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FRENCH HORN
Piano solo
NARROW BY INSTRUMENTATION
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From Bartók To Stravinsky
Piano solo
[Sheet music]
Schott
Quinze des pièces plus simple ont été sélectionnés dans le répertoire du X...
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Quinze des pièces plus simple ont été sélectionnés dans le répertoire du XXe siècle. Six de ces ne dépassent pas le compas d'un cinquième. Nous avons délibérément omis de pièces de travaux qui devrait, sans échec, être inclus dans tous les enseignement de piano, de Bartók ' Mikrokosmos ' et ' For Children '. Avec leurs mélodies attrayants et une structure simple et organisée de rythme et de l'harmonie, les pièces de cette sélection prouvent qu'accès à la musique contemporaine peuvent être faites facile même pour les débutants. / Piano
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Béla Bartók: Sonatina: Piano: Instrumental Album
Piano solo
G. Henle
Béla Bartók's Sonatina for solo Piano. Suitable for pianists at an intermediat...
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Béla Bartók's Sonatina for solo Piano. Suitable for pianists at an intermediate level. In his Sonatina Bartók used different melodies taken fromRomanian instrumental folk. From examining the sources it is clear to see how in 1915 the piece slowly evolved out of a series of Piano transcriptions of Romanian folk melodies into its three-movement form. This HenleUrtext Edition has been released prior to its publication as part of the Complete Edition. In this edition Bartók specialist László Somfai outlines the work’s exciting genesis and expounds onBartók’s later revision during which he not only changed the tempi but also the fingerings. The insightful notes on the work's background are complemented by indications on how to play the verycomplex Piano notation by Bartók himself and from his recordings. This edition provides an invitation to pianists to rediscover this Sonatina.
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Béla Bartók: Romanian Folk Dances: Piano: Instrumental Work
Piano solo
[Sheet music]
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Intermediate
Chester
This is a new edition of Béla Bartók?s popular Romanian Folk Dances in its ori...
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This is a new edition of Béla Bartók?s popular Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery this publication is essential for pianistsinterested in the work of the Hungarian composer.When Bartók?was just 23 years old he visited the Transylvanian town of?Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named LidiDósa he quizzed her about it and noted it down. This was the beginning of a passion for folk music that would go on to change the course of the composer's life and work. Romanian FolkDances?remains one of Bartók's most popular and enduring works evoking the folk melodies combined with his own idiosyncratic harmonies and textures. Each of the six short pieces here is based on atraditional melody which Bartók?penned during his travels.? Including newly engraved masterpieces?Stick Dance Waistband Dance In One Spot Dance From Butschum Romanian Polkaand Fast Dance this sheet music collection features editorial revisions guided by recordings of Bartók's own performance. The notation also includes fingering guidancethroughout. Romanian Folk Dances also?features a specially-written introduction as well as some fantastic photographs that both tell the story of the young composer and the intriguingbackstory of this work.? One of the most important 20th century composers and along with Liszt one of Hungary's finest musical minds Bartók?held a strong fascination for folkmusic. Through his studies recordings and arrangements he composed some incredible music like these?Romanian Folk Dances ?while simultaneously initiating the field of
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AntonÃn Dvo?ák: Antonin Dvorak: Piano Concerto Op.33: Piano: Instrumental Work
Piano solo
Bosworth
Anton n Dvo ák?was a Czech composer. Following the nationalist example of Bed i...
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Anton n Dvo ák?was a Czech composer. Following the nationalist example of Bed ich Smetana ?Dvo ák?frequently employed aspects specifically rhythms of the folk music of Moravia and his native Bohemia. Dvo ák?s own style has been described as ?the fullest recreation of a national idiom with that of the symphonic tradition absorbing folk influences and finding effective ways of using them?.The?Piano Concerto?for Piano and Orchestra in G minor Op. 33 was the first of three concertos that the Czech composer completed?it was followed by a Violin concerto and then a Celloconcerto?and the?Piano Concerto?is probably the least known and least performed.This Bosworth edition of the solo Piano part of Dvo ák?s?Piano Concerto?is a perfect addition of an underappreciated piece to any pianists repertoire.
