SKU: CA.5136111

ISBN 9790007224998. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and part available separately - see item CA.5136100.

SKU: CA.5136112

ISBN 9790007225001. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and part available separately - see item CA.5136100.

SKU: CA.5136103

ISBN 9790007110826. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score available separately - see item CA.5136100.

SKU: OU.9780193416369

ISBN 9780193416369. 10 x 7 inches.

For SATB (with divisions) unaccompanied This festive arrangement of a traditional German carol features an English text, translated and adapted by John Rutter. The first two verses are sung by soloists (or alternatively by a semi-chorus) over a background of choral hums, before all singers come together in the final verse.

SKU: CA.5293903

ISBN 9790007300272. German.

Max Reger’s setting of Psalm 100 is one of the “grand style” choral-symphonic works of the classical modern repertoire. Contrapuntal skill in the tradition of Bach combines with overwhelmingly powerful expressiveness, rich in contrasts. The full harmonic and stylistic breadth of the early 20th century sings out, not only in frenetic song, but also in the search for awareness in quieter passages. Reger’s opulence, tonal and contrapuntal almost throughout, finally culminates in a double fugue with an off-stage orchestra similar to the trumpets of Jericho over “Ein feste Burg ist unser Gott”. The composer’s declared aim was: “The psalm must go so brilliantly, that all will be simply ’bowled over‘.”.

SKU: LO.15-3988H

ISBN 9780787778484.

Romantic era composer Robert Schumann's love song, Widmung (Dedication) has been arranged for SATB choirs with the original German text by Friedrich RuÌ?ckert. Arranger, Douglas E. Wagner has written English lyrics as a performance option. This sentimental work is beautifully set for choirs with an expressive optional cello accompaniment. Mature choirs will love the musicality and elegant nature of this work.

SKU: CA.9100600

ISBN 9790007113698. Language: Latin.

The antiphon Regina caeli by Carl Bitters von Dittersdorf, laid out in rondo form, to highlighted throughout by virtuosic passages for the two solo sopranos. Backed by choir and orchestra, this is a work featuring concertante technique, but it also reveals its background of Gregorian plainsong.

SKU: FG.55011-020-5

ISBN 979-0-55011-020-5.

1. Meine Liebe 2. Dann, in jener Nacht 3. Der Brief 4. Flustern. These songs have previously been published in a version for female/children's choir under the title 'Wenn sich die Welt auftut'. German translation by Ingrid Schellbach-Kopra.

SKU: CA.1037500

ISBN 9790007089863. Key: D major. Language: Latin/German.

This pastoral composition of Austrian origin depicts the announcement to a shepherd of the birth of Christ. In addition, the song of praise of an angel Gloria in excelsis Deo is sung. This is a short, easily performed work which is best suited to music for the Christmas Gospel or for the offertory at Christmas.

SKU: CA.4007513

ISBN 9790007060954. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. Score and part available separately - see item CA.4007500.

SKU: CA.4007512

ISBN 9790007060947. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. Score and part available separately - see item CA.4007500.

SKU: CA.4007511

ISBN 9790007060930. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. Score and part available separately - see item CA.4007500.

SKU: CA.3608113

ISBN 9