Adèle ... Twilight. Le Playbook ultime pour Piano - organisé par Hans-Gunter Heumann.Ce livre contient un nouveau jeu de 50 généreux chansons qui ont une chose en commun: ils étaient tous, même au sommet des charts absolue.Un petit aperçu de la sélection de chansons ainsi que vous donne envie de plus: Fire To The Rain (Adele), California King Bed (Rihanna), Can't Get You Out Of My Head (Kylie Minogue), Dieser Weg (Xavier Naidoo), Ich geh in Flammen auf (Rosenstolz), Video Games (Lana Del Rey), Nightbook (Ludovico Einaudi), Halo (Beyoncé), Wenn Worte meine Sprache wären (Tim Bendzko), You And Me (In My Pocket) (Milow), Hallelujah (Leonard Cohen), Moves Like Jagger (Maroon 5 Feat. Christina Aguilera), Comptine D'un Autre Eté aus dem Film 'Amélie?, Feather Theme (Titelmelodie aus 'Forrest Gump') / Piano

If you?re a jazz singer or instrumentalist and don?t already have basic skills in jazz piano: now is the time! Piano skills are the gateway to understanding chords and progressions, checking lead sheets for accuracy, learning new tunes, arranging, writing your own tunes, becoming a better improviser and so on. This book outlines an easy step-by-step process that makes learning basic jazz piano easy and fun! A Foggy Day (In London Town) George Gershwin (composer); Ira Gershwin (lyricist) A Time for Love (from An American Dream) Paul Francis Webster (lyricist); Johnny Mandel (composer) Ain't Misbehavin' (from Ain't Misbehavin') Fats Waller (composer); Andy Razaf (lyricist); Harry Brooks (composer) Alone Together Arthur Schwartz (composer); Howard Dietz (lyricist) Blues in the Night Harold Arlen (composer); Johnny Mercer (lyricist) East of the Sun (And West of the Moon) Brooks Bowman (composer) Embraceable You (from Girl Crazy) George Gershwin (composer); Ira Gershwin (lyricist) Emily Johnny Mandel (composer); Johnny Mercer (lyricist) Gentle Rain Luiz Bonfa (composer); Matt Dubey (lyricist) I Got Rhythm George Gershwin (composer); Ira Gershwin (lyricist) It Never Entered My Mind (from Higher and Higher) Lorenz Hart (lyricist); Richard Rodgers (composer) My Funny Valentine (from Babes in Arms) Lorenz Hart (lyricist); Richard Rodgers (composer) Prelude to a Kiss Irving Gordon (lyricist); Duke Ellington (composer); Irving Mills (lyricist) Secret Love (from Calamity Jane) Paul Francis Webster (lyricist); Sammy Fain (composer) Since I Fell for You Buddy Johnson (composer) The Lady Is a Tramp (from Babes in Arms) Lorenz Hart (lyricist); Richard Rodgers (composer) The Shadow of Your Smile (from The Sandpiper) Paul Francis Webster (lyricist); Johnny Mandel (composer) What Is This Thing Called Love? (from Wake Up and Dream) Cole Porter (composer) You Go to My Head Haven Gillespie (lyricist); J. Fred Coots (composer) You'd Be So Nice to Come Home To (from Something to Shout About) Cole Porter (composer)

'Parade ' a été écrit par Sir Peter Maxwell Davies en 1949 où le compositeur était juste de quinze ans. Plusieurs années plus tard, il a redécouvert le travail, et il a été donné à Schott en 2008. À l'occasion du 75e anniversaire de naissance du compositeur sur 8 septembre 2009, Schott est fière de vous présenter cette édition en édition limitée couleur fac-similé du manuscrit original de travail Sir Peter Maxwell Davies. A doit avoir collectionneurs item pour quiconque s'intéresse à la musique d'un des compositeurs plus importants de notre époque. / Piano

Une excellente sélection d'oeuvres originales pour piano et d'arrangements parmi les plus célèbres de Bach dont les inventions en deux parties, 'In Tears Of Grief` de la Passion selon St Mathieu et `Air sur instrument à cordes en Sol' / Classique / Partition /

Les plus belles chansons de la chanteuse c. Dion dans les adaptations de la lumière pour piano solo par h.-G. Heumann. (C'est la façon dont c'est le cas, la couleur de mon amour, l'immortalité, tous par moi-même, je suis votre Ange, amour ne demandez pourquoi etc.). / Piano

Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

Level Duets My Visit To The Circus Levels II III-Alouette · Hickory Dickory Dock · London Bridge · Pop Goes the Weasel.

Pianiste, compositeur, orchestrateur, Emmanuel d?Orlando a commence sa carriere en tant qu?orchestrateur/arrangeur pour differents compositeurs, dont Eric Neveux. Il a compose les B.O de L?autre monde de Gilles Marchand, de Non ma fille tu n?iras pas danser de Christophe Honore en collaboration avec Alex Beaupain, House of Time de Jonathan Helpert ou encore dernierement Pension Complete de Florent Emilio Siri. On lui doit aussi les arrangements de la fameuse Ritournelle de Sebastien Tellier avec qui il collabore regulierement. En janvier 2014 les deux artistes se retrouvent pour composer la musique du defile Chanel au Grand Palais.
Decouvrez des a present ces 2 pieces pour Piano a jouer sans moderation. / Partitions classique / Piano - instruments à clavier / Piano / DURAND

Over 30 all time greatest chart hits arranged for easy piano solo, complete with chord symbols. / Piano

Explore the classic riffs and solos of rock's greatest keyboardists with this informative book/CD pack. Includes detailed instruction transcriptions and a CD with demos. 12 songs are analyzed: Bloody Well Right (Supertramp) · Cold as Ice (Foreigner) · Don't Do Me Like That (Tom Petty

Contents for the Faber Piano Adventures: Level 2B - Popular Repertoire Book include: Ashokan Farewell â?¢ Ding-Dong! The Witch Is Dead (from The Wizard of Oz) â?¢ Don't Cry for Me Argentina â?¢ I Want to Hold Your Hand â?¢ The James Bond Theme â?¢ Linus and Lucy â?¢ Over the Rainbow (from The Wizard of Oz) â?¢ The River.

Lower Intermediate to Intermediate-103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu Joy of Man's Desiring · Sheep May Safely Graze · Sleepers Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAUR??: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine Women and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn

100 Great Keyboard Intros. This unique resource shows you how to play the piano intros to 100 favorite songs, including: Against All Odds (Take a Look at Me Now) · All of Me · Axel F · Babe · Bennie and the Jets · Bless the Broken Road · Blueberry Hill · Brick · Bridge over Troubled Water · Clocks · (They Long to Be) Close to You · Cold As Ice · Come Sail Away · Crazy · Deacon Blues · Dream On · Faithfully · Hard to Say I'm Sorry · Hold the Line · I Feel the Earth Move · I Write the Songs · Imagine · It's Too Late · Just the Two of Us · Just the Way You Are · Lady Madonna · Lean on Me · Let It Be · A Million Dreams · Minute by Minute · 100 Years · Piano Man · Praying · See You Again · Senorita · Stay · Superstition · Take on Me · A Thousand Miles · Walking in Memphis · Werewolves of London · You Are the Sunshine of My Life · You're My Best Friend · Your Song · and many more!