Fourteen of Paul Simon's best known songs. Par SIMON PAUL. Fourteen of Paul Simon’s best known songs arranged for piano and vocal with guitar boxes. Fourteen of Paul Simon’s best known songs arranged for piano and vocal with guitar boxes./ Recueil / Piano, Chant et Guitare

Par SIMON PAUL. Transcriptions pour piano, chant et guitare des plus de 150 chansons de Paul Simon / Rép International / Recueil / Piano, Chant et Guitare

Simon & Garfunkel's anthemic Bridge Over Troubled Water borrowed its central image from a 1958 gospel track by The Swan Silvertones but melodically and emotionally Paul Simon’s 1969 song was a glorious original.It is arranged here for SATB mixed choir with Piano accompaniment.Routinely voted one of the greatest songs of all time it was sung solo by Art Garfunkel on the duo's final studio album together.

One of Paul Simon's most popular folk songs Homeward Bound was originally released by Simon & Garfunkel in 1965 peaking at #5 on the US singles chart. Now regarded as a classic of the American folk pop repertoire the song is believed to have been written by Simon while in the North West of England.This choral version features a new arrangement by Simon Foxley for SSA choir with piano accompaniment and is a tender addition to the Novello Choral Pops library.

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

For his oratorio Mendelssohn made a discreet selection from St Paul's eventful life as recounted in the Acts of the Apostles. The story begins with the stoning of St Steven by the Jews and continues through his miraculous conversion to the scene in Lystra where Paul himself isnearly martyred by stoning and his farewell in Miletus. Hardly any oratorio of the Romantic period could match St Paul in popularity. Only years later was it overtaken in the public esteem by Mendlessohn's Elijah. In the first two years following its premiere performance it was performed in over fifty German cities in many European capitals and the United States.

Arranged for SATB chorus and Piano accompaniment.Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen.A favourite for the 2011 Christmas Number One with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song it's the biggest threat to X-Factor chart domination this year.The text is taken from poems letters and prayers written by the Military Wives selected and adapted by PaulMealor and a passage from the Book of John:Wherever you are my love will keep you safe;My heart will build a bridge of light across both time and space.Wherever you are our hearts still beat as one I hold you in my dreams each night until your task is done.Light up the darkness my wondrous star Our hopes and dreams my heart and yours forever shining far.Light up the darkness my prince of peace;May the stars shine all around you may your courage never cease.Wherever I am I will love you day by day I will keep you safe cling on to faith along the dark dark way.Wherever I am I will hold on through the night;I will pray each day a safe return will look now to the light.Greater love hath no man than this that a man lay down his life for his friends.John 15:13

For SSA chorus Piano Harp Percussion and Strings.Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen.A favourite for the 2011 Christmas Number One with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song it's the biggest threat to X-Factor chart domination this year.The text is taken from poems letters and prayers written by the Military Wives selected and adapted by PaulMealor and a passage from the Book of John:Wherever you are my love will keep you safe;My heart will build a bridge of light across both time and space.Wherever you are our hearts still beat as one I hold you in my dreams each night until your task is done.Light up the darkness my wondrous star Our hopes and dreams my heart and yours forever shining far.Light up the darkness my prince of peace;May the stars shine all around you may your courage never cease.Wherever I am I will love you day by day I will keep you safe cling on to faith along the dark dark way.Wherever I am I will hold on through the night;I will pray each day a safe return will look now to the light.Greater love hath no man than this that a man lay down his life for his friends.John 15:13