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HARP
Alto Saxophone and Piano
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Quartette Pour Flûtes à Bec … (24)
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Basson, 2 Violons, 2 Altos et … (24)
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Easy Concert Pieces
Alto Saxophone and Piano
[Sheet music + CD]
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Easy
Schott
23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone an...
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23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty. All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. / Niveau : Facile / Recueil / Saxophone Alto et Piano
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Henri Tomasi: Chant Corse: Alto Saxophone: Instrumental Work
Alto Saxophone and Piano
[Sheet music]
Leduc, Alphonse
French composer and conductor Henri Tomasi (1901-1971) published his Corsican S...
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French composer and conductor Henri Tomasi (1901-1971) published his Corsican Song for Alto Saxophone and Piano in 1932. As with his other wind compositions Chant Corse was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and went on to become ahigh profile composer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions as is the case with Chant Corse. This Tomasi work is unusual in composition through its exploitation of tonality rhythm and structure amongst other aspects. However this Tomasi piece suitable for advanced saxophonists provides an exciting alternative addition to the repertoire.
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Classic Pop Ballads (DIVERS AUTEURS / JUCHEM DIRKO (ARR)
Alto Saxophone and Piano
[Sheet music + Audio access]
Schott
The 14 Most Beautiful Popsongs. Par DIVERS AUTEURS / JUCHEM DIRKO (ARR.). Un nou...
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The 14 Most Beautiful Popsongs. Par DIVERS AUTEURS / JUCHEM DIRKO (ARR.). Un nouveau renfort pour le Schott Saxophone Lounge : dans la toute nouvelle édition, le célèbre arrangeur Dirko Juchem invite à un voyage musical à travers des dizaines d\'années de musique pop. En habitué et en familier des lieux, il confère à 14 succès immortels tels que \'Hotel California\', \'Angie\' ou\' Layla\', une touche étonnamment \'saxy\'./ Recueil / Saxophone Alto et Piano
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KLARTHE DUPONT GABRIEL - PIECE POUR SAXOPHONE ALTO and PIANO
Français
Alto Saxophone and Piano
Klarthe
Depuis des siècles, « la lecture à vue » également appelée « déchiffrage...
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Depuis des siècles, « la lecture à vue » également appelée « déchiffrage » est une épreuve pour les concours de musique. Les compositeurs sont sollicités pour cet exercice et composent un texte court selon un cahier des charges assez précis (minutage, difficulté, modes de jeu instrumental, etc). Depuis la création d'une classe de saxophone confiée à Adolphe Sax en 1857 au Gymnase musical militaire, qui n'est autre qu'une annexe du Conservatoire de Paris, et jusqu'à la nomination de Marcel Mule en 1942, les concours se multiplient partout en France, tant au conservatoire qu'aux orchestres divers et variés, principalement militaires.
Les trois textes anonymes de style purement français (volume 4 de cette série consacrée aux déchiffrages : « andantino » de date inconnue / « morceau à vue » en 1881 / « andantino » en 1890) nous parviennent des Archives Nationales en lien avec le Conservatoire National Supérieur de Musique de Paris. Si ces dates ne correspondent pas à une possible affectation à la classe de saxophone car Adolphe Sax n'était alors plus en service, on pourrait imaginer qu'elles aient été composées pour un concours extérieur.
L'origine de la « lecture à vue » signée par Gabriel Dupont (1878-1914) non datée (volume 2), est également une énigme. Un doute plane sur le fait que ce texte soit bien du compositeur français, même si on en reconnaît la tendresse de cette page délicieuse. En 1922, Guillaume Balay (1871-1943) alors chef de musique de la Garde Républicaine de Paris compose deux « lecture à vue » pour saxophone (alto et ténor) vraisemblablement pour un concours militaire (volume 5) ; rappelons qu'entre 1870 et 1942, le conservatoire de Paris sera dépourvu de classe de saxophone.
La Ville de Reims accueillera deux jeunes compositeurs qui deviendront des personnalités musicales à l'esthétique prononcée ; tout d'abord Georges Migot (1891-1976) qui propose une « lecture à vue » (volume 3) en 1929 pour le concours de l'institut de musique, puis André Jolivet (1905-1974) qui compose son « déchiffrage » en 1938 (volume 1).
Toutes ces courtes pièces ont été étudiées méticuleusement avant de décider de leur redonner vie. Cette publication leur permet à présent de faire partie du patrimoine musical du saxophone classique.
