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FRENCH HORN
Choral SATB
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Oboe (18)
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Tuba (17)
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Flute, Viola and harp (15)
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Harmonica (13)
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Cornet and Piano (12)
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Solistes STBarB, Choeur SATB, … (10)
Music Theory (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Flûte à Bec Alto et Basse Co… (10)
Saxophone and Orchestra (10)
Choral SSATB (10)
Chant (10)
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Clarinette, Cor Et Piano (9)
SATB, 4 Parties Mixtes et Inst… (9)
Clarinette, Violoncelle Et Pia… (9)
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Quintette à vent (9)
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Quintette (9)
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2 Violons Et Basse Avec Basse … (7)
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Flûte Traversière Clarinette… (7)
Musical Awakening (7)
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Flute, Basso continuo (7)
Quatuor avec Piano (7)
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Children choir, Piano (7)
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Quatuor à Cordes et Piano (7)
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Harp, Violin, Violoncello (6)
3 Trompettes et Fanfare (6)
Guitar, Flute, Clarinet (6)
Medium Voice (6)
2 Flûtes A Bec Soprano Et Bas… (6)
Guitar Tab, Voice, Bass, Drum (6)
2 Violons, Alto, Violoncelle (6)
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2 Sopranos, Choeur Mixte (SATB… (6)
Pocket, Study conductor (6)
SCORE::Score (6)
Solo S, Choeur SATB, 2 Clarine… (6)
Piano, Guitar, Bass (6)
Euphonium, Piano (duet) (6)
Flûte Traversière, Clarinett… (6)
Violon II (6)
Flûte à Bec Alto ou Flûte T… (6)
Cello, Guitar (duet) (6)
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Piano Trio: mixed chamber inst… (6)
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Flûte A Bec Soprano (Flûte T… (6)
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Flute, Bassoon, and Piano (6)
Violine und Orchester (6)
Violin, Guitar (duet) (6)
Orchester (6)
2 Violins, Piano (6)
Klavier und Orchester (6)
Harp, Flute (duet) (6)
ENS::Ensemble d'cole (6)
Choeur SATB, 2 Violons et Bass… (5)
2 Flûtes Traversières, Instr… (5)
Clavecin, 2 Flûtes A Bec Et I… (5)
Quatuor (2 Trompettes, Trombon… (5)
Clarinet Quintet: 5 clarinets (5)
Clarinet, Saxophone, Piano (5)
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Violon I (5)
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2 Oboes and English horn (4)
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Tenor Saxophone and Piano (4)
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Horn, Violin, 2 Violas and Cel… (4)
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Drum set and Piano (4)
Voix et Piano Réduction (4)
Violes de Gambe (4)
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Cor et Quatuor à Cordes (4)
Soli [AT] et Orchestre (4)
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Clarinet and Accordion (4)
Ensemble Flexible (4)
Quatuor à Cordes (Piano ad li… (4)
2 Flutes, 2 Clarinets (Quartet… (4)
Flûte Traversière Basson et … (4)
Choeur SATB, Orgue, Saxophone … (4)
Brass Quartet (2 Trumpets, Ho… (4)
Petit Ensemble à Vents (4)
Flûte Traversière, Violon, A… (4)
Flûte Traversière Basson et … (4)
Hautbois, Clarinette, Violon, … (4)
Saxophone and Organ (4)
Violon, Clarinette, Cor, Violo… (4)
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Flûte [Piccolo], Hautbois, Cl… (4)
Flûte Traversière, Clarinett… (4)
Petite Clarinette, Clarinette … (4)
Guitare et Orchestre de Chambr… (4)
Flûte, Saxophone Alto, Guitar… (4)
Trio à Cordes (4)
Clarinet, Orchestra (4)
3 Saxophones et Concert Band o… (4)
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2 Flutes, Piano (4)
Trumpet and String Quartet (4)
Baryton ou Tuba et Fanfare (4)
Clarinette, Trompette, Trombon… (4)
Biography (4)
Organ, Piano (duet) (4)
Percussions et Concert Band ou… (4)
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Mandolin, Guitar (duet) (4)
Soli (SATB), Gemischter Chor (… (4)
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3 Bassoons (4)
Flûte Traversière Cordes et … (4)
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Trompette I (3)
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Choeur SATB et Orchestre (3)
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Flute, Horn and Piano (3)
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Piccolo, Violoncelle et Piano (3)
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Viola da Gamba (3)
Marimba and Orchestra (3)
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Choeur SSATTB et Basse Continu… (3)
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Ensemble de Vents (3)
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Mug (3)
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Gustav Holst: O God Beyond All Praising - String Orchestra: SATB: Parts
Choral SATB
Hinshaw Music Inc.
