Par SCHUTZ HEINRICH. Gattungen: Psalmen, deutsch - / Psaumes / Répertoire / Choeur Mixte

The five-part motets Nos. 1-12-The Five-Part Motets Nos. 1-12 (SWV 369-380)Reflects the latest in musicological research based on the New Schutz Edition.Includes a detailed foreword (Eng/Ger) on performance practice by a Schutz expertInstrumental parts (Strings Winds) available in transpositions.In 1648 Heinrich Schutz published a collection of 29 motets with five to seven parts titled ?Geistliche Chor-Music? (Sacred Choir Music). Here the term ?Chor? (Choir) refers not only to a (large) Vocal ensemble but more generally to a group of musicians vocal or instrumental. As explained by Schutz in the foreword he published withthe collection all parts of the motets can be performed vocally and/or instrumentally.This practice common in Schutz?s time has been incorporated into Bärenreiter?s new publication. The edition includes the twelve five-part motets at original pitch with Basso Continuo. In addition instrumental parts for String and Wind instruments can be purchased. These parts which include the text serve to support and complement the choral sound ?colla parte?. To enable varying tone-colour possibilities instrumental parts are available in different transpositions.Of great significance is the detailed foreword on performance practice by Manfred Cordes.Manfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory counterpoint and ensemble and is also rector of the ?Hochschule für Künste Bremen?. He performs internationally as the director of the ensemble ?Weser-Renaissance Bremen?.

24 Psalms For The Church's Year-In 1628 Schutz published musical settings of 102 psalms which had recently been printed in German translation and paraphrased in strophic rhymed verses.This anthology selects 24 psalms from across the Church's year and presents them in sparkling new English translations which match the original meter and rhyming scheme. These miniature masterpieces are a wonderful resource for choirs of all sizes and abilities and may be sung in parts or in unison a capella or with organ.

Published in 1648 Heinrich Schütz?s ?Geistliche Chor-Music? is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig?s revised new text is available (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation.In keeping with contemporary performance practice the ?choral? parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902).- Unser keiner lebet ihm selber SWV 374 No.6 from Geistliche Chor-Music- Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.

Psalm 98 from the 'Psalms of David' for 2 Mixed choirs (SATB)Schütz set to music the 'Psalms of David' 1619 in the new polyphonic 'Concert Style' which he had encountered in Italy at that time.This separate performing edition of the 98th psalm 'Singet dem Herrn ein neues Lied' contains the musical text of the New Schütz Edition and opens up the work to the field of practical music making.

Das Kanaanäische Weib. Evangeliendialog. Par SCHUTZ HEINRICH. anonymous composition, attributed to Schütz by Hans Joachim Moser/ Répertoire / Choeur SMsBar/STB, (Contrebasse et Orgue)

Historia Des Leidens Und Sterbens Unsers Herrn Und Heilandes Jesu Christi Nach Dem Evangelisten St. Lukas. Par SCHUTZ HEINRICH. With his three purely a cappella Passions, Schütz closes his series of historical settings: text-oriented compositions that are both technically demanding and intensely expressive. These are works of maturity, which bring an entire musical period to a close. With the Stuttgarter Schütz Edition, Carus-Verlag offers the trilogy of Schütz’s Passions in critical editions with detailed information about their composition, transmission, and performance practice./ Répertoire / Petit Choeur SATB et Choeur SATB

Historia Des Leidens Und Sterbens Unsers Herrn Und Heilandes Jesu Christi Nach Dem Evangelisten St. Lukas. Par SCHUTZ HEINRICH. With his three purely a cappella Passions, Schütz closes his series of historical settings: text-oriented compositions that are both technically demanding and intensely expressive. These are works of maturity, which bring an entire musical period to a close. With the Stuttgarter Schütz Edition, Carus-Verlag offers the trilogy of Schütz’s Passions in critical editions with detailed information about their composition, transmission, and performance practice./ Répertoire / Petit Choeur SATB et Choeur SATB

Historia Des Leidens Und Sterbens Unsers Herrn Und Heilandes Jesu Christi Nach Dem Evangelisten Matthäus. Par SCHUTZ HEINRICH. With his three purely a cappella Passions, Schütz closes his series of historical settings: text-oriented compositions that are both technically demanding and intensely expressive. These are works of maturity, which bring an entire musical period to a close. With the Stuttgart Schütz Edition, Carus-Verlag offers the trilogy of Schütz’s Passions in critical editions with detailed information about their composition, transmission, and performance practice./ Répertoire / Petit Choeur SATB et Choeur SATB

Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (Cello or Organ).My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour.Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translationof the Latin text.- Full score and performance material available for sale (BA4334)

Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (cello or organ)My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation of the Latin text.- Full score andperformance material available for sale (BA4334)

Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (cello or organ)My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation of the Latin text.- Full score andperformance material available for sale (BA4334)

Capellchor 1-Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (Cello or Organ).My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translationof the Latin text.- Full score and performance material available for sale (BA4334)