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FRENCH HORN
Viola da Gamba
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Viola and orchestra (44)
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C Trumpetor et Trompette Sib/C… (28)
Instruments Acoustiques (28)
Orchestre Scolaire (27)
String Quintet: 2 violins, vio… (27)
2 Violons, 2 Altos et 2 Violon… (27)
Solistes SATB, Choeur SATB, 2 … (27)
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Giner Bruno : Plainte Pour Basse De Viole
Viola da Gamba
Dhalmann
Collection Maïa, musique d'aujourd'hui sur instruments anciens, dirigée par Er...
(+)
Collection Maïa, musique d'aujourd'hui sur instruments anciens, dirigée par Eric Fischer' La vision première de l'oeuvre est sonore, fugace, violente et définitive. Et puis... et puis vient le temps de l'écriture...une errance chargée d'encre et de papier, tentative d'écrire dans sa propre langue ce qu'on ne sait pas encore écrire 'Né en 1960 à Perpignan, Bruno Giner commence ses études musicales à Toulouse, puis dans sa ville natale et à Barcelone. A Paris, il suit régulièrement les cours de Pierre Boulez au Collège de France et travaille la composition (électroacoustique et instrumentale) successivement avec Luis de Pablo, Ivo Malec et Brian Ferneyhough.Aujourd'hui, ses oeuvres sont jouées dans de nombreux festivals français et internationaux, et sont interprétées par différents ensembles de musique contemporaine (Aleph, Sic, Fa, L'instant donné, Grame, Nomos, Motus, Intercontemporain, Quatuor Arditti, Klangheimlich, Frullato, Xasax, Ars Nova Nürnberg, Ixtla, Slowind). ' Ce n'est pas la moindre qualité de la musique de Bruno Giner que de nous permettre de mesurer l'étendue de nos préjugés (enfin, je parle pour moi), a écrit Bertrand Dubedout. Restons à l'écoute. Ce compositeur, dont la réflexion et la démarche se nourrissent aussi bien de Boulez ou Ferneyhough, que de Schaeffer ou de Malec, et qu'une insatiable curiosité conduit aussi bien chez Schumann ou Machaut que chez les Pygmées, nous réserve encore bien des surprises, nous mijote bien des émerveillements 'Son catalogue comporte des pièces pour solistes, des partitions de musique de chambre, de la musique vocale, orchestrale, des oeuvres pour l'apprentissage, etc. Sa musique révèle un caractère charnel, parfois virtuose, une énergie canalisée par la formalisation d'une écriture rigoureuse qui n'empêche pas un travail plus empirique sur la morphologie et la matière sonore.En 1998, Bruno Giner reçoit le Prix Hervé Dugardin décerné par la SACEM pour l'ensemble de son oeuvre.Parmi ses dernières compositions, citons Paraphrase sur ' Guernica ' de Paul Dessau pour clarinette, violoncelle, piano et percussions (2003), TCP 17 pour harpe, guitare et mandoline (2005), Clameurs, concertino pour deux percussions et ensemble à vents (2006), Charlie opéra de chambre d'après Matin brun de Franck Pavloff (2007), Extra pour huit violoncelles (2007-2008), Quatuor #3 pour quatuor à cordes et percussion (2008). Parallèlement à ses activités compositionnelles, Bruno Giner a régulièrement collaboré à différentes revues musicales, encyclopédies ou labels discographiques (The New Grove, La Lettre du Musicien, Les cahiers du CIREM, Musica falsa, Motus, etc). Par ailleurs, il signe trois livres : Musique contemporaine : le second vingtième siècle (Editions Durand, 2000), Toute la musique ? (Editions Autrement Junior, 2003), De Weimar à Térézine 1933-1945 : l'épuration musicale (Editions Van de Velde, 2006). / Cordes, Viole De Gambe Et Solo
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Marais M. - Suite G Major - Viole De Gambe
Viola da Gamba
Guntersberg
Marin Marais (1656-1728) Compositions from the First Book for two violas da gamb...
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Marin Marais (1656-1728) Compositions from the First Book for two violas da gamba and basso continuo Editor: Günter and Leonore von Zadow, publication date: 2014-06, continuo realization: Dankwart von Zadow, source: Pieces a une at a deux violes [Premier Livre], Paris 1686-1869 Description Marais' music represents for many the pinnacle of the French viol literature, and the facsimile reproductions of his five books are widely distributed among gambists. For all those who prefer not to play from facsimiles, Edition Güntersberg has issued the suites for two viols from the First Book in modern practical editions. Besides the three part books our editions contain a score, which serves for a better orientation of the continuo players. In addition, for harpsichord players who want to get used to this music we provide a second score, which contains a thoroughly conceived continuo realization. Our viol parts show all performance instructions of the original and are structured in such a way that players as far as possible need not turn pages within movements. The editions contain an instructive introduction in German, English and French.
