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FRENCH HORN
Guitar
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Michele Corbu: Chitarra Antologia I-Ii Corso: Guitar: Instrumental Tutor
Italiano
Guitar
Carisch
Chitarra Antologia I-Ii Corso
12.99 GBP - Sold by Musicroom UK
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Peter Nathanson: Improvvisazione Con Le Scale E I Modi: Guitar: Instrumental
Guitar
Improvvisazione Con Le Scale E I Modi
26.36 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Siciliana De La Sonata I Para Violin: Guitar:
Español
Guitar
[Sheet music]
Unión Musical Ediciones
Siciliana De La Sonata I Para Violin
8.99 GBP - Sold by Musicroom UK
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Alfonso X. El Sabio: Cantiga Lx I: Guitar: Instrumental Work
Español
Guitar
[Sheet music]
Unión Musical Ediciones
Cantiga Lx I
6.99 GBP - Sold by Musicroom UK
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Blas Sanchez: Méthode De Guitare Classique - Degré I: Guitar
Guitar
Edition Choudens
Méthode De Guitare Classique - Degré I
11.50 GBP - Sold by Musicroom UK
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Henry Purcell: Suite I: Guitar: Instrumental Work
Español
Guitar
[Sheet music]
Unión Musical Ediciones
Suite I
3.99 GBP - Sold by Musicroom UK
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The Very Best Of
Guitar
Hal Leonard
Strum the chords (and sing along!) with 20 of John Denver's top hits: Annie's So...
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Strum the chords (and sing along!) with 20 of John Denver's top hits: Annie's Song · Autograph · Back Home Again · Calypso · Fly Away · Follow Me · Goodbye Again · I'm Sorry · Leaving on a Jet Plane · Looking for Space · My Sweet Lady · Poems, Prayers and Promises · Rocky Mountain High · Shanghai Breezes · Sunshine on My Shoulders · Take Me Home, Country Roads · Thank God I'm a Country Boy · and more. Each song is in its original key with chords, strum patterns, melody and lyrics. / Guitare
17.98 EUR - Sold by LMI-partitions
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Für Gitarre - Book - Dvd - German
Guitar
[Sheet music + CD + DVD]
Bosworth
Le songbook contient 20 chansons bien connues par Johnny Cash, arrangé pour la ...
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Le songbook contient 20 chansons bien connues par Johnny Cash, arrangé pour la guitare. Peter Bursch, l'un des principaux professeurs de guitare de l'Allemagne, explique comment lire les chansons, tout comme les versions originales. Un CD et DVD sont également inclus. Ce livre inclut les chansons Folsom Prison Blues, Ring Of Fire, Bird on a Wire, I Walk The Line et plus. / Guitare
36.98 EUR - Sold by LMI-partitions
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Top 100 Hit Collection 65
Français
Guitar
[Sheet music + CD]
Play Music Publishing
Rose est de retour avec un nouvel album et le succès du parti 'Blow Me (One Las...
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Rose est de retour avec un nouvel album et le succès du parti 'Blow Me (One Last Kiss)'Lana Del Rey possible avec 'Summertime Sadness' terre un tube de l'été plutôt atypique, mais avoir Simple Plan Summer Paradise avec 'sentiment propagation réel de soleil. La chanson 'I Follow Rivers' a pris d'assaut Lykki Li et doigt sur la gâchette en deux versions des cartes.Deux livres en un: arrangement de piano et de sortie de la mélodie pour piano, clavier, guitare, chant, flûte ou violon pour l'enlèvement. Gusttavo Lima a eu avec 'Balada (Tchê Tcherere Tche Tche)' l'un des tubes de l'été de 2012 et avec le plaisir de chanter-le long touché 'We Are Young' géré la bande. la rupture avec nous. / Piano
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American Suite (3 Pièces)
Guitar
Soldano
Under the sun of Los Angeles, America, I love America. Par DI MOSOLE SERGE. / N...
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Under the sun of Los Angeles, America, I love America. Par DI MOSOLE SERGE. / Niveau : 3 - 4èmer Année / Répertoire / Guitare
14.47 EUR - Sold by LMI-partitions
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Metodo Ch Heavy Canzoni X Vol.1
Guitar
[Sheet music]
-
Beginner
Carisch
Raccolta Di Canzoni I / Niveau : Débutant / Méthode / Guitare
19.20 EUR - Sold by LMI-partitions
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Musique Pour 6 Cordes (VECTOMOV I)
Français
Guitar
[Sheet music]
Lemoine, Henry
Par VECTOMOV I.. / Niveau : Elémentaire / classique / Répertoire / Guitare...
