Composer's NoteOut Of The Cool was my first work and inspired by the music of Miles Davis and John Coltrane. It was originally written for the flute but may equally well be played on the violin cello or sopranosaxophone.The piece is in three sections - slow/fast/slow. I have not marked many dynamics or phrasings and those shown are suggestions only. The slow sections in particular should be very free rhythmically and eachperformer should feel free to interpret the piece in his own way. The pedalling marks however are more specific as I have used them to show how notes and chords are to be sustained. Some of the blurred effects may seem strangeat first but this pedalling is essential to the style of the piece. Above all Out Of The Cool was written to be enjoyed so have fun with it!David Heath.

for flute/alto sax. Par JOHOW JOACHIM. Le recueil All Time Klezmers s´inspire des danses et des chants juifs joués par les klezmorim : de la beauté lyrique de la Hora à l'exubérance du Freilach. Certaines pièces possèdent une deuxième voix optionnelle qui peut être utilisée pour jouer en duo ou pour varier le contexte thématique dans le cas d'un passage avec reprise. Ce recueil contient uniquement les parties d'accompagnement de piano de l'ensemble des pièces presentées dans All Time Klezmers pour flûte ou saxophone alto. / Niveau : Intermédiaire / Recueil / Flûte Traversière, Saxophone Alto et Piano

Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of theaward-winning cartoon film The Snowman.In this music booklet of the classic theme song Walking In The Air for Flute and Piano composer Howard Blake recreates the story in music based on the scenes fromthe film.

Par BLAKE HOWARD. Histoire de Noël charmant Raymond Briggs du garçon qui a construit un bonhomme de neige qui vient à la vie et leurs aventures ensemble, est devenue classique pour les enfants. Sa popularité a été rehaussée par des émissions de télévision fréquentes de la caricature film de primé le bonhomme de neige. Cette combinaison pour les flûte et piano, compositeur Howard Blake a recréé l'histoire dans les paroles et la musique basée sur les scènes du film. La musique, ce qui comprend la chanson marche dans l'Air, est assez facile à être joué par les pianistes de tous âges et capacités./ Recueil / Flûte Traversière et Piano

Par VON SCHAUROTH DELPHINE. Six Songs Without Words by Delphine von Schauroth, arranged for flute and piano by Virginia Broffitt Kunzer and Tammie Walker. German pianist and composer Delphine von Schauroth was a contemporary of Felix Mendelssohn and also the dedicatee of his famous Piano Concerto No. 1 in G minor. Her Six Songs Without Words were originally composed for piano solo, however, because of the nature of them, it is easy to see how a flute melody can be extracted from each of them. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

This is an updated edition of Francis Poulenc's 1957 work Sonata For Flute And Piano, edited by Carl Schmidt. Featuring the full score and separate Clarinet part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks.After having begun a Sonata for Flute as early as 1952, questions arose over whether Poulenc would be able to complete this work on top of his various other compositions at the time. The piece was, thankfully, finally finished after being commissioned by Harold Spivacke, the Chief of the Music Division of the Library of Congress, for a festival in honour of Elizabeth Coolidge. The world premiere, at Poulenc's request, took place at the Strasbourg Music Festival, performed by renowned flautist Jean-Pierre Rampal, while the American premiere took place in the Coolidge Auditorium at the Library of Congress. This new edition includes an extensive introduction to the piece, a detailing of the different sources that were used, and the inherent difficulty of compiling such an edition as this, all in English, French and German. Furthermore, an in-depth discussion of the problems of authority, as well as a vast number of critical notes is included, giving a true sense of the care and attention that has gone into producing this new edition of Poulenc's Sonata For Flute And Piano. At all points, Schmidt has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended.What makes this edition of Sonata For Flute And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned flautist Michael Cox and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the flautist in your very own performance. This is a unique opportunity for flautists to learn from an authoritative score, and play along to a special backing track, with a work that, since its premiere, has become one of the most frequently-performed and well-loved works in the Flute repertoire.For flautist fans of Francis Poulenc, lovers of Les Six, or just players with a proclivity for stunning music, this edition of Sonata For Flute And Piano has been a long-time coming, and now it's available in this unique edition with accompanying download card. / Flûte Et Piano

Magic Flute on Stage-Album for Children?Tomorrow I am going to write a collection of miniatures for children. For some time I have been thinking it would be good to alleviate the dearth of musical literature for children.? (From a letter Tchaikovsky wrote to Nadezhda von Meck on 30 April 1878) Tchaikovsky?s collection of piano pieces for children is subtitled ?Collection of easy pieces in the style of Schumann.? The instruments Pyotr Il?yich Tchaikovsky studied included the flute but he never wrote any music for it. How ever many of the miniatures from the Album for Children suit the flute perfectly - from the expressive and romantic Morning Prayer and Sweet Dream to the moretechnical Mazurka and Neapolitan Song. These touchingly lyrical miniatures and almost virtuosic dance pieces arranged for flute and piano will be loved by young flautists and met with enthusiasm by concert audiences.

This exclusive collection contains eight pieces by Ludovico Einaudi for Flute and Piano with full score and pull-out Flute part. Pieces include: The Crane Dance Divenire Elegy For The Arctic L'OrigineNascosta Primavera Night Una Mattina and Nuvole Bianche. As well as the printed score this book is supported by SoundWise: SoundCheck powered by Match MySound: this innovative technology listens to you play and gives you instant feedback on your performance and advice on how to improve. eBook: a digital edition of your music to read on any device.Audio: full demonstration recordings of each piece plus accompaniment-only solo-only and rehearsal backing tracks. Video: exclusive behind the scenes video content.

For Flute and Piano-Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are aperfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute thisamong them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'