Par CHENIER CLIFTON. This collection of 15 accordion arrangements of tunes by Clifton Chenier (1925-1987) clearly demonstrates why he is known as the undisputed King of Zydeco music. Written for the piano accordion as opposed to the Cajun button accordion, all of the selections in this book are transcribed from Chenier's 1965-1987 recordings on Arhoolie Records. Dix Bruce contributes a fine essay on the colorful life of Clifton Chenier. A delightful companion CD recording is included in the spirit of Chenier's signature cry- 'Laissez les bon ton roulet!' (Let the good times role!) The 15 selections on the companion CD, drawn from Clifton Chenier's various Arhoolie releases, constitute his most popular recordings from 1965 to 1987, when he reigned supreme as the King of Louisiana Zydeco music. Note that 10 of the 15 songs on the CD are transcribed in the accompanying book. / Niveau : Intermédiaire / Cajun-Zydeco - Transcribed Solos / Recueil / Accordéon ou Clavier

This album contains seven original compositions of various styles that perfectly suit the accordion, such as a a polka, waltz and tango as well as some rather rare ones like foxtrot, jazz waltz, swing and bossa nova. On the one hand, the dances are of an educational character, aiming to provide guidance for left-hand accompaniment to various musical styles, linking of chords, harmonizing the melody to be played by the right hand and achieving a 'rich' sound. On the other hand, when played at a high standard they are also concert pieces appropriate for the stage. The pieces are recommended to advanced music school students and secondary school students. They are also perfectly appropriate for accordion players who are generally interested in quality popular music for their instrument. / Accordéon

In view of the enormous upswing in popularity that the accordion has experienced as an avantgarde instrument in the last decades of the twentieth century, a systematic elaboration of the latest instrumental techniques and forms of expression, as well as detailed instructions on how to employ the accordion have been sorely lacking.
This book explains all the playing techniques, registers as well as tonal potentials and expressive possibilities of the accordion. It demonstrates the distinctive elements of these techniques and in addition, gives composers valuable information concerning notation.
A CD with examples of sound techniques and excerpts from the repertoire is included. An extra fold-out chart presents a full-sized layout of the treble and bass sides, helping composers to check fingering possibilities. This long-awaited book will be an essential tool for composers, performers and teachers.

- Comprehensive description of all relevant playing techniques on the button accordion
- Practical notation suggestions for composers
- Music examples from important contemporary works
- CD containing examples of all registration and playing techniques and excerpts from the repertoire
- Full size, fold-out chart giving the arrangement of the buttons on the instrument
- Text in two languages (Ger/Eng)

?This book by Bettina Buchmann is a real boon; it gives not only a representative overview of the latest instrumental techniques and forms of expression on the accordion today, but paves the way for composers and accordionists to compose and perform idiomatically on the instrument. The author and publisher deserve the highest recognition for this.? (Teodoro Anzellotti)

?The accordion has enjoyed a revival in popularity in recent times ? numerous composers have discovered it as a solo instrument, in chamber music and also for its orchestral sound. I?m really happy to have this exceptionally clearly laid out book by Bettina Buchmann by my side as a guide and incentive for my further explorations into the instrument.?
(Beat Furrer)
/ [Les Techniques du jeu d'accordéon] / Méthodes

Disney Favorites for Accordion. 13 songs from classic Disney animated films are included in this collection for solo accordion, including: Evermore (from Beauty and the Beast) · Hakuna Matata (from The Lion King) · He's a Pirate (from Pirates of the Caribbean) ·Into the Unknown (from Frozen 2) · Some Day My Prince Will Come (from Snow White

A lively and wide-ranging collection of great tunes from all around England, suitable for playing on piano accordion, melodeon and other squeezeboxes!

Included are many well-established favourites for dance bands and informal sessions, plus some lesser-known gems and recent compositions. Reels, jigs, hornpipes and slow airs drawn from the 17th Century to the present day, with chord suggestions, background information on the tunes and detailed guidance on how to get the best out of this vibrant music. / Musiques du monde / Partition CD / Agrafé /

'Klezmer and Sephardic Tunes' for Accordion presents 33 beautiful pieces ranging from well known traditional tunes to the newly composed.

The collection is ideal for those looking to explore Klezmer music in more depth, as well as the lesser known music of the Sephardic Jews- drawing on the culture?s roots in Medieval Spain and the Balkans. The book contains notes on all of the pieces as well as points on general interpretation, and is accompanied by a CD with all pieces performed by Merima Klju?o.

German and French translations of all texts are available as free pdf downloads from the Schott Music website. Suitable for players of grades 3-8. / Musiques du monde / Partition CD / Agrafé /

The Accordion Play-Along series features custom accordion arrangements with CD tracks recorded by a live band (accordion bass and drums). There are two audio tracks for each song a full performance for listening plus a separate backing track which lets you be the soloist! The CD is playable on any CD player and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch! This volume features 8 all-time hits: Edelweiss • Fly Me to the Moon (In Other Words) • I Left My Heart in San Francisco • It's a Small World • Moon River • More (Ti Guarderò Nel Cuore) • Poinciana (Song of theTree) • When I'm Sixty-Four.

David DiGiuseppe's Learn Blues Accordion is a unique method that features 34 blues compositions for the Accordion as well as numerous exercises that have been carefully designed to help you master thestyle. The exercises increase in difficulty and introduce concepts and techniques that specifically target both hands. With this method you will explore blues scales chord progressions and learn common techniques such asgrace notes slides pedal points double stops and tremolos. Left hand accompanying rhythmic styles are taught and used throughout the material including boogie-woogie the blues shuffle New Orleans and walking basslines. This book also features exercises on comping chords in common blues keys using various rhythmic patterns. The included online audio tracks are recorded in stereo format separating the left and righthands.

A fantastic collection of Latin American songs for the Accordion by Herman Troppe. This jolly and energetic selection will enliven and entertain whilst evoking imagery of sun carnival beaches and exotic Latin American dances!Sixteen solos for keyboard accordion including folk songs from Venezuela Haiti Brazil Chile Colombia Costa Rica the Dominican Republic Honduras Panama Paraguay and Peru.

Par KRZANOWSKI ANDRZEJ. Composed in Czechowice-Dziedzice, in 1984, Relief I for accordion opens a cycle of nine works for solo or chamber forces. This work is of a sarcastic character, and its multi-segmented form consists of the alternating of dissonant ?quick? segments, dominated by sevenths, with two-part dolce segments led in contrary motion, as well as series of chords repeated with a surprising nebbioso (nebulous). Relief I is a work full of nervous tension, meticulously built up, and broken variant phrases, with a striking conclusion on a falling cluster, ending with an F sharp major chord ? like the many faces of a clown: thumbing its nose, sneering, reflective, mocking, pulling silly faces and? triumphing. This composition was dedicated to friends from France ? the Menards and their children. It was first performed by the composer during the Summer Courses for New Music in Darmstadt, in August 1988. / Date parution : 2022-11-08/ Recueil / Accordéon

An amazing book of solos that expand for flexible group music making! Session Time is ideal for many musical situations - solos individual and group teaching school concerts or just making music at home. This is the Keyboard Accompaniment edition for the Woodwind series.