Instrumental Accompaniment Set-Contents: Full Score Violin 1-2 Viola Cello A...
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Instrumental Accompaniment Set-Contents: Full Score Violin 1-2 Viola Cello And Double BassBrass parts are available on HMC2245b. There will be some doubling if you combine both products.
42.50 GBP - Sold by Musicroom UK
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Henry Purcell: In Thee O Lord Do I Put My Trust: SATB: Parts
Choral SATB
[Sheet music]
Novello & Co Ltd.
Anthem With Strings (Parts)
16.99 GBP - Sold by Musicroom UK
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Dan Forrest: Arise Shine - Orchestration: SATB: Parts
Choral SATB
Hinshaw Music Inc.
Orchestration-Contents: Piccolo Fl 1-2 Ob 1-2 Bb Cl -2 Bsn 1-2 Hn in F 1-4 ...
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Orchestration-Contents: Piccolo Fl 1-2 Ob 1-2 Bb Cl -2 Bsn 1-2 Hn in F 1-4 Tpt in C 1-3 Trb 1-2 Bass Trb Tba Timp. Perc. 1-2 (Crash Cymbals Sus. Cymbal Glockenspiel Triangle Snare Drum) Harp Strings and Full ScoreBrass parts available: HMC2163b
69.99 GBP - Sold by Musicroom UK
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Jacob de Haan: The Gospel Mass: SATB: Score & Parts
Choral SATB
De Haske Publications
Concert Band and combo parts-The Gospel Mass ? messe pour ch?ur mixte combo et ...
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Concert Band and combo parts-The Gospel Mass ? messe pour ch?ur mixte combo et orchestre d?harmonie fut composée à partir du style gospel qui depuis ses origines en Amérique s?est peu à peu étendu dans le monde entier. Les différents mouvements de la composition de Jacob de Haan s?articulent selon le déroulement d?une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors non seulement le style classique américain des chants gospels (y compris les applaudissements caractéristiques et rythmes swinguant) mais aussi une plus grande liberté d?usage des styles de gospel qui se sont développés au fil dutemps. Pourautant que nous sachions The Gospel Mass est la seule véritable messe gospel existante pour orchestre d?harmonie. Partitions pour ch?ur disponibles séparément.
344.99 GBP - Sold by Musicroom UK
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Hank Beebe: Headed For Parts Unknown: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
Headed For Parts Unknown
14.25 GBP - Sold by Musicroom UK
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Gustav Holst: O God Beyond All Praising - Brass Sextet: SATB: Parts
Choral SATB
Hinshaw Music Inc.
Instrumental Accompaniment Set-Contents: Full Score Bb Trumpet 1-2 Horn in F ...
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Instrumental Accompaniment Set-Contents: Full Score Bb Trumpet 1-2 Horn in F Tenor Trombone 1-2 Tuba and Percussion String parts are available on HMC2245a. There will be some doubling if you combine the two products.
42.50 GBP - Sold by Musicroom UK
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J. Michael Joncas: Mass In Honor of St Rose Philippine Duchesne Parts: SATB:
Choral SATB
GIA Publications
Mass In Honor of St Rose Philippine Duchesne Parts
64.00 GBP - Sold by Musicroom UK
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John Rutter: The Colors Of Christmas: Mixed Choir: Parts
Choral SATB
Oxford University Press
Set of parts for John Rutter's tender Christmas song. With a simple appealing m...
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Set of parts for John Rutter's tender Christmas song. With a simple appealing melody and a flowing accompaniment The Colors Of Christmas evokes a touching sense of longing for the joys of the festive season.
45.95 GBP - Sold by Musicroom UK
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Antonio Vivaldi: Magnificat RV 610 (PA): SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Barenreiter
Antonio Vivaldi?s Magnificat in G minor has come down to us in two conflicting v...
