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Palace
CHORAL - VOCAL - CHOIR
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Aulis Sallinen: The Palace Opera (Libretto): Opera: Libretto
Libretto
[Sheet music]
Novello & Co Ltd.
The Palace is an Opera in a prologue and three acts with music by Aulis Sallinen...
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The Palace is an Opera in a prologue and three acts with music by Aulis Sallinen and libretto by Irene Dische and Hans Magnus Enzensberger. This work was commissioned by the Savonlinna Opera Festival and was first performed in Olavinlinna Castle Finland on 26 July 1995. This libretto includes a Finnish translation.Duration: approx. 2 hours.
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Zwerg Nase (NUTZENBERGER THOMAS)
Choeur d'Enfants (1-3 Voix) et Orchestre
[Score]
Carus Verlag
A fairy tale in music freely after Wilhelm Hauff. Par NUTZENBERGER THOMAS. This ...
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A fairy tale in music freely after Wilhelm Hauff. Par NUTZENBERGER THOMAS. This is the bizarre and fantastic story of the boy Jacob who is transformed into a dwarf with a huge nose by an mysterious fairy. He spends seven years in the fairy’s palace, and during this time becomes a marvellous cook. The years go by as in a dream, and he does not imagine that he is in truth in the body of a loathsome dwarf. When he sees his parents again, they do not recognize him. He is mocked and rejected by everyone. But Jakob is not disheartened! He has to protect himself and survive setbacks and tests until at the end of the story he regains his true form.Zwerg Nase, based on the fairy tale of the same name by Wilhelm Hauff, is a story which gives courage and hope. It is a story which tells of self-confidence and friendship. There are the animals in the fairy’s palace, who stand alongside Zwerg Nase, and above all his girlfriend the goose Mimi who is herself an enchanted maiden and is saved from the oven by Zwerg Nase. Mimi knows which magic herb can give him back his true form. And everything turns out well in the end.The text and music convey the magical content of the fairy tale in a playful, yet convincing way. The libretto is catchy in its verse and rhyme, comic ideas alternate with touching and atmospheric passages.Classic and contemporary elements mix together in the setting, oriental borrowings stand alongside rhythmic pieces such as boogie-woogie, tango, and waltz. Written for chorus and solo voices, the Singspiel is suitable for children and young people from 6 to 14 years. It is about an hour in length.This is the bizarre and fantastic story of the boy Jacob who is transformed into a dwarf with a huge nose by an mysterious fairy. He spends seven years in the fairy’s palace, and during this time becomes a marvellous cook. The years go by as in a dream, and he does not imagine that he is in truth in the body of a loathsome dwarf. When he sees his parents again, they do not recognize him. He is mocked and rejected by everyone. But Jakob is not disheartened! He has to protect himself and survive setbacks and tests until at the end of the story he regains his true form.Zwerg Nase, based on the fairy tale of the same name by Wilhelm Hauff, is a story which gives courage and hope. It is a story which tells of self-confidence and friendship. There are the animals in the fairy’s palace, who stand alongside Zwerg Nase, and above all his girlfriend the goose Mimi who is herself an enchanted maiden and is saved from the oven by Zwerg Nase. Mimi knows which magic herb can give him back his true form. And everything turns out well in the end.The text and music convey the magical content of the fairy tale in a playful, yet convincing way. The libretto is catchy in its verse and rhyme, comic ideas alternate with touching and atmospheric passages.Classic and contemporary elements mix together in the setting, oriental borrowings stand alongside rhythmic pieces such as boogie-woogie, tango, and waltz. Written for chorus and solo voices, the Singspiel is suitable for children and young people from 6 to 14 years. It is about an hour in length.A piano version is also available (Carus 12.448/03). The choral score is identical for both versions. / Date parution : 2022-10-12/ Répertoire / Choeur d'Enfants (1-3 Voix) et Orchestre
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Ubi Caritas (10-Pack)
Choral SATB
Novello & Co Ltd.
Paul Mealor's setting of the Latin hymn, Ubi Caritas , was composed for the Marr...
