SKU: CA.5165105
ISBN 9790007182021. Key: C minor. Language: Latin.
The C Minor Mass K. 427 by Wolfgang Amadeus Mozart is a fascinating work. But to speak of the Mass is inaccurate, for basically it is no more than a musical torso, full of enigmas and problems, yet full of magnificent music. It is hardly surprising that attempts have been made to create a performable version of Mozart's fragment since the 19th century. Depending on the date of reconstruction and background of the arranger, these attempts sound quite different, and often the individual style of the respective arranger can be clearly discerned. Now Frieder Bernius and Uwe Wolf have published a new edition of the Mozart mass which attempts to produce a performing version whilst maintaining the greatest respect for the available material, and without obscuring Mozart's musical manuscript with their own contributions. The joint version by Wolf, a renowned musicologist, and Bernius, an expert in historically-informed performance practice, is based on a thorough knowledge of Mozart's compositions, his notational habits, and church music practice of Mozart's day. At the same time it fully meets the requirements of today's performance practice. As well as the paperback full score, we are publishing a high-quality clothbound full score including a Facsimile Supplement with selected reproductions of the sources. A first recording of this version, with the Kammerchor Stuttgart and the Barockorchester Stuttgart conducted by Frieder Bernius, is also available. Score available separately - see item CA.5165100.
SKU: BA.BA04538-02
ISBN 9790006565320. 31 x 24.3 cm inches. Text Language: Latin. Preface: Leopold Nowak.
How practical! Mozart'sRequiemis now appearing in this handy, soft-cover and affordable full score to complement the substantial linen-bound complete edition volume.The tried and tested musical text of theRequiemremains the same, whilst the Foreword has been revised and supplemented by an English translation.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.5165119
ISBN 9790007182977. Key: C minor. Language: Latin.
The C Minor Mass K. 427 by Wolfgang Amadeus Mozart is a fascinating work. But to speak of the Mass is inaccurate, for basically it is no more than a musical torso, full of enigmas and problems, yet full of magnificent music. It is hardly surprising that attempts have been made to create a performable version of Mozart's fragment since the 19th century. Depending on the date of reconstruction and background of the arranger, these attempts sound quite different, and often the individual style of the respective arranger can be clearly discerned. Now Frieder Bernius and Uwe Wolf have published a new edition of the Mozart mass which attempts to produce a performing version whilst maintaining the greatest respect for the available material, and without obscuring Mozart's musical manuscript with their own contributions. The joint version by Wolf, a renowned musicologist, and Bernius, an expert in historically-informed performance practice, is based on a thorough knowledge of Mozart's compositions, his notational habits, and church music practice of Mozart's day. At the same time it fully meets the requirements of today's performance practice. As well as the paperback full score, we are publishing a high-quality clothbound full score including a Facsimile Supplement with selected reproductions of the sources. A first recording of this version, with the Kammerchor Stuttgart and the Barockorchester Stuttgart conducted by Frieder Bernius, is also available. Score and parts available separately - see item CA.5165100.
SKU: CA.5165104
ISBN 9790007171803. Key: C minor. Language: Latin.
SKU: BA.BA09188-90
ISBN 9790006565108. 27 x 19 cm inches. Key: C minor. Text Language: Latin. Preface: Ulrich Leisinger.
Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:- TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards.- The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound.- TheSanctusandBenedictus(with theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
SKU: M7.GRG-5300257040
Kölsch.
SKU: HL.288472
ISBN 9788759841150. UPC: 888680911348. 8.5x11 inches.
Maja S. K. Ratkje's A Dismantled Ode To The Moral Value Of Art for 6 Part Chorus.
It was performed under the direction of Leonard Bernstein at a concert to mark the fall of the Berlin Wall, it appears in Stanley Kubrick's A Clockwork Orange. Hitler celebrated his birthdays with it, and the government of Rhodesia made it their anthem. And the prisoners in German concentration camps played it. It also figured prominently at Mitterand's 1981 investiture. In 2012, we celebrate the Ode to Joy's 40 years anniversary as National Anthem of the EU.
SKU: CF.CM9652
ISBN 9781491157244. UPC: 680160915804. 6.875 x 10.5 inches. Key: D minor. Hebrew, Hebrew. Israeli Folk song.
Earlene Rentz has arranged this traditional Israeli dance song quoting the Round Toembai. Sure to be the piece the audience will find themselves humming for days to come! Also available for Two-Part Treble Voices (CM9192), SSA Voices (CM9477), Three-Part Mixed Voices (CM9210) and Tenor-Bass Voices (CM9639).ARTZA ALINU This song was a favorite of the Israeli pioneers who returned to live in the land of Israel. As they planted crops and brought the land back to cultivation, they sang and danced in the hope that the land of Israel would be rebuilt. Pronunciation Guide and general translation: Artza alinu We have gone up to our land, AHR-tzah ah-LEE-noo K'var *charashnu v'gam zaranu There we have plowed and sown, Kih-VAHR *hah-RAHSH-noo vih-GAHM zah-RAH-noo Aval **od **lo katzarnu but we still have not reaped. Ah-VAHL ohd loh kaht-ZAHR-noo *The ch is pronounced using a guttural sound (not a hard k), and uses air to begin the sound. Actually, the sound is somewhere in between an h and a k. **These words use the long o sound (i. e., like the English ode and low). TOEMBAI Toembai - There is no translation for toembai. This is a dance tune, sung in a round at celebrations. Pronounced: TOOM-bah ee (bai is actually the long I sound).ARTZA ALINUThis song was a favorite of the Israeli pioneers who returned to live in the land of Israel. As they planted crops and brought the land back to cultivation, they sang and danced in the hope that the land of Israel would be rebuilt.Pronunciation Guide and general translation:Artza alinu We have gone up to our land,AHR-tzah ah-LEE-nooK’var *charashnu v’gam zaranu There we have plowed and sown,Kih-VAHR *hah-RAHSH-noo vih-GAHM zah-RAH-nooAval **od **lo katzarnu but we still have not reaped. Ah-VAHL ohd loh kaht-ZAHR-noo*The “ch†is pronounced using a guttural sound (not a hard “kâ€),and uses air to begin the sound. Actually, the sound is somewhere in between an “h†and a “k.â€**These words use the long “o†sound (i. e., like the English “ode†and “lowâ€).TOEMBAIToembai – There is no translation for “toembai.†This is a dance tune, sung in a round at celebrations. Pronounced: TOOM-bah ee (“bai†is actually the long “I†sound).
SKU: GI.G-8191
UPC: 785147819103. English. Text Source: African American spiritual. Text by Sondra K. Tucker.
Whether you use this text and melody for Lent or for other times that emphasize our cry for the mercy of God and the ongoing invitation to discipleship, this arrangement of the familiar spiritual will prove to be a fine choice for your choir! Its driving piano accompaniment coupled with an accessible and satisfying 4-part choral arrangement will make it a favorite of your accompanist and your singers.
SKU: JK.00874
Helaman 5:9, 12, Mosiah 16:13, Alma 34:37, 1 Thessalonians 1:3, Doctrine and Covenants 20:79-80.
Arranged for mixed chorus (SATB) and piano or organ. As we remember Christ, we can be made whole.Composer: K. Newell Dayley Lyricist: K. Newell Dayley Difficulty: Medium-easy / medium-easy acc. Performance time: 3:10References: Helaman 5:9, 12, Mosiah 16:13, Alma 34:37, 1 Thessalonians 1:3, Doctrine and Covenants 20:79-80.
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