The Path to Mastery and Individuality (For All Instruments). Imagine if you could HEAR a musical phrase, VISUALIZE its layout on your instrument by seeing and feeling the fingerings and/or embouchure in your mind's eye, KNOW the names of the notes as well as the degrees of the key and FEEL the dynamics you want to include. All simultaneously, in a millisecond, and without moving a muscle ... and in any key! Welcome to the twelve-key approach for all instruments and levels. Twelve-key practice applies the latest breakthroughs in brain biomechanics to facilitate technical mastery. Practicing in all twelve keys has never been sequenced or taught through the lens offered within these pages. The exercises in this book span a number of styles,brain skills and practice technique - all presented using a kaleidoscopic learning style. Julie Lyonn Lieberman's previous eight books and six DVDs have garnered rave reviews from a wide array of music magazines as well as renowned musicians from aroudn the world. Imagine if you could hear a musical phrase, Visualize its layout on your instrument by and ldquo - seeing and rdquo - and and ldquo - feeling and rdquo - the fingerings and/or embouchure in your mind's eye, know the names of the notes as well as the degrees of the key and feel the dynamics you want to include. All simultaneously, in a millisecond, and without moving a muscle ... and in any key! Welcome to the twelve-key approach for all instruments and levels. Twelve-key practice applies the latest breakthroughs in brain biomechanics to facilitate technical mastery. Practicing in all twelve keys has never been sequenced or taught through the lens offered within these pages. The exercises in thisbook span a number of styles, brain skills and practice technique and ndash - all presented using a kaleidoscopic learning style. Julie Lyonn Lieberman's previous eight books and six DVDs have garnered rave reviews from a wide array of music magazines as well as renowned musicians from around the world. Julie's and ldquo - Twelve-Key Practice and rdquo - takes you on a journey to freedom one step at a time and before you know it, you begin to experience that wonderful feeling of making music instead of just recreating someone else's music. You will become the well-rounded musician which is what we all aspire to be. and ndash - Jamey Aebersold, jazz saxophonist and educator, publisher of Aebersold Play-Alongs Mastering an instrument and ndash - or a tune, scale, or riff and ndash - in all twelve keys remains the ultimate standard of fluency. Why? Because it works. When comprehensive knowledge combines with ease, comfort, and flexibility, your anxieties disappear, your ears become open and receptive, and you are ready for any collaborative situation. Julie Lyonn Lieberman has created a remarkably organized, stylistically diverse, and holistic path for developing your ears, eyes, and fingers. By constantly changing variables and adding new layers, your mind remains active and receptive as it grows ever more capable and ndash - even in the / Formation musicale / Etude / Tout Instrument

Par JONES STEPHEN. This is not just another book of Irish session tunes. It represents the relatively unknown repertoire of a single Irish traditional musician, Packie Manus Byrne of Donegal. There has been considerable interest in the music of Donegal over the past 10 years or so, especially with the rise of groups such as Altan. Packie Manus Byrne is a familiar name to traditional-music lovers in Ireland and the UK, where he enjoyed a successful career as a folk performer for more than 20 years. Almost all these tunes were being played in Packie's home area between 1925 and 1935 - the collection is thus something of a 'time capsule' with a unity of origin and style that sets it apart from other collections. The 85 genuine old traditional tunes are being made public for the first time. This unique collection, with all the background information and stories, gives the reader a real sense of the community out of which the music came and the characters who played it. Suitable for fiddle, tin whistle, flute and other traditional instruments. The CD includes 33 of the tunes performed by Jean Duval, Stephen Jones, Johanne St. Laurent, Lynda Dowker, and Reinhard Görner on a variety of instruments. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Songbooks / Recueil / Tout Instrument