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Par VECTOMOV I.. / Niveau : Elémentaire / classique / Répertoire / Guitare
14.50 EUR - Sold by LMI-partitions
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Dvd Renbourn John In Concert 1990
Guitar
Omnibus Video
John Renbourn, guitariste britanique, compose à partir d'éléments de country ...
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John Renbourn, guitariste britanique, compose à partir d'éléments de country blues, modern jazz, ragtime et classique. Dans ce concert solo enregistré à Tonroto en 1990, il explore les différents styles musicaux. Sweet Potato, Medley : Abide With Me,/ Great Dreams From Heaven, Lord Franklin, Little Niles, Lindsay, From Sandwood Down To Kyle, Medley : The South Wind / The Blarney Pilgrim, Kokomo Blues, Medeley : Lament For Owen Roe O'Neill/ Mist Covered Mountains Of Home / The Orphan, Medeley : Bunyan's Hymn / I Saw Three Ships / The English Dance And Cherry. / Guitare / Dvd
55.50 EUR - Sold by LMI-partitions
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Guitar Masterworks Lite: Renaissance
Guitare
Alfred Publishing
Intended for both working guitarists and those who play strictly for the enjoyme...
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Intended for both working guitarists and those who play strictly for the enjoyment of great music, this collection of Renaissance favorites transcribed for guitar will add something special to any party or social gathering. Including popular pieces such as John Dowland's 'Orlando Sleepeth,' 'Tarleton's Riserrectione,' and 'Mrs. Winter's Jump,' Luis de Milán's 'Pavan I' and 'Pavan III,' and Luis de Narváez's 'Diferencias sobre 'Guárdame las Vacas,'' this edition will provide a repertoire of crowd-pleasing Renaissance tunes for any event. A special section about plucked instruments of the Renaissance is included to make this book more useful and enjoyable to own. / Guitare
14.38 EUR - Sold by LMI-partitions
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Randy Vincent - Line Games - An In Depth Study Of Single-note Lines For Guitar
Guitar
Sher Music Company
Do you wonder why lots of practice on scales and arpeggios hasn't made you feel ...
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Do you wonder why lots of practice on scales and arpeggios hasn't made you feel fluent and creative when soloing? If so, then this book is the missing link for you! Line Games is an organized series of practical studies for the development of single-note guitar technique and jazz vocabulary simultaneously. Many examples are transcribed from the recorded solos of great jazz guitarists (Wes Montgomery, Pat Martino, Joe Pass, etc.) and then the book gives you the tools to develop complete fluency in creating similar lines on your own! Randy Vincent's Line Games is a serious, well-conceived book on jazz guitar. It has a tremendous amount of useful information which can be truly helpful to guitarists seeking thorough knowledge and training in jazz music.? ? Kenny Burrell Topics Covered Include: Basic six-note scales commonly used by the jazz greats. How to use all of the chromatic notes to make playing inside the chord changes sound more interesting and melodic. Triad pairs for modern-sounding lines, as used by all the great players from Coltrane on. Exercises that will give you the tools to create many interesting chord extensions from a few simple arpeggios. How to build long lines across many chord changes. How to use thematic development for more cohesive solos. Fingerings often given to aid in getting these lines under your fingers. Plus much more! 156 pages. More Endorsements: This book is probably the most complete explanation of linear improvisation as applied to the guitar that I have come across. Randy Vincent goes into his subjects, which include a novel take on hexatonic applications, chromatic neighbor tones, and various scale forms and arpeggios, with unprecedented thoroughness. It is also refreshing to see the emphasis on thematic development, and I like how some of the great recorded guitar solos are often used as illustrative examples. I highly recommend it.? ? Ben Monder Randy has come up with another Winner. This is one of the most comprehensive studies I have ever encountered concerning single line improvisation!? ? Vic Juris With all the books on jazz improvisation available I didn't think it was possible to find one that offers a new perspective but Randy Vincent's Line Games does just that. It's a great book! There are many real- world examples of players using the archetypal bebop hexatonic sound and many examples of ways to practice and utilize the sound. In suggesting ways of practicing and using the scale Randy gets you started, but it's up to the reader to strike out on their own ? in my opinion the best way to really grasp a sound or concept. There is a whole lot of material here and I'm looking forward to working with it for a long time. Thanks, Randy!!? ? Bruce Saunders With the plethora jazz guitar books on the market today, one must sort through dozens to find one that yields the results of a tried and true method for learning to play jazz as applied to the guitar. I was pleasantly surprised to find a new book that I feel to have such qualities. This being the jazz guitar book written by Randy Vincent called Line Games for Sher Music Co. Inside, you'll find dozens of examples, explanations, techniques, and the application of the jazz language employed by all the great jazz guitarists we know and love. Great job, Randy!? ? Henry Johnson
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The Beatles: Beatles for Classical Guitar: Guitar Solo: Instrumental Album
Guitar
Classical guitar
[Sheet music]
Hal Leonard
Guitar Solo-More than 25 of the Beatles greatest hits arranged for classical gui...