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Antonio Vivaldi?s Magnificat in G minor has come down to us in two conflicting versions. The earlier one probably the original version (RV 610) is dominated by impressive but largely straightforward choral passages set against a few brief vocal ensembles manageable by soloists from the choir.In the later version (RV 611) the solo parts and one chorus are replaced by demanding virtuoso arias. Andreas Köhs arrangement for soloists chorus and organ allows performers to choose between these two versions and is equally suitable for use in church and concert hall.Standard repertoire work easy to performIndependent version for soloists (RV 610: SSAT;RV 611: SA) chorus (SATB) and organClear and well presented organ partSuitable for use in church and concert hallDuration: ca. 15 minutes (RV 610) or 20 minutes (RV 611)The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Georg Friedrich Händel: Israel In Egypt HWV 54: SATB: Score
Choral SATB
[Sheet music]
Barenreiter
Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe version...
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Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe versions of the 1739 and 1756?7 performances The distinguishing feature of our new edition is that it reproduces Israel in Egypt in its complete three-part form: The Lamentation of the Israelites for the Death of Joseph Exodus and Moses? Song. It was in this form that the work was given at its London premiere on 4 April 1739. Handel made extensive changes for the second performance. The reason is often said to have been the audience?s dissatisfaction with the work?s unusual design. However he may possibly only have wanted to satisfy the whims of asoprano who felt under-represented with solo material. Israel in Egypt is made up of a series of contrasting and artfully constructed choruses separated only by a few numbers for solo voice. Part 1 is entirely given to the chorus Part 2 largely so and Part 3 while containing most of the solo numbers still gives ample room to the chorus. Handel shortened several choral numbers and may have taken the opportunity to alter the opening of Exodus. He also added five arias and a recitative for the soprano Elisabeth Duparc. These arias had already been written for insertion in other works of the 1730s and two of them had been sung a short while previously in An Oratorio (1738). There is no libretto containing the changes introduced at the second performance. All the insert arias are reproduced in Appendix 1 of Volume I/14 of the complete edition. The next performance of the piece did not occur until 1756. Handel now compiled an entirely new Part 1 containing a balanced proportion of choral and solo numbers by selecting items from Solomon the Occasional Oratorio and the Peace Anthem. The two other parts retained their original form apart from a few cuts in the choruses and the addition in Part 3 of the aria ?Hope hope a pure and lasting treasure? from the second version of Esther (for both 1756 and 1757) and the aria ?Toss?d from thought to thought? from Alexander Balus (for 1757). Our new edition makes it possible for the first time to perform Israel in Egypt in three different versions: that of the premiere
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John Joubert: Preces And Responses: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
for unaccompanied SATB chorus-For Unaccompanied SATB chorus.First performed on W...
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for unaccompanied SATB chorus-For Unaccompanied SATB chorus.First performed on Wednesday 11th August 2010 given by the choirs of Gloucester Cathedral Hereford Cathedral and Worcester Cathedral conducted by Adrian Partington at the 283rd Three Choirs Festival.'In Joubert’s setting the priest’s part is sung in speech rhythm in some places but in others it is measured and occasionally interlocks with the choral parts. The harmonic style vacillates between a language that is recognizably Joubert’s and one that seems to recall Elgar’s partsongs.' - Sunday by Sunday (RSCM) John Joubert - Preces and Responses by musicroom
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Franz Joseph Haydn: Missa Sancti Bernardi Von Offida: Mixed Choir: Part
Choral SATB
SATB, Orchestra
Barenreiter
Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly li...
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Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis and just as in the previous Mass the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn or (shall we say) ?supervised? by him. As inthe Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.Urtext from Joseph Haydn WerkeFull score (together with Missa Cellensis [Mariazellermesse] Hob.XXII:8; Missa brevis Sti Joannis de Deo [Little Organ Mass] Hob.XXII:7; Missa in Tempore Belli [Mass in Time of War] Hob.XXII:9) available for saleParts (BA4651) and vocal score (BA4651-90) available for sale
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Franz Joseph Haydn: Missa Sancti Bernardi Von Offida: Mixed Choir: Part
Choral SATB
SATB, Orchestra
Barenreiter
Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly li...
