Piano Vocal Score and 2 CDs with instrumental and vocal versions-A new collection from Ricordi of Verdi arias produced for Verdis bicentenary in a reduced version for soprano voice and piano together with a brief synopsis and the original lyrics in Italian with an English translation. Each Cantolopera book comeswith two CDs with recordings of the orchestral accompaniment played by the compagnia d`Opera Italiana. an ideal collection for singing teachers and students.Arias from: AIDA; UN BALLO IN MASCHERA; LA BATTAGLIA DI LEGNANO; ERNANI; FALSTAFF; LA FORZA DEL DESTINO; I LOMBARDI ALLA PRIMA CROCIATA; LUISA MILLER; MACBETH; I MASNADIERI; MESSA DA REQUIEM; OTELLO; RIGOLETTO; SIMON BOCCANEGRA; LA TRAVIATA; ILTROVATORE as well as the AVE MARIA.

Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known editions. By means of parallel passages, editorial additions attempt to make Verdi's intentions clearer through the judicious use of diacritical markings. A clearly organized disposition of the engraved music makes the full score and vocal score easy to read. Outstanding legibility of the parts. With an excellently playable vocal score by Paul Horn in tried and true quality. As a reasonably-priced alternative, a choral score is also available. With a foreword in three languages and a critical report. Among Verdi's many compositions, as a work of sacred music, the Requiem remains unique. It was composed as a musical memorial for the Italian national poet Alessandro Manzoni, deeply admired by Verdi, and was first performed on the first anniversary of his death on 22 May 1874 in Milan Cathedral. The exploration of many extremes places Verdi's tonal language wholly in the service of a dramatized liturgy./ Répertoire / Choeur Mixte (SATB) et Orchestre

Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known editions. By means of parallel passages, editorial additions attempt to make Verdi's intentions clearer through the judicious use of diacritical markings. A clearly organized disposition of the engraved music makes the full score and vocal score easy to read. Outstanding legibility of the parts. With an excellently playable vocal score by Paul Horn in tried and true quality. As a reasonably-priced alternative, a choral score is also available. With a foreword in three languages and a critical report. Among Verdi's many compositions, as a work of sacred music, the Requiem remains unique. It was composed as a musical memorial for the Italian national poet Alessandro Manzoni, deeply admired by Verdi, and was first performed on the first anniversary of his death on 22 May 1874 in Milan Cathedral. The exploration of many extremes places Verdi's tonal language wholly in the service of a dramatized liturgy./ Répertoire / Choeur Mixte (SATB) et Orchestre

Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming the sacred music cycle 'Quattro pezzi sacri' were composed as independent pieces between 1889 and 1897. The scoring ranges from solo voices a cappella to double choir with large orchestra. In 1898 the year of their first joint performance Verdi had them published together as 'Quattro pezzi sacri'. With the composition of the 'Quattro pezzi sacri' in the last years of his life Verdi thus returned to his church musician origins. Already at the age of 10 Verdi performed the duties of organist in his home congregation and later in Busseto where he received his first music lessons. Themasses at the collegiate church in Busseto formed some of his most important musical impressions. During the time Verdi composed 'Falstaff' his last opera he was once again composing sacred music this time in a conscious encounter with historical models such as Palestrina and Bach.

Full Vocal score of Giuseppe Verdi's complete opera Luisa Miller. With Italian lyrics and synopsis in Italian English French and German. A short opera packed with interest movement and passion. It was was extremely well received and one contemporary critic Abramo Basevi even claimed that it inaugurated Verdi’s second manner. The preparation of the libretto as documented by the abundant correspondence between Verdi and Cammarano is a topic of great interest in the study of Verdi’s dramaturgy. Luisa Miller was first staged at the Teatro San Carlo of Naples on 8 December 1849.

Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ? A un dottor della mia sorte (Il Barbiere di Siviglia) ? Cornelius: Mein Sohn (Der Barbier von Bagdad) ? Smetana: Kezal's Aria (The Bartered Bride) ? Puccini: Vecchia zimarra (La Boheme) ? Mussorgsky: I have attained to power (Boris Godunov) ? Varlaam's Song (Boris Godunov) ? Pimen's Tale (Boris Godunov) ? Verdi: Dormiro sol nel manto mio regal (Don Carlo) ? Infelice! e tuo credevi (Ernani) ? Infin che un brando vindice (Ernani) ? Come dal ciel precipita (Macbeth) ? Il lacerato spirito (Simon Boccanegra) ? Di due figli vivea, padre beato (Il Trovatore) ? Mozart: Madamina! il catalogo e questo (Don Giovanni) ? Wer ein Liebchen hat gefunden (Die Entführung aus dem Serail) ? Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) ? Se vuol ballare, signor Contino (Le Nozze di Figaro) ? Non piu andrai (Le Nozze di Figaro) ? In diesen heil'gen Hallen (Die Zauberflöte) ? O Isis und Osiris (Die Zauberflöte) ? Donizetti: Ah, un foco insolito (Don Pasquale) ? A tanto amor (La Favorita) ? Dalle stanze, ove Lucia (Lucia di Lammermoor) ? Tchaikovsky: Gremin's Aria (Eugene Onegin) ? Gounod: Vous qui faites l'endormie (Faust) ? Le veau d'or (Faust) ? Beethoven: Hat man nicht auch Gold daneben (Fidelio) ? Wagner: Mogst du, mein Kind (Der Fliegende Hollander) ? Mein Herr und Gott (Lohengrin) ? Nun hort und versteht (Pogner's Address) (Die Meistersinger) ? Tatest du's wirklich? (Tristan und Isolde) ? Ponchielli: Ombre die mia prosapia (La Gioconda) ? Meyerbeer: Piff, Paff (Les Heugenots) ? Gluck: De noirs pressentiments (Iphigenie en Tauride) ? Halvey: Si la rigueur (La Juive) ? Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) ? Massenet: Epouse quelque brave fille (Manon) ? Flotow: Lasst mich euch fragen (Porter Song) (Martha) ? Thomas: De son coeur j'ai calme la fievre (Mignon) ? Dargomyzhsky: The Miller's Song (Rusalka).

