(Part - Guitar)-Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Chamber Choir of Ireland The DeBartolo Performing Arts Center at University of Notre Dame Indiana and Peak Performances at Montclair State University Montclair New Jersey.First performed on 25 November 2010 at St Ann’s Church Dublin by the National Chamber Choir of Irelandwith Stewart French (Guitar) directed by Paul Hillier.The Guitar part was edited by Stewart French.Tarik O'Regan on the music:In writing this musical setting of Acallam na Senórach I was drawn to the evenness of the dialogue. Instead of St Patricksimply converting the pagan warriors he is encouraged to listen to Ca lte’s stories and poems of an earlier time in which the saint delights.This secular/sacred osmosis is maintained unwaveringly throughout the entire text. By the end of the narrative one has witnessed not only the arrival of a new religion in Ireland but also a richly-recounted secular narrative map of the entire island: the peaceful and enriching shaking of two great hands.In preparing the libretto (the sung text) I have focused on only a few of the shorter constituent tales. This decision was born of the practical constraints of duration. I have however kept the skeleton albeit smaller of the overall frame in place. Finally for the sake of simplicity Ois n is removed from the primary narrative.The characters are not assigned specific voices. The narrative as a whole is carried by a persistently changing combination of voices and guitar. The one exception is Cas Corach the musician of the s d (underworld) who is most closely embodied throughout this setting in the solo interludes for guitar.The music itself is not ethnographically inclined; that is I have not attempted to reconstruct theories on Irish music of the period from which Acallam stems. However the score generally and especially in the guitar writing is imbued with an air

In this edition Guido Böger provides 72 further compositions by the legendary Irish harpist Turlough O’Carolan arranged for classical guitar.These solo pieces are generally of intermediatedifficulty and convey the beautiful lyrical qualities of the original tunes. This expanded selection of the melodies has not been organized into any set of themes or forms; however along with his TurloughO’Carolan Irish Harp Pieces for Classical Guitar O’Carolan’s Laments have now been arranged in their entirety.These pieces will provide the guitarist with a wonderful collection of new andfascinating pieces for use in study concerts or for your musical pleasure.

Michael O???Dorn devotes his life to performing and the promotion of Fingerstyle Guitar music. This DVD contains many styles of Fingerstyle Guitar picking.Tunes include: Rose Time Yesterday Je Te Veux TuckMe to Sleep in My Old ???Tucky Home Drive-In Saturday Night Shuffle Amazing Ace Freight Train If You Could Read My Mind Jesse James Ready for the Times to Get Better Mom???s Melody Spirit of Brother Marcel Cane Break Blues Yankee Doodle Dandy I???ll See You in My Dreams; SkyBird and more.

La version livre relié cette évaluation complète et approfondie. Initialement publié en 1958, étude classique de Donal O'Sullivan de Turlough O Carolan est devenu un phare historique et musical pour tous ceux intéressés par le passé de l'Irlande et du présent. C'est un outil indispensable pour les musiciens irlandais, qui, par le biais de ce volume remarquable de la recherche, peuvent aller au-delà de la musique elle-même et engross eux-mêmes dans le monde coloré de ce musicien unique voyageant dans une Irlande encore largement féodale des XVIIe et XVIIIe siècles. Cette nouvelle édition contient tous les articles originaux, avec toutes les 213 mélodies, les annotations, les mélodies, o ' Neill les mémoires d'Arthur, index complets et une importante nouvelle annexe qui tunes de fonctionnalités supplémentaires et les faits qui ont été découverts depuis la publication originale pour la première fois. / Harpe / 378 pages / Partition

There are a lot of books on the market offering “licks” in the Funk/Fusion style but this book goes a lot further. The 16 challenging compositions by renowned Australian guitarist Peter O’Mara cover a variety of tempos and grooves and are presented using a real rhythm section (from Klaus Doldinger’s “Passport”) to achieve a maximum of authenticity. Rhythm-guitar riffs are integrated into the overall groove and there is plenty of room for improvisation as well. The audio play-along tracks are presented in an order of increasing complexity. CD 1 contains complete recordings of all instruments so that you can hear how each track can sound. CD 2 omits all guitar parts so that you can play along with the rhythm section and create your own soli and rhythm parts. Midifiles of all compositions are also included on CD 2.

