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W.A. Mozart
CHORAL - VOCAL - CHOIR
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Europa Cantat 4
Choral SATB
SATB A Cappella
Moseler Verlag
/ Choeur Mixte A Cappella
12.80 EUR - Sold by LMI-partitions
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Florilège - Voix Egales
Français
Choral
[Sheet music]
A Coeur Joie
Cette partition Florilège - Voix égales de 160 pages est éditée par les édi...
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Cette partition Florilège - Voix égales de 160 pages est éditée par les éditions A Coeur Joie sous le numéro ACJ 53 0029. Cette partition de musique est idéale pour les amateurs de Chant Choral et plus précisément de . / Choeur Voix Egales / 160 pages / Partition
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Europa Cantat 1
Choral SATB
SATB A Cappella
Moseler Verlag
/ Choeur Mixte A Cappella
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Power Of Voice Wedding Edition - Mozarts Reich Mir Die Hand Mein Leben(Für Gemischtchor SATB Mit Orgel). Sheet Music for SATB Organ Accompaniment
Choral SATB
Peer Musik Verlag
Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power...
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Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier Reich mir die Hand mein Leben (Duettino aus Don Giovanni) von W.A. Mozart. Die Bearbeitung für Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16158G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
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Wolfgang Amadeus Mozart: Power Of Voice Wedding Edition: SATB: Single Sheet
Choral SATB
Peer Musik Verlag
Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power...
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Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier Reich mir die Hand mein Leben (Duettino aus Don Giovanni) von W.A. Mozart. Die Bearbeitung für Chor SATB mit Klavierbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Orgelbegleitung unter der Bestellnummer PMV16158O. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
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Arias For Aspiring Singers
Tenor voice, Piano
Schott
Ce livre aria époque transmembranaire a été spécialement conçu comme une co...
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Ce livre aria époque transmembranaire a été spécialement conçu comme une collection de matériel pour de jeunes élèves en chant et fournir à l'étudiant de commencer avec une base saine et équilibrée pour l'examen d'entrée. Outre de nombreuses pièces de répertoire, cet album aria invite l'étude des compositions rarement jouées. Le principe de base pour la sélection des oeuvres était de rendre efficace, mais pas trop exigeant pièces disponibles à la voix des étudiants. / Tenor Et Piano
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Vocal Score
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
10.50 GBP - Sold by Musicroom UK
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W.a. Mozart Cosi Fan Tutte Opera - Choral
Opera
[Sheet music]
Schirmer
Description W.A. Mozart: Cosi Fan Tutte (Vocal Score) Cosi Fan Tutte' (Thus d...
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Description W.A. Mozart: Cosi Fan Tutte (Vocal Score) Cosi Fan Tutte' (Thus do all Women) emerged from obscurity in the twentieth century to become regarded as one of Mozart's finest works. This is the Schirmer edition of the Vocal Score, with an English version by Ruth and Songlist Cosi Fan Tutte
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Wolfgang Amadeus Mozart: Die Schuldigkeit Des Ersten Gebots K.35: Voice: Vocal
Piano, Voice
[Sheet music]
Barenreiter
This work possibly commissioned by Prince-Bishop Sigismund Christoph von Schrat...
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This work possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach was assigned to three Salzburg composers: W. A. Mozart (part 1) Michael Haydn (part 2) and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas perhaps taking Johann Ernst Eberlin and even his father Leopold as his models. The first performance took place in the Knights’ Hall of the prince’s palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701 1785) town councillor and mayor of Salzburg. Mozart wrote out many of theappoggiaturas in this early work thereby providing a useful guide to the vocal practices of his day. Aria No.2 has come down to us with an instructive passage in which the Vocal part is ornamented in the hand of Leopold Mozart.
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Wolfgang Amadeus Mozart: Kyrie in D minor K.341: Mixed Choir: Vocal Score
[Vocal Score]
Barenreiter
It is unknown for what occasion W. A. Mozart composed the Kyrie in D minor KV 34...