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Wolfgang Amadeus Mozart: Mature Piano Pieces: Piano: Instrumental Album
Piano solo
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Intermediate/advanced
ABRSM Publishing
Eighteen pieces edited and annotated by Richard Jones for the ABRSM. Includes th...
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Eighteen pieces edited and annotated by Richard Jones for the ABRSM. Includes the Fantasia In C Minor K.396.
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Mozart W.a. - Wunderkind-sonatas Iii K.26-31- Piano
Piano solo
G. Henle
Wunderkind-Sonatas Volume III K. 26-31 Editor: Wolf-Dieter Seiffert Fingering: ...
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Wunderkind-Sonatas Volume III K. 26-31 Editor: Wolf-Dieter Seiffert Fingering: Ariane Haering The Six Sonatas for Piano K. 26-31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the Wunderkind Mozart have only been known in the form of violin sonatas up to now (also see Henle Urtext edition HN 1079). Our edition for solo piano, the first time it has ever been printed in this form, is now available for piano teachers to make use of in their lessons, as well as for all lovers of Mozart. Piano Sonata (Wunderkind) E flat major KV 26 Piano Sonata (Wunderkind) G major KV 27 Piano Sonata (Wunderkind) C major KV 28 Piano Sonata (Wunderkind) D major KV 29 Piano Sonata (Wunderkind) F major KV 30 Piano Sonata (Wunderkind) B flat major KV 31
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Wolfgang Amadeus Mozart: 25 Early Pieces: Piano: Instrumental Album
Piano solo
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Easy
ABRSM Publishing
Easier Piano Pieces 67-This compilation includes 'Menuett in F K.2' other early...
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Easier Piano Pieces 67-This compilation includes 'Menuett in F K.2' other early works and pieces from the 'London Notebook'.
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Intermediate Classical Era Favorites: Piano: Instrumental Album
Piano solo
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Intermediate
Hal Leonard
The Classical Piano Sheet Music Series includes compilations of intermediate-lev...
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The Classical Piano Sheet Music Series includes compilations of intermediate-level pieces, with an easy-to-use coil binding so the music lays flat, ensuring smooth page turns. This volume includes: LUDWIG VAN BEETHOVEN:Contradance in C Major, WoO 14, No. 1 · Ecossaise in G Major, WoO 23 · German Dance in G Major, WoO 8, No. 6 ·German Dance in C Major, WoO 8, No. 7 · German Dance in B-flat Major, WoO 13, No. 2 · Minuet in G Major, WoO 10, No. 2 ·Sonatina inG Major, Anh. 5, No. 1 MUZIO CLEMENTI: Sonatina in C Major 36, No. 1 · Sonatina in C Major, Op. 36, No. 3 ANTON DIABELLI: Sonatina in G Major, Op. 151, No. 1 · Sonatina in C Major, Op. 168, No. 3 JAN LADISLAV DUSSEK:Sonatina in G Major, Op. 20, No. 1 FRANZ JOSEPH HAYDN: Allegro from Sonata in C Major, Hob. XVI/1 · Arietta from Variations in E-flat Major, Hob. XVII/3 FRIEDRICH KUHLAU: Sonatina in C Major, Op. 55, No. 1 · Sonatina in C Major,Op. 55, No. 3 WOLFGANG AMADEUS MOZART: Adagio for Glass Harmonica, K. 356 (617a) · Allegro from Sonata in C Major, K. 545 (Sonata facile) · Andantino in E-flat Major, K. 236 (588b) · Contradance in G Major, K. 15e · Funeral Marchfor Signor Maestro Contrapunto, K. 45a · German Dance in C Major, K. 605, No. 3 · Piece for Clavier in F Major, K. 33B · Rondo in C Major, K. 334 (320b)
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AntonÃn Dvo?ák: Humoreske Ges-Dur: Piano: Instrumental Work
Piano solo
G. Henle
Op. 101 Nr. 7-Many a pianist will be surprised to learn that Dvo ák?s famous Hu...