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Méthodes Et Traités - France 1600 - 1800
Viola da Gamba
Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...
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Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la viole de gambe.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en un volume.Louis de CAIX d'HERVELOIS - Michel CORRETTE - DANOVILLE - DE MACHY - Encyclopédie ou dictionnaire raisonné des sciences - Antoine FORQUERAY - J.B.A. FORQUERAY - - N.E. FRAMERY et P.L. GINGUENE - - Antoine FURETIERE - Louis HEUDELINNE - Jean-Benjamin de LABORDE - Hubert LEBLANC - - Etienne LOULIE - Marin MARAIS - Roland MARAIS - - Marin MERSENNE - Jacques MOREL - Pierre RICHELET - Jean ROUSSEAU - Jean Jacques ROUSSEAU - TREVOUX - Pierre - TRICHETChapitre - I : Traités et méthodes - Danoville : L'art de toucher la dessus et basse de viole - 1687 - Rousseau Jean-Jacques : Traité de la viole - 1768 - Loulié Etienne : Méthode pour apprendre à jouer de viole - 1690 (ca)Chapitre II - : Extraits d'ouvrages généraux sur les instruments - - Trichet Pierre : Traité des instruments - 1640 (ca) - Mersenne Marin : Harmonie universelle - 1636 - Corrette Michel : Méthode théorique et pratique - 1741 - Laborde Jean-Benjamin de : Essai sur la musique - 1780Chapitre - III : Préfaces aux livres de viole - De Machy : Pièces de viole en musique - 1685 - Marais Marin : Pièces à une et deux violes - 1685 - Heudelinne Louis : Trois suites de pièces - 1701 - Marais Marin : Pièces de viole, 2e livre - 1701 - Morel Jacques : 1er livre de pièces de viole - 1709 - Caix d'Hervelois Louis de : Premier livre de pièces de viole - 1710 - - Marais Marin : Pièces de viole, 3e livre - 1711 - Marais Marin : Pièces à une et trois violes - 1726 - Marais Marin : Pièces de viole, 5e livre - 1725 - Marais Roland : 2e livre de pièces de viole - 1738 - Forqueray Antoine : Pièces de viole - 1747Chapitre IV : Articles de dictionnaires - Furetière : Dictionnaire universel - 1690 - Richelet : Dictionnaire de la langue française (nlle édition, 1ère édition 1680) - 1728 - - Rousseau Jean-Jacques : Dictionnaire de musique - - 1768 - Trévoux - : Dictionnaire universel, dit 'Dictionnaire de Trévoux' (1ère édition, 1704) - 1771 - Encyclopédie ou dictionnaire raisonné des sciences - 1765 - Framery N.E. et Ginguené P.L. - Encyclopédie méthodique - 1785Chapitre V : Divers - Rousseau Jean : Réponse de M. Rousseau - 1688 - Le Blanc Hubert : Défense de la basse de viole - 1740 - Forqueray J.B.A. : Lettres au Prince de Prusse - 1769 (ca)Téléchargez le catalogue Anne Fuzeau Classique / Viole De Gambe / 224 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Ortiz Diego - Trattado De Glosas
Viola da Gamba
Barenreiter
Diego Ortiz?s Trattado is a classic in the art of musical ornamentation. Part 1 ...
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Diego Ortiz?s Trattado is a classic in the art of musical ornamentation. Part 1 provides examples of every cadence while part 2 discusses the interplay between viola da gamba and harpsichord, including many pieces for this combination of instruments as illustrations. All lovers of early music are familiar with Ortiz?s standard work, but how many of them have actually read it? This new edition makes the work more accessible by choosing a synoptic layout: the original Spanish and Italian are printed on a double-page spread along with translations into modern German and English. An introduction by Annette Otterstedt explains the Trattado and its origins, the various tunings, and questions regarding the instrument. The musical section has been freshly engraved, and a separate viol part simplifies performances with a keyboard instrument. For the first time, Ortiz?s text is now available to an international readership in the original and in translation at the same time. The Editor Annette Otterstedt is a concert gamba player and musicologist presently employed as an assistant curator at the Music Instrument Museum in Berlin . She has published several books, including Die Gambe (1994; Eng. trans. as The Viol, 2002) and a great many articles on early music. Ortiz, Diego Trattado de Glosas Edition no. BVK 1594 ISBN 9783761815946 Detailed product information Editor Otterstedt, Anette Language(s) of work Spanish, Italian, English, German Product format Book Binding Hardback Pages / Format 125/24 S. - 33,0 x 25,0 cm
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Méthodes Et Traités - 3 Volumes - Italie 1600 - 1800
Viola da Gamba
Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...