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It is unknown for what occasion W. A. Mozart composed the Kyrie in D minor KV 341 (368a) but its structure and instrumentation would suggest that he had a large-scale mass in mind which remained unfinished. It was probably written around the same time as the Idomeneo while Mozart was staying in Munich between November 1780 and March 1781.- Urtext of the New Mozart Edition- Full score parts (BA4702) and vocal score (BA4702-90) available for sale
5.50 GBP - Sold by Musicroom UK
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W.a. Mozart Don Giovanni Opera - Choral
Opera
Schirmer
Description W.A. Mozart: Don Giovanni (Vocal Score) The premiere of Don Giova...
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Description W.A. Mozart: Don Giovanni (Vocal Score) The premiere of Don Giovanni took place to great public and critical acclaim in Prague on October 29, 1787. The Opera is in two acts, with a libretto by Lorenzo Da Ponte, based on the play by Tirso De Molina. Songlist Don Giovanni
37.50 EUR - Sold by Woodbrass
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Wolfgang Amadeus Mozart: Concert Arias For Bass Voice And Piano: Voice: Vocal
Low voice, Piano
Barenreiter
This Urtext edition of W. A. Mozart's Concert Arias For Bass Voice And Piano fea...
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This Urtext edition of W. A. Mozart's Concert Arias For Bass Voice And Piano features a clear and legible layout of the musical text with all aria texts translated into German and English and printed separately. This edition contains straightforward Piano reductions to the individual arias with additional notes and suggestions on performance practice in the accompanying booklet. There is also a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts which are often found in the early Mozart arias.
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Wolfgang Amadeus Mozart: Don Giovanni - Vocal Opera Score: Orchestra: Vocal
Opera
Boosey and Hawkes
Opera in two Acts-W. A. Mozart's Don Giovanni. Vocal Opera score. In response to...
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Opera in two Acts-W. A. Mozart's Don Giovanni. Vocal Opera score. In response to customer demand vocal scores of Edward Dent’s widely used English translations of the Mozart Da Ponte Operas have been newly re-printed on large format easy to read glare-free cream paper. High quality sewn lay-flat binding ensures that the pages stay comfortably open on the Piano music stand to aid singers pianists and conductors alike.
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Wolfgang Amadeus Mozart: Mass In C Minor: SATB: Vocal Score
Choral SATB
[Vocal Score]
Peters
Mis in c klein-Edition Peters Urtext version of W.A. Mozart's Mass In C Minor fo...
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Mis in c klein-Edition Peters Urtext version of W.A. Mozart's Mass In C Minor for Mixed choir with Piano Accompaniment.
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Wolfgang Amadeus Mozart: Kyrie In D Minor K.90: Mixed Choir: Score
Choral SATB
SATB, Organ
Barenreiter
W. A. Mozart's Kyrie In D Minor K.90 scored for mixed chorus (SAT) and Organ.
4.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Thou Soul Of The Universe K.429: TTBB: Vocal Score
Choral TTBB
TTBB, Piano
[Sheet music]
Novello & Co Ltd.
Thou Soul Of The Universe by W.A. Mozart arranged for TT(Bar)B and piano by Basi...
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Thou Soul Of The Universe by W.A. Mozart arranged for TT(Bar)B and piano by Basil Ramsey.
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Georg Friedrich Händel: Judas Maccabeus (Mozart) Vocal Score: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
This edition with additional orchestrations attributed to W.A. Mozart has been...
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This edition with additional orchestrations attributed to W.A. Mozart has been made possible thanks to the generosity of Halifax plc.The first performance of this edition (sung in English) was given on 23 June 2002 in the Victoria Theatre Halifax by the Halifax Choral Society and the North of England Chamber Orchestra conducted by John Pryce-Jones. The first German performance was given on 11 June 2004 in the Moritzkirche Halle with the MDR Rundfunkchor und Sinfonieorchester conducted by Howard Arman.
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Wolfgang Amadeus Mozart: Mass In C Minor K.427/417a (2004 Edition): SATB: Vocal
Choral SATB
SATB, Piano
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
W.A Mozart's Mass In C Minor K.427/417a as edited and reconstructed by Philip Wi...
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W.A Mozart's Mass In C Minor K.427/417a as edited and reconstructed by Philip Wilby for two Sopranos Tenor and Bass soloists and double SATB Choir with Piano reduction by Michael Pilkington.