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Paul Mealor's setting of the Latin hymn, Ubi Caritas , was composed for the Marriage of His Royal Highness Prince William of Wales, K.G. to Miss Catherine Middleton and first performed by the Choirs of Westminster Abbey and Her Majesty's Chapel Royal, St James's Palace, conducted by James O'Donnell, at the wedding service at Westminster Abbey on Friday, 29th April 2011. For SATB choir (with divisi). 'My new piece, Ubi Caritas for the Royal Wedding, takes its text from the sixth century Christian hymn that was normally sung at the service for the washing of the feet on Maundy Thursday. The words, originally in Latin, mean: 'Where charity and love are, God is there. Let us come together in God's love and let us love each other with a sincere heart.' ' and nbsp - - Paul Mealor, guardian.co.uk, and nbsp - Friday 29 April 2011 / SATB
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Anthony Caesar: Missa Brevis Capella Regalis: SATB: Vocal Score
Choral SATB
[Vocal Score]
Stainer and Bell
SATB and organ A short Latin service without Creed. Dedicated to the Children an...
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SATB and organ A short Latin service without Creed. Dedicated to the Children and Gentlemen of Her Majesty's Chapel Royal at St James's Palace London.
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Paul Mealor: Ubi Caritas: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
Paul Mealor's setting of the Latin hymn Ubi Caritas was composed for the Marri...
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Paul Mealor's setting of the Latin hymn Ubi Caritas was composed for the Marriage of His Royal Highness Prince William of Wales K.G. to Miss Catherine Middleton and first performed by the Choirs of Westminster Abbey and Her Majesty's Chapel Royal St James's Palace conducted by James O'Donnell at the wedding service at Westminster Abbey on Friday 29th April 2011.For SATB choir (with divisi). 'My new piece Ubi Caritas for the Royal Wedding takes its text from the sixth century Christian hymn that was normally sung at the service for the washing of the feet on Maundy Thursday. The words originally in Latin mean: 'Where charity and love are God is there. Let us come together in God's love and let us love each other with a sincere heart.' ' - Paul Mealor guardian.co.uk Friday 29 April 2011
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Paul Mealor: Morwyn Llyn y Fan: Vocal: Vocal Work
Novello & Co Ltd.
A text by Grahame Davies for soprano and harp first performed by students from ...
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A text by Grahame Davies for soprano and harp first performed by students from the Royal Welsh College of Music and Drama at Buckingham Palace London in the presence of HM Queen Elizabeth II and members of The Royal Family on 5 March 2019.
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Ubi Caritas (25-Pack)
Choral SATB
Novello & Co Ltd.
Paul Mealor's setting of the Latin hymn, Ubi Caritas , was composed for the Marr...
(+)
Paul Mealor's setting of the Latin hymn, Ubi Caritas , was composed for the Marriage of His Royal Highness Prince William of Wales, K.G. to Miss Catherine Middleton and first performed by the Choirs of Westminster Abbey and Her Majesty's Chapel Royal, St James's Palace, conducted by James O'Donnell, at the wedding service at Westminster Abbey on Friday, 29th April 2011. For SATB choir (with divisi). 'My new piece, Ubi Caritas for the Royal Wedding, takes its text from the sixth century Christian hymn that was normally sung at the service for the washing of the feet on Maundy Thursday. The words, originally in Latin, mean: 'Where charity and love are, God is there. Let us come together in God's love and let us love each other with a sincere heart.' ' and nbsp - - Paul Mealor, guardian.co.uk, and nbsp - Friday 29 April 2011 / SATB
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Lili'Uokalani: Ku'u Pua I Paoakalani: Mixed Choir a Cappella: Vocal Score
Choral 2-part
[Vocal Score]
Hal Leonard
(My Flower in Paokalani)-In 1895 Queen Lili'uokalani lived under house arrest i...
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(My Flower in Paokalani)-In 1895 Queen Lili'uokalani lived under house arrest in her Iolani Palace for eight months. Not being allowed to communicate with anyone nor to receive visitors the Queen was able to receive a bouquet of flowers brought to her each day. This song is a treasured favorite from the deep cultural heritage of Hawaii.