Nicolas Prost
Saxophoniste
Association Saxiana
Durée : 2'15
Collection Nicolas Prost
Nomenclature : saxophone alto et piano / Partitions classique / Bois / Saxophone / KLARTHE
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KLARTHE JOLIVET ANDRE - PIECE POUR SAXOPHONE ALTO and PIANO
Français
Alto Saxophone and Piano
Klarthe
Depuis des siècles, « la lecture à vue » également appelée « déchiffrage...
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Depuis des siècles, « la lecture à vue » également appelée « déchiffrage » est une épreuve pour les concours de musique. Les compositeurs sont sollicités pour cet exercice et composent un texte court selon un cahier des charges assez précis (minutage, difficulté, modes de jeu instrumental, etc). Depuis la création d'une classe de saxophone confiée à Adolphe Sax en 1857 au Gymnase musical militaire, qui n'est autre qu'une annexe du Conservatoire de Paris, et jusqu'à la nomination de Marcel Mule en 1942, les concours se multiplient partout en France, tant au conservatoire qu'aux orchestres divers et variés, principalement militaires.
Les trois textes anonymes de style purement français (volume 4 de cette série consacrée aux déchiffrages : « andantino » de date inconnue / « morceau à vue » en 1881 / « andantino » en 1890) nous parviennent des Archives Nationales en lien avec le Conservatoire National Supérieur de Musique de Paris. Si ces dates ne correspondent pas à une possible affectation à la classe de saxophone car Adolphe Sax n'était alors plus en service, on pourrait imaginer qu'elles aient été composées pour un concours extérieur.
L'origine de la « lecture à vue » signée par Gabriel Dupont (1878-1914) non datée (volume 2), est également une énigme. Un doute plane sur le fait que ce texte soit bien du compositeur français, même si on en reconnaît la tendresse de cette page délicieuse. En 1922, Guillaume Balay (1871-1943) alors chef de musique de la Garde Républicaine de Paris compose deux « lecture à vue » pour saxophone (alto et ténor) vraisemblablement pour un concours militaire (volume 5) ; rappelons qu'entre 1870 et 1942, le conservatoire de Paris sera dépourvu de classe de saxophone.
La Ville de Reims accueillera deux jeunes compositeurs qui deviendront des personnalités musicales à l'esthétique prononcée ; tout d'abord Georges Migot (1891-1976) qui propose une « lecture à vue » (volume 3) en 1929 pour le concours de l'institut de musique, puis André Jolivet (1905-1974) qui compose son « déchiffrage » en 1938 (volume 1).
Toutes ces courtes pièces ont été étudiées méticuleusement avant de décider de leur redonner vie. Cette publication leur permet à présent de faire partie du patrimoine musical du saxophone classique.
Nicolas Prost
Saxophoniste
Association Saxiana
Durée : 2'15
Collection Nicolas Prost
Nomenclature : saxophone alto et piano / Partitions classique / Bois / Saxophone / KLARTHE
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The Chester Alto Saxophone Anthology: Alto Saxophone: Instrumental Album
Alto Saxophone and Piano
[Sheet music]
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Advanced
Chester
12 Popular Works-15 popular works for Alto Saxophone with Piano accompaniment fe...
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12 Popular Works-15 popular works for Alto Saxophone with Piano accompaniment featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Includes pull-out part and performance notes by AmyDickson.
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Beatles Classics (BEATLES THE)
Alto Saxophone and Piano
[Sheet music + Audio access]
Schott
The 14 Most Famous Songs by The Beatles. Par BEATLES THE. 'The Long And Winding ...
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The 14 Most Famous Songs by The Beatles. Par BEATLES THE. 'The Long And Winding Road'? aucun autre groupe n'aura autant influencé la musique pop que le groupe à coupe au bol de Liverpool! Leurs chansons on ne peut plus variées, souvent accompagnées d?une belle note d?humour, ont rendu les Beatles immortels. Le saxophoniste Dirko Juchem présente sa propre sélection de leurs plus gands succès. Comme d?habitude, l?attrait de ces arrangements élégants réside dans la facilité avec laquelle ils peuvent être appris et joués./ Recueil / Saxophone Alto et Piano
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Erwin Schulhoff: Hot-Sonata for Alto Saxophone and Piano: Alto Saxophone:
Alto Saxophone and Piano
G. Henle
Erwin Schulhoff (1894 1942) was one of the most original personalities on the mu...