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Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis and just as in the previous Mass the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn or (shall we say) ?supervised? by him. As inthe Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.Urtext from Joseph Haydn WerkeFull score (together with Missa Cellensis [Mariazellermesse] Hob.XXII:8; Missa brevis Sti Joannis de Deo [Little Organ Mass] Hob.XXII:7; Missa in Tempore Belli [Mass in Time of War] Hob.XXII:9) available for saleParts (BA4651) and vocal score (BA4651-90) available for sale
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Richard Wilberforce: Come live with me: Double Choir: Vocal Score
Choral SATB
[Sheet music]
Boosey and Hawkes
Written as a wedding present for two of the composer?s friends Come live with m...
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Written as a wedding present for two of the composer?s friends Come live with me sets Christopher Marlowe?s archetype of the late renaissance ?Pastoral Style? The Passionate Shepherd to His Love. As a nod to the great traditions of Elizabethan and Victorian partsong writing this setting is predominantly homophonic. Taking an A-B-A-coda structure the sweeping melody of the opening section (rising and falling like ?craggy mountains?) is later reprieved in a more luscious harmonization and continues to form the basis of the soprano and tenor duet during the coda. In the B section (?There will I make thee beds of roses?) the texture elaborates to more contrapuntal linesof dialogue between upper and lower voices with the passion reaching a understated zenith in the soprano 1 and tenor 1 rhapsodic rising duet under which the parts twine themselves around each other like ?leave of myrtle?.An imaginative setting closely allied with the text Come live with me is an exciting addition to the contemporary repertoire of choral music on the theme of love.
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Before Me Careless Lying: SATB: Vocal Score
Choral SATB
[Vocal Score]
Stainer and Bell
Before me careless lying is a fine example of the contrapuntal art of Herbert H...
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Before me careless lying is a fine example of the contrapuntal art of Herbert Howells (1892 1983) inspired by the work of the great English composers of the Renaissance period those of the madrigal school in particular but in its passionate sensibility essentially twentieth century. The composer wrote this partsong on Christmas Day 1918 and dedicated it to his friend the organist Dr R. R. Terry Director of Music at Westminster Cathedral and chairman of the Tudor Church Music committee. The words are by the poet and biographer Austin Dobson whose Collected Poems was published in 1897.Perhaps as a token of the composer’s regard for Terry’s pioneering work infurthering the appreciation and understanding of sixteenth-century church music Before me careless lying was originally published with the alto and tenor parts notated in traditional clefs. It is here reissued with clefs in modern forms of treble and transposed treble respectively and with a keyboard transcription of the vocal parts which is intended for use in rehearsal.
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Georg Friedrich Händel: Swell the Full Chorus: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
from the Oratorio Solomon-John Leavitt gives us a perfect introduction to this m...
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from the Oratorio Solomon-John Leavitt gives us a perfect introduction to this masterwork. Thoughtfully arranged and easy to sing add the optional string parts to complete your presentation.Available separately: SATB SA and Instrumental Pak (score andparts for Violin 1 & 2 Viola Cello and Contrabass). Performance Time: Approx. 3:20
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Wolfgang Amadeus Mozart: Exsultate jubilate K.165: SATB: Score
Choral SATB
[Sheet music]
Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...
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Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
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Wolfgang Amadeus Mozart: Requiem K.626: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
-
Intermediate/advanced
Barenreiter
Mozart?s Requiem has entered the realm of myth. This is surely the best-known o...
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Mozart?s Requiem has entered the realm of myth. This is surely the best-known of all sacred choral works and is performed all over the world. Now a new version for solo voices chorus and organ allows this legendary masterpiece to be performed without orchestra and thus without strain on the budget. The choral writing has been taken unaltered from the Urtext of the New Mozart Edition while the organ part by Martin Focke adheres strictly to the original orchestral writing. The result is a version as convincing as it is self-contained.Franz Xaver Süssmayr?s additions have been used to complete Mozart?s unfinished original.Self-contained version withorgan instead of orchestraIdeal for church services and concert performancesClear and well-presented organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Dietrich Buxtehude: Membra Jesu nostri: Mixed Choir
Choral SSATB
SSATB, Piano
[Sheet music]
Carus Verlag
For Passion in 1680 Dieterich Buxtehude composed his largest work in the style o...