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Guitar Solo-More than 25 of the Beatles greatest hits arranged for classical guitar. Contents: Across the Universe · Ask Me Why · Come Together · Cry Baby Cry · Day Tripper · For No One · From Me to You · Hello Goodbye · Here Comes the Sun · I Don't Want to Spoil the Party · I Will · I'll Follow the Sun · I'm a Loser · I'm Happy Just to Dance with You · I'm Only Sleeping · I'm So Tired · In My Life · The Long and Winding Road · Maxwell's Silver Hammer · No Reply · Nowhere Man · P.S. I Love You · Penny Lane · Something · This Boy · Things We Said Today · Two of Us · While My Guitar Gently Weeps · Yesterday · You're Going to Lose That Girl.
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Graf-martinez Gerhard - Flamenco Guitar Method Vol. 1 - Guitar
Guitar
Classical guitar
Schott
for Teaching and Private Study Content : Contents of the book: - Preface - Th...
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for Teaching and Private Study Content : Contents of the book: - Preface - The Author - Text Styles Used in This Book - About this CD - Posture - The Sound of the Flamenco Guitar - Gingerlabelling - Rasgueo - One-Finger-Rasgueo - 3-Finger-Rasgueo - 4-Finger-Rasgueo - Continuing Rasgueo - Pulgar - Pulgar and ima-Downstroke - Pulgar and Rasgueo - Remate - Pulgar-Downstroke - Ayudado - Golpe - Golpeador - i- and p-Downstroke with Golpe - m-Golpe with Downstroke - The Rumba-Stroke - Tresillos - a-m-i-p-Rasgueo - Guitarra Flamenca - Guitarreros - Guitarreros actual - La Cejilla - Guitarristas actual - Unas - Palmas - Compás - Modo Dórico - Glossary - Contents of Volume 2 - Adresses - . - Contents of the DVD: - Lesson 1: - Rasgueado - Punteado - Sencillos I (Tangos) - 3-Finger-Rasgueado - Estudio por Soleá - 4-Finger Rasgueado - Sencillos II (Tangos) - a-m-i-i-Rasgueo - Naino I (Tangos) - . - Lesson 2: - Pulgar - Naino II (Tangos) - Naino III (Tangos) - Naino IV (Tangos) - Remate - Mantón (Soleá) - Ayudado - Caí (Alegrías en Do) - Ayudado I - Ayudado II - Rumbita I (Rumba) - . - Lesson 3: - Golpe - a-Golpe - Mantón II (Soleá) - i- and p-Downstroke with Golpe - i-Downstroke with Golpe (Garrotín) - p-Downstroke with Golpe and p-Upstroke (Garrotín) - Naino V (Tangos) - m-Golpe - Quejío I (Taranto) - m-Golpe with Downstroke - The Rumba-Stroke - Rumba-Compás I - Rumba-Compás II - Rumba-Compás III - Rumba-Compás IV - Rumba-Compás V - Rumba-Compás VI - . - Lesson 4: - Tresillo I - Tresillo II - Tresillo III - Tresillo IV - Tangos-Compás with Tresillos - Soleá-Compás with Tresillos I - Soleá-Compás with Tresillos II - Soleá-Compás with Tresillos III - Soleá-Compás with Tresillos IV - Fandango de Huelva (Intro) - Fandango de Huelva (Copla) - Sevillanas (Intro) - Sevillanas - Paso Lento (Alegrías) - Mantón III (Soleá) - . - El Compas: - Menu - Alegrías - Soleares - Bulerías - Fandangos - Guajiras - Petenera - Siguiriyas
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La Melanconia (GIULIANI MAURO)
Guitar
[Sheet music]
Mel Bay
Par GIULIANI MAURO. Here is a piece by Mauro Giuliani of great beauty and musica...