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Erwin Schulhoff (1894 1942) was one of the most original personalities on the music scene of the early 20th century. His persecution and ostracism by the National Socialists led to his being forgotten for a time though in recentdecades the extraordinary quality of his music has been rediscovered. It was inspired by jazz Dada atonal music and socialist realism. Schulhoff’s Hot-Sonata of 1930 displays the influence of jazz not least through the use ofthe saxophone as solo instrument but also in its pithy rhythms its glitzy harmonies and its use of playing techniques such as glissandi. The Hot-Sonata is published here for the first-ever time in an Urtext edition. Iteliminates numerous mistakes found in the first edition that had been reprinted up to the present day. All the relevant sources were consulted for this edition: the autograph an engraver’s copy Schulhoff’s own copy of thepublished work and further personal documents such as letters and contracts. The saxophonist Frank Lunte from Berlin was engaged to edit this volume. He is an acknowledged expert in this repertoire and in the history of thesaxophone especially its history in 1930s Berlin.
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Concerto For Alto Saxophone And Orchestra (DENISOV EDISON)
Alto Saxophone and Piano
Sikorski
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...
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Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
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A Song From The Heart (EWAZEN ERIC)
Alto Saxophone and Piano
[Score and Parts]
Theodore Presser Co.
Par EWAZEN ERIC. Originally composed for Trumpet and Piano, A Song from the Hear...
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Par EWAZEN ERIC. Originally composed for Trumpet and Piano, A Song from the Heart is one of those rare new works that immediately captures performers and listeners in a wide range of settings. A beautiful melodic solo sings over a lush piano accompaniment, with passages that stick in the mind well after the performance. A Song from the Heart will be at home on any program, whether memorials, recitals, or weddings. For intermediate to advanced performers./ Répertoire / Saxophone Alto et Piano
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Rumänische Volkstänze (BARTOK BELA)
Alto Saxophone and Piano
Universal Edition
Par BARTOK BELA. Bartók himself collected the material for 'Rumanian Dances' in...
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Par BARTOK BELA. Bartók himself collected the material for 'Rumanian Dances' in Transylvania at the beginning of the century; Transylvania is the place in which this folk-dance music is part of everyday life. Bartók considered this music so very valuable that it became his new source of renewal of the musical mother tongue. This edition includes the 'Romanian Folk Dances' for alto saxophone and piano. • Style and atmosphere have been captured in these six colourful duets for players of intermediate to more advanced levels • These dances with such diverse melodies, rhythms and origins make sophisticated and entertaining concert pieces/ Répertoire / Saxophone Alto et Piano
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Fritz Kreisler: Fritz Kreisler for Alto Saxophone: Alto Saxophone: Instrumental
Alto Saxophone and Piano
Carl Fischer
Six Pieces by Fritz Kreisler Transcribed for Alto Saxophone and Piano. Fritz Kre...
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Six Pieces by Fritz Kreisler Transcribed for Alto Saxophone and Piano. Fritz Kreisler (1875?1962) was celebrated as one of the greatest violinists of all time. His brilliant technique and rich tone produced a characteristic sound that was and remains immediately identifiable. This collection features six pieces that Kreisler composed or transcribed for violin and piano, here transcribed for alto saxophone and piano. Especially well known are the original pieces Liebesleid and Schon Rosmarin, both of which Kreisler attributed to the now-forgotten composer Joseph Lanner. Caprice Viennois and Rondino on a Theme of Beethoven are likewise original pieces from early in Kreisler?s career, which he would regularly feature as concert encores. The Old Refrainand Midnight Bells are transcriptions, the former of a Viennese popular song and the latter of an excerpt from the operetta Der Opernball by Richard Heuberger. In these six transcriptions, the instrument changes, yet the value remains.
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Easy Classic Tunes
Alto Saxophone and Piano
[Sheet music + CD]
Chester
Cette sélection de 11 airs classiques a été particulièrement graduées, arra...
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Cette sélection de 11 airs classiques a été particulièrement graduées, arrangé et transposé en touches convenables pour le saxophone alto et augmentera la jouissance de jouer à un stade précoce de l'apprentissage. Les accompagnements piano ne conviennent pas pour les joueurs intermédiaires et il existe superbe démonstration et jeu-le long choeurs des pistes sur le CD qui l'accompagne. Grades 2 à 3. / Saxophone
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Pop Performance Pieces: Alto Saxophone: Mixed Songbook
Alto Saxophone and Piano
[Sheet music]
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Intermediate
Chester
Pop Performance Pieces includes 10 carefully selected contemporary and classic ...