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Op. 101 Nr. 7-Many a pianist will be surprised to learn that Dvo ák?s famous Humoresque no. 7 was originally a piano piece since this irresistible melody undoubtedly one of Dvo ák?s happiest inspirations has circulated throughout themusical world in innumerable arrangements for every conceivable combination. The composer himself however wrote only this piano solo version. The complete cycle of eight Humoresques is available in another Henle Urtext edition(HN 1044) while this ?lollipop? of the eight is now available in a stand-alone edition. Not least because of its only moderate difficulty it is a must for piano fans of all ages!
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Mozart, Wolfgang Amadeus : Piano Sonata C major K. 309 (284b)
Piano solo
[Sheet music]
G. Henle
«Je veux le composer tout à fait d?après le caractère de Mlle Rose». Voici ...
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«Je veux le composer tout à fait d?après le caractère de Mlle Rose». Voici ce que répondit Mozart à la question de savoir comment il allait concevoir l?Andante de sa Sonate en Ut majeur. Il avait fait la connaissance de Rosina Cannabich à Mannheim durant l?automne 1777. Composée à son intention, la Sonate K. 309 lui fut tout de suite présentée lors d?une leçon, si bien que d?après les dires de son professeur, elle la jouait déjà de manière «admirable» en décembre 1777. Afin que de nombreux élèves puissent faire de même, nous présentons ce joyau de la musique de piano de Mozart, jusqu?alors seulement disponible dans les recueils intégrals des sonates (HN 1 et 3), sous la forme d?une édition séparée avec, en sus, une nouvelle préface de l?éditeur.
1er MOUVEMENT Le premier mouvement de la sonate K 309 en ut majeur est un modèle pour enseigner la structure de la forme sonate. Dans les formes sonate, pas plus que dans la fugue de Bach, aucun dogme ne sert de base au processus de composition, mais chaque sonate apporte une nouvelle variation à un principe fondamental. Cela impliquait, pour Mozart, l?obligation stricte de se conformer à certains schémas sans pour autant laisser entraver sa propre liberté de création. Pour ses mouvements de sonates en tonalités majeures, il était, par exemple, favorable à la dominante comme la plupart de ses contemporains. Sur ce point, Haydn, en revanche, se délectait à tenter de nouvelles expériences.
Il serait peut-être utile, par une brève analyse, de montrer quel était le modèle de référence d?une «forme d?allegro de sonate» pour Mozart, et le premier mouvement de la sonate en ut majeur K 309 est, à cet égard, un exemple idéal pour un tel examen. Le premier thème est un début caractéristique en marcato, suivi d?une «réponse» de cinq mesures. La quarte descendante et la sixte ascendante du début forment un des motifs favoris de Mozart; c?est son procédé mélodique habituel. Il l?utilise souvent en mineur comme en majeur et beaucoup de ses thèmes commencent par ce motif (pour exemple le deuxième mouvement de la sonate en la majeur K 331 et l?Adagio en si mineur K 540 et certains thèmes des Symphonies K 114, 124, 319/II et 551/II). Les sept mesures du thème principal sont répétées avec une légère variation. Les mesures 12 à 30 viennent conclure la période du premier thème par une phrase réponse (3 3 mesures). La transition fait appel à un nouveau matériau puis, dans la mesure 35 (âpres 2 mesures préliminaires) vient un second thème cantabile à la dominante (sol majeur), comprenant deux fois quatre mesures. Il est également repris et s?achemine vers un thème de clôture plein d?allant (groupe conclusif) qui traverse un passage d?ornementation pianistique (m. 43) et enferme une merveilleuse réduction des mesures 35 et 36 dans la mesure 45. L?exposition se termine par une «codetta» de cinq mesures. Le développement présente d?abord le motif d?exposition en sol mineur puis les différentes idées du premier thème sont élaborées. Dans cette démarche, Mozart s?en réfère beaucoup plus aux principes d?école qu?il ne le fait d?habitude. Deux autres expositions du motif du départ nous conduisent à la réexposition dans la mesure 94. Le second thème, maintenant à la tonique, s?est interverti avec son accompagnement. On assiste à un rappel du début dans une coda qui s?impose avec force.