11.25 GBP - Sold by Musicroom UK
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Robert Saxton: Was It Winter?: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
University Of York Music Press
For SATB choir.An a cappella Christmas song composed in 2005 to a poem written ...
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For SATB choir.An a cappella Christmas song composed in 2005 to a poem written by the composer.First performed and recorded (on VIF Records) by the Choir of Worcester College Oxford directed by ThomasAllery.London Premiere: Choir of the Chapel Royal St James's in the chapel of St James's Palace (the Chapel Royal) directed by Dr Andrew Gant.
1.99 GBP - Sold by Musicroom UK
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Magnificat And Nunc Dimittis
Choral SATB
SATB, Organ
Schott
Magnificat de John Casken et Nunc dimittis a été commandée à l'occasion du r...
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Magnificat de John Casken et Nunc dimittis a été commandée à l'occasion du retour des Evangiles de Lindisfarne au Nord-Est de l'Angleterre, où Casken vie. Le livre, datant du 7ème siècle, est l'un des plus beaux exemples d'anglo-saxon de Northumbrie manuscrit enluminé, contenant le plus vieux survivant traduction des Evangiles en langue anglaise. Le manuscrit a été produit dans un monastère sur l'île de Lindisfarne, mais est normalement logé à la British Library de Londres, et son exposition spéciale dans le Palace Green Library à Durham sera marquée par un été de célébration de la créativité. Magnificat de Casken et Nunc dimittis est réglé en anglais. / Choeur Mixte Et Orgue
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Georg Friedrich Händel: Lascia Ch'io Pianga: String Ensemble: Vocal Score
[Vocal Score]
Camden Music
Almirena's aria from the opera Rinaldo. Almirena has been abducted by the sorcer...
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Almirena's aria from the opera Rinaldo. Almirena has been abducted by the sorceress Armida and imprisoned. In a beautiful garden in Armida’s enchanted palace Almirena laments her captivity. This edition was prepared specially for Dame Kiri Te Kanawa and the Academy of Ancient Music for their film The Sorceress as seen on BBC2 Christmas 1993. Each copy comprises a score and a copy of each instrumental part.
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Ruth Elaine Schram: Beneath the Star: SATB: Vocal Score
Choral SATB
[Vocal Score]
Daybreak Music
Ruth Schram takes us on a journey to the Bethlehem stable with the lyrics &ldqu...
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Ruth Schram takes us on a journey to the Bethlehem stable with the lyrics “We've been waiting we've been searching we have come from near and far.” Her creative melodies and harmonies point the way to the upliftingchorus message “Beneath the star a common rustic barn becomes a palace worthy of a king.” Orchestrated with optional strings this expressive original anthem may be used for Christmas or Epiphany. Instrumental ePakincludes parts for Violin 1 Violin 2 Viola Cello and String Bass. BonusTrax CD available. Performance Time: Approx. 3:45
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A Performer Prepares: Reference Books: Reference
Voice solo
[Sheet music]
Hal Leonard
A Guide to Song Preparation for Actors Singers and Dancers. A Performer Prepare...
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A Guide to Song Preparation for Actors Singers and Dancers. A Performer Prepares is a 13-part master class on how to perform on any stage from bleak rehearsal room to the Palace Theatre. The class covers the basic Broadway song numbers from show ballad to showstopper. With precise logical steps and dynamic and entertaining dialogues between himself and his students David Craig takes anyone with the desire to shine from an audition to final curtain call. These lessons on the pages recreate as closely as possible the unique interpersonal dynamic of Craig's legendary coaching encounters in New York Los Angeles and across the country.
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Antonio Salieri: Prima la musica e poi le parole: Mixed Choir: Vocal Score
[Vocal Score]
Barenreiter
Divertimento teatrale in one act-Paperback vocal score for Antonio Salieri's Pri...
