10 Original Duets for Horn. Par SCHWARZ OTTO M.. Les duos Doobidoo for Two sont le fruit d‘une collaboration entre le compositeur Otto M. Schwarz et le tromboniste & compositeur Leonhard Paul. Leonhard Paul est mondialement connu comme un des membres créatifs du Mnozil Brass. Il a étudié la pédagogie musicale ainsi que le jazz et il est aujourd’hui chargé de cours à l’Université de Musique de Vienne (MDW). Dans ce recueil, vous trouverez des duos de différents styles, souvent avec des indications humoristiques. Ces duos existent pour 2 trompettes, 2 cors, 2 trombones, 2 euphoniums clé de fa & clé de sol, 2 tubas et dans des versions euphonium & tuba ainsi que trompette & trombone./ Répertoire / 2 Cors

Rhapsody In Blue is a major addition to the woodwind quintet repertoire.This version of Rhapsody In Blue includes a score and five parts and has been arranged for Flute Oboe Clarinet in B-flat Horn in F and Bassoon at an intermediate playing level.Many people know the famous Clarinet glissando opening to Gershwin’s Rhapsody in Blue but very few know that the original version was scored for two Pianos and that the glissando was initially just an ascending scale.Joachim Linckelmann’s superb arrangement of this modern classic is based on this original version and with the exception oftwo solo Piano passages that cannot be realised by a woodwind quintet the entire work is presented.

Saxofoon Methodes en Etudes-Blues Horn Ensemble Playing is the result of the combined efforts of Andrew D. Gordon and Frank Villafranca to present the material in a way in which beginning and intermediate horn players can gain an understanding of blues ensemble playing quickly and easily.The twenty examples recorded on the CD provide a dual purpose. They take you through a variety of musical styles including swing blues slow blues funky blues jazz blues latin blues minor blues mostly based on the standard 12 bar blues chord progression and include four choruses each. The first two choruses are recorded with the horns and rhythm section consisting of keyboards guitar bass and drumsand the last two choruses are rhythm section only. On the last two choruses you may want to play the riffs again or practice playing your own melodic blues solos.These examples will help you build a repertoire of riffs you can use in a live situation. Hopefully they will also provide inspiration to help you come up with your own ideas.

With parts for Horn in E flat and F.-With parts for Horn in E flat and F.We not only owe three of Mozart's horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead ofhaving two violins the accompanying string quartet has two violas which complement the dark and warm timbre of the horn and lend the work a unique tonal effect. Echoes of motives from the 'Abduction from the Seraglio' allow usto suppose that it was composed around the same time as the Singspiel. As the autograph is missing this edition is based on the first edition. In addition the critical apparatus provides a careful evaluation of the secondarysources affording important insights into Mozart's intentions.

Volume 4 : 20 études difficiles-In six books Maxime Alphonse provides 200 progressive studies for the Horn. The fourth volume of Two Hundred New Melodic and Gradual Studies is essential to intermediate level Horn players seeking to improve their technique on the instrument. Alphonse's studies focus on elements including tempo rhythm articulation rests dynamics syncopation breath control and neatness among other musical aspects. Compiled in 1924 Alphonse's Two Hundred New Melodic and Gradual Studies has enhanced the studies of many prolific Horn players. With detailed instruction for each exercise this Alphonse book isversatile and crucial to the progress of any Horn player.

Urtext. Par SCHUMANN CLARA. Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional 'outbursts” up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art. Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire. / Date parution : 2019-08-22/ Répertoire / Cor et Piano

An outlined course of study designed to follow the elementary and intermediate levels of any instructional method the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. Thespecially designed units provide a a complete pedagogy:• Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course• Melodic Interpretation Including20+ contest level duets in each book• Solo Preparation Six contest level solos included• Articulation Studies Specialized for each instrument• Exercises in Fingering(woodwinds) Flexibility (brass) and Sticking (percussion)• Ornamentation All types are introducedGenerations of musicians have been taught with Rubank methods – join the tradition!