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Par GIULIANI MAURO. Here is a piece by Mauro Giuliani of great beauty and musical value that is within the reach of any guitar player. I have added my fingerings to this piece so that the guitar can sing beautifully while the player maintains natural hand positions. I hope you enjoy it as much as I have!'- Pepe Romero 'Here is a piece by Mauro Giuliani of great beauty and musical value that is within the reach of any guitar player. I have added my fingerings to this piece so that the guitar can sing beautifully while the player maintainsnatural hand positions. I hope you enjoy it as much as I have!' - Pepe Romero/ Répertoire / Guitare
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Sylvia Kalal: Classsic Masterpieces Made Easy: Bass Guitar: Instrumental Album
Guitar
Classical guitar
[Sheet music]
-
Easy
Mel Bay
For Acoustic Guitar-During the course of my teaching piano and guitar I have no...
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For Acoustic Guitar-During the course of my teaching piano and guitar I have not come across another book that took these classic masterpieces and arranged them for the beginner guitar student. There is an amazing amount of literature like this forthe piano but not for the guitar. My goal with this book is to fill this void in the guitar literature. I chose compositions that the young guitar student would most likely have heard before and thus used familiar melodies. Ithen made easy arrangements of them mostly using the top four strings simple chords and fingerings. The right hand fingering is not indicated because I used the general rule of thumb: a = 1st string m = 2nd string i = 3rdstring p = 4th 5th and 6th strings.†All 12 solos are scored in notation and tablature.
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Tarik O'Regan: Tarik O'Regan: Acallam na Senórach: Guitar: Part
Guitar
[Partitions]
-
Intermediate/advanced
Novello & Co Ltd.
(Part - Guitar)-Acallam na Senórach by Tarik O'Regan was co-commissioned by...
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(Part - Guitar)-Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Chamber Choir of Ireland The DeBartolo Performing Arts Center at University of Notre Dame Indiana and Peak Performances at Montclair State University Montclair New Jersey.First performed on 25 November 2010 at St Ann’s Church Dublin by the National Chamber Choir of Irelandwith Stewart French (Guitar) directed by Paul Hillier.The Guitar part was edited by Stewart French.Tarik O'Regan on the music:In writing this musical setting of Acallam na Senórach I was drawn to the evenness of the dialogue. Instead of St Patricksimply converting the pagan warriors he is encouraged to listen to Ca lte’s stories and poems of an earlier time in which the saint delights.This secular/sacred osmosis is maintained unwaveringly throughout the entire text. By the end of the narrative one has witnessed not only the arrival of a new religion in Ireland but also a richly-recounted secular narrative map of the entire island: the peaceful and enriching shaking of two great hands.In preparing the libretto (the sung text) I have focused on only a few of the shorter constituent tales. This decision was born of the practical constraints of duration. I have however kept the skeleton albeit smaller of the overall frame in place. Finally for the sake of simplicity Ois n is removed from the primary narrative.The characters are not assigned specific voices. The narrative as a whole is carried by a persistently changing combination of voices and guitar. The one exception is Cas Corach the musician of the s d (underworld) who is most closely embodied throughout this setting in the solo interludes for guitar.The music itself is not ethnographically inclined; that is I have not attempted to reconstruct theories on Irish music of the period from which Acallam stems. However the score generally and especially in the guitar writing is imbued with an air
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Mark Kailana Nelson: Old-Time Hawaiian Slack Key Guitar: Guitar: Instrumental
Guitar
[Sheet music + Audio access]
Mel Bay
Hawaiian slack key guitar is one of the world???s great guitar traditions. Calle...