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Wolfgang Amadeus Mozart: Reich Mir Die Hand: Mixed Choir: Vocal Work
[Vocal Score]
Musikverlag Robert Lienau
Duettino-Reich Mir Die Hand the duet bewtweeen Don Juan and Zerline from W.A. ...
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Duettino-Reich Mir Die Hand the duet bewtweeen Don Juan and Zerline from W.A. Mozart's opera Don Giovanni set here for Soprano and Baritone voices with Piano accompaniment.
5.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Lacrymosa K626 Day Of Sadness From Requiem: SATB: Vocal
Choral SATB
[Vocal Score]
Schirmer
W.A. Mozart's Lacrymosa (Day of Sadness) from Requiem K.626 for SATB Choir wit...
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W.A. Mozart's Lacrymosa (Day of Sadness) from Requiem K.626 for SATB Choir with Piano accompaniment and English words by William Josiah Irons.
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The Boosey Voice Coach
Medium voice, Piano
Boosey and Hawkes
The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-...
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The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context, such as musical theatre or oratorio. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text' - including a literal translation as appropriate), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.German can seem like an awkward language to sing in - there are just too many consonants! How do you get your tongue around them? And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? These issues and more are covered in this book, which contains settings from some of the masters of song-writing in the German language. / Voix Moyenne Et Piano
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L'Arte Del Vocalizzo - Parte II
Voix Haute
Ricordi
Antologia Critico-Tecnica per gli studenti di canto. This didactic anthology is ...
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Antologia Critico-Tecnica per gli studenti di canto. This didactic anthology is ideal for those young singers who have assimilated the basic concepts of vocal technique and feel that they are ready to undertake a conscientious study of the vocalizzo. The volume is composed of three sections (Preparatory Course; Course of medium difficulty; Course of higher difficulty) that deal with the fundamental aspects of tecnique and performance. Also available. a complete edition (ER 00294300). The CD contains: a) examples of soprano vocal extension b) examples of tenor vocal extension c) examples of cadenzas - passi di agilità for soprano d) examples of cadenzas - passi di agilità for tenor. / Méthode / Date parution : 1905-07-04/ Méthode / Voix Haute
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Das Lied Im Unterricht - Voix Haute Et Piano
High voice, Piano
Schott
- Lieder im Umfang einer Oktave: - J. Haydn: Liebes Mädchen, hör mir zu (Dic...
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- Lieder im Umfang einer Oktave: - J. Haydn: Liebes Mädchen, hör mir zu (Dichter unbekannt) - Italienisches Volkslied: Die Sorglose (deutscher Text: H. Möller) - Volkslied: Es ist auf Erd kein schwerer Leiden - R. Schumann: Jasminenstrauch, op. 27/4 (Rückert) - Erstes Grün, op. 35/4 (Kerner) - W.A. Mozart: Im Frühlingsanfang (Sturm) - G.Ph. Telemann: Die Jugend - R. Schumann: Freisinn, op. 25/2 (Goethe) - J. Brahms: Mädchenlied, op. 107/5 (Heyse) - R. Franz: Gute Nacht!, op. 5/7 (Eichendorff) - . - Parlando und leichte Tongebung: - Italienisches Volkslied (Venedig): Lässt sich Amor bei euch schauen (deutscher Text: H. Möller) - R. Schumann: Volksliedchen, op. 51/2 (Rückert) - J. Haydn: Der Gleichsinn (Eschenburg) - F. Schubert: Liebhaber in allen Gestalten, Nachlaß (Goethe) - W.A. Mozart: Das Veilchen (Goethe) - F. Schubert: Seligkeit (Hölty) - G.Ph. Telemann: Das Glück (Stoppe) - J.A.P. Schulz: Der Schmetterling (André) - J. Brahms: Feinsliebchen, du sollst mir nicht barfuß gehn - . - Legato-Lieder: - J.S. Bach: Die güldne Sonne voll Freud und Wonne (Gerhardt) - A. Krieger: Nun sich der Tag geendet hat (Krieger) - K.Fr. Zelter: Der König in Thule (Goethe) - W. Baumgartner: Kein Hälmlein wächst auf Erden (Brachvogel) - W.v. Rügen: Weh, ich hab gedacht - F. Schubert: An die Musik, op. 88/4 (Schober) - Lochheimer Liederbuch: All mein Gedanken - Ch.W. Gluck: Die Sommernacht (Klopstock) - F. Schubert: Im Abendrot, Nachlass (Lappe) - R. Franz: Für Musik, op.10/1 (Geibel) - J.S. Bach: Komm, süßer Tod (Dichter unbekannt) - M. Reger: Glück, op.15/1 (Rohrscheidt) - . - Piano-Lieder: - F. Schubert: Wiegenlied, op. 98/2 - P. Cornelius: Angedenken, op. 3/2 (Cornelius) - J. Brahms: Wiegenlied, op. 49/4 - J. Brahms: Sandmännchen - F. Schubert: An die Laute, op. 81/2 (Rochlitz) - J.A.P. Schulz: Wiegenlied im Mai (Bruun) - H. Wolf: Anakreons Grab (Goethe) - H. Wolf: Auf ein altes Bild (Mörike) - R. Stephan: Abendlied (Falke) - R. Schumann: Mondnacht, op. 39/5 (Eichendorff) - . - Ernste Lieder: - Norwegisches Volkslied: Ich legte mich zur Ruh (deutsch: H. Möller) - Fliegendes Blatt: Schnitter Tod - A. Jensen: Letzter Wunsch, op. 14/1 (Hertz) - J.S. Bach: Bist du bei mir (Dichter unbekannt) - J. Brahms: In stiller Nacht - J. Brahms: Schwesterlein - L.v. Beethoven: Nur wer die Sehnsucht kennt (Goethe) - R. Franz: Ein Stündlein wohl vor Tag, op. 28/2 (Mörike) - P. Cornelius: Zum Ossa sprach der Pelion, op. 5/5 (Droste-Hülshoff) - H. Wolf: Das verlassene Mägdlein (Mörike) - J. Haydn: Das Leben ist ein Traum (Gleim) - . - Heitere Lieder: - G. Rhaw: Herzlich tut mich erfreuen - J. Krieger: Wer die Musik in Ehren hält (Weise) - V. Rathgeber: Von der edlen Musik - F. Schubert: Erntelied (Hölty) - Franz. Volkslied: Geh ich zum grünen Hain (deutsch: H.Möller) - R. Schumann: Vom Schlaraffenland, op. 79/5 (Fallersleben) - J. Brahms: Wie komm ich denn zur Tür herein - H. Wolf: Der Schäfer (Goethe) - H.K. Schmid: Wiegenlied für meinen Jungen, op. 31/3 (Dehmel)
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Les Incontournables Du Chant Soprano
Français
Chant
[Sheet music + CD]
Lemoine, Henry
Vol. 1 Avec Cd. A la demande de nombreux professeurs de chant, nous proposons ce...
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Vol. 1 Avec Cd. A la demande de nombreux professeurs de chant, nous proposons ce recueil pour soprano qui comprend des airs, lieder et mélodies très connus, pour la plupart, dans des tessitures confortables. Les étudiantes pourront ainsi posséder un outil de travail pour plusieurs années*. La nouveauté réside dans les réductions pour piano qui sont revues par Bruno Gousset, et souvent plus près de la richesse de l'orchestration que dans les éditions plus anciennes (les pianistes pouvant, le cas échéant simplifier à vue). Certains morceaux sont baissés d'un 1/2 ton (415) ou d'un ton (390) comme cela se pratique souvent dans les ensembles de musique ancienne. Les récitatifs sont ajoutés quand ils sont intéressants et utiles au sens du texte qui suit. Ils sont souvent demandés dans les auditions. Il faut apprendre à les interpréter avec une juste expression - on notera que dans le style italien, on ne tient pas compte des silences lorsqu'ils ne sont pas accompagnés d'une ponctuation dans le texte. Pour finir, on peut dire que ces oeuvres classiques ont perduré jusqu'à nos jours grâce à leurs vertus inépuisables que l'on peut comparer à 'ces pièces d'or... dont on ne finit jamais de rendre la monnaie.' (Bergson). Elles ont traversé le temps en gardant une jeunesse éternelle. / classique / Recueil / Chant
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Arias For Aspiring Singers
Baritone voice, Piano
Schott
This selection of arias, spanning many different eras and origins, has been devi...