2eme MOUVEMENT Le deuxième mouvement de cette sonate est un Andante un poco adagio introspectif. Mozart avait fait part dans une lettre de sin désir d?adapter cet Andante au caractère de la jeune pianiste Rosa Cannabich pour laquelle il l?avait écrit : «c?est une jolie et charmante jeune fille, tout comme cet andante. Elle est très mûre et posée pour son âge, elle ne parle pas beaucoup et c?est toujours avec grâce et gentillesse».
3eme MOUVEMENT C?est un Rondo élégant et fluide, d?une longueur inusitée, qui clôt cette sonate. / [Sonate pour piano en Ut majeur K. 309 (284b)] / Classique / Partition / Agrafé /
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Mozart, Wolfgang Amadeus : Piano Sonata D major K. 284 (205b)
Piano solo
[Sheet music]
G. Henle
La Sonate en Ré majeur est la dernière des six Sonates K. 279?284 que Mozart e...
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La Sonate en Ré majeur est la dernière des six Sonates K. 279?284 que Mozart emporta dans ses valises lorsqu?il s?apprêtait à se rendre vers Paris en septembre 1777. Il rapporta à son père qu?il exécuta ces sonates avec succès déjà à Munich, Augsbourg et Mannheim.
Il les pourvut de nombreuses indications de dynamique et trouva aussi en ce qui concerne leur forme des solutions inhabituelles, comme par exemple le lent Rondeau en Polonaise qui fait office de mouvement central de la Sonate en Ré majeur.
Jusqu?alors réunies dans les recueils (HN 1 et 3), ces six sonates sont désormais éditées séparément avec, en sus, de nouvelles préfaces.
Mozart a dédié cette sonate à un certain Freiherr Thaddäus von Dürnitz, ce qui explique qu?on l?ait souvent appelée la «Sonate à Dürnitz». De ces six premières sonates c?est conteste la meilleure, la plus brillante et celle qui requiert le plus d?habileté technique. On peut comprendre pourquoi Mozart l?affectionnait particulièrement et qu?il ait continué à l?exécuter lui-même.
C?est de cette incomparable lorsqu?elle était interprétée sur un des nouveaux pianofortes de Stein.
1er MOUVEMENT Une première version du début du premier mouvement rédigée sur une page et demie a été supprimée par Mozart. Il a commencé à réécrire la version définitive au bas de cette même page. Le matériau thématique de ce mouvement d?ouverture (et, à un moindre degré, celui des mouvements suivants) est disposé sur une échelle plus vaste, presque plus orchestrale, ce qui constitue une rupture avec le ton d?intimité des premières sonates. L?effet de tremolo dans les mesures 13 à 16 et les annonces répétées à l?unisson du premier thème peuvent très bien se lire comme la réduction d?un tutti orchestral. Le deuxième thème, ligne mélodique plus souple, sans accompagnement dans sa mesure d?introduction, contient une chaîne descendante de premiers renversements ? formule harmonique fort prisée aux siècles baroque et classique (il y a des passages analogues dans les thèmes subsidiaires de l?ouverture de l?Iphigénie en Tauride de Gluck et le premier mouvement du Concerto Italien de Johann Sebastian Bach). Cela fonctionne comme un passage de solo par opposition aux entrées de tutti qui suivent dans la mesure 30. Le développement traverse un cycle de tonalités mineures avant le début de la réexposition dans la mesure 72.
2eme MOUVEMENT Mozart a intitulé le second mouvement: Rondeau en Polonaise. Il s?agit donc d?une danse. Les quatre premières mesures constituent une forme de dialogue (comme le thème du premier mouvement de la sonate précédente en sol majeur) et Mozart les soumet à des variations avec un certain bonheur. Il accentue le contraste entre l?exposition et la contre-exposition par des indications de dynamique.