A dozen of the most beautiful traditional melodies from the British Isles and North America are arranged here as concert pieces with rich harmonies and variations. Carefully voiced and fingered for fluidity and effectiveness the collection offers a wide range of style and expression. ???Barbara Allen??? and ???The Three Ravens??? are strongly influenced by the Elizabethan lute tradition while ???John Riley??? and ???Come All Ye Fair and Tender Ladies??? have a more contemporary feel. ???Black Is the Color of My True Love???s Hair??? and ???Lament for Owen Roe O???Neill??? are studies in somber intensity the modal ???She Moved Through the Fair??? sounds the ancient connection between Arabic and Celticmusic and ???Banks of the Ohio??? provides an interlude of gentle bluegrass swing with a hint of gospel.

Nessa Rua, Atirei O Pau No Gato, O Cravo E A Rosa, Paraiba Masculina, Os Escravos De Jo. Par SILVESTRE LOURIVAL. / Niveau : Fin 2ème Cycle / Répertoire / Guitare

A dozen of the most beautiful traditional melodies from the British Isles and North America are arranged here as concert pieces, with rich harmonies and variations. Carefully voiced and fingered for fluidity and effectiveness, the collection offers a wide range of style and expression. 'Barbara Allen” and 'The Three Ravens” are strongly influenced by the Elizabethan lute tradition, while 'John Riley” and 'Come All Ye Fair and Tender Ladies” have a more contemporary feel. 'Black Is the Color of My True Love's Hair” and 'Lament for Owen Roe O'Neill” are studies in somber intensity, the modal 'She Moved Through the Fair” sounds the ancient connectionbetween Arabic and Celtic music, and 'Banks of the Ohio” provides an interlude of gentle bluegrass swing, with a hint of gospel. / Niveau : Intermédiaire / Classique / Recueil / Guitare Classique

Par O'BRIEN ED. Guitare - de jazz apprendre à improviser avec CD publié par Santorella Publications est une approche mélodique d'improvisation écrit par un auteur de Boston basé respecté and les éducateur, Ed O'Brien. Apprendre à improviser est le premier d'une série de livres de guitare jazz conçu pour familiariser les élèves avec les concepts de l'improvisation jazz et les techniques fondamentales. Le processus d'apprentissage d'improvisation jazz est une vaste région nécessitant une grande étude et pratique. Beaucoup de livres ont été écrits sur ce sujet expansif, mais généralement s'adressent à une ère spécifique ou un style - c'est-à-dire, Swing, be-bop, etc.. Guitare - de jazz apprendre à improviser une approche clairvoyant et fournit l'étudiant les concepts et les exemples qui peuvent être appliquées au jazz de toute époque. Le CD de performance contient chaque exemple, joué à un rythme modéré, qui permet aux étudiants de non seulement lire l'exercice, mais aussi bien l'entendre. Echelles, Arpèges, voicings de corde, des progressions II/V7 et voix chromatique menant sont seulement quelques sujets couverts. / Méthode / Méthode / Guitare

Par O\'DORN MICHAEL. Ce livre sera éclairer amateurs de Merle Travis et préparateurs de fingerstyle alike. Vous serez de manière ordinaire de jouer de la guitare fingerstyle à la technique extraordinaire qui Merle introduit dans le monde. Basé sur les leçons personnelle de l\'auteur de Merle lui-même, cet ouvrage fournit au début au guitariste intermédiaire avec un look dans ses techniques, riffs et rouleaux. Comprend des études approfondies sur comment Merle utilisé ses techniques de droite et la gauche chords de jouer avec son pouce sur le cou. Chaque morceau est présentée comme une version simple puis un Travis cueillette de progression. Que vous jetterez un voyage étape par étape dans le style unique de Travis cueillette. / Niveau : Débutant à Intermédiaire / Méthode / Guitare Country