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Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la viole de gambe.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - trois volumes.Volume - 1 (réf. 5864) : ALFONSO DELLA VIOLA - - Antonio DA LENO - - Girolamo DALLA CASA - - Silvestro GANASSI (1-2) - Giovanni Maria LANFRANCO - Diego ORTIZ.Volume - 2 (réf. 5865) : - Anonyme (1) - - Adriano BANCHIERI (1-2) - - Pedro CERONE - - Scipione CERRETO - - Giovanni-Battista DONI (1-2) - Aurelio MARINATI- Ricardo ROGNONI (1) - - Aurelio VIRGILIANO - Lodovico ZACCONI.Volume - 3 (réf. 5866) : Anonyme (2) - - - Giovanni-Battista DONI (3) - - Athanasius - KIRCHER - - Ricardo ROGNONI (2).Table des matières :Volume 1 :Da Leno Antonio : Tavola di accordatura - XVe s.Lanfranco Giovanni Maria : Scintille di musica - 1533Alfonso Della Viola : Il modo de sonar - c.1536Ganassi Dal Fontego Silvestro : Regola Rubertina - 1542Ganassi Dal Fontego Silvestro : Lettione seconda - 1543Ortiz Diego : Tratado de glosas - 1553Dalla Casa Girolamo : Il vero modo - 1584Volume 2 :Marinati Aurelio : Somma di tutte le scienze - 1587Rognoni Ricardo : Passagi per potersi essecitare - 1592Zacconi Lodovico : Prattica di musica utile et necessaria - 1592Anonyme : Tavola per l'accordatura delle viole - XVIe s.Virgiliano Aurelio : Il dolcimelo - c.1600Cerreto Scipione : Della prattica musica vocale - 1601Banchieri Adriano : L'organo suonarino - 1605Banchieri Adriano : Conclusioni nel suono dell organo - 1609Cerone Pedro : El Melopeo - 1613Doni Giovanni-Battista : Compendio del trattato - 1635Doni Giovanni-Battista : Annotazioni aopra il compendio - 1640Volume 3 :Rognoni Ricardo : Selva de varii passaggi - 1620Kircher Athanasius : Musurgia universalis - 1650Doni Giovanni-Battista : Lyra Barberina - 1763Anonyme : Modo ó sia regola - XVIIIe s.Téléchargez le catalogue Anne Fuzeau Classique / Viole De Gambe / 760 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Sainte-colombe - Pour La Basse (manuscrit De Tournus) - Viole De Gambe
Viola da Gamba
Guntersberg
Sainte-Colombe (2nd half of 17th century) Pour la Basse The pieces for Viola da ...
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Sainte-Colombe (2nd half of 17th century) Pour la Basse The pieces for Viola da Gamba solo from the manuscript M.3 of the Bibliothèque municipale of Tournus In 1992, in the French town of Tournus, an extensive anonymous music manuscript was discovered, which for insiders was nothing less than a sensation. For it turned out that 143 of the pieces in this collection of music for viola da gamba solo were by Sainte-Colombe, the most important viol player and composer in France before Marin Marais. Since, for various reasons, the manuscript is not easy to read for today?s players, we present here for the first time a practical edition that contains all of Sainte-Colombe?s pieces from the Tournus manuscript. The transcription into modern notation has been done with great care, and the original notation retained wherever possible. Sainte-Colombe?s music is so interesting for the performer because it violates many compositional and musical rules, and as a result often seems improvised. Its soothing and frequently melancholy character is unique. It represents a challenge that every viola da gambist should take upon him/herself.
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Méthodes Et Traités - Vol.1 - Italie 1600 - 1800
Viola da Gamba
Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...
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Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la viole de gambe.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - trois volumes.ALFONSO DELLA VIOLA - - Antonio DA LENO - - Girolamo DALLA CASA - - Silvestro GANASSI (1-2) - Giovanni Maria LANFRANCO - Diego ORTIZTable des matières : Da Leno Antonio : Tavola di accordatura - XVe s.Lanfranco Giovanni Maria : Scintille di musica - 1533Alfonso Della Viola : Il modo de sonar - c.1536Ganassi Dal Fontego Silvestro : Regola Rubertina - 1542Ganassi Dal Fontego Silvestro : Lettione seconda - 1543Ortiz Diego : Tratado de glosas - 1553Dalla Casa Girolamo : Il vero modo - 1584Téléchargez le catalogue Anne Fuzeau Classique / Viole De Gambe / 256 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Méthodes Et Traités - Vol.2 - Italie 1600 - 1800
Viola da Gamba
Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...