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This selection of arias, spanning many different eras and origins, has been devised as a collection of material for budding vocal students and ambitious amateurs. Not only including many standard repertoire pieces, this album also presents some rarely heard compositions. Whether intended for practicing different singing techniques in lessons or for performing in entrance examinations or concerts, this selection contains something for everybody without being too demanding. / Baryton Et Piano
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The European Kunstlied - Voice And Piano
Piano, Voice
Schott
A selection of Klavierlieder of 4 centuries Contents : H. Albert: Klage eines v...
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A selection of Klavierlieder of 4 centuries Contents : H. Albert: Klage eines verliebten Schäfers - A. Krieger: Ergötzlichkeit zur rechten Zeit - G.Ph. Telemann: Die vergessene Phillis - J.V. Rathgeber: Von Erschaffung Adam und Eva - Von allerhand Nasen - Anonymus um 1700: Ich kehre wiederum - J.S. Bach: Der lieben Sonne Licht und Pracht - C.W. Gluck: Die Sommernacht - J.Fr. Reichardt: Rhapsodie - C.F. Zelter: Um Mitternacht - Der Musensohn - J. Haydn: Gegenliebe - W. A. Mozart: Das Veilchen - An Chloe - L. v. Beethoven: Ich liebe dich - Aus Goethe's Faust - C. Loewe: Heinrich der Vogler - Fr. Schubert: Heidenröslein - An eine Quelle - Der Wanderer an den Mond - Der Musensohn - An Silvia - F. Mendelssohn Bartholdy: Das Waldschloß - R. Schumann: Aus den östlichen Rosen - Erstes Grün - Frühlingsfahrt - Ein Jüngling liebt ein Mädchen - Wenn ich ein Vöglein wär (Duett) - J. Brahms: Dein blaues Auge - Salamander - Klänge (Duett) - R. Wagner: Träume - P. Cornelius: Die Könige - H. Wolf: Das verlassene Mägdlein - Auf ein altes Bild - Der Musikant - M. Reger: Waldeinsamkeit - R. Strauss: Morgen - H. Pfitzner: Untreu und Trost - G. Mahler: Hans und Grethe - P.I. Tschaikowsky: Lied der Zigeunerin - A. Dvorák: Die Gefangene (Duett) - E. Grieg: Im Kahne - J. Sibelius: Span auf den Wellen - G. Fauré: Après un Rêve - C. Debussy: Le Faune - B. Bartók: Gott, ach Gott im Himmel - I. Strawinsky: Gänse, Schwäne fliegen aus - D. Schostakowitsch: Wiegenlied - H. Eisler: Von der Freundlichkeit der Welt - W. Fortner: Geh unter, schöne Sonne Date of Publications : 13/11/1980 Language : German Editor : Suttner, Kurt l Jürgenson-Rupprecht, Margarete
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MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE
Piano, Voice
[Vocal Score]
Barenreiter
MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE / Choeur et ensemble vocal /...
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MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE / Choeur et ensemble vocal / Barenreiter
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Homo Natus De Muliere (HOFMANN LEOPOLD)
Choral SATB
SATB, Orchestra
[Sheet music]
Carus Verlag
Par HOFMANN LEOPOLD. 'Man that is born of woman hath but a short time to live' i...
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Par HOFMANN LEOPOLD. 'Man that is born of woman hath but a short time to live' is one of the central biblical texts dealing with the transitoriness of human existence. Leopold Hofmann, Kapellmeister at St. Stephen's Cathedral in Vienna from 1772 to 1793, where W. A. Mozart was his church music assistant, also set this strongly expressive text. Hofmann's setting, in C minor, offers an austere harmony, characterized by suspensions in a homophonic, through-composed four-part vocal setting (soloists or SATB choir), reinforced only by two trombones and organ continuo. Four concise instrumental transitional passages between the individual verses relieve the pathos laden Viennese church style of this composition. With its tragic air, in some passages it closely resembles Mozart's Requiem K. 626. For this first edition, the two trombone parts are available both in the original clef and in alto clef. The figured bass has been realized so that the piece can also be performed without trombones, with only organ accompaniment. For a performance this piece could easily be combined with the Salve Regina by Pietro Cassati (Carus 27.703) from the Vienna series./ Répertoire / Choeur Mixte (SATB) et Orchestre
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