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Divertimento teatrale in one act-Paperback vocal score for Antonio Salieri's Prima La Musica E Poi Le Parole.A memorable musical competition commissioned by the Emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart?s Schauspieldirektor whilst Antonio Salieri?s Prima La Musica E Poi Le Parole was performed by the Italian court singers and musicians.This charming opera satire belongs to the genre of 'metamelodramma' in which the opera itself becomes the subject of the action. The people who are part of an opera production for example thelibrettist composer and prima donna appear as characters on the stage and are presented in a humorous self-reflection. In this ?theatre about theatre? Salieri parodies the music from Giuseppe Sarti?s Giulio Sabino in his insert arias thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether the word or the music should take priority this masterpiece is considered to be an early forerunner to Richard Strauss' Capriccio.
37.50 GBP - Sold by Musicroom UK
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Ubi Caritas
Choral SATB
Novello & Co Ltd.
Paul Mealor's setting of the Latin hymn, Ubi Caritas , was composed for the Marr...
(+)
Paul Mealor's setting of the Latin hymn, Ubi Caritas , was composed for the Marriage of His Royal Highness Prince William of Wales, K.G. to Miss Catherine Middleton and first performed by the Choirs of Westminster Abbey and Her Majesty's Chapel Royal, St James's Palace, conducted by James O'Donnell, at the wedding service at Westminster Abbey on Friday, 29th April 2011. For SATB choir (with divisi). 'My new piece, Ubi Caritas for the Royal Wedding, takes its text from the sixth century Christian hymn that was normally sung at the service for the washing of the feet on Maundy Thursday. The words, originally in Latin, mean: 'Where charity and love are, God is there. Let us come together in God's love and let us love each other with a sincere heart.' ' and nbsp - - Paul Mealor, guardian.co.uk, and nbsp - Friday 29 April 2011 / SATB
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Paul Mealor: Shine Forth a Path of Stars: Tenor: Vocal Work
Tenor voice, Piano
[Sheet music]
Novello & Co Ltd.
Two Songs for Tenor and Piano on poems by Peter Davidson commissioned by the Sc...
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Two Songs for Tenor and Piano on poems by Peter Davidson commissioned by the Scottish Parliament for their Jacobite Exhibition in October 2010.First performance: Thomas Henderson (Tenor) and Richard Bailey (Piano) at Scottish Parliament Holyrood Palace Edinburgh 26 October 2010.Published in 2010.Score and Part (extra performing score).
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Grateful Dead: Grateful Dead - The Definitive Collection: Piano Vocal and
Piano, Vocal and Guitar
Hal Leonard
The Definitive Collection-Dead heads will love this newly-engraved collection of...
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The Definitive Collection-Dead heads will love this newly-engraved collection of 54 songs from the iconic jam band. Songs include: Althea · Bertha · Box of Rain · Brokedown Palace · Brown-Eyed Women · Casey Jones · Cumberland Blues · Dark Star · Easy Wind · Fire on the Mountain · Friend of the Devil · Hell in a Bucket · Looks like Rain · The Music Never Stopped · One More Saturday Night · Playing in the Band · Ramble on Rose · Ripple · Scarlet Begonias · Shakedown Street · Sugar Magnolia · Touch of Grey · Truckin' · Uncle John's Band · and many more.
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Wolfgang Amadeus Mozart: Die Schuldigkeit Des Ersten Gebots K.35: Voice: Vocal
Piano, Voice
[Sheet music]
Barenreiter
This work possibly commissioned by Prince-Bishop Sigismund Christoph von Schrat...
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This work possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach was assigned to three Salzburg composers: W. A. Mozart (part 1) Michael Haydn (part 2) and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas perhaps taking Johann Ernst Eberlin and even his father Leopold as his models. The first performance took place in the Knights’ Hall of the prince’s palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701 1785) town councillor and mayor of Salzburg. Mozart wrote out many of theappoggiaturas in this early work thereby providing a useful guide to the vocal practices of his day. Aria No.2 has come down to us with an instructive passage in which the Vocal part is ornamented in the hand of Leopold Mozart.
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Salieri A. - Prima La Musica E Poi La Parole
Piano, Voice
[Vocal Score]
Barenreiter
Salieri, Antonio Prima la musica e poi le parole Divertimento teatrale in one ac...
