from The Greatest Showman-From the hottest movie soundtrack to come along in years here is the dynamic opening number from The Greatest Showman. The opening anthem-like strains lead to an up-tempo chorus with plenty of excitement and drive.

(Test Drive/Coming Back Around) This stunning finale for your Dragon show features the powerful main themes from the soundtrack carefully paced for maximum effect on the field. The dramatic reprise section includes a touch of Scottish style drumming for added flare.

Dans cette composition en quatre mouvements contrastants plusieurs voix apparaissent dédoublées afin de convenir au plus grand nombre de formations. Le premier mouvement est une sorte de « mise en appétit » sur un rythme disco soutenu. Le deuxième mouvement plus lent est une ballade romantique. Le troisième tableau s?inspire d?une danse irlandaise. Quant au quatrième et dernier mouvement il s?agit d?une variation sur le premier mouvement avec un finale éblouissant. Avec Showtime! les fanfares dynamiques font leur show !

From the hottest movie soundtrack to come along in years, here is the dynamic opening number from The Greatest Showman. The opening anthem-like strains lead to an up-tempo chorus with plenty of excitement and drive. / Partitions classique / Ensemble et orchestre / Ensemble vents / HAL LEONARD

En 1971 le chanteur britannique Tony Christie enregistre pour la première cette chanson de Neil Sedaka et Howard Greenfield. Le succès fut immédiat. Is This the Way to Amarillo est devenu indéniablement un grand classique. Avec cet arrangement bien ficelé Stefan Schwalgin met un peu de piment dans votre programme de concert.

Composer of Groningen Egbert composed the march 'Hellender' in response to the opening of the bandroom of the 'Hellendoornse Harmonie' (NL). The joyfull sounds of the march let you hear how well the total refurbished building now looks again: fresh bright and spacious! The name Hellender was chosen from historical awareness. The village Hellendoorn is an ancient village as shown by archaeological finds. In 1078 the name Hellender can be found in the archives. Hellender changed into Hellendoorn later.

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge. The Dutch composer was especially inspired by the atmosphere of Cambridgeshire the county which lies north of London. 1. The Journey. Although on arrival the area looks peaceful and friendly the ruggedness of its inhabitants and landscape have an unmistakable influence on the music. In the course of the tour which starts with an Allegro movement we are shown the vitality energy and freshness of the Cambridgeshire countryside. Short themes swift and sudden motifs and rhythmical patterns supported by the drive ofpercussion instruments give expression to this image. The first part is concluded by two 'Calmo' movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached. 2. Visit to Ely Cathedral. The famous Norman cathedral church of Ely which was built in 1109 has attracted tourists from all over the world apart from being a place of worship and heritage site. A cornet solo introduces the contemplative mood of the composition at this point. The mystical atmosphere of the cathedral runs through this lyrical part like a continuous thread. 3. The Pub. The thirst caused by this intensive journey makes a visit to the local pub a definite must. These ?public houses? which may be open until the early hours of the morning offer all kinds of entertainment. Drinks are served liberally and the atmosphere is lively. 4. The Journey Back. Time has flown: In other words the moment of departure has come sooner than one would have wished. In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner. Two scintillating final measures bring us abruptly back to the present.