Par BERLE ARNIE. Not just another book of scales and patterns, this is a method that trains the mind, the ears and the fingers to work in perfect synchronization to respond instantaneously to any given chord progression. This ability is of paramount importance to any musician who wants to improvise in the jazz idiom. Leading jazz players have used this method for years, but this is the first time it has been published in book form. The author offers a comprehensive guide to improvisation on any instrument through chord changes in any key. A great source book for dozens of scales from the traditional major and minor forms to the modal scales used by jazz musicians. Even scales from other cultures Arabian, Balinese, Iranian, Hungarian, can be found here. A must-have for any musician who aspires to improvise with authority. / Niveau : Débutant à Intermédiaire / All Styles - Theory and Harmony / Etude / Tout Instrument

Jazz Play-Along Vol.42. Tous les niveaux ici est un excellent moyen d'élargir votre blues jouant dans chaque clé. Et, c'est amusant réel, trop ! Ces sont des tempos lents et pour tous les niveaux de capacité. Essayez de jouer certains des touches plus sévères sans regarder la musique et voir juste à quelle vitesse votre oreille prend ove vous retrouvez confiance très rapidement et que la confiance s'améliorera grandement votre isolation. Charlie Parker a appris le Blues dans tous les 12 touches avant il appris autre chose. Transposé pour tous les instruments. Chaque clé contient un bllody différent et deux progressions de corde/échelle compatible. C'est agréable, et il est certain de vous faire un meilleur joueur de blues. Commencez maintenant avec cet excellent ajout à la série. La section rythmique exceptionnelle est James Williams, piano - Bob Cranshaw, batterie basse - Micker,. / Niveau : Débutant à Intermédiaire / Méthode en anglais / Méthode / Tout Instrument

Lyrics included. These are tunes everyone has heard and every musician should know. The names of the composers and lyricists read like a musical Hall of Fame. Nineteen tunes from the cream of the golden age of songwriting in America. You’ll find there’s “No Greater Love” in your play-a-long collection! Rhythm section includes Hal Galper, piano; Steve Gilmore, bass; Bill Goodwin, drums. Don’t Blame Me - Blue Moon - Laura - On The Trail - Just Friends - Without A Song - Spring Is Here - Star Eyes - Once In A While - Invitation - Over The Rainbow - My Secret Love - Stompin’ At The Savoy - On Green Dolphin Street - You Stepped Out of A Dream - No Greater Love - I Left My Heart In San Francisco - The Shadow of Your Smile

Jazz Play-Along Vol.19. Par LIEBMAN DAVID. Niveau intermédiaire et avancé si vous cherchez quelque chose d'un peu différent, essayez celui-ci ! Cet ensemble est inhabituel, car elle ne contient aucune II/V7. Les mélodies sont fraîches et les progressions de corde ne sont pas habituelles trouvés dans les chansons jazz standards. Ces chansons ne sont pas typique bebop tuhey sont une étape dans une nouvelle direction avec un son fraîche. La section rythmique est Richie Bierach, piano - Frank Tusa, basse - et Al Foster à la batterie, enregistré après ils avaient travaillé tout juste une semaine à l'avant-garde de Village dans la ville de New York, donc chaque chanson sur cette rec ' serrés 'et intense ! / Rép International / Recueil / Tout Instrument

Le premier des quatre paquets 3-CD et propose des titres adossés des sélections du Volume 1 de la sixième édition de The Real Book Play-Along, édition européenne. / Instruments En Sib, Instruments En Mib, Instruments En Do Et Instruments À Basse

Jazz Play-Along Vol.72. La section rythmique scintille sur cette collection passionnante d'une douzaine de chansons les plus populaires du monde. Vous profitez de la variété et être impressionné par le bon équilibre de l'ancienne et de nouvelles sélections bien connues. Section rythmique Dynamite comprend Mark Levineo - Tyrone Wheeler, basse - Barry Ries, batterie. / Rép International / Recueil / Tout Instrument

Jazz Play-Along Vol.71. 12 titres de la meilleure musique jamais écrit, portées à la vie par une section rythmique serrés renommée pour leur style sensible. Chansons représentant ici appel à une variété de saveurs musicales. Dan Haerle, Piano - Todd Coolman, basse - Ed Soph, batterie. / Rép International / Recueil / Tout Instrument