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Hawaiian slack key guitar is one of the world???s great guitar traditions. Called ki ho???alu in Hawaiian it developed in the 19th century. Legend has it the first guitars were brought by cowboys imported from Alta California to deal with wild cattle. By day the paniolo taught the Hawaiians to rope and ride by night they serenaded them with the soft sounds of Spanish guitars...Written in tablature and standard musical notation Old-Time Hawaiian Slack Key Guitar features 24 of the essential instrumentals every aspiring slack key player should know. These are the classic melodies with a couple originals played just as you???d hear them in a backyard party kani kapila full ofinteresting twists and turns sometimes richly complex but always nahenahe as natural and refreshing as an ocean breeze.Mark Kailana Nelson is an entertainer musician and educator. His love for slack key guitar led him to travel to Hawai???i and study with many of the masters of the art. Along with Keola Beamer he is the author of Mel Bay???s Learn to Play Hawaiian Slack Key Guitar the first widely-available slack key instruction manual. Famed Hawaiian educator Aunty Nona Beamer gave him the Hawaiian name Kailana Gently Floating on the Sea and encouraged Mark to continue to teach Hawaiian music to all who wish to learn.Includes: - Tablature and standard notation - Notes on tunings reading music and tablature - Newly revised and correction transcriptions Learn to play: Pua Lena/Kealoha/E Huli Ho???i Mai/Hula O Makee Mauna Loa/Pauoa Liko Ka Lehua Kowali Paniolo Slack Key Ku???u Lei Awapuhi Melemele (My Yellow Ginger Lei) Ahe Lau Makani Nanea Kou Maka i ka Le???ale???a Moloka???i Waltz Moana Chimes Old Timer???s Hula/Slack Key Hula Hula Blues Taro Patch Blues Tiare Tahiti Kaulana Na Pua Playful Popoki ???Ulupalakua Kanaka Waiwai Kimo???s Slack Key Papakolea Suitable for intermediate guitarists. Includes access to online audio.
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Tom Feldman: Tom Feldmann: Bottleneck Gospel Guitar: Instrumental Tutor
Guitar
Grossman's Guitar Workshop
Stefan Grossman's Guitar Workshop-Many southern blues musicians performed and re...
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Stefan Grossman's Guitar Workshop-Many southern blues musicians performed and recorded gospel songs; spirituals or church songs as they were called. Some like Blind Willie Johnson and Edward W. Clayborn strictly adhered to a religious message earning them the handle 'guitar evangelists' while others like Fred McDowell and Charlie Patton blurred the socially imposed lines and mingled gospel with the blues.In this anthology of Bottleneck Gospel Guitar Tom Feldmann highlights the fervent and aggressive slide playing of Fred McDowell Robert Wilkins Muddy Waters Bukka White Blind Willie Johnson Edward W. Clayborn and Charlie Patton. Each player offers a distinct style and Tom breaks down theirtechniques allowing you to imitate the masters as well as build a repertoire of classic bottleneck gospel blues.A detailed tab/music booklet is included as a PDF file on the DVD. In addition the original old recordings of all the tunes are included.Titles include: OPEN D TUNING: FRED McDOWELL Jesus Is On The Mainline ? ROBERT WILKINS Wished I Was In Heaven ? MUDDY WATERS Why Don't You Live So God Can Use You ? BUKKA WHITE I Am In The Heavenly Way ? BLIND WILLIE JOHNSON It's Nobody's Fault But Mine ? BLIND WILLIE McTELL I Got To Cross That River of JordanOPEN G TUNING: EDWARD W. CLAYBORN Gospel Train Is Coming and There'll Be Glory ? CHARLIE PATTON Lord I'm Discouraged and I'm Going Home
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City Scenes: Guitar: Instrumental Album
Guitar
[Sheet music]
-
Intermediate/advanced
Camden Music
A range of fabulous educational and concert guitar music by the UK's top guitar ...
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A range of fabulous educational and concert guitar music by the UK's top guitar composers educators and performers.Rush originally started out as a study for the right hand thumb. The piece opens in five with a darting weaving bass melody and harmonic language similar to the Cuban feel of Leo Brouwer's first study. As the piece progresses I played around with some poly-rhythms and syncopations in 3/4 time with a Venezuelan flavour similar to the music of Antonio Lauro.The title Metropolis was created like many of my pieces retrospectively. It was suggested to me by Mark Eden and resonated with much of what I felt the piece conveyed essentially the non-stop hustle and bustle of a musical 'city' where influences combine from many different ages and musical cultures. The initial ideas for the piece came from trying to formulate a study for the left hand where the 4th finger jumps from the first string to the lower bass strings. As is often the case on finishing the piece I now hear many things which although not used consciously have emerged in the music to remind me of music I have listened to or studied in the past.At various points a musical quote taken from the end of the first movement of La Catedral by the Paraguayan guitarist and composer Agustin Barrios Mangore appears which I have syncopated and used as a musical junction with the music taking a different direction each time it appears.Towards the end of the piece the performer combines left hand hammered chords with right hand finger clicks and tamboura creating a visual juggling effect when performed. Something resembling the sound of a siren can then be discerned before the piece moves into the closing E major section. I did most of the work for the final version of this piece in the autumn of 2005 just after the birth of my second daughter!I think the music reflects something of the pace of my life around then!Birds Flew Over The Spire is a short lyrical piece which was also
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Barrientos C. - Mambo For Mo - Guitare
Guitar
Classical guitar
Editions Orphee
The composer says: Several musical threads led to my writing this piece of musi...