3eme MOUVEMENT Le dernier mouvement de la sonate est une suite de variations joyeuses qui est un régal pour le pianiste, et présente, jusqu?à la variation en adagio les caractéristiques d?une gavotte. Le don spécial de Mozart pour l?écriture en variations s?y manifeste de la manière la plus brillante. L?impression superficielle de forme diffuse ne résiste pas l?examen approfondi: il ne serait guère facile d?oublier une des douze variations ou d?en ajouter une. La variation Adagio est d?un intérêt tout particulier pour les spécialistes de Mozart, car elle nous donne quelque a perçus de sa conception de l?ornementation impromptue: l?autographe n?est que pudiquement orné et il est probable que Mozart enjolivait son texte lors de l?exécution au gré de sa fantaisie. Mais une version richement ornée a survécu dans la première édition publiée du vivant de Mozart ; et il ne fait pas de doute que cette version enjolivée est l??uvre de Mozart lui-même ? qui d?autre pourrait enjoliver une musique d?une manière aussi ingénieuse? Cela nous éclaire sir les idées de Mozart en matière d?ornementation en général et en particulier. / [Sonate pour piano en Ré majeur K. 284 (205b)] / Classique / Partition / Agrafé /
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Béla Bartók: For Children Vol. 1: Piano Solo: Instrumental Album
Piano solo
EMB (Editio Musica Budapest)
For Children Vol. 1. Bartók composed his first pedagogical collection For Child...
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For Children Vol. 1. Bartók composed his first pedagogical collection For Children between 1908 and 1911. The first edition was issued between 1909 and 1911 in four volumes, comprising two of Hungarian and two of Slovak folk song arrangements. After moving to America, Bartók considered it important to produce new editions of his earlier works. Thus in autumn 1943, together with his new publisher Boosey
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Béla Bartók: For Children Vol. 2: Piano Solo: Instrumental Album
Piano solo
EMB (Editio Musica Budapest)
For Children Vol. 2. Bartók composed his first pedagogical collection For Child...
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For Children Vol. 2. Bartók composed his first pedagogical collection For Children between 1908 and 1911. The first edition was issued between 1909 and 1911 in four volumes, comprising two of Hungarian and two of Slovak folk song arrangements. After moving to America, Bartók considered it important to produce new editions of his earlier works. Thus in autumn 1943, together with his new publisher Boosey
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Béla Bartók: Three Hungarian Folk Tunes: Piano: Instrumetal Album
Piano solo
G. Henle
Of the many works Bartók composed on Hungarian and Romanian folk melodies bet...
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Of the many works Bartók composed on Hungarian and Romanian folk melodies between 1914 and 1918 these three piano pieces occupy a special place. Originally outlined for the collection 15 Hungarian Peasant Songs (Urtext edition HN 1404) the drafts were left untouched for the next twenty years. Not until 1941 when Boosey
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Antonin Dvorák: Dances For Solo Piano: Piano: Instrumental Work
Piano solo
Dover Publications
Dances For Solo Piano is features a collection of Dances composed by Antonin Dvo...
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Dances For Solo Piano is features a collection of Dances composed by Antonin Dvorák. This vast selection of sheet music for Solo Piano is sure to enchant performers and listeners alike.
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Béla Bartók: Allegro Barbaro: Piano: Instrumental Work
Piano solo
G. Henle
One of Béla Bartók's best-known and most popular works for Piano the Allegro ...
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One of Béla Bartók's best-known and most popular works for Piano the Allegro Barbaro was composed in 1910-11. Bartók himself enjoyed performing the piece in concerts and recorded it severaltimes. A recording from 1929 referred to by Bartók as the ?authentic recording? contains very interesting departures from the printed version as far as tempo articulation and even the number of ostinatomeasures are concerned. These elements have been included in the musical text for the first time in this Henle Urtext edition and are clearly annotated. With this first Bartók Urtext edition editor László Somfai offers aninsight into the many and varied musical impulses that will be demonstrated in the Béla Bartók Complete Critical Edition which will be jointly published by Editio Musica Budapest and G. Henle from 2016.
