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Val
FRENCH HORN
Orchestra, Violin
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Concerto Grosso C Minor Op. 9/11 Rv 198 (VIVALDI ANTONIO)
Orchestra, Violin
[Part]
Eulenburg
Par VIVALDI ANTONIO. La Cetra/ Répertoire / Violon et Orchestre à Cordes
6.10 EUR - Sold by LMI-partitions
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L'Estro Armonico Op. 3/6 Rv 356 (VIVALDI ANTONIO)
Orchestra, Violin
[Part]
Eulenburg
Par VIVALDI ANTONIO. Concerto In A-Moll/ Répertoire / Violon et Orchestre
4.30 EUR - Sold by LMI-partitions
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Concerto Grosso C Minor Op. 9/11 Rv 198 (VIVALDI ANTONIO)
Orchestra, Violin
[Part]
Eulenburg
Par VIVALDI ANTONIO. La Cetra/ Répertoire / Violon et Orchestre à Cordes
6.10 EUR - Sold by LMI-partitions
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Concerto C Minor Op. 51/3 (VIVALDI ANTONIO)
Orchestra, Violin
[Part]
Eulenburg
Par VIVALDI ANTONIO. Il Sospetto/ Répertoire / Violon et Orchestre à Cordes
9.70 EUR - Sold by LMI-partitions
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The Four Seasons Op. 8 Rv 269, 315, 293, 297 (Les quatre saisons) (VIVALDI ANTONIO)
Orchestra, Violin
[Study Score / Miniature + CD]
Eulenburg
Par VIVALDI ANTONIO. Quiconque lit, écoute plus. Qui veut vraiment comprendre u...
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Par VIVALDI ANTONIO. Quiconque lit, écoute plus. Qui veut vraiment comprendre une composition, utilisation de la partition de l'étude. Les complexités d'une composition sont uniquement sur le score. La Eulenburg audio + score série excelle dans un format facile à lire et prêt/ Répertoire / Violon, Cordes et Basse Continue
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Concerto Grosso C Minor Op. 9/11 Rv 198 (VIVALDI ANTONIO)
Orchestra, Violin
[Part]
Eulenburg
Par VIVALDI ANTONIO. La Cetra/ Répertoire / Violon et Orchestre à Cordes
6.10 EUR - Sold by LMI-partitions
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Concerto C Minor Op. 51/3 (VIVALDI ANTONIO)
Orchestra, Violin
[Part]
Eulenburg
Par VIVALDI ANTONIO. Il Sospetto/ Répertoire / Violon et Orchestre à Cordes
6.70 EUR - Sold by LMI-partitions
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Violin Concerto
Orchestra, Violin
Schott
My Violin Concerto is scored for a Classical-sized orchestra, with the addition ...
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My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece.The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to 'recapture' the simple melodic material stated by the solo violin - accompanied by the harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue.The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth) / Violon Et Orchestre
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Jonathan Harvey: Scena: Orchestra
Orchestra, Violin
Faber Music Limited
Scena is a quasi-operatic scene either for singer and ensemble or for a singer-l...
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Scena is a quasi-operatic scene either for singer and ensemble or for a singer-like solo instrument and ensemble. In this case of the latter the solo Violin proceeds through several dramatic events roughly signaled in the score as Lament Mystical Event (the arrival of woodwind) Romantic Event Dream (slow tremolando swells) and Metamorphosis (which takes and transforms a melody).
30.00 GBP - Sold by Musicroom UK
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Ferdinand Küchler: Concertino for Violin and Orchestra Op. 15: Violin
Orchestra, Violin
Dowani
D Major (in the style of A. Vivaldi)-1-4 Allegro moderato5-8 Siciliano (Larghett...
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D Major (in the style of A. Vivaldi)-1-4 Allegro moderato5-8 Siciliano (Larghetto)9-12 Allegro Assai
19.99 GBP - Sold by Musicroom UK
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Johannes Brahms: Concerto: Violin: Parts
Orchestra, Violin
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
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Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
60.00 GBP - Sold by Musicroom UK
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Johannes Brahms: Concerto: Violin: Score
Orchestra, Violin
[Sheet music]
Barenreiter
D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim ...
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D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
41.00 GBP - Sold by Musicroom UK
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Johannes Brahms: Concerto: Violin: Part
Orchestra, Violin
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
5.00 GBP - Sold by Musicroom UK
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Johannes Brahms: Concert D Op.77: Violin: Study Score
Orchestra, Violin
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
16.50 GBP - Sold by Musicroom UK
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Johannes Brahms: Concerto: Violin: Reference
Orchestra, Violin
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown?s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary
17.50 GBP - Sold by Musicroom UK
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Robert Schumann: Concert D: Violin: Score and Parts
Orchestra, Violin
Schott
‘You were often on my mind when I was writing’ wrote Robert Schuma...
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‘You were often on my mind when I was writing’ wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann’s illness however Joachim began to have his doubts about the value of the work. In his will Joachim prohibited the rst performance until the 100th anniversary of Schumann’s death in 1956. After detailed editorial work the premiere was brought forward to 1937.The theme of the middle movement probably formed the basis of Schumann’s Geistervariationen (‘Ghost Variations’) the character of the third movement is that of a grand polonaise. Yehudi Menuhin who performed the world premiere of the unedited version ofSchumann’s solo part saw in this piece ‘the bridge between Beethoven’s and Brahms’ concertos’.
19.99 GBP - Sold by Musicroom UK
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Antonio Vivaldi: Concerto N°1 En Fa Majeur: Violin
Orchestra, Violin
[Sheet music]
Editions Musicales Transatlantiques
Concerto N°1 En Fa Majeur
8.99 GBP - Sold by Musicroom UK
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The 10 Greatest Violin Concertos
Orchestra, Violin
Eulenburg
La série EULENBURG AUDIO + score combine avec plus de 80 titres, les chefs-d'oe...
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La série EULENBURG AUDIO + score combine avec plus de 80 titres, les chefs-d'oeuvre les plus importants de concert et de la littérature orchestrale, le rendant idéal pour les étudiants et les amateurs de musique classique le point de départ idéal pour entrer dans le monde de la lecture de partitions.En plus de l'image d'impression excellente en format convivial et préface détaillée en allemand et en anglais toutes les dépenses fournir un représentant, l'enregistrement complet sur CD directement! Avec les nouvelles top 10 des packages reCoivent chacun une collection complète du répertoire de la musique internationale à un avantage de prix attractif. / Violon Et Orchestre
102.90 EUR - Sold by LMI-partitions
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Concerto Dmaj Vln Pft.Red Rv 226
Orchestra, Violin
Universal Edition
/ Violon Et Orchestre
22.70 EUR - Sold by LMI-partitions
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Concerto C Minor Op. 51/3
Orchestra, Violin
Eulenburg
/ Violon Et Orchestre A Cordes
6.70 EUR - Sold by LMI-partitions
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Concerto A Minor Op. 3/6
Orchestra, Violin
Schott
/ Violon Et Orchestre
20.30 EUR - Sold by LMI-partitions
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L'Estro Armonico Op. 3/6 Rv 356
Orchestra, Violin
Eulenburg
/ Violon Et Orchestre
4.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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