Choral-Exploring the essence of the butterfly and its impact on nature the tonalities shift with each passing phrase in the music. Consequently each line of the text has its own character. This inspired text painting encourages singers to explore vocal colors to support the delivery of the text.

Composed by Darius Milhaud  Quatrains Valaisans is a piece for SATB a cappella based on poems by Rainer Maria Rilke. This piece features five different parts each one from a poem whose lyrics are inspired by the Valais area in Switzerland. The composition includes polytonality and polyrhythms that make it highly lyrical cheerful and nice to sing. The five poems selected are: 1. Pays arrêté a mi-chemin / 'Country that stops half-way...' 2. Rose de lumiere / 'Rose of Light' 3. L'année tourne / 'The year revolves' 4. Chemins qui ne menent nulle part / 'Paths that take younowhere' 5. Beau papillon / 'Lovely butterfly' Darius Milhaud (1892-1974) was a composer and a teacher who was also known to be part of Les Six. His composition were known to use polytonality and to include some characteristics drawns from the jazz genre.

I hide myself With a lily Go lovely Rose-Written early in Whitacre's career whilst at the University of Nevada in Las Vegas. Arranged for SATB choir includes a Piano line for rehearsal purposes.I Hide MyselfJust a simple song really. All of the musical suggestions come from a careful study of the poem a quiet passionate soul occasionally speaking a little bolder than the age will allow. She loves almost to the point of distraction and this mood mustprevail in the performance: shy and sullen her passion surging to the surface only to sink back into the silence that is herself.Go Lovely RoseThe piece is structured around the cyclical lifeof a rose and is connection throughout by the opening 'rose motif' a seed that begins on the tonic and grows in all directions before it blossoms dies and grows again. Each season is represented: spring begins the piece summerappears at bar 13 autumn at bar 26 winter at bar 39 with spring returning at bar 49. The form is based on the Fibonacci sequence (the pattern found in plant and animal cell divisions) - its fifty five bars are a perfectFibonacci number. The Golden Mean appears at bar 34 as all parts are reunited to complete the flower before its final blossom and inevitable cycle of death and rebirth.Each performance should be approachedwith a child-like innocence and naivety that allows us to marvel at the return of the rose each spring. The szforzandos throughout must be light and gentle.With A Lily In Your HandWater and Fire. If the performance of this piece connects these contrasting elemental ideas its success is guaranteed. Water: At bar 30 this ostinato should be fluid and gentle only interrupted at bar 32 asthe butterflies momentarily spring out of the texture; bars 35-38 the water should slowly transform back to fire. Bar 44 should be tiny bell-tones motivating the next nine bars another patient sensuous transformation back to