One collection of studies that is a must-have for every serious french horn player/student. Created by two of the finest virtuoso horn players of all time; Max Pottag Chicago Symphony Orchestra and Albert Andraud CincinnatiSymphony Orchestra. The studies were chosen from the works of renowned teachers of the world over. Additional studies may be found in Book 2 (3370622 ISBN 1-58106-074-2).

Music Minus One French Horn-Perform timeless French Horn works with The Stuttgart Festival Orchestra! Perfect for practice rehearsal auditions contest solos performances and more! These two Mozart horn concerti are legend both being high-points in the repertoire. Regularly performed by every hornist at concerts and on disc. Beautiful sonorities and Mozart's own unique classical style make for a not-to-be-missed experience. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the orchestral accompaniment minus the soloist. Performed by Willard Zirk french horn Accompaniment: Stuttgart Festival OrchestraConductor: Emil Kahn

Two specially selected themes from 'Harry Potter and The Prisoner of Azkaban'. The arrangements are for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, French Horn and Trombone. As they are compatible volumes, they can be played together. The book is for the early/intermediate player, with a piano accompaniment suitable for either a teacher or intermediate level student. A backing CD is also included and provides both a demonstration version and also the playalong track.

The Boosey Brass Method is a complete course for individual and group teaching. Full to the brim with tips tricks important advice and golden rules as well as progressive repertoire examples this is a spectacular way to learn to play your instrument! It has been specifically designed to be used as a joint learning method with supervised or classroom work and home study combining to maximise learning potential. The novel and intuitive lay-out clearly shows warm-ups and breathing exercises; clapping singing and echo games; ensemble and individual work. The pack contains two fabulous CDs of demonstration performances backing tracks and listeningactivities which will aid development as well as being great fun! In conjunction with the illustrations exercises and the carefully considered progression this is one of the best ways to learn to play your instrument as part of an ensemble and at home.

The Boosey Brass Method is a complete course for individual and group teaching. Full to the brim with tips tricks important advice and golden rules as well as progressive repertoire examples this is a spectacular way to learn to play your instrument! It has been specifically designed to be used as a joint learning method with supervised or classroom work and home study combining to maximise learning potential. The novel and intuitive lay-out clearly shows warm-ups and breathing exercises; clapping singing and echo games; ensemble and individual work. The pack contains two fabulous CDs of demonstration performances backing tracks and listeningactivities which will aid development as well as being great fun! In conjunction with the illustrations exercises and the carefully considered progression this is one of the best ways to learn to play your instrument as part of an ensemble and at home.

Für Klarinette Bassetthorn (2 Klarinetten) und Klavier-?Favourite dish in exchange for favourite music? this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl who also played the Basset Horn stopped to pay avisit to Felix Mendelssohn Bartholdy in 1832 they came to a most curious agreement: they promised their composer friend a generous portion of ?Dampfnudeln? (steamed dumplings) and ?Rahmstrudel? (sweet-cheese strudel)that Mendelssohn was mad about if he were to write a piece for them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in dminor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the Clarinet family.

F Horn-Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read rehearse and perform band repertoirewith precision and artistry. Using proven methods for superior sound production and ensemble technique your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert bandsetting. Masterwork Studies focuses on six landmark compositions for band (score/parts not included). Two CD-ROMs are included featuring: 1. Exemplary recordings of each work performed by some of theworld's finest ensembles 2. Practice ?loops? on the more difficult passages for each individual instrument including tempo adjustment software on-screen assessment and a built-in metronome3. Scale arpeggio and articulation studies in all keysAlso available in the Essential Musicianship curriculum: ? Ensemble Concepts (HL00960059 ? 00960077). Designed to helpensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually in developmental order then combined for more advancedpractice.? Ensemble Concepts - Fundamental Level (HL00960110 ? 00960127)? Ensemble Concepts ? Intermediate Level (HL00960129 ? 00960146)