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Béla Bartók: Suite op. 14: Piano: Instrumental Work
Piano solo
G. Henle
The four-movement Suite op. 14 was composed in 1916 and was one of Bartók?s fav...
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The four-movement Suite op. 14 was composed in 1916 and was one of Bartók?s favourite piano works throughout his life. Unlike in his other works for piano of these years he did not use any folksong melodies or folkloristicelements here. Instead he endeavoured to achieve a new more ?abstract? transparent piano style that forgoes ornament and embellishment. A special feature of this Henle edition is the appendix with an additional Andante movementthat was originally intended to come before the Scherzo but which Bartók removed from the Suite only shortly before its publication in 1918. The Urtext edition of this important work in the concert repertoire follows the musicaltext of the Bartók Complete Edition. It has been edited by perhaps the most distinguished Bartók scholar in the world today László Somfai who has also written the comprehensive introduction to the work and who offers helpfulsuggestions regarding its interpretation.
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Béla Bartók: Mikrokosmos - Complete: Piano: Instrumental Album
Piano solo
[Sheet music]
Chester
This brand new edition presents Béla Bartók?s Mikrokosmos a progressive cycle...
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This brand new edition presents Béla Bartók?s Mikrokosmos a progressive cycle of 153 studies for Piano in a single volume for the first time. Designed to illustrate the musical and technicalprogressions suitable for beginner to advanced players this complete collection is invaluable for every pianist. All six volumes of Mikrokosmos are presented here exactly as the composer intended them.Featuring beginning études through to technical tours de force this unique publication also contains an extensive introduction Bartók's original preface and photography throughout. The initial piecesconsolidate a balanced technique ideal for students working towards Grade 1. The cycle advances through fundamentals such as hand co-ordination musicality aural skills and ensemble-playing taking the pianist to the complexGrade 8 level pieces found towards the end of the collection. Already accomplished players will find a wealth of material to enjoy as sight reading practice and concert pieces making this a versatile collection as well as aninsight into the mind and work of a great composer. Mikrokosmos evolved from the Piano lessons that Bartók gave to his own 9-year old son. Studies were written on the spot for young Peter Bartókto learn by next time. Over time the 153 pieces took form and they are collected here for beginner and advanced pianists to benefit from. Mikrokosmos lets students and teachers explore Bartók?sendlessly imaginative and inventive musical world as they develop their pianistic skills.
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Béla Bartók: Romanian Folk Dances: Piano
Piano solo
G. Henle
Composées en 1915 les Danses populaires roumaines comptent parmi les ?uvres le...
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Composées en 1915 les Danses populaires roumaines comptent parmi les ?uvres les plus connues de Bartók ? et ce sous de multiples formes car outre les diverses éditions de la version pour piano et une orchestration plus tardive de Bartók lui-même il existe également des arrangements réalisés par des contemporains avec l?accord du compositeur. On peut aujourd?hui même avoir recours à des enregistrements des danses par Bartók lui-même; ces derniers avec des reprises variées et enrichies de doublures à l?octave illustrent en quelque sorte la «version de concert» des danses. Le spécialiste de Bartók László Somfai a mis de l?ordre dans cette abondante documentation et présente dansla Henle-Urtextausgabe les variantes essentielles pour le musicien directement dans le texte musical.
