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Details
Origin Of The Harp, The (Score) (ADES THOMAS)
Conducteur
[Sheet music]
Faber Music Limited
Par ADES THOMAS. This piece takes its title from a painting by Daniel Maclise (1...
(+)
Par ADES THOMAS. This piece takes its title from a painting by Daniel Maclise (1806-1870) in the Manchester City Art Gallery. Its subject is the mock Celtic Legend of a water nymph who falls for a mortal and struggles hopelessly to leave her element and join him on land. The Gods, taking pity on her failure, intervene and turn her into a harp, transforming her weeping into a gentle music of wind through strings./ Répertoire / Conducteur
25.00 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Details
Symetrie LA TOMBELLE FERNAND (DE) - FANTAISIE BALLADE - SCORE
Conducteur
Symetrie
Dans sa Fantaisie Ballade pour harpe à pédales, unique œuvre connue de l’au...
(+)
Dans sa Fantaisie Ballade pour harpe à pédales, unique œuvre connue de l’auteur pour la harpe Érard solo, La Tombelle n’emprunte pas directement son thème principal à un chant traditionnel précis, mais nous joue l’artifice d’écrire une musique dans l’esprit des ballades anciennes. Le sens de ballade à privilégier dans cette partition est celui de la vision qu’en donne le xixe siècle avec une forme plutôt libre (ce qu’accentue le terme « fantaisie ») et aux accents parfois mélancoliques. Bien que la mélodie principale de cette pièce soit formée de trois phrases musicales, comme le nombre de strophes de certaines ballades médiévales, il manque ici un envoi récurrent qui pourrait démontrer un hommage explicite à la forme poétique prisée par Machaut ou Villon.
La présente édition se fonde sur un brouillon autographe non daté, sauvé de sa lente mais certaine destruction dans un sombre grenier, demeure de colombidae plus amateurs de roucoulements que de musique, pour être placé aux archives du diocèse de Périgueux et Sarlat. Le manuscrit, malgré l’écriture claire de La Tombelle, possède un certain nombre de repentirs ainsi que des indications sur le fonctionnement de la harpe à pédales. Quelques oublis ont été corrigés ainsi que certaines précisions concernant les changements de pédales. Concernant les deux glissandos que comporte la pièce (mesures 92 et 151), le compositeur a noté sous la portée les « sons homophones ». Le premier correspond donc à une septième diminuée (la-si #-do-ré #-mi b-fa #-sol b) et le second terminant l’œuvre, à une échelle pentatonique (sol-la-si-do b-ré-mi-fa b).
/ Partitions classique / Ensemble et orchestre / Conducteur / Symetrie
13.13 EUR - Sold by Woodbrass
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