Intermediate to Advanced Level / G. Schirmer Instrumental Library. Solos appropriate for advanced high school students or college music majors, this collection presents staples of the standard flute literature. This edition also includes access to online recordings of full performances as well as piano accompaniments. Contents: Sonata in E minor, BWV 1034 (J.S. Bach) · Concertino, Op. 107 (Chaminade) · Syrinx (Debussy) · Nocturne et Allegro Scherzando (Gaubert) · Gigue (Leclair) · Adagio and Gigue from the Sonata in G Major (Loeillet) · Allegro deciso from the Sonata for Flute and Piano, Op. 14 (Muczynski) · Ballade (Perilhou) · Andante from the Sonata in D Major, Op. 94 (Prokofiev) · Andante Pastoral et Scherzettino (Taffanel). Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

La référence FP 056 de l'éditeur Fertile Plaine dont l'auteur célèbre est Matuchet E., qui a pour titre Andantino et variations, Allegro ( flute et Piano ), a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

La référence GB3190 de l'éditeur Billaudot dont l'auteur célèbre est Fiocco Joseph-Hector, qui a pour titre ALLEGRO EN SOL MAJEUR, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Par PLAYS JEAN-BERNARD / GRAS CHRISTOPHE. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Andante et Allegro de Plays J.B. / Gras Christophe qui a été composé pour Flûte Traversière / Niveau : Fin 1er à Début 2ème Cycle / Répertoire / Flûte Traversière et Piano

This piece was originally written for Violin and Piano and if the 'New World' Symphony and the 'American' String Quartet are the best-known products of Anton n Dvorak's years in the United States the little Sonatina in G major(sometimes called the 'Indian Lament' Sonatina) may well be the most obscure; yet it is a charming work that deserves better than its relegation to the learning books of young violinists. The Sonatina is in four movements:Allegro risoluto Larghetto Scherzo (molto vivace) and Allegro. The first movement's principal tune has a firm rhythmic spine its second tune a gentle plaintiveness; there is just a hint of Americanfolk music in the movement.The following Larghetto earned the Sonatina its nickname. The succession of its three melodies - one in G minor one in B flat major and one in G major - has to it the same wistfulness and thesame sudden brightening and then softening of mood that we hear in the famous slow movement of the 'New World' Symphony.The Scherzo takes the very first gesture of the Allegro risoluto as its starting-point. The finale isa substantial sonata-allegro movement with three wonderful themes: the opening syncopated idea in G major a subsidiary thought in E minor very dancelike and built around a repeating marcato cell and finally a rich tranquillomelody that closes the exposition. This adaptation for Flute and Piano by James Galway conveys all the spirit of the original.

Composed by J. S. Bach for Flute and Piano this edition of Sonata No.6 was arranged for Alto Saxophone in E flat and Piano by Marcel Mule. Its difficulty would fit the skills and abilities of intermediate players. In terms of composition this piece was created in four different sections: Adagio ma non tanto Allegro Siciliano and Allegro. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission the mastery ofvibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as 'Scale and Arpeggios' (in three books) 'Daily exercises after Terschack' or '30 Great exercises or studies after Soussmann' (in two books) among others.

DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.Thefirst thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practicepurposes with the solo instrument heard softly in the background at slow tempo. Finally you can play at the original tempo to the accompaniment of an orchestra piano or basso continuo.Allversions appearing on the CD were recorded live by renownedsoloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition! 1 G. Ph. Telemann (1681-1767): Allegro - 'Der getreue Musikmeister (Polonoise')2 L. Mozart (1719-1787): Allegro ('Children`s Symphony')3 M. Moszkowski (1854-1925): 'Spanischer Tanz' op. 124 E. Grieg (1843-1907): 'Anitras Tanz' - Peer Gynt (Suita No 1)

Three challenging preludes for solo flute. The Allegro and Allegro molto should be spirited and well-accented whereas the expressive Andante molto should be played freely.

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto 2. Adagio non troppo and 3. Rondo: Allegretto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozartfor four Flute quartets and three Flute concerti. However the composer who famously disliked the Flute only completed three quartets and one concerto. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. De Jean did not approve yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.

In a letter dating from 1777 Mozart reported to his father from Mannheim that Johann Baptist Wendling principal Flautist of the famous Mannheim Orchestra had been approached by a wealthy Dutch businessman by the name of De Jean who was prepared to pay 200 gulden for three easy flute concertos and four flute quartets for his own use. Mozart accepted the commission. By the day before the Dutchman left Mozart had delivered only three of the quartets andtwo concertos for which he had been paid 964 gulden. The composer who was himself being pressed by his father to continue his own journey to Paris with his mother was full of excuses writing back to Salzburg on 14 February 'It is not surprising I have been unable to finish them for I never have a single hour's quiet here...Moreover you know I become quite powerless when I am obliged to write for an instrument I can't stand.' There is more than a hint of disingenuousness in Mozart's words for this was the height of the period during which he was being distracted from his work by his new-found love for the Mannheim singer Aloysia Weber. (He ultimatelymarried her sister Constanze.) If Mozart's dislike of the Flute was as great as he claimed there are few signs in the Flute Concerto No.1 in G major particularly in the expressive central Adagio ma non troppo. The outermovements are an Allegro maestoso and a concluding Rondo: Tempo di Menuetto. The work is scored for two oboes (replaced by flutes in the Adagio) two horns and strings. This Great Performers' Edition is edited byJames Galway.

French Music for Flute and Piano. This collection, compiled by Sonora Slocum, principal flutist of the Milwaukee Symphony, features some of the most popular flute repertoire by French composers. CONTENTS: BÜSSER: Prelude et Scherzo, Op. 35 · FAURÉ: Fantaisie, Op. 79 · GAUBERT: Nocturne et Allegro Scherzando · HÜE: Fantaisie · RAVEL: Pièce en forme de Habanera (transcription by Gaston Hamelin) · SAINT-SAËNS: Romance, Op. 37 · TAFFANEL: Andante pastoral et Scherzettino

Par PERILHOU. Written for Flute or Violin accompanied by a Piano, Ballade is a piece by Albert Perilhou (1846-1936), dedicated to Paul Taffanel. This piece is one of the most famous by this author and could be chosen as a contest or a recital work. Composed in 1903, Ballad is a one-movement piece which begins with a slow part and alternates with an Allegro section. This latter is the section of the main theme which demonstrates the range of the flute with expressive runs. The melody of the slow part keeps coming back along the piece, which finishes on it. The difficulty of this piece would suit upper-intermediatelevel players./ Répertoire / Flûte Traversière ou Violon et Piano