Partitura + C.C. In Inglese - Serie I - Vol.7. Par VERDI GIUSEPPE. Casa Ricordi, in joint publication with The University of Chicago Press, has published the works of Giuseppe Verdi in critical edition, making use of all the available sources - from autographs to sketches, from early manuscript copies to the variouseditions produced during Verdi´s lifetime - and contemporary orchestral parts. Full score: hardbound volume, 26. 5×36. 7 cm (Historical Introduction in Italian and English)/ Répertoire / Oeuvres Théâtrales/Oratorios et Ballets

Soft Cover ed 1960-Verdi's tenth Opera Macbeth had its premiere at the Teatro alla Pergola in Florence on 14 March 1847. That the composer himself had a high opinion of the work is confirmed both by his correspondence and by his dedication of the vocal score to his father-in-law Antonio Barezzi.Seventeen years later long after Macbeth had firmly established itself in the repertoiry of Italian and foreign theatres Verdi agreed to revise the Opera for its first Paris production at the Theatre-Lyrique on 21 April 1865. The revisions were far more extensive than he had initially anticipated but the self-criticism he brought to the processindicated his continuing belief in the viability of the Opera. The Paris premiere of the revised version was not a success and even after the publication of a vocal score of the 1865 Opera many Italian theatres continued to perform the original version. Nevertheless since Verdi considered the revisions definitive Ricordi chose to market the 1865 version which has thereafter always remained in the catalogue.

Vocal Score-This is the Complete Vocal score of the entire opera with singing text in Italian and English. A beautiful imaginative opera and it is one of Verdi’s most famous works and most successful opera. The premiere occurred on 19 January 1853 at the Teatro Apollo in Rome and was an enormous success. The appreciation of the new work increased with each performance. The third performance was the last that Verdi was contractually obliged to attend: at the end of that evening the audience presented Verdi with two laurel wreaths.

Description Giuseppe Verdi: Macbeth (Vocal Score) Giuseppe Verdi's Macbeth',(libretto by Francesco Maria Piave and Andrea Maffeiis), is dramatic and very difficult for the singers, particularly the soprano playing Lady Macbeth. Songlist Macbeth

Verdi's Requiem in an updated edition by Michael Pilkington. Scored for soprano mezzo-soprano tenor and bass soli SATB chorus and orchestra.Vocal score with piano accompaniment. Introduction in English French German and Italian. Latin text only. Verdi's only masterpiece which was not intended for the stage.

Trilogia popolare - Edizione critica (ril. brochure). Par VERDI GIUSEPPE. Anlässlich des 200-jährigen Jubiläums von Giuseppe Verdi erschien 2013 der 4-bändige Schuber POPULAR TRIOLOGY mit den drei bekanntesten Opern des Komponisten: RIGOLETTO (1851) und IL TROVATORE (1853), jeweils in einem Band sowie LA TRAVIATA (1853)in zwei Bänden. Der elegante, kostengünstige Schuber enthält Klavierauszüge, die auf den kritischen Ausgaben der Partituren beruhen, die bei RICORDI in Zusammenarbeit mit THE UNIVERSITY OF CHICAGO PRESS erschienen sind (RIGOLETTO: Martin Chusid, ed. IL TROVATORE:David Lawton, ed. LA TRAVIATA: Fabrizio Della Seta, ed. ) / Opéra-opérette / Répertoire / Voix et Piano Réduction

Vocal Score-Full Vocal score of Giuseppe Verdi's successful and resoundingly popular opera Aida. With Italian and English lyrics and synopsis in Italian English French and German. Commissioned by the khedive of Egypt to celebrate the opening of the Suez Canal Aida was first performed at the Cairo Opera Theatre on the 24th of December 1871. The following year it received its Italian premiere at the Teatro alla Scala in Milan. Verdi set the narrative with a variety of theatrical and musical solutions that effectively illustrate the love story in all its intricate excess resulting in unavoidable tragedy when the volatile and entangled dimensionof personal passions clashes with the power of patriotic conscience.

'La Forza del Destino' is a product of the rich middle period of Verdi’s long creative life and marks an important development in his style. The entire work is pervaded by a dark brooding feeling. Verdi and librettist Francesco Maria Piave have created a tangled tale in which the characters come together through coincidence. Melitone and Preziosilla provide asides and comic elements as the three main characters Donna Leonora Don Carlo and Don Alvaro play out their tragic parts. This is the Schirmer Edition of the Vocal Score in the original Italian with an English translation by Ruth and Thomas Martin.

Edited by David Rosen-The Works of Giuseppe Verdi is the first critical edition of the composer’s oeuvre. Together with his operas the series presents his songs his choral music and sacred pieces and his string quartet and other instrumental works. This edition of Messa da Requiem is based on Verdi’s autograph score and other original sources. The appendices include two pieces from the compositional history of the Requiem: an early version of the Libera me composed in 1869 as part of a collaborative work planned as a memorial to Rossini and the Liber scriptus which in the original score of the Manzoni memorial Requiem was composed as a fugue for chorus. The introduction to the score tracesthe complex compositional and performance histories of the Requiem and discusses the work’s problems of instrumentation and notation while the critical commentary gives a full description of the sources and an account of all editorial decisions.