For Voice and Piano Corigliano's Mr. Tambourine Man: Seven Poems of Bob Dylan was a commission by The Carnegie Hall Corporation for Sylvia McNair and was premiered at her Carnegie Hall recital given March 15 2002with Martin Katz at the piano. Corigliano who had never encountered Dylan's own musical settings of the chosen poems has given us new musical settings of icons of American folk music from the 1960s.

“Sonatas and quartets aren’t my thing”. Armed with this self-knowledge composer Isabelle Aboulker placed singing at the heart of her creative activity and garnered huge success in a variety of genres such as oratorio (The Man who Staggered Through War 1997) comic opera (Monsieur de Balzac fait son théâtre 1999) children’s tales (Douce et Barbe Bleue 2002) and the theatrical adaptation of narrative works (Une fille qu’on appelle Boule de suif 2014). Isabelle Aboulker also devotes much attention to melody as can be seen in this collection presenting a few of her most enchantingsuccesses. Her prosodic clarity and focus on the power of words crystallises a musical legacy that stretches from Rameau to Poulenc. This anthology of melodies for voice and piano – most of which are written for all voices – is delightfully eclectic: the melancholy perfume of the Lettre d’amour sits beside the unnerving eeriness of the merchant of souls (Au marché de Saint-Paul) while the limpid music of the La Fontaine’s Fables contrasts with the fever that animates Je t’aime a passionate vocalise dedicated to Patritica Petibon. A subtle sensitive art that enchants all who lend an ear.    

Par LOWRY MARK. This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line. / Date parution : 2021-12-09/ Répertoire / Chant et Piano

Collected Songs Vol. 2 - Songs to Danish and Norwegian texts (1906-15) by Rued Langgaard for Voice and Piano. Critical edition by Ole Ugilt Jensen and Bendt Viinholt Nielsen. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has however only acquired this status many years after his death. Langgaard was an eminent musical talent but with his romantic and symbolist view of art he ended up as an outsider in an era when the trend-setting musical life of the time was permeated by Carl Nielsen's sober and modern attitude. Rued Langgaard's production within the lied genre comprises125 songs. Half of them were composed in the short span of years between 1914 and 1918 when the composer was in his early twenties.With this publication in three volumes Langgaard's important and personal contribution to the genre is presented in its entire range. Only 27 of the songs have previously been published. The songs are set to German Danish and Norwegian poems. The poems in Danish and Norwegian are included in an English translation (though not designed for performance purposes). Each volume is accompanied by an introduction source descriptions and a critical apparatus in Danish and English. The Rued Langgaard Edition (RLU) was established in 2000 the aim being to present practical performance-oriented publications of Langgaard's works on a critical scholarly basis.

10 Danish Songs 1955-1987 for Voice and Piano (or keyboard) is a collection printed in 1989 consisting of earlier songs in new versions. Two songs are from 9 Danske Sange. Opus 14 (Overstået angst;Mit løv mit lille træ - Vedi´s Vuggevise) the rest from different vocal works. The composer arranged the songs in three section: Nature: 1. Du skal plante et træ. Text: Piet Hein 2. Året. Text: Ole Sarvig 3. Stjernespejl. Text: Ib Michael Man: 4. Mit løv mit lille træ (Vedi´s Vuggevise). Text: Johannes V. Jensen 5. Overstået angst. Text: HalfdanRasmussen 6. Landskabsbillede. Text: Thorkild Bjørnvig 7. Sangleg.Text: Ole Sarvig

Syng Danske Sange 4 - 2 Danish songs for Voice and Piano by Carsten Dahl. Lyrics by Ulrikka S. Gernes and Ludvig Holstein.

Visor Och Melodier has been expertly composed by Finnish composer Yrjo Kilpinen. This superb piece is for Voice with Piano accompaniment.

Composers have set Shakespeare's infinite variety of lyrics to music more than any other secular texts and this album contains a fascinating collection stretching over 4 centuries for Voice with Piano accompaniment.

A selection of light-hearted and decidedly tongue-in-cheek settings by Jeremiah Clarke all written for voice with piano accompaniment and presented in the original keys.