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The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.
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SHER MUSIC FARIA NELSON - THE BRAZILIAN GUITAR BOOK
Guitar
Sher Music Company
The Brazilian Guitar Book
Samba, Bossa Nova and other Brazilian Style...
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The Brazilian Guitar Book
Samba, Bossa Nova and other Brazilian Styles
by Nelson Faria
A complete guide to playing guitar accompaniment and chord melodies in various Brazilian styles ? Samba, Bossa Nova, Frevo
Comes with a CD download of Nelson demonstrating each exercise, plus a tune in each style.
Many variations of basic comping patterns written out, each with complete chord voicings.
Also includes short transcriptions of guitar parts as recorded by Toninho Horta, Joao Bosco, Joao Gilberto
Endorsements
When I think about Brasil, I think about ?Violao? (that's what we call the nylon string guitar in our country). The art of playing ?Violao? looks simple, but it isn't and this book shows how to assimilate and how to understand this art. This makes me feel happy. With talent and clear information, Nelson will help guitar players all around the world to enjoy all the pleasures of this wonderful instrument. Make good use of this excellent musical book!?
? Leny Andrade
Nelson Faria was the right person to write this book, which contains examples and transcriptions of Brazil's greatest guitarists. This talented musician and dedicated music professor has a deep knowledge of Brazilian music and its rhythmic, melodic and harmonic subtleties.?
? Toninho Horta
Nelson Faria's book is a welcome addition to the guitar literature. I'm sure those who work with this volume will benefit greatly.?
? Joe Diorio / Partitions jazz
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You Can Teach Yourself Guitar By Ear: Guitar: Instrumental Tutor
Guitar
[Sheet music + Audio access]
-
Beginner
Mel Bay
If someone is singing a song or playing a melody how can I know what chords I c...
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If someone is singing a song or playing a melody how can I know what chords I can play with it? This is a common question asked of guitar teachers and players. If you are the guitarist at a campfire sing if you want to learn a song from a recording or if you want to write your own songs - this book will show you the way. An indispensable book for the guitarist who wants to learn to improvise and accompany singers by ear music reading ability is not required to benefit and learn from this method. Includes access to online audio and video.If someone is singing a song or playing a melody how can I know what chords I can play with it?' This is a common question asked of guitar teachers and players. If you are the guitarist at a campfire sing if you want to learn a song from a recording or if you want to write your own songs - this book will show you the way. An indispensable book for the guitarist who wants to learn to improvise and accompany singers by ear music reading ability is not required to benefit and learn from this method. Includes access to online audio and video.
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Robert Johnson: The Guitar Of Robert Johnson: Guitar: Instrumental Tutor
Guitar
Grossman's Guitar Workshop
Taught By Tom Feldman-'Robert Johnson is the most important blues musician who e...
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Taught By Tom Feldman-'Robert Johnson is the most important blues musician who ever lived. I have never found anything more deeply soulful. His music remains the most powerful cry that I think you can find in the human voice.' Eric Clapton'Robert Johnson's music sent me reeling. I couldn't even imagine how someone could play the guitar the way he did and sing at the same time.' Bonnie RaittRobert Johnson is arguably the most well known figure in the history of the blues. Though the 29 songs Johnson recorded from 1936-1937 had little impact during his lifetime a collection of his singles entitled King of the Delta Blues Singers was released in 1961 and found widespread recognition. Then 30 years later The Complete Recordings of Robert Johnson was released selling over one million copies. The first blues recording to do so winning a Grammy in the process.Since that 1961 LP players from all different musical backgrounds have sought to learn Robert Johnson's techniques and in this 3 DVD set with over 5 hours and 52 minutes of instruction Tom Feldmann covers every aspect of Johnson's playing. Each song is performed by Feldmann before he dissects the arrangement verse-by-verse and ends with a split screen segment where the song is played slowly with close up shots of both the left and right hands. This is the most expansive look into the guitar playing of Robert Johnson produced in video form.
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