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Salieri, Antonio Prima la musica e poi le parole Divertimento teatrale in one act Details Edition no.: BA 8811-90 ISMN: 9790006542826 Editor: Betzwieser, Thomas / La Salvia, Adrian Arranger: Müller, Karl-Heinz / Schellevis, Hans Language(s) of work: German, Italian Language(s) of text: German, English Product format: Piano reduction, Urtext edition Comments: Replaces BA 7698-90 Binding: Paperback Pages / Format: XVI, 199 S. - 27,0 x 19,0 cm A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. The Italian court singers and musicians performed Mozart’s Schauspieldirektor whilst Antonio Salieri’s Prima la musica e poi le parole was performed by a German Singspiel ensemble. This charming opera satire belongs to the genre of “metamelodrama” in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the writer, composer and prima donna, appear as characters on the stage and are presented in a humorous mirror image. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s Giulio Sabino in his insert arias, thus playing on the music which was totally familiar with the audience of that time. By reflecting on the musical-dramatic style of that time and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be a forerunner to Richard Strauss’s Capriccio. This new edition of the score is published as part of OPERA – Spectrum of European Music Theatre in Separate Editions. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into the newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s Giulio Sabino have also been incorporated. - Urtext edition based on the historical-critical hybrid edition OPERA-Spectrum of European Music Theatre in Separate Editions edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).- Original Italian libretto with singable German translation- Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodrama and intertextuality- Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s Giulio Sabino- Idiomatic piano reduction
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Sam Smith: Sam Smith - The Thrill of It All: Piano Vocal and Guitar: Artist
Piano, Vocal and Guitar
Hal Leonard
Smith's sophomore album release in 2017 topped the Billboard® 200 album charts....
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Smith's sophomore album release in 2017 topped the Billboard® 200 album charts. This matching folio features the songs Baby You Make Me Crazy • Burning • Him • Midnight Train • No Peace • Nothing Left for You • One Day at a Time • One Last Song • Palace • Pray • Say It First • Scars • The Thrill of It All and Too Good at Goodbyes.
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Der Schauspieldirektor (MOZART WOLFGANG AMADEUS)
Solistes SSTB, 2 Flûtes Traversières, 2 Hautbois,
[Sheet music]
Carus Verlag
Komödie Mit Musik. Par MOZART WOLFGANG AMADEUS. Der Schauspieldirektor [“The ...
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Komödie Mit Musik. Par MOZART WOLFGANG AMADEUS. Der Schauspieldirektor [“The Impresario”] was composed in the spring of 1786 to fulfill a commission from Joseph II for performance during a visit to Vienna by the Governor-General of the Netherlands. The visitors were meant to be entertained with a short German and an Italian musical comedy during a festival arranged on short notice in Schönbrunn Palace. The choice of composers fell to Mozart and Salieri. Both pieces spoofed the theatrical practices of the day. Der Schauspieldirektor, by Gottlieb Stephanie the Younger, has a loosely-constructed plot that hinges on the vanity of opera singers and the empty-headedness of many traveling companies. Frank Lustig wants to create a newtheatrical troupe, for which Herr Eiler is willing to supply money, but only on condition that his lady friend is allowed to join. In the course of the piece, appearances are made by other ladies with resonant names who want to be retained as singers and who attempt to outdo each other until reason is allowed to prevail./ Répertoire / Solistes SSTB, 2 Flûtes Traversières, 2 Hautbois,
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Antonio Salieri: Prima la musica e poi le parole: Voice: Score
Opera
Barenreiter
Divertimento teatrale in one act-Hardback edition of the full score for Antonio ...
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Divertimento teatrale in one act-Hardback edition of the full score for Antonio Salieri's Prima La Musica E Poi Le Parole.A memorable musical competition commissioned by the Emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart?s Schauspieldirektor whilst Antonio Salieri?s Prima La Musica E Poi Le Parole was performed by the Italian court singers and musicians.This charming opera satire belongs to the genre of 'metamelodramma' in which the opera itself becomes the subject of the action. The people who are part of an opera production forexample the librettist composer and prima donna appear as characters on the stage and are presented in a humorous self-reflection. In this ?theatre about theatre? Salieri parodies the music from Giuseppe Sarti?s Giulio Sabino in his insert arias thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether the word or the music should take priority this masterpiece is considered to be an early forerunner to Richard Strauss' Capriccio.
