SKU: BT.EMBZ14473
Hungarian-English-German-French.
Editio Musica Budapest is launching a new series entitled 'Musica da camera'. As its very general title indicates, the publishers' intention is that the volumes in this series, which is designed specifically for music school students, will include works composed for chamber ensembles of every kind, from the trio to the sextet. The first two volumes contain mostly transcriptions for three and four flutes respectively, selected from every period of music history from the late Renaissance to the present day.Unter dem Titel ‚Musica da camera' bringt Editio Musica Budapest eine neue Serie auf den Weg. Bereits dieser sehr allgemeine Titel zeigt an, dass in die Bände dieser neuen Serie den Wünschen des Verlags entsprechend Werke für Kammerensembles der unterschiedlichsten Besetzung - vom Trio bis zum Sextett - aufgenommen werden. Die ersten beiden Bände enthalten grösstenteils Bearbeitungen für drei oder vier Flöten aus allen musikgeschichtlichen Epochen von der Spätrenaissance bis zur Gegenwart.
SKU: BT.DHP-1135495-070
9x12 inches. International.
This work for flute trio is in no way connected to the famous work of the same name by Antonio Vivaldi. In his Four Seasons, Mario Valsania sees the changing seasons from a child's point of view: Spring, out in the fresh air on abike ride, the unhurried Summer, Autumn and the new school year, and finally Winter, with its Christmas celebrations...This is a composition in a classical style but with advanced, non-traditional harmonies. The composer's aim was to bring out the full richness of the flute's range and character - such as staccato and double-tonguing. InWinter, various traditional Christmas carols can be heard.Dit werk voor fluittrio heeft op geen enkele manier te maken met het beroemde gelijknamige werk van Antonio Vivaldi. In zijn Four Seasons kijkt Mario Valsania naar de wisselende seizoenen vanuit het perspectief van een kind: in de lente kun jelekker naar buiten om te fietsen in de frisse lucht; de zomer is een zorgeloze periode; de herfst staat voor de start van het nieuwe schooljaar; en tot slot is er de winter, waarin onder meer het kerstfeest wordt gevierd...
Deze compositie is in klassieke stijl geschreven, maar met gebruik van vooruitstrevende, niet-traditionele harmonieën. De componist is erin geslaagd om de rijke, karakteristieke klank over het volledige register van de fluit te benutten - metmiddelen als staccato en dubbele tongslag. In het gedeelte Winter zijn enkele traditionele kerstliederen te herkennen.Dieses Werk für Flötentrio verweist in keiner Weise auf das berühmte gleichnamige Werk von Antonio Vivaldi. In seinen Vier Jahreszeiten versucht Mario Valsania nachzuspüren, wie ein Kind die wechselnden Jahreszeiten erlebt: denFrühling, den man am liebsten an der frischen Luft und auf dem Fahrrad verbringt, den Sommer als sorglose Periode, den Herbst als Zeit des Schuljahresbeginns, und schließlich den Winter, in den Weihnachten und andere Festefallen...Die im klassischen Stil gehaltene Komposition weist eine erweiterte, nicht traditionelle Harmonik auf. Der Komponist versuchte, den gesamten Tonumfang und charakteristische Aspekte der Flöte, wie staccato und Doppelzunge, auszunutzen. ImWinter werden einige traditionelle Weihnachtslieder zitiert.Cette composition pour trio de fl tes traversiéres ne fait aucunement référence la célébre à âuvre de Vivaldi. Dans ses Four Seasons (Quatre saisons), Mario Valsania égréne le changement des saisons, vécu par unenfant : le printemps, synonyme dair frais, de liberté et de courses vélo, lété qui se vit avec un soupçon d'insouciance, lautomne qui signifie la rentrée scolaire, et finalement l'hiver, le temps des festivités de Noël.
Il sagit dune piéce composée dans un style classique présentant toutefois des harmonies et des accents surprenants. Lobjectif du compositeur était de faire ressortir toute la richesse de la fl te traversiére par des traitscaractéristiques tels que le staccato ou le double coup de langue. Dans le quatriéme mouvement, Winter, plusieurs chants de Noël traditionnels peuvent être entendus.Questa pubblicazione per trio di flauti non é in collegata alla celebre opera omonima di Antonio Vivaldi. Nelle sue Four Seasons, Mario Valsania cerca di ricreare in musica la sensazione che un bambino può provare al passaggio dellestagioni: la Primavera, laria fresca e un i giri in bicicletta, lEstate come periodo spensierato, lAutunno con l'inizio della scuola e, infine, l Inverno con il Natale e le feste in famiglia.
SKU: BT.DHP-1002319-401
ISBN 9789043112154. English-German-French-Dutch.