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For Passion in 1680 Dieterich Buxtehude composed his largest work in the style of an oratorio the cantata cycle Membra Jesu nostri and he dedicated it to his friend the Swedish Court Music Director Gustav Düben. In each of the seven separate cantatas which in principle follow the scheme ?instrumental introduction ? choral movement with biblical texts ? vocal soli (aria) with a sacred text from the Middle Ages ? repetition of the choral movement ? the feet knees hands side chest heart and face of the crucified Christ are interpreted allegorically. The original scoring for strings in No. VI ('Ad Cor') consists of a consort of five gambas. If this group of instruments isnot available then violins I/II can be substituted for gamba I/II and the gamba V parts can be played by the violone (the music for these substitute parts is contained in each respective parts) so that in this case only two gambas (III IV) are needed. For such a performance only two copies of the Gamba performance score (Carus 36.013/16) are required.
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Tarik O'Regan: The Spring: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
For SATB Chorus.Jointly commissioned by the National Chamber Choir and the Cork ...
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For SATB Chorus.Jointly commissioned by the National Chamber Choir and the Cork International Choral Festival for the seminar 'from composition to performance the seminar on choral music'.This work was premièred at the Cork International Choral Festival on 2nd May 2008 by the National Chamber Choir of Ireland conducted by Bo Holten. Text: Acallam na Senórach (12th century)After the battles of Commar Gabair and Ollarba the F an was destroyed. The survivors scatteredacross Ireland and by the time our story begins only two of the nobles of this ancient F anwerestill alive: Ois n and Ca lte. Sixteen of the F an warriors travelled with them across the wooded andflower-covered slopes of the Fews. Patrick was reciting his office. Then his priests seeing Ca lte and his men approaching wereseized with fear and horror at the sight of these warriors of an earlier age. Then Patrick apostle tothe Irish arose and sprinkled holy water on these great men for a thousand legions of demons hadbeen above their heads. The great men then sat down.?Well my friend there is something I would ask you ? said Patrick to Ca lte. ?Find us a well of purewater close by so that we might baptize the peoples.? Ca lte took Patrick by the hand and togetherthey went over the ramparts of the fortress. Just nine steps from the portal they saw a lovely crystalclearspring. Then Ca lte recited these lines:A thoibur Trágha dhá bhan laind do bhilar barrhglan.ó ro tréigedh do chnuas ortn r? léiced fás dot fochlocht Is uait dochuadar in Fianndar? marbad Coinchend coimfial dar? cuiredh ár Feinde Find.isin mhadain ós Maolghlind.A(r) marbadh chon ocus ferar n-athchuma laoch
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Orff Carl - Carmina Burana - Soloists , Mixed Choir , Children's Choir And Orchestra
Choral SATB
SATB, Orchestra
Schott
Cantiones profanae Instrument : soloists (STBar), mixed choir (SATB), children'...
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Cantiones profanae Instrument : soloists (STBar), mixed choir (SATB), children's choir and orchestra Type : choral score Nombre de Pages : 72 Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as well as the piano score ED 2877. The new choral score makes rehearsing and studying this extraordinary work much easier for every singer and music lover. Content : Fortuna Imperatrix Mundi: 1. O Fortuna - 2. Fortune plango vulnera - I Primo vere: 3. Veris leta facies - 4. Omnia sol temperat - 5. Ecce gratum - Uf dem anger: 6. Tanz - 7. Floret silva - 8. Chramer, gip die varwe mir - 9. Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe - 10. Were diu werlt alle min - II In Taberna: 11. Estuans interius - 12. Olim lacus colueram - 13. Ego sum abbas - 14. In taberna quando sumus - III Cour d'amours: 15. Amor volat undique - 16. Dies, nox et omnia - 17. Stetit puella - 18. Circa mea pectora - 19. Si puer cum puellula - 20. Veni, veni, venias - 21. In trutina - 22. Tempus et iocundum - 34. Dulcissime - Blanziflor et Helena: 24. Ave formosissima - Fortuna Imperatrix Mundi: 25. O Fortuna
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Wolfgang Amadeus Mozart: Shorter Sacred Works: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Barenreiter
This selection of relatively short sacred works by Wolfgang Amadeus Mozart gives...
