Winds of Worship is a uniquely flexible collection of 12 hymn arrangements for solos duets trios quartets quintets sextets...and more! Each arrangement can be performed by a brass quartet unaccompanied or accompanied using the fully orchestrated StudioTrax CD or piano accompaniment book. Mix and match instrumentation according to your needs in any given situation all year long in a variety of settings: worship services Sunday School or at home. Stan Pethel’s signature style of accessible fresh arrangements shines through in each hymn making Winds of Worship an essential addition to your library...for the advanced or beginning player alike. This isthe B Flat Trumpet part which can also be used for B Flat Clarinet.

Instrumental Play-Along-A dozen jazz classics complete with jazz combo backing tracks for solo instrumentalists. Includes the songs Doxy ? In Walked Bud ? In Your Own Sweet Way ? Mercy Mercy Mercy ? Nardis ? On Green Dolphin Street ? Reunion Blues ? St. Thomas ? Scrapple from the Apple ? Sidewinder ? Stolen Moments and Take Five.

60 popular themes from the movies in arrangements for solo Trumpet (level 2-3). The books in Alfred's Ultimate Movie Instrumental Solos series feature 60 film favourites in solo arrangements for Flute Clarinet Alto Saxophone Tenor Saxophone Trumpet Horn in F Trombone Violin Viola and Cello with optional Piano accompaniment. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided featuring each song as a live performance demo track followed by a play-along track. The CDalso contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software. Please note: Due to level considerations regarding keys and instrument ranges the wind instrument arrangements are not compatible with the string instrument arrangements in this series.

Trumpet-Following the great success of Look Listen & Learn  Michiel Oldenkamp and Jaap Kastelein are now focussing their attention on teaching material that can be used in both instrumental lessons and the class band or wind ensemble. They have developed in close collaboration with professionals from the class band scene music schools and academies in the Netherlands and Germany a completely new method for young wind players and percussionists aged eight and above. Learning Music Together is a combined method for instrumental lessons and class bands. Instrumental technique is introduced and developed in the student books and this supports thelearning pathway for the class band. The emphasis in the class band pieces is on playing together group dynamics general musical education and having fun making music together. Integrating these two components produces the complete method. The extensive website offers all kinds of supplementary materials such as demos and accompaniment tracks for all pieces additional playing material and instructional videos. The logical structure with carefully planned skill progression and child-friendly layout ensures that this method will prove to be motivating for students teachers and conductors.

Born in Toulouse Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versitile composer Bitsch has composed orchestral works chamber works and numerous pieces and studies for wind instruments. Vingt Études comprises unique studies covering all technical aspects asked of Trumpet players. Suited to advanced level trumpeters Bitsch's Vingt Études for Trumpet can be played on both the C and B? Trumpet. From articulation and complex rhythms to range and dynamics the variety ofmusical elements included in this Marcel Bitsch study book is outstanding creating a necessary addition to the Trumpet player's progression.

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His 16 Etudes for Trumpet Flugelhorn or Cornet is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Compiled in 1950 Bozza's 16 Studies addresses advanced features of the Trumpet Bugle and Cornet including complex rhythms articulation chromaticism variations in time signatures breath control phrasing intervals scales and arpeggios amongst other aspects. For all advanced Trumpet Bugle and Cornet players Bozza's 16 Studies are essential to develop technique to a high standard.

Although this book has been written as a logical sequel to Book I of the Breeze-Easy Method for Trumpet (Cornet) it may be used advantageously as a follow-up to any good beginning method. As in Book I the trumpet and Trombone books may be used in conjunction with each other thus facilitating the organization of brass classes. Four major areas are emphasized in each lesson: Embouchure Development Each lesson has a warm-up exercise progressing from long tones and easy lip slurs in the early lessons to moderately advanced flexibility studies in the later lessons. Interval studies are also frequently employed to give the student drillin tone placement. A playing knowledge of scales Each lesson contains concentrated scale practice in the belief that a mastery of scales is essential to general technique an facility. Rhythmic reading All rhythmic studies are designed to develop independence in reading and all duets are contrapuntal in style giving the student the responsibility of carrying his own part. This individual independence in reading is a basic to efficient ensemble performance. Developing a conception of legato (song style) playing Folk ballads are generously interspersed throughout the book in the belief that the development of a singing tone is a most important and oft-times most neglected phase of wind instrument performance.

French composer Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. His 12 Various Studies for Trumpet was published in 1959 and remains prominent in the instrument's study repertoire. Dubois' 12 Various Studies addresses elements of articulation chromaticism rhythm scales intervals breath control performance directions dynamics range ornamentation and variations in time and key signatures amongst other aspects. 12 Various Studies is essential to the advanced trumpeter to ensure a high standard of technical progression.

Thirteen pieces in popular style perfect for beginning wind instrument players. Arranged for solo trumpet these hits are sure to enchant both players and audiences alike!

Par SCHWARZ OTTO M.. The play-along book ?Playing with the Concert Band VOL. I? has been designed for Flute, Bb Clarinet, Oboe, Bassoon, Eb Alto Saxophone, Bb Trumpet, F Horn, C Trombone, Bb Euphonium, C Euphonium, Tuba, Mallets Percussion and Timpani /Percussion. The original concert band part for each instrument with some additional parts is printed in its own edition. The concert band recordings were performed by an 50-strong professional wind band, the Luxembourg Military Band, conducted by Lieutenant Colonel Jean-Claude Braun. The series includes the newest works by the composer Otto M. Schwarz, such as Anima Negra, Symphonic Suite from ?Die Jungen von der Paulstrasse?, The Pied Piper of Hamelin and Symphonic Suite from ?1805 - A Town´s Tale?. / Date parution : 2022-02-17/ Recueil / Trompette

for Soprano Cornet or Piccolo Trumpet and Piano-Hymn of the Highlands (?Hymne des Highlands?) est une œuvre de commande pour le Yorkshire Building Society Band et son directeur David King. Cette suite en sept mouvements a été donnée en création mondiale par la formation dédicataire à l?occasion du Concert de Gala des Championnats d?Europe des Brass Bands 2002 à Bruxelles.David King est un directeur musical très imaginatif. Sous son impulsion trois œuvres à programme pour Brass Bands ont déjà été écrites : Cry of the Celts Voice of the Vikings et Windows of the World. L?idée était de composer une pièce élargie et thématique qui peut constituer à elle seule une partie de concertpermettant de présenter les solistes d?une formation. Le mouvement intitulé Flowerdale a été composé pour celui qui est décrit comme « le plus grand cornettiste soprano de tous les temps » le légendaire Peter Roberts.Ce mouvement est également disponible dans une version soliste et Brass Band (Réf. : AMP 049).