Nico Muhly's Magnificat and Nunc dimittis was written for the choirs of Clare College and Girton College Cambridge. This work was first performed in a provisional version in 2004 by the choir of Girton College conducted by Judith Clurman. The final version was first performed by the choir of Clare College conducted by Tim Brown on 16 February 2005 as part of the BBC Radio 3 evensong broadcast. With thanks to James McVinnie for his assistance in editing the Organ part. A review in the September 2015 issue of Sunday by Sunday for the Royal School of Church Music said that this piece 'is difficult but sung by a good choir withprecision and commitment...would delight an evensong congregation.'

The slow and delicate setting of an anonymous medieval text for solo Soprano and SATB chorus by Francis Pott. The piece includes full Organ accompaniment.

The Piece Farthest Shore was expertly composed by British composer Paul Mealor. Farthest Shore was commissioned by the John Armitage Memorial Trust St Davids Festival and Edinburgh Royal Choral Union and first performed at St Cuthbert's Church Edinburgh conducted by Michael Bawtree.Mealor was catapulted to international attention when 2.5 billion people heard his motet Ubi caritas performed at the Royal Wedding Ceremony of His Royal Highness Prince William and Catherine Middleton at Westminster Abbey 29th April 2011.

Words from The Roman Missal-This accessible motet is a companion piece for Lullabye for Lucy which was composed for the birth of Lucy Rendall the first child born in Rackwick Hoy for 32 years.Suscipe Quæsumus was first sung by the Mayfield Singers conducted by Neil Price on the occasion of the marriage of Lucy Rendall in St Magnus Cathedral Orkney on 18 July 2005.

Nico Muhly's I Cannot Attain Unto It for SSATB choir. Dedicated to the Manhattan Choral Ensemble.

Song of June is a setting of Wilfred Owen's wonderfully evocative 1914 poem about young love and summer days. Harvey's music captures the shimmering trees warbling waterbrooks and swimmers 'carving through the sparkling cold' depicted in the poem. This powerfully sensual work is certain to make a lasting impression on singers and audiences alike.The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

Jon Washburn Choral Series-Jon Washburn musically draws special deep emotions to color this evocative text by Walter de la Mare. The mood is created through the use of a glistening Piano part and a brooding Choral part. Vocal partsare kept in a moderate range mood and motion with small rhythmic devices to delight and challenge the singers.

With a special connection to the poetry of Langston Hughes Kirke Mechem has written a new a cappella spiritual. Opening with a musical statement by a soprano soloist the soloist is featured throughout.In a typical Mechem musical style this tour de force is lush and new and emotional.

A Welsh Prayer is a setting of a poem by Grahame Davis for SATB Choir and two Harps composed by Paul Mealor.  A Welsh Prayer was commissioned by Holywell Music and the North Wales International Music Festival as a gift to celebrate the 65th birthday of His Royal Highness The Prince of Wales.The piece was premiered by the Aberdeen University Chamber Choir with harpists Hannah Stone and Catrin Finch conducted by the composer on 22 September 2013 at St Asaph’s Cathedral as part of the North Wales International Music Festival.Full Score available:  NOV294228 and Parts:  NOV294250

Dale Warland Choral Series-A Lover's Journey is a set of four pieces which chronicle the extraordinarily commonplace yet supremely elegant story of love.Written as a Valentine to The King's Singers the composer uses three textsby William Shakespeare and one by James Joyce. Movements include: 1) In the Still Garden; 2) St. Valentine's Day; 3) Will you Nill you; 4) Shall I Compare Thee to a Summer's Day?

This volume brings together five previously unpublished realisations by Benjamin Britten of vocal music by Henry Purcell. The realisation of the figured bass is highly personal in style coupled with thte fact that the pieces were originally prepared with specific singers in mind reflects Britten's afiinity Purcell’s music. These pieces are all arranged for one or two voices and Piano.

A selection of light-hearted and decidedly tongue-in-cheek settings by Jeremiah Clarke all written for voice with piano accompaniment and presented in the original keys.

To Be Caught in the Rain?-The Irving Berlin song Isn't This A Lovely Day (To Be Caught In The Rain)? was introduced to the world by the 1935 motion picture Top Hat. To this day Isn't This A Lovely Day (To Be Caught In The Rain)? continues to be a popular standard for jazz performers. The piece features a vintage bluesy swing that will showcase the singers at their best.

No. 3 from The Same Flame-Commissioned by the Somerset England based charity Churchill Music! The Same Flame was inspired by Pierre de Coubertin’s ideals of Olympism which gave rise to the modern Olympic and Paralympic values: Respect Excellence Friendship Courage Equality Determination and Inspiration. These seven values are celebrated in five movements so four of them had to double up – Friendship with Equality and Courage with Determination. Each movement is scored for slightly different choral forces so the work is varied. Also individual movements may suit different choirs giving the opportunity for individual performance or collaboration between choirs. All fivemovements of The Same Flame are published as individual octavos. A complete vocal score is available on request from the publishers.Inspired by the title of a book by Mary Ann Radmacher ‘Courage doesn’t always roar’ Guts and Grace considers courage and determination as essentially private qualities mothered by dark necessity but on occasion needing to step up publicly especially in the sporting arena and ‘roar’. This movement is intense and charged with emotion and gives opportunity for sections of the choir to shine individually as well as a beautiful soaring soprano solo section in the middle.