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Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Alto Saxophone with aPiano accompaniment suitable for Grade 2-5 students as well as teachers. With a Piano score separate Alto Saxophone part and performance hints and tips these fun pieces will honeyour skills and develop ensemble playing.These pieces present a fun alternative to graded exam material and many are suitable for GCSE performance exams. The tunes will be familiar to most players withclassics like Simon & Garfunkel's Bridge Over Troubled Water and Elton John's Your Song as well as contemporary pop songs like Adele's When We Were Young and KatyPerry's Firework. These 10 songs can be played in instrumental lessons in the classroom and of course on stage. The separate booklet with the Alto Saxophonepart features tips by professional musicians with some fingering guidance while the Piano score also includes the tips along with chord symbols and helpful fingering suggestions.
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Cheryl Frances-Hoad: Algernon: Saxophone: Score and Part
Alto Saxophone and Piano
Chester
Written for alto saxophone and piano, Algernon is loosely inspired by both Flowe...
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Written for alto saxophone and piano, Algernon is loosely inspired by both Flowers for Algernon by Daniel Keyes and The Voices Within, a popular science book by Charles Fernyhough about the history and science of how we talk toourselves.
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Easy Concert Pieces 3
Alto Saxophone and Piano
[Sheet music + CD]
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Easy
Schott
17 Pieces From 6 Centuries. The Easy Concert Pieces series presents 3 volumes wi...
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17 Pieces From 6 Centuries. The Easy Concert Pieces series presents 3 volumes with popular pieces for alto saxophone with piano accompaniment in progressive order. These pieces are designed to complement a saxophone tuition method and are particularly suitable for performance at auditions, concerts, competitions and examinations. They offer varied repertoire in a broad selection of pieces from the Renaissance, Baroque, Classical, Romantic and Modern era along with jazz and pop. All the pieces are included on the CD in full and playback versions. Volume 3 (intermediate) uses notes ranging from c#\' to F?\' with a few uncommon time signatures and requiring more advanced melodic and rhythmic phrasing. It includes pieces by Ortiz, Händel, Mozart, Lefèvre, Saint-Saëns, Rubinstein, Grieg, Debussy, Ravel and others. / Niveau : Facile / Recueil / Saxophone Alto et Piano
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Henri Tomasi: Concerto For Alto Saxophone And Orchestra: Alto Saxophone:
Alto Saxophone and Piano
[Sheet music]
Leduc, Alphonse
Composed in 1949 the Concerto pour saxophone alto et orchestra by Henri Tomasi ...
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Composed in 1949 the Concerto pour saxophone alto et orchestra by Henri Tomasi (1901-1971) was dedicated to Marcel Mule a renowned French Saxophonist. It was written as a Paris Conservatoire Contest piece and was performed by Mule himself in 1949. This publication is the Alto Saxophone and Piano adaptation of the Concerto. Written in two movements it begins with a secretive introduction leading to a cadenza that reminds of the introduction. It follows on the second part with an Allegro which finishes unexpectedly on an intense suite of fast notes to congregate on a strong Largo. Henri Tomasi is the French composer conductor and winner of the Grand Prix de Rome in 1927 He composed a variety of concerti (16) for Trumpet Violin Viola Clarinet Trombone Horn Oboe Flute as well as Ballets Orchestra Ballades and other pieces.
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Solos for the Alto Saxophone Player: Alto Saxophone and Accomp.: Instrumental
Alto Saxophone and Piano
Hal Leonard
Although many outstanding composers have written for the saxophone its comparat...
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Although many outstanding composers have written for the saxophone its comparatively late invention leaves a great void in its literature - namely that of pre-20th Century music. If the saxophonist wishes to perform this music he must turn to transcriptions and that is what we find in this volume. Selected and edited by Larry Teal always with the qualities and limitations of the instrument in mind these pieces for Alto Saxophone with Piano accompaniment range in era and style from Haydn to Granados. Selected for the ABRSM Alto and Baritone examinations grades 6 and 7.
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Starke Töne - Altsaxophon Und Klavier (VAN BEEKUM JAN / FRANZ JOSEPH HAYDN / PYOTR ILYICH)
Alto Saxophone and Piano
[Sheet music + CD]
-
Easy
De Haske Publications
Ausgewählte Werke für den Junior- und D1-Bereich. Par VAN BEEKUM JAN / FRANZ J...