427.50 GBP - Sold by Musicroom UK
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Céline Dion: Celine Dion: A New Day ... Live in Las Vegas: Piano Vocal Guitar:
Piano, Vocal and Guitar
Alfred Publishing
Celebrating Dion's highly successful concert series at The Colosseum Ceaser's P...
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Celebrating Dion's highly successful concert series at The Colosseum Ceaser's Palace which was attended by over one million fans in the first year alone. Including 8 pages of glossy photos from the show this is Celine Dion as one of the biggest international pop stars of our time. All songs arranged for Piano Voice and Guitar.
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Judith Weir: Praise Him With Trumpets: SATB: Score
Choral SATB
SATB, Organ
[Sheet music]
Chester
This is the score for Judith Weir's Praise Him With Trumpets a work for 2 Trump...
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This is the score for Judith Weir's Praise Him With Trumpets a work for 2 Trumpets SATB Choir and Organ. Commissioned by Historic Royal Palaces in collaboration with The Choral Foundation the piece wascomposed for the Hampton Court Chapel Royal Choir in celebration of Hampton Court 500. A setting of text from Psalms 146 and 150 this work can also be performed without Trumpets. A review in the May/June 2016 edition of'Choir & Organ' magazine states that 'the work has all the hallmarks of this composer's cliché-free yet immediately appealing style.
5.50 GBP - Sold by Musicroom UK
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Bombay Palace
Français
Piano, Voice
Capte Note
/ Piano Et Chant / Chanson En Séparée
5.60 EUR - Sold by LMI-partitions
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3-10 days - In Stock Supplier
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4 Poems Of Tennyson (ROREM NED)
Piano, Voice
[Sheet music]
Boosey and Hawkes
Par ROREM NED. / Répertoire / Chant et Piano
19.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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100 Years Of Popular Music 20S Vol.2
Piano, Vocal and Guitar
[Sheet music]
I.M.P.
100 ans de musique populaire chronique la plus grande musique du siècle dernier...
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100 ans de musique populaire chronique la plus grande musique du siècle dernier. Ce livre contient plus de 70 chansons des années 1920 arrangé pour piano, voix et guitare, fournissant un aperçu fascinant de la musique de l'époque. Une liste des nouvelles inventions d'abord vu durant les années 1920 est également incluse. / Date parution : 2005-05-27/ Recueil / Piano, Chant et Guitare
24.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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Shimmerwords And Idle Songs
Soprano voice, Piano
Schott
Composé en 2007 pour le festival de Lieder de Leeds, Shimmerwords et les chanso...
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Composé en 2007 pour le festival de Lieder de Leeds, Shimmerwords et les chansons au ralenti pour soprano et piano de Hesketh est un cycle de chanson de 18 minutes composé de six chansons en quatre sections. Le texte est tiré d'un recueil de poésie chinoise des VIIIe et IXe siècles qui couvrent divers sujets de nature et de voyage à la vie elle-même. La musique est coloré et directe avec une abondance d'humour et de clarté. / Soprano Et Piano
35.70 EUR - Sold by LMI-partitions
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The Palace (Voicespace IV) (REYNOLDS ROGER)
Opera
Peters
Par REYNOLDS ROGER. National Endowment for le texte Arts Award : le palais de Jo...
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Par REYNOLDS ROGER. National Endowment for le texte Arts Award : le palais de Jorge Luis Borges / Contemporain / Répertoire / Opéra
52.20 EUR - Sold by LMI-partitions
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Songs From An Abandoned Place (NUMMI SEPPO)
Piano, Voice
[Sheet music]
Fennica Gehrman
Par NUMMI SEPPO. Langue: Finnish, German, English, Format: DIN A4/ Répertoire /...
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Par NUMMI SEPPO. Langue: Finnish, German, English, Format: DIN A4/ Répertoire / Chant et Piano
31.20 EUR - Sold by LMI-partitions
(Seller in french langage)
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