David Bednall's Some Corner Of A Foreign Field for SATB unaccompanied. A group of three miniatures for unaccompanied mixed voices  Some Corner of a Foreign Field sets poems by three First World War soldiers: John William Streets Goldfeld (about whom no more than his surname is known) and Rupert Brooke. Bednall's settings are slow expansive and expressive giving space for the listener to reflect on the profoundly moving texts. Brooke's 'The Soldier' brings a particularly poignant conclusion to the set with melismas employed for dramatic effect.

The Vocal score for John Tavener's beautiful work Lament For Jerusalem arranged for Soprano Countertenor and SATB Chorus with a Piano Accompaniment. This score can be used for both the 'Original'and 'Jerusalem' versions of the work. The composition was commissioned by Father Arthur E. Bridge OAM for Ars Musica Australis and was first written in 2002. The 'Jerusalem' version was arranged for theChoir of London in 2004. Tavener himself calls the work 'a mystical love-song' that reflects the 'mystical sacred and sublime nature of the texts'.  Lament For Jerusalem isdivided into seven stanzas each of which contain Christic Judaic and Islamic inspirations making this work truly innovative and interesting. The piece is around 45 minutes long and it is recommended to be performed in a spacein which there are generous acoustics that will allow each individual voice as well as the collective whole to 'breathe' and dissolve into the air.  The work is a wonderful one receiving greatcritical acclaim upon its premiere and impressing audiences the world over for its soaring Soprano melodies and its left-field Middle-Eastern harmonies. The composition is one in a long line of Tavener pieces thatimmediately silences audiences and captivates their attention throughout.  Any performance of Lament For Jerusalem is guaranteed to be a special event and one that audiences willremember for a long time.

A Musical play with words by John Oliver and music by Betty Roe. This is the score for Voice and Piano accompaniment containing all the music and song lyrics. Set in the late 18th century this fictional play is about a mining village on the outskirts of Shrewsbury once a thriving mining area and examines the changes that occur to the landscape over time. The play has been designed without set scenes or sets; one scene flowing into the next and using only really lighting for added effect so is suitable for most groups of varying size and ability.

The Cambridge Singers Hymn Series-We Plough The Fields And Scatter arranged by John Rutter for SATB choir and Piano or Harp.In his setting of this German hymn Rutter keeps the voices largely in rhythmic unison skilfully bringing variety through changes of timbre and dynamic. The piece is part of a collection of hymn arrangements recorded by the Cambridge Singers directed by John Rutter on the Collegium CD Sing Ye Heavens (COLCD 126).

Strawberry Fields Forever was John Lennon’s homage to the garden of a Salvation Army children’s home in Liverpool. It gave The Beatles a psychedelic hit in 1967. The name was eventually adopted for a small memorial garden on the West Side of New York’s Central Park opposite Lennon’s final address The Dakota apartment building. Here this evocative song is arranged for SATB with piano accompaniment by Jeremy Birchall.

Oliver Tarney's Sea Fever for CCBar and Piano. This is an imaginative and modern-sounding setting of John Masefield's popular poem (2017 marks the 50th anniversary of Masefield's death). This expressive piece ebbs and flows and provides imitative textures and well-crafted narrative.

In Flanders Fields is a series of poignant and evocative choral works with a theme of reconciliation and remembrance set to iconic texts by John McCrae and Rupert Brooke.Alan Smith was born in London in 1962 and spent his childhood in Croydon. He sang with various local choirs and attended the nearby Royal School of Church Music where he began organ lessons with Michael Fleming at the age of ten. He was appointed as Organist and Choirmaster of a local church at the age of 16 and later became Organ Scholar at Kings' College London where he studied from 1981 to 1984. As part of his music degree he specialized in composition studying with Nicola LeFanu David Lumsdaine and George Nicholson.Following postgraduate training at the London Institute of Education Alan began his teaching career. After working in various schools he became Head of Music at Hazelwick School Crawley in 1990 a post he continues to hold. In the same year he came to some prominence by winning the RSCM's annual composing competition. His successful entry Let the Peoples Praise You became his first published piece and continues to be widely performed. Since then his choral compositions have won several awards most recently the Thornesian Prize in 2003 and an honorable mention in the 2004 Vanguard Premieres Competition.Alan's output is predominantly of choral and vocal music much of it written for specific choirs or occasions and his catalogue runs to over 150 works. In the UK his music is published by Animus Curiad Cantiones Press Escorial Edition Fagus Music and RSCM while in America he is published by Abingdon Press CanticaNOVA OUP Pavane and Roger Dean.Since 1998 Alan has been Director of Music at St Andrew's church in Burgess Hill West Sussex where he lives with his wife and three children.