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Ausgewählte Werke für den Junior- und D1-Bereich. Par VAN BEEKUM JAN / FRANZ JOSEPH HAYDN / PYOTR ILYICH. Starke Töne ist eine Sammlung, die in Zusammenarbeit mit der Bläserjugend des Bundes Deutscher Blasmusikverbände (BDB) entstanden ist. Die Sammlung enthält eine Auswahl der beliebtesten Titel aus den Literaturlisten zum Jungmusiker-Leistungsabzeichen Bronze (D1) bzw. Junior. Die Vorteile liegen dabei klar auf der Hand: Die Instrumentalisten sparen mit diesem Buch nicht nur wertvolle Vorbereitungszeit, sondern auch bares Geld, denn wer fruüher mehrere Hefte anschaffen musste, hat mit Starke Töne bereits das Beste in einem Band versammelt. Somit befriedigt diese Ausgabe eine lang bestehende Nachfrage. In jeder Ausgabe ist jedes Stuück mit einerKlavierbegleitung notiert; urspruüngliche Solostuücke wurden eigens mit einer neu komponierten Begleitung versehen. Der Klavierpart ist in der Regel einfach bis mittelschwer, sodass die Begleitung auch von fortgeschrittenen Klavierschuülern uübernommen werden kann. Ein großer Vorteil fuür die Vorbereitung auf die praktischen Leistungspruüfungen ist die jedem Heft beiliegende CD, welche die auf einem echten Konzertfluügel aufgenommenen Klavierbegleitungen enthält. Neben Einspielungen im Originaltempo sind die meisten Stuücke zum leichteren Einstudieren auch in einer weiteren Version im langsameren Tempo zu hören. Mit Starke Töne ist in Zusammenarbeit mit dem BDB eine wertvolle Sammlung fuür alle Blasinstrumente und Klavier sowie fuür Schlagzeug entstanden, die selbstverständlich auch unabhängig von den Leistungsabzeichen das Unterrichts- und Vortragsrepertoire fuür jede dieser Besetzungen bereichert. / Niveau : Facile / Méthode / Saxophone Alto et Piano
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Easy Concert Pieces Band 2: Alto Saxophone
Alto Saxophone and Piano
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Easy
Schott
The Easy Concert Pieces series for alto saxophone and piano provide easy to inte...
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The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty.All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert.Volume 1 (ED 22553) contains easy pieces which mainly range from d? to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others.Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others.Volume 3 (ED 22942) ? in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire.
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Robert Schumann Sean O'Loughlin: First Festival Solos for Alto Saxophone: Alto
Alto Saxophone and Piano
[Sheet music + CD]
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Easy
Carl Fischer
20 Easy Solos with Piano Accompaniments-First Festival Solos: 20 easy Alto Saxop...
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20 Easy Solos with Piano Accompaniments-First Festival Solos: 20 easy Alto Saxophone solos with Piano Accompaniments. Carl Fischer presents a new collection of solo pieces with piano accompaniments for use at festival adjudicated events or in recitals. These solos are written by two of the most popular composers of music for students: Larry Clark and Sean O'Loughlin. The solos range in difficulty from grades 1 to 2 and are progressively arranged in the book. There is a wide variety of musical styles from original compositions to beautiful arrangements of folk songs and classical pieces. Each volume includes a CD of full-versionrecordings for the student to use as examples as well as piano-only recordings to use in practice. The CD also contains piano accompaniments as printable PDF files so that the student can print the solo they need for the accompanist. This collection of solos is destined to be on every state contest/festival required music list.
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Stephen Foster: Beautiful Dreamer: Alto Saxophone: Instrumental Work
Alto Saxophone and Piano
The Walsh Collection
A suberb arrangement of this Stephen Foster classic.
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Eugène Bozza: Aria: Alto Saxophone: Instrumental Work
Alto Saxophone and Piano
[Sheet music + Audio access]
Leduc, Alphonse
Pour Alto Saxophone et Piano-Born to an Italian father and a French mother Eug...
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Pour Alto Saxophone et Piano-Born to an Italian father and a French mother Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936) Bozza had written his Aria Pour Saxophone Alto Et Piano – a free adaptation of the third movement of JohannSebastian Bach’s Organ Pastorale in F major BWV 590. This expansive and nostalgic melody which unfolds over a regular meter has become one of the most widely played Saxophone pieces in the world. Having enjoyed such success Éditions Leduc has decided to supplement its republication with an audio version that will enable saxophonists to carry out “full-scale” practice.