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This selection of relatively short sacred works by Wolfgang Amadeus Mozart gives active choruses an opportunity to perform these pieces without having to hire an expensive instrumental ensemble. The works including the moving ?Te Deum laudamus ? (K. 141) the brilliant ?Jubilate? from ? Benedictus sit Deus? (K. 117) and the immortal ?Ave verum? are well-suited to performance in church services or concerts. Andreas Köhs has sensitively arranged the orchestral parts for organ using the original score to produce self-contained versions for chorus and organ. The vocal parts follow the Urtext of the New Mozart Edition.Self-contained versions with organ instead oforchestraIdeal for church services and concertsStraightforward easy-to-play organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Greg Gilpin: Kyrie: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
This top-selling Latin setting by Greg Gilpin is now available in SATB SAB and...
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This top-selling Latin setting by Greg Gilpin is now available in SATB SAB and 2-part voicings! “Kyrie” consists of a “child's theme” that begins the piece with the text developing into rich heartfeltharmonies. The piece concludes with the same “child's theme” fading into pianissimo as if never ending. It has been newly recorded with available string quartet parts and a new StudioTrax CD recording. A translationand pronunciation guide is included within the choral. This is a moving and stirring choral work! Available separately: SATB SAB 2-part Parts for String Quartet StudioTrax CD.
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Wolfgang Amadeus Mozart: Mass in C major K.317: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Barenreiter
Krönungsmesse-Composed in 1779 Mozart?s ?Coronation Mass? in C major K.317 i...
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Krönungsmesse-Composed in 1779 Mozart?s ?Coronation Mass? in C major K.317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas. This arrangement for solo voices chorus and organ is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty to choruses and church choirs with limited financial resources. The ?concertante? organ part prepared by Martin Focke from Mozart?s orchestral accompaniment does full justice to the beauty of the original.Self-contained version with organ instead of orchestraIdeal for church services and concertperformancesStraightforward and easy-to-play organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Te Deum (BRUCKNER ANTON)
Choral SATB
SATB, Orchestra
[Sheet music]
Carus Verlag
Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's ou...
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Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ./ Répertoire / Choeur Mixte (SATB) et Orchestre
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Franz Schubert: Mass in G major D 167: SATB: Vocal Score
Choral SATB
Soli, mixted choir and piano
[Vocal Score]
Barenreiter
Even for small choirs Schubert?s Mass in G major poses no scoring or performanc...
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Even for small choirs Schubert?s Mass in G major poses no scoring or performance problems and is thus ideal for use in church services. The work is full of surprises and musical ideas. Apart from the Benedictus the solo parts are limited to short interpolations.Relatively easy choral and solo writingStraight-forward organ arrangementIdeal for church servicesThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements hasbeen taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Music For The Spirit
Choral SATB
SATB, Organ
Breitkopf & Härtel
Par . Until now, anyone looking for music on the theme of Pentecost and the Holy...
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Par . Until now, anyone looking for music on the theme of Pentecost and the Holy Spirit for church services and concerts usually had to do so in larger collections that cover the entire church year or parts of it. With Music for the Spirit, there is now a choirbook specifically for the feast of Pentecost for the first time, closing a gap for an important feast of the Catholic, Protestant, and Anglican churches. Over 500 years of choral music from Renaissance to the modern age are covered here with compositions from the German-, English-, Italian- and French-speaking regions. Almost all the great composers of European sacred music are represented, from Palestrina over Byrd, Bach, Mozart, Brahms, Gounod, and Bruckner to Reger, Parry, Stanford, and Distler. With the chronological order, the development of the genre of the Pentecost motet and sacred choral music in general can be traced easily. All pieces can be performed by mixed choir a cappella or with organ accompaniment. In some cases, the accompaniment has been supplemented or arranged by the editor Stephen Harrap, in individual cases also the choral parts, e.g. when the original was composed for male voices only. The scoring ranges from three to eight voices while the length and difficulty of the pieces likewise cover a broad range for a wide variety of choirs and ensembles. / Date parution : 2023-10-31/ Répertoire / Choeur Mixte et Orgue
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