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Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la viole de gambe.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en trois volumes.Anonyme (1) - - Adriano BANCHIERI (1-2) - - Pedro CERONE - - Scipione CERRETO - - Giovanni-Battista DONI (1-2) - Aurelio MARINATI- Ricardo ROGNONI (1) - - Aurelio VIRGILIANO - Lodovico ZACCONI. - Table des matières : Marinati Aurelio : Somma di tutte le scienze - 1587Rognoni Ricardo : Passagi per potersi essecitare - 1592Zacconi Lodovico : Prattica di musica utile et necessaria - 1592Anonyme : Tavola per l'accordatura delle viole - XVIe s.Virgiliano Aurelio : Il dolcimelo - c.1600Cerreto Scipione : Della prattica musica vocale - 1601Banchieri Adriano : L'organo suonarino - 1605Banchieri Adriano : Conclusioni nel suono dell organo - 1609Cerone Pedro : El Melopeo - 1613Doni Giovanni-Battista : Compendio del trattato - 1635Doni Giovanni-Battista : Annotazioni aopra il compendio - 1640Téléchargez le catalogue Anne Fuzeau Classique / Viole De Gambe / 288 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Méthodes Et Traités - Vol.3 - Italie 1600 - 1800
Viola da Gamba
Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...
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Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la viole de gambe.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - trois volumes.ANONYME (2) - - - Giovanni-Battista DONI (3) - - Athanasius - KIRCHER - - Ricardo ROGNONI (2). - Tables des matières : Rognoni Ricardo : Selva de varii passaggi - 1620Kircher Athanasius : Musurgia universalis - 1650Doni Giovanni-Battista : Lyra Barberina - 1763Anonyme : Modo ó sia regola - XVIIIe s.Téléchargez le catalogue Anne Fuzeau Classique / Viole De Gambe / 216 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Telemann G.p. - 12 Fantaisies - Viole De Gambe
Viola da Gamba
Guntersberg
Editor: Thomas Fritzsch and Günter von Zadow, publication date: 2016-03, source...
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Editor: Thomas Fritzsch and Günter von Zadow, publication date: 2016-03, source: print Hamburg 1735 Description For more than two hundred years, Telemann's unique Fantasias for solo viol remained hidden from the general public until a copy of the original 1735 print was discovered in 2014. We are very happy to be able to make them accessible now to all gambists, and are certain that these Fantasias will soon belong to the standard repertoire of all friends of the viola da gamba. In addition to a preface by Carsten Lange and Thomas Fritzsch, our edition includes a complete facsimile and a modern edition for practical music-making.
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Bach J. S. - Partita N° 2 Bwv 1004 - Viole De Gambe
Viola da Gamba
Ut Orpheus
Edition de Carlo Denti
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Art De Jouer La Basse De Viole Vol.1 (CHARBONNIER / JAQUIER)
Viola da Gamba
[Sheet music]
Heugel
Par CHARBONNIER / JAQUIER. Written in French by Pierre Jacquier and Jean-Louis C...
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Par CHARBONNIER / JAQUIER. Written in French by Pierre Jacquier and Jean-Louis Charbonnier, L'Art De Jouer La Basse De Viole
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Allerheiligentag IV für Viola da gamba (LINJAMA JYRKI)
Viola da Gamba
[Sheet music]
Fennica Gehrman
Allerheiligentag IV for viol. Par LINJAMA JYRKI. The material for Jyrki Linjama'...
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Allerheiligentag IV for viol. Par LINJAMA JYRKI. The material for Jyrki Linjama's Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba (2018) and violin. The composer tells: 'The choice of topic and material was originally influenced by the place where the string trio would be premiered - the old church on the island of Seili (Själö) in the Turku archipelago. The bleak history of the mental hospital on the island invited images of suffering and death. I got so attached to the fine, bleak melody that this series of works began to emerge.' / Date parution : 2022-05-31/ Répertoire / Viole de Gambe
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GRAUN JOHANN GOTTLIEB - CONCERTO PER LA VIOLA DI GAMBA D-DUR - CONDUCTEUR and VIOLE DE GAMBE
Viola da Gamba
Guntersberg
Johann Gottlieb Graun (1702/3-1771)Concerto per la Viola di Gamba in D major, Gr...
