety. In response to the rising expectations of performers and listeners alike all the lieder will be published over the next few years in performing editions containing the text of Walther Dürr the eminent Schubert scholar and former Managing Editor of the New Schubert Edition.Includes the definitive musical text from the New Schubert EditionNewly engraved with a spacious appearance and larger format (23 x 30 cm)Ideal page turnsEditorial decisions andconflicting readings from main sources are now identified in this performing editionAlternative versions are reproduced in the appendixIntroduction by Walther Dürr focuses on peculiarities in the genesis and performance history of each lied and provides solid information on performance practiceAdopts straightforward ordering principle from the New Schubert Edition: first by opus number then in chronological orderComplete transposition into three vocal registers finally allows every singer to work with the latest findings of Schubert scholarshipIncludes English translations of the lieder texts by Richard WigmoreThe edition is scheduled to consists of 13 volumes. Each volume will appear in three editions; one for high voice one for middle voice and one for low voice.

Arrangeur: Andreas Köln. Par SCHUBERT FRANZ. This edition of Franz Schubert's 'Magnificat” D 486 is based on the composer's autograph score and is the first to make use of his authorised performance material. It offers alternative readings that make the performance practice of Schubert's day accessible to today's performers. This entertaining large-scale 'Magnificat” was composed in September 1815. The edition is based on the Urtext from the 'New Schubert Edition” and offers an informative Foreword with editorial notes in German and English. The original figured bass numerals found in Schubert's score have been modernised in all performance material and meticulously adapted to meet the demands of today's performers./ Répertoire / Chant et Piano

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocal soloists necessary

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.Urtext from the New Schubert EditionStandard work in the church music repertoireCan be accompanied by organ or wind instrumentsNo vocal soloists necessary

Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104

The most useful collection of Schubert songs available! Unlike international editions these new songbooks contain only a few favourite songs from Die Schöne Müllerin and Die Wintereisse rather than the rarely-used entire song cycles; this leaves room for many more wonderful individual songs not normally found in Schubert collections.As in the other volumes in The Vocal Library each song features introductory notes including information about the composition the song's biographical context in Schubert's life early performances and comments about poets. The contents for the High Voice and Low Voice editions are almost the same: theHigh Voice volume uniquely includes Der Hirt auf dem Felsen (with removable clarinet part) and Auf dem Strom (with removable horn part); the Low Voice volume uniquely includes Das Abendrot and Romanze. The cover is adorned with a charming 1821 watercolour depicting Schubert and friends at a summer gathering in Atzenbrugg.All songs have been newly edited and researched based on the most current historical material available. German singing text.

Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.Urtext of the New Schubert EditionFull score performance material (BA5621) and vocal score (BA5621-90) available for sale