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3 Paraphrases D'Opéra
Français
Alto Saxophone and Piano
Lemoine, Henry
Dear saxophonists, I cannot encourage you enough to listen to and attend the ope...
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Dear saxophonists, I cannot encourage you enough to listen to and attend the operas that these paraphrases were taken from. To that end, I have indicated the title and the placement of each aria enabling you to locate them easily when listening to the work. In music, not everything is defined by notes and rhythm, the essentials may lie elsewhere. This is even truer of opera. Fabien Chouraki/ Recueil / Saxophone Alto et Piano
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Grade By Grade Vol.2
Alto Saxophone and Piano
[Sheet music + CD]
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Easy
Boosey and Hawkes
La série année par année s'appuie sur la Boosey and Hawkes catalogue riche et...
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La série année par année s'appuie sur la Boosey and Hawkes catalogue riche et varié du répertoire classique, contemporaine et de l'éducation , en soulignant compositeurs dont Serge Prokofieff , Dmitri Chostakovitch , Karl Jenkins , Carol Barratt et Christopher Norton , à côté des arrangements de musique traditionnelle du monde entier par Peter Wastall , Vera Gray et autres .Soigneusement sélectionnées par Janet Way , cette anthologie pratique est la ressource de répertoire complet pour le joueur de saxophone aspirant Grade 1 alto et crée le forfait idéal pour l'enseignement , la préparation de l'examen et de la performance .Chaque volume contient :19 pièces et des études courtes , chacune complétée par une pratique utile et la pointe de la performanceles gammes et arpèges qualité approprié liés au répertoire à travers le texte sur mesure et des exercicesactivités de lecture à vue nouvelle marquetâches de sensibilisation auditive nouvellement commandéesun livret accompagnement pianoLivré avec un CD de démonstrations de performance complet , titres de piano d'accompagnement , et des ressources de sensibilisation auditive de qualité approprié . / Saxophone Alto Et Piano
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A Festive Christmas: Alto Saxophone: Instrumental Collection
Alto Saxophone and Piano
De Haske Publications
for Alto Saxophone and Organ or Piano-Les douze noëls rassemblés dans ce recue...
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for Alto Saxophone and Organ or Piano-Les douze noëls rassemblés dans ce recueil ont été arrangés par Jan et Jacob de Haan. La version papier des accompagnements d´orgue est jointe au recueil. Sommaire : Ye My People ? Ich steh an deiner Krippen hier ? Vom Himmel hoch da komm ich her? Drei Könige (2 Variationen) ? Es ist ein Ros entsprungen ? See Amid the Winter´s Snow ? Tochter Zion ? He Shall Feed His Flock ? While Shepherds Watched Their Flocks ? The Spirit of Christmas (Medley) ? Infant Holy Infant Lowly ? Eine kleineWeihnachtsmusik (Medley).
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Classical Highlights
Alto Saxophone and Piano
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Intermediate
Schott
'Classical Highlights' présente les pièces de performance les plus connus et l...
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'Classical Highlights' présente les pièces de performance les plus connus et les plus populaires du répertoire classique dans des arrangements pour saxophone et piano. La vaste sélection d'oeuvres permet d'accéder à des chefs-d'oeuvre classiques - de Handel et Bach par Schubert, Mendelssohn, Schumann et Wagner à Fauré, Elgar, Debussy et Satie. Tout le monde à la recherche d'un travail classique populaire pour enseigner ou d'effectuer des fins trouverez ici un petit bijou. / Saxophone Alto Et Piano
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Repertoire Classics: Alto Saxophone: Instrumental Album
Alto Saxophone and Piano
[Sheet music + CD]
Carl Fischer
38 Recital Pieces-Repertoire Classics for Alto Saxophone is a comprehensive and ...
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38 Recital Pieces-Repertoire Classics for Alto Saxophone is a comprehensive and progressively graded collection of 38 classic solos for Alto Saxophone with Piano accompaniment.The book contains a fine mix of transcriptions of familiar classics along with solos written specifically for the Alto Saxophone The collection is graded in difficulty from moderate to advanced and is ideal material for concerts and recitals. There is a wide variety of music from all style periods and by some of the greatest composers of all time.As an added bonus included is a data CD that contains MP3 audio files of the Piano accompaniments to make practicing more fun. Thedata CD also includes all of the Piano accompaniment parts for all the pieces in the collection as printable PDF files. This way you can print out only the piece you are currently playing reducing the bulk of printed material you have to carry around. This feature also allows this large and useful collection to be presented at a very attractive price.
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