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Johann Gottlieb Graun (1702/3-1771)Concerto per la Viola di Gamba in D major, GraunWV A:XIII:4 Editor: Michael O'Loghlin and Günter von Zadow, publication date: 2014-06, source: D-DS Mus.ms 356full score and gamba part incl. facsimil / Viole de gambe / Guntersberg
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Contemporary And Traditional Music Vol.1
Viola da Gamba
Prb productions
Une intéressante collection de marches, des strathspeys, reels, jigs et hornpip...
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Une intéressante collection de marches, des strathspeys, reels, jigs et hornpipes pour cornemuse avec l'histoire de nombreux airs les ' titres. Il s'agit d'une excellente collection de mélodies par une grande variété de compositeurs. Auteur Bruce Gandy est un des meilleurs compositeurs de l'Amérique du Nord. Sa musique est jouée partout dans le monde de la tuyauterie. / Cornemuse
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4 Danses Pour Consort De Violes De Gambe
Français
Viola da Gamba
Delatour France
 Arrangement de Régis Prudhomme Quatre danses extraites du 'Petit livre d'Ann...
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 Arrangement de Régis Prudhomme Quatre danses extraites du 'Petit livre d'Anna Magdalena Bach ', adaptées pour consort de violes de gambe,Polonaise, Menuets et Musette,Ce recueil est constitué de pièces musicales faciles composées ou transcrites par Johann Sebastian Bach et offert à sa femme Anna Magdalena en 1725, Les oeuvres pédagogiques de J S Bach sont essentiellement pour orgue ou clavecin, La transcription étant une pratique courante à l'époque, il a semblé intéressant d'adapter pour cordes certaines des danses, les plus faciles et les plus appréciées des jeunes instrumentistes, / Viole De Gambe
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GRAUN JOHANN GOTTLIEB - CONCERTO PER LA VIOLA DI GAMBA D-DUR - PARTIES SEPAREES
Viola da Gamba
Guntersberg
Johann Gottlieb Graun (1702/3-1771)Concerto per la Viola di Gamba in D major, Gr...
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Johann Gottlieb Graun (1702/3-1771)Concerto per la Viola di Gamba in D major, GraunWV A:XIII:4 Editor: Michael O'Loghlin and Günter von Zadow, publication date: 2014-06, source: D-DS Mus.ms 356orchestra parts / Viole de gambe / Guntersberg
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Viola Da Gamba-Konzert D-Dur (TARTINI GIUSEPPE)
Viola da Gamba
[Sheet music]
Breitkopf & Härtel
Par TARTINI GIUSEPPE. Editeur(s) d'origine: BERNSTEIN, W H -FRITSCH, TH/ Répert...
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Par TARTINI GIUSEPPE. Editeur(s) d'origine: BERNSTEIN, W H -FRITSCH, TH/ Répertoire / Viole de Gambe et Orchestre
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Coprario J. - The Six-part Pieces - Ensemble De Violes
Viola da Gamba
Prb productions
Eight six-part viol consorts in Italian madrigal style, edited by Richard Charte...
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Eight six-part viol consorts in Italian madrigal style, edited by Richard Charteris. Two of the consorts have Italian text underlay, which is included in the parts. Extensive introduction, textual commentary, and translations of the two texts.
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Maynard J. - Seven Pavins For Lyra V& Bass Viols
Viola da Gamba
Prb productions
John Maynard (b. 1577) composed these seven pavans, for lyra viol and bass viol,...
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John Maynard (b. 1577) composed these seven pavans, for lyra viol and bass viol, as a supplement to his 12 Wonders of the World, a collection of lute songs. Edited by Joëlle Morton.
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Ganassi Silvestro - Works For Viol (venezia 1542/43)
Viola da Gamba
Ut Orpheus
Urtext Compositeur : Ganassi Silvestro Instrumentation : VdG Editors: Bettina Ho...
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Urtext Compositeur : Ganassi Silvestro Instrumentation : VdG Editors: Bettina Hoffmann Publication Date: 1998 Series: Hors Série. Musica Varia Pages: pp. 20
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Musique A La Cour D'Italie
Viola da Gamba
Martin, Robert
/ Viole De Gambe
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Traité De Viole
Français
Viola da Gamba
Tourdion
En fac-similé et traduc. en français par Jean-Marie Poirier / Viole De Gambe
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Viola D'Amore. Bibliographie. Neue, Erweiterte Ausgabe 1994, Br.
Viola da Gamba
[Sheet music]
Hofmeister Musikverlag
/ Viole De Gambe / Partition
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Premiere Suite Du 4ème Livre De Marin Marais
Viola da Gamba
Martin, Robert
/ Viole De Gambe
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