POD-Communion Service In D is a work by John Joubert for Unison Voices SATB Choir and Organ Accompaniment. Commissioned by the Lord Bishop of Wakefield for the Diocese and by Dean Close School Cheltenham.

Martin Shaw's O Christ Who Holds The Open Gate is scored for SATB Choir with Organ Accompaniment. The work is perfect for a Harvest service or just for general use with words by John Masefield.

The Coming Of Christ was a Mystery Play written by John Masefield in 1927 at the request of the Dean of Canterbury Cathedral based on the Christmas story. Holst's incidental music was composed at the sametime and published separately in 1928. Gustav Holst (1874-1934) was an English composer and teacher. Having studied under Stanford and Parry he became a close friend of Vaughan Williams they would oftencritique each other’s work and influenced composers such as Tippet and Britten. He is best remembered for his Planets suite.

Now available in a 2-Part voicing this setting of the famous World War I era poem by Dr. John McCrae is stunning in its simplicity and emotional impact. Perform it for Memorial Day and veteran's ceremonies or at any concertoccasion. Also now available separately: String parts and ShowTrax CD. Available separately: SATB SAB SSA TBB 2-Part ShowTrax CD. String parts available digitally (vn 1 vn 2 va vc). Duration: ca. 2:30.

This setting of the famous World War I era poem by John McCrae is stunning in its simplicity and emotional impact. Perform it for Memorial Day and veteran's ceremonies or at any concert occasion. Available: SATB SAB SSA and TBB. Performance Time: Approx. 2:15.

For SSA & Organ-Written for SS choir and organ. Dedicated to Charlotte Frye and the Choristers of Saint Paul’s Church Fairfield.

The New Decade Series provides great synopses of the musical decades, including the most iconic songs from each era presented for Piano, Vocal and Guitar. Songs of the 1950s includes hits from Elvis Presley, Perry Como, Cliff Richard and many more! 1. Ain’t That a Shame [Pat Boone] 2. All I Have to Do Is Dream [Everly Brothers] 3. All Shook Up [Elvis Presley] 4. At the Hop [Danny and the Juniors] 5. Blue Suede Shoes [Elvis Presley] 6. Bo Diddley [Buddy Holly] 7. Bye Bye Love [Everly Brothers] 8. Cara, Mia [David Whitfield] 9. Chantilly Lace [Big Bopper] 10. Diana [Paul Anka] 11. Dream Lover [Bobby Darin] 12. Earth Angel [Crew Cuts] 13. The Garden of Eden [Frankie Vaughan] 14. Give Me Your Word [Tennessee Ernie Ford] 15. Great balls of fire [Jerry Lee Lewis] 16. The Great Pretender [The Platters] 17. The Happy Wanderer (Val-De-Ri Val-De-Ra) [Obernkirchen Children's Choir] 18. Heartbreak Hotel [Elvis Presley] 19. Here In My Heart [Al Martino] 20. Hold My Hand [Don Cornell] 21. Hound Dog [Elvis Presley] 22. I Believe [Frankie Laine] 23. I Need Your Love Tonight [Elvis Presley] 24. I’ll Be Home [Pat Boone] 25. It Doesn’t Matter Anymore [Buddy Holly] 26. It’s All In the Game [Tommy Edwards] 27. It’s Only Make Believe [Conway Twitty] 28. Jailhouse Rock [Elvis Presley] 29. Just Walking In the Rain [Johnnie Ray] 30. Lipstick On Your Collar [Connie Francis] 31. Little Darlin’ [Diamonds] 32. Little Things Mean a Lot [Kitty Kallen] 33. Living Doll [Cliff Richard and the Shadows] 34. Magic Moments [Perry Como ] 35. Mambo Italiano [Rosemary Clooney