Offertorium In C. Par SCHUBERT FRANZ. Tonalité : C-Dur - D 136/ Répertoire / Soprano ou Ténor, Clarinette ou Violon Concertante

Offertorium In C. Par SCHUBERT FRANZ. Tonalité : C-Dur - D 136/ Répertoire / Soprano ou Ténor, Clarinette ou Violon Concertante

Offertorium In C. Par SCHUBERT FRANZ. Tonalité : C-Dur - D 136/ Répertoire / Soprano ou Ténor, Clarinette ou Violon Concertante

Offertorium In C. Par SCHUBERT FRANZ. Tonalité : C-Dur - D 136/ Répertoire / Soprano ou Ténor, Clarinette ou Violon Concertante

Offertorium In C. Par SCHUBERT FRANZ. Tonalité : C-Dur - D 136/ Répertoire / Soprano ou Ténor, Clarinette ou Violon Concertante

Présentation de Pascal Duc : Historique, bibliographie - Index des pièces - Texte complet des Indes Galantes. Préface de RameauTrès belle gravure, extrêmement lisible et élégante. La préface est remarquablement bien documentée. Cette version est certainement due au grand succès que connut l'Opéra-ballet de Rameau.Pièces pour clavecinPour le détail de chaque Concert, nous consulter / Soli Choeurs Et Instruments / 257 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5

for Mixed Choir and Organ. Par DE HAAN JACOB. Cette messe latine pour chorale et orchestre d’harmonie fut composée en l’honneur du jour de fête de la Sainte Cécile, la patronne des musiciens. Pour cette raison, beaucoup d’ensembles ont des concerts annuels dédiés à la Sainte Cécile, ce qui futla source d’inspiration pour ce morceau. Le style festif, optimiste, mais aussi réconfortant de cette oeuvre convient parfaitement au caractère du jour de fête de la Sainte Cécile. Après Missa Brevis, Missa Katharina et The GospelMass, Missa Santa Cecilia est la quatrième messe écrite par le compositeur néerlandais Jacob de Haan. / Niveau : 3 / Répertoire / Choeur Mixte et Orgue, Concert Band/Harmonie Ad Li

This combination of a Felix Mendelssohn tune to the Charles Wesley text is a classic! Known for his creative ability in setting hymns in a concertato style Walter Pelz develops an exciting arrangement for large choir with organ brass timpani and even the congregation. This would make a terrific processional for your holiday concert.

Uses: Reformation Hymn Arrangement General Concert Church AnniversaryScripture: Ephesians 1:22-23; Ephesians 4:4-6Ideal for church heritage services this treasured song of the faith will invigorate congregationalparticipation. Featuring a fanfare opening an attractive a cappella verse and a lofty descant this regal anthem can also be supported by the optional brass handbells and percussion. Impressive! Score and parts (tpt 1-2. tbn 1-2 timp) available onCD-ROM and as a digital download. Parts for handbells (3 octaves) available as a digital download.

Small Sacred Concertos II. The "Kleine geistliche Konzerte" (Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schütz. Both parts constitute a collection of vocal pieces in a broad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also in Latin. The first volume presents a broad spectrum of vocal scoring, musical forms and texts: there are solo concertos in the Italian style, traditional four-part motets, well-known Psalm texts set to music, hymns as well as mystically contemplative meditative literature. The concertos' monodic qualities and high level of virtuosity - especially in the compositions with German text - made Schütz a household name shortly after the "Kleine geistliche Konzerte" were published in print. As the works required no large ensembles, they could be performed for different occasions and in various locations: particularly during the Thirty Years' War they could be heard at court, in cities or in villages but also in schools or at home. Unlike the 1963 edition of the "Kleine geistliche Konzerte" (BA 3664, BA 3665, BA 3666) as part of the New Schütz Edition, this new volume presents the works for the first time in their original form and order. A historic-critical evaluation of all relevant sources yields new information regarding the composer's intentions, the printing process and the works' reception. Furthermore, the edition includes a reconstruction of an earlier version that has not been published until now. This edition is geared towards musicologists, as well as professional musicians and amateurs with a keen interest in early music.

This hymn concertato is set for mixed voices with organ in the traditional classic style known for the works of Robert Lau. Try it on Trinity Sunday or for general use.