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FRENCH HORN
Orchestra, Violin
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Chant (10)
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Musical Awakening (7)
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Children choir, Piano (7)
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Violon II (6)
Flûte à Bec Alto ou Flûte T… (6)
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Flûte Traversière Basson et … (4)
Choeur SATB, Orgue, Saxophone … (4)
Brass Quartet (2 Trumpets, Ho… (4)
Petit Ensemble à Vents (4)
Flûte Traversière, Violon, A… (4)
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Hautbois, Clarinette, Violon, … (4)
Saxophone and Organ (4)
Violon, Clarinette, Cor, Violo… (4)
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Flûte [Piccolo], Hautbois, Cl… (4)
Flûte Traversière, Clarinett… (4)
Petite Clarinette, Clarinette … (4)
Guitare et Orchestre de Chambr… (4)
Flûte, Saxophone Alto, Guitar… (4)
Trio à Cordes (4)
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3 Saxophones et Concert Band o… (4)
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Biography (4)
Organ, Piano (duet) (4)
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Mandolin, Guitar (duet) (4)
Soli (SATB), Gemischter Chor (… (4)
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Baritone voice, Piano (4)
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String Quintet: 2 violins, vio… (4)
3 Bassoons (4)
Flûte Traversière Cordes et … (4)
Flexible Ensemble (4)
Trompette I (3)
Flûte Traversière, 2 Clarine… (3)
Choeur SATB et Orchestre (3)
Choeur SA Et Piano (3)
Flute, Horn and Piano (3)
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Piccolo, Violoncelle et Piano (3)
Quintette de Bois (3)
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Viola da Gamba (3)
Marimba and Orchestra (3)
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Instruments En Sib (3)
Choeur SSATTB et Basse Continu… (3)
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Piccolo, Hautbois et Clarinett… (3)
Ensemble de Vents (3)
Hautbois, Clarinette en Sib, S… (3)
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Mug (3)
4Part Flexible Band et Opt. Pi… (3)
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Wolfgang Amadeus Mozart: Violin Concerto No.4 in D major K.218: Violin: Parts
Orchestra, Violin
Barenreiter
Mozart composed the majority of his works for solo string instruments and orches...
(+)
Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
20.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G K.216: Violin: Parts
Orchestra, Violin
Barenreiter
Mozart composed the majority of his works for solo String Instruments and Orches...
(+)
Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
18.00 GBP - Sold by Musicroom UK
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Carl Nielsen: Concerto For Violin And Orchestra Op.33: Violin: Parts
Orchestra, Violin
[Set of Parts]
Carl Nielsen Edition
Set of parts for Concerto For Violin And Orchestra Op.33 by Carl Nielsen. Compos...
(+)
Set of parts for Concerto For Violin And Orchestra Op.33 by Carl Nielsen. Composed in 1911. Published The Carl Nielsen Edition.
355.03 GBP - Sold by Musicroom UK
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Johannes Brahms: Concerto: Violin: Parts
Orchestra, Violin
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
60.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G K.216: Violin: Score
Orchestra, Violin
[Sheet music]
Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo Stri...
(+)
for Violin and Orchestra-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
29.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.4 in D major K.218: Violin: Score
Orchestra, Violin
[Sheet music]
Barenreiter
Full Score - for Violin and Orchestra-Mozart composed the majority of his works ...
(+)
Full Score - for Violin and Orchestra-Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
29.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.4 in D major K.218: Violin: Study
Orchestra, Violin
Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo stri...
(+)
for Violin and Orchestra-Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
10.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.4 in D major K.218: Violin: Part
Orchestra, Violin
Barenreiter
Mozart composed the majority of his works for solo string instruments and orches...
(+)
Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
5.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.4 in D major K.218: Violin: Part
Orchestra, Violin
Barenreiter
Mozart composed the majority of his works for solo string instruments and orches...
(+)
Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
60.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.4 in D major K.218: Violin: Part
Orchestra, Violin
Barenreiter
Mozart composed the majority of his works for solo string instruments and orches...
(+)
Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
60.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.4 in D major K.218: Violin:
Orchestra, Violin
Barenreiter
Piano Reduction-Mozart composed the majority of his works for solo string instru...
(+)
Piano Reduction-Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
16.50 GBP - Sold by Musicroom UK
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Karelian Dance for violin and string orchestra (SONNINEN AHTI)
Orchestra, Violin
Fennica Gehrman
La Danza Karelia viululle ja jousiorkesterille. Par SONNINEN AHTI. Virtuosic Kar...
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La Danza Karelia viululle ja jousiorkesterille. Par SONNINEN AHTI. Virtuosic Karelian Dance (La Danza Karelia) for solo violin and string orchestra by Ahti Sonninen is published for the first time. This product includes the full score, the solo violin part and the string parts (3.3.2.2 2.1). The version for violin and piano is included in Géza Szilvay's Colourstrings Violin ABC: Book G5 ? Sixth and seventh positions (9790550115989 [violin part]
35.61 EUR - Sold by LMI-partitions
(Seller in french langage)
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G K.216: Mixed Ensemble: Study
Orchestra, Violin
Barenreiter
Mozart composed the majority of his works for solo String Instruments and Orches...
(+)
Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
10.50 GBP - Sold by Musicroom UK
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestra, Violin
Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...
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E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
19.67 EUR - Sold by LMI-partitions
(Seller in french langage)
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Johannes Brahms: Concerto: Violin: Score
Orchestra, Violin
[Sheet music]
Barenreiter
D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim ...
(+)
D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
41.00 GBP - Sold by Musicroom UK
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Johannes Brahms: Concerto: Violin: Part
Orchestra, Violin
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
5.00 GBP - Sold by Musicroom UK
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Johannes Brahms: Concert D Op.77: Violin: Study Score
Orchestra, Violin
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
16.50 GBP - Sold by Musicroom UK
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