The Skálholt Suite - The Black Forest Suite. Piano music that seems to be written for nature. These pieces are miniatures of a calm world, fragile and beautiful. Daniel O'Rhys thinks of his music in suites. Each of these suites is about a special place. ""The music makes a solid connection. With the places, the people, the stories and the journey itself. The music would not have been created without these things. They are special moments at special points on this earth captured in music. They are not purely musical descriptions of a landscape. The individual pieces are more like drawings in a very personal diary."" Daniel O?Rhys wanted to create something special. Not just a sheet music book. He wanted to add photographs, moments and stories from his journeys and create something that has a true value.

Par VOSS RICHARD. Turlough O'Carolan est né dans le comté de Meath en Irlande en 1670. Il a été formé comme un jeune à jouer de la harpe et tout au long de sa vie composé un grand nombre de chansons. O'Carolan a développé un style personnel, contenant les éléments mélodiques de musique irlandaise de folk, la musique de harpe courtois et la musique baroque italienne. Musique de O'Carolan n'a été publiée au cours de sa vie - donc, diverses versions de ses mélodies ont été prononcées par le biais de la tradition aural. On ne sait pas aussi comment il accompagne ses mélodies. Cette collection présente 35 mélodies préférées de O'Carolan facilement jouables, animés d'accords de piano. Ce nombre comprend trois mélodies originales par Richard Voss inspiré par et dans le style du maître au début. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Piano

Par O CEARBHALLAIN TOIRDHEALBHACH. Aujourd'hui, Turlough O'Carolan (1670-1738) est considéré comme le dernier joueur de harpe grand d'Irlande et est entouré d'une aura presque mystique. Nombreuses anecdotes ont été prononcées qui témoignent d'une forte personnalité, un immense talent musical et enormou/ Répertoire / 2 Violons et Violoncelle ou Alto

8 Easy Pieces For 3 Guitars. Par O'CAROLAN TURLOUGH. O'Carolan war der bedeutendste irische Harfenspieler. Trotz seiner Erblindung bereiste er weite Teile Irlands. Seine Musik vermischt Einflüsse der italienischen Barockmusik, insbesondere Vivaldi, mit traditionell irischen Tänzen. / Niveau : Facile / Répertoire / Guitare

Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher. 'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold) '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument. 'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers. Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation. With step by step instruction and a progression of specially written pieces, the fundamental elements of good saxophone technique-breath control, tone-production, embouchure, tonguing and fingerings-are introduced alongside the rhythmic subtleties of jazz (for example, 'swung' and syncopated rhythms). Improvisation is encouraged from an early stage, given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With additional information on practical matters such as choosing reeds and earing for the instrument, as well as supplementary suggestions for listening and reading, 'The Jazz Method for Saxophone' is ideally suited both to students working alone and those learning with a teacher. / Méthode / Recueil / Saxophone

Par GROSSMAN STEFAN. Presenting 45 melodies composed by the blind Irish bard and harpist Turlough O'Carolan arranged by such guitar greats as Dave Evans, Davey Graham, El McMeen, Duck Baker and many others. As these melodies lend themselves particularly well to guitar settings, O'Carolan's compositions have captured the imagination of guitarists world-wide. This compilation divides the tunes into three categories: Airs and Dance Tunes, Tunes for Patronage, and Laments. Written in standard notation and tablature. / Niveau : Intermédiaire / Celtic/Irish - Solos / Tablatures / Guitare Tablatures

Par JULIETTE. Songbook double album de Juliette Nourredine compilant 'J'aime pas la chanson' (2018) et son dernier album 'Chansons de là où l'?il se pose' sorti en Février 2023 / Date parution : 2023-11-16/ Recueil / Piano/Vocal/Guitare (PVG)

Concerto à flûte à bec, 2 violini, viola e cembalo (c.1731) Ouverture à flûte à bec, 2 violini, viola e cembalo (c.1741) Canon all'unisono a 2 flauti, violoncello o vero viola da gamba et cembalo (c. 1737)Présentation de Susi Möhlmeier et Frédérique Thouvenot : notice biographique - sources - lecture de la partition (articulation, dynamique, rythme, terminologie, agrémentation, ornementation, notation générale, basse continue) - suggestions. Intégrale des oeuvres pour flûte à bec de Graupner. Manuscrits autographes de Graupner, conservés à la Hessische Landes-und Hochschulbibliothek de Darmstadt.Concerto : 2 flûtes à bec, deux violons, alto, basse continue.Ouverture : flûte à bec, deux violons, alto, basse continue.Canon : 2 flûtes à bec, violoncelle ou viole de gambe. / Musique De Chambre / 71 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Par POOS HEINRICH. Kantaten - Langue : Allemand/ Répertoire / Solo S (Choeur à 1 Partie), Flûte Traversière et O

Magnificat. Aus: Des Königs Und Propheten Davids 119. Psalm In 11 Stücken (Op.Ultimum). Par SCHUTZ HEINRICH. Tonalité : a-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - SWV 494 / Hymnes et chorals / Répertoire / Choeur SATB/SATB, (8 Instruments, Contrebasse et O

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' (Ps 109 [110]) und 'Beatus vir' (Ps 111 [112]) liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische (für ihn also heimatliche) Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilich mit solchen aus Konzert, Kantate und Oper verknüft und anreichert. Einem Brauch der Zeit folgend, ist dem 'Dixit' eine 'Introduzione al Dixit' vorangestellt: ein Prolog in Form einer dreisätzigen lateinischen Solokantate, deren lobpreisender Text mit der Aufforderung 'Ergo cantate Dixit' ('Darum singt nun das Dixit')zur eigentlichen Psalmkomposition überleitet. Da dieses Solo für Sopran, Streicher und Basso continuo auch eigenständig musiziert werden kann, ist es als CV 40. 006 separat veröffentlicht./ Répertoire / Solistes SSATBB, Choeur SATB/SATB, 2 Hautbois, 2 O