A sister book to Top Hits Duo, which enables young players to perform pop songs and well-known traditional melodies in small ensemble groups. This helps develop both playing and listening skills. Een bonte mengeling van folk- en popsongs. Inhoud: Weââ¬â¢re Going to Ibiza ââ¬Â¢ La Cucaracha ââ¬Â¢ The Floral Dance ââ¬Â¢ Careless Love ââ¬Â¢ Everybody Needs Somebody ââ¬Â¢ Mull of Kintyre ââ¬Â¢ The Show Must Go On ââ¬Â¢ Go Tell It on The Mountain ââ¬Â¢ Y.M.C.A.ââ¬Â¢ Lovely Evening ââ¬Â¢ Die Karawane zieht weiter ââ¬Â¢ Dona Nobis Pacem ââ¬Â¢ Sunday in Rio ââ¬Â¢ KumbayaMit diesen Top-Hits aus verschiedenen Jahrzehnten macht das Zusammenspiel im Trio richtig Spaß! Da oggi è possibile suonare in trio i grandi successi pop. Con Top Hits Trio potrete unire tre stumenti della stessa tonalit per dar modo ai giovani allievi di cimentarsi nellââ¬â¢esperienza formativa della musica dââ¬â¢insieme, dove oltre ad imparare lââ¬â¢importanza di tenere il giusto tempo, i musicisti capiranno anche cosa vuol dire ascoltare la parte degli altri. Ma potrete anche mischiare libri di diversi strumenti per creare il trio giusto.
SKU: SU.29050160
Seven Character Sketches for flute trio3 Flutes Duration: 11' Composed: 2008 Published by: Whitco Press.
SKU: HL.4008923
UPC: 196288278634.
“Can You Feel The Love Tonight” from Disney's iconic The Lion King was written and performed by Elton John. This magnificent Disney classic has been masterfully arranged for various ensembles by Marc Jeanbourquin.
SKU: HL.49007998
ISBN 9790001112338. 9.0x12.0x0.12 inches.
Die Reihe Modern Flutist mit Kompositionen von Krystof Zgraja besteht aus je einem Heft fur Flote und Klavier, fur 2 bzw. 3 Floten. Es handelt sich um flotte, zeitgemasse Spielliteratur fur Anfanger, die den Spass am Zusammenspiel fordern soll und sich auch gezielt fur erste Vortragsabende eignet.
SKU: P2.10022
The third part of the Chthonic Flute Suite commissioned by Areon Flutes in 2012. This suite has two main inspirations: ideologically it draws guidance from the book The Dream and the Underworld (1979)by James Hillman (1926-2011) and musically it explores the textural possibilities of a flute ensemble within the context of the heavy chamber music style I have developed with Edmund Welles: the bass clarinet quartet since 1996. This style draws virtuosic precision from the classical realm; innovation and texture from jazz; and power, rhythm and overall perspective from rock and metal. The term chthonic [thon-ik] generally means underworld. However, Hillman thoroughly elaborates that its true meaning extends below the earth and beyond it into invisible, non-physical and far distant psychic realms: the deeper mysteries of the invisible. The trio is divided into three sections: The Way We Descend--Reflection of Narcissus--Below Nature. Taking a break from Greek myth-nerd terms, this movement introduces chthonic-flavored phrases that elaborate on our descent into the underworld, specifically through dreams. The realm of the underworld can be such a shock to our dayworld, limited, egoic consciousness that it can seem like a violation as Hillman points out, referencing the Greeks: This style of the underworld experience is overwhelming, it comes as violation, dragging one out of life and into the Kingdom that the Orphic Hymn to Pluto describes as 'void of day.' So it often says on Greek epitaphs that entering Hades is 'leaving the sweet sunlight.' (p.49) He elaborates on the differences between dayworld and underworld perspectives: The dream is not compensation but initiation. It does not complete ego-consciousness, but voids it. So it matters very much the way we descend. (p.112) He goes on to describe the various modes in which mythical figures have descended: Ulysses and Aenas to learn; Hercules to take and to test, for example. To act like Hercules, like the hero, in the underworld is to miss the point and cause more problems, the villain in the underworld is the heroic ego, not Hades. (p.113).
SKU: HL.44013278
A sister book to Top Hits Duo, which enables young players to perform pop songs and well-known traditional melodies in small ensemble groups. This helps develop both playing and listening skills.
SKU: UM.10167
ISBN 9790224410167. A4 inches.
SKU: ST.C518
ISBN 9790570815180.
A brand new edition of these effective arrangements of Bizet, Gluck and Strauss. This collection, originally published by Pan Educational Music, (PEM17) in 1982 now includes a score and set of three separate flute parts.ContentsHabanera from Carmen (Bizet)The Gypsies' Chorus from Carmen (Bizet)The Dance of the Blessed Spirits (Gluck)Die Libelle (The Dragonfly) (Strauss)Former Spartan Press Cat. No.: EMA118.
SKU: BT.DMP116133
SKU: BT.EMBZ14972
English-German-Hungarian.
The volume contains selected transcriptions from well-known sets that Bartók wrote for children and young people: For Children, Children s and Female Choruses, 44 Duos and Mikrokosmos. Some are based on folk melodies and some on original themes. The volume consists of 15 pieces. The collections serve to draw music students into the realm of a great genius of 20th-century music, while concurrently introducing them to the basic techniques of playing chamber music.
SKU: PR.UE017293
UPC: 803452014430.
SKU: LM.26115
ISBN 9790230961158.
Sur un tapis de tierces - Petite valse - Pour danser avec une jambe de bois - Berceuse pour Helene - Comme a regret.
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