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Baroque to Modern: Intermediate Level: Piano: Instrumental Album
Piano solo
Schirmer
28 Pieces by 22 Composers in Progressive Order. Baroque to Modern presents music...
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28 Pieces by 22 Composers in Progressive Order. Baroque to Modern presents music from the 1700s through the 1900s, with composer biographies and practice and performance tips. Organized by difficulty level, the music is presented in newly researched editions. Each volume is in progressive order. ANTHEIL: Little Shimmy C.P.E. BACH: Solfeggietto in C minor, H. 220 J. S. BACH: Prelude in D minor, BWV 926 · Prelude in C minor, BWV 999 BARBER: Petite Berceuse · To My Steinway from Three Sketches for Piano BEACH: Gavotte in D minor from Children's Album, Op. 36, No. 2 BEETHOVEN: German Dance in C Major, WoO 8, No. 7 BONIS: Frère Jacques from Scènes enfantines, Op. 92, No. 6 BURGMÜLLER: Restlessness (Inquiétude) from 25 Easy and Progressive Studies, Op. 100, No. 18 CHOPIN: Prelude in A Major, Op. 28, No. 7 CRESTON: Rustic Dance from Five Little Dances, Op. 24, No. 1 HANDEL: Prelude in G Major from Suites de pièces, Volume 2, HWV 442, No. 9 HELLER: Study in A minor (The Avalanche) from 25 Melodious Etudes, Op. 45, No. 2 KABALEVSKY: Lyric Piece from 30 Pieces for Children, Op. 27, No. 16 · The Chase from 30 Pieces for Children, Op. 27, No. 21 · Rondo-Toccata from Four Rondos, Op. 60, No. 4 KHACHATURIAN: Ivan Sings from Adventures of Ivan MACDOWELL: To a Wild Rose from Woodland Sketches, Op. 51, No. 1 MOZART: Funeral March for Signor Maestro Contrapunto, K. 453a · Adagio for Glass Harmonica, K. 356 (617a) MUCZYNSKI: Fable No. 9 from Fables, Op. 21, No. 9 PROKOFIEV: Morning from Music for Children, Op. 65, No. 1 · Promenade from Music for Children, Op. 65, No. 2 RAVEL: Prélude D. SCARLATTI: Sonata in D minor, L. 423 (K. 32, P. 14) SCHUMANN: Of Strange Lands and People (Von fremden Ländern und Menschen) from Scenes from Childhood (Kinderszenen), Op. 15, No. 1 SHOSTAKOVICH: Birthday from Children's Notebook for Piano, Op. 69, No. 7
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Béla Bartók: 15 Hungarian Peasant Songs: Piano: Instrumental Work
Piano solo
[Sheet music]
G. Henle
In a note for the planned first edition of his Hungarian Peasant Songs in 1914 ...
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In a note for the planned first edition of his Hungarian Peasant Songs in 1914 Bartók wrote that ?the melodies published here are folksongs in the truest sense of the word; more precisely peasant songs?. Bartók initiallywithdrew this work from publication however and added new pieces to it using folk music he had collected in the meantime. The first edition was only finally published in 1920. The Bartók scholar László Somfai explains the work?scomplicated genesis in his preface. The comments at the close of this edition include important indications regarding performance practice derived from the two recordings that the composer made of several of its pieces in 1927 and1936. The musical text here follows that of the corresponding volume of the Bartók Complete Edition that is currently in preparation. This is yet another highly popular Bartók work on offer from G. Henle Publishers!
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Béla Bartók: Roumanian Folk Dances: Piano: Instrumental Work
Piano solo
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Intermediate/advanced
Universal Edition
The 'Romanian Folk Dances' undoubtedly rank amongst Bartók's most popular compo...
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The 'Romanian Folk Dances' undoubtedly rank amongst Bartók's most popular compositions. The earliest version is scored for piano (1915) and was published by Universal Edition in 1918. ln the preparation of this revised edition the last previous printed edition was compared with the available manuscript sources which include editions marked by Béla Bartók with corrections. His corrected copies of the violin-piano transcription (prepared by Zoltán Székely) as well as the orchestra arrangement were also considered.The major correction concerns metronome numbers. At various times since the work's first publicationthe composer slightly revised some of these tempi. ln the composer's lifetime the last printed editions of both violin-piano and piano versions produced during World War II bear corrections in his file copies the two being in agreement with each other as well as with the marked duration of each dance. The tempi found in these printed editions believed to be the composer's last word on the subject appear in this revised edition.' (Peter Bartók)
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Béla Bartók: Mikrokosmos Volumes III-IV: Piano: Instrumental Work
Piano solo
[Sheet music]
G. Henle
Bartók?s Mikrokosmos is one of the milestones in the pedagogical piano repertoi...
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Bartók?s Mikrokosmos is one of the milestones in the pedagogical piano repertoire and yet it is also far more than a ?classical? piano primer. These 153 piano pieces organised in ascending order of difficulty engage not onlywith technical aspects of piano playing but also with the fundamentals of composition from ?Ostinato? ?Free variations? and ?Imitation and inversion? concerning compositional technique to programmatic ideas as in ?From thediary of a fly? or the famous ?Six dances in Bulgarian rhythm? that form the passionate close of this unique work. This Henle Urtext Edition is based on the corresponding volume of the Bartók Complete Edition that is currently inpreparation and also includes specific practical comments and tips concerning Bartók?s own performances. Furthermore the six volumes of the first edition which first appeared in 1940 are here gathered together in threepractical double volumes that offer both beginners and advanced pianists a perfect introduction to this work.
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Béla Bartók: Mikrokosmos Volumes V-VI: Piano: Instrumental Work
Piano solo
G. Henle
Bartók?s Mikrokosmos is one of the milestones in the pedagogical piano repertoi...
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Bartók?s Mikrokosmos is one of the milestones in the pedagogical piano repertoire ? and yet it is also far more than a ?classical? piano primer. These 153 piano pieces organised in ascendingorder of difficulty engage not only with technical aspects of piano playing but also with the fundamentals of composition ? from ?Ostinato? ?Free variations? and ?Imitation andinversion? concerning compositional technique to programmatic ideas as in ?From the diary of a fly? or the famous ?Six dances in Bulgarian rhythm? that form the passionate close of this unique work.This Henle Urtext Edition is based on the corresponding volume of the Bartók Complete Edition that is currently in preparation and also includes specific practical comments and tips concerning Bartók?s ownperformances. Furthermore the six volumes of the first edition which first appeared in 1940 are here gathered together in three practical double volumes that offer both beginners and advanced pianists a perfect introduction tothis work.
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Béla Bartók: Mikrokosmos Volumes I-II: Piano: Instrumental Work
Piano solo
G. Henle
Bartók?s Mikrokosmos is one of the milestones in the pedagogical piano repertoi...
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Bartók?s Mikrokosmos is one of the milestones in the pedagogical piano repertoire and yet it is also far more than a ?classical? piano primer. These 153 piano pieces organised in ascending order of difficulty engage not onlywith technical aspects of piano playing but also with the fundamentals of composition from ?Ostinato? ?Free variations? and ?Imitation and inversion? concerning compositional technique to programmatic ideas as in ?From thediary of a fly? or the famous ?Six dances in Bulgarian rhythm? that form the passionate close of this unique work. This Henle Urtext Edition is based on the corresponding volume of the Bartók Complete Edition that is currently inpreparation and also includes specific practical comments and tips concerning Bartók?s own performances. Furthermore the six volumes of the first edition which first appeared in 1940 are here gathered together in threepractical double volumes that offer both beginners and advanced pianists a perfect introduction to this work.
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Béla Bartók: Bartók Piano Collection Book 1: Piano: Instrumental Collection
Piano solo
[Sheet music + CD]
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Easy
Boosey and Hawkes
The Definitive Bartók Edition-The Definitive Bartók Edition brings together se...
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The Definitive Bartók Edition-The Definitive Bartók Edition brings together selected highlights from Béla Bartók?s extensive pedagogical piano catalogue for the very first time. Featuring repertoire from For Children Mikrokosmos Ten Easy Pieces Romanian ChristmasCarols Fourteen Bagatelles and others each volume has been compiled to be steadily progressive to aid learning.An accompanying audio CD features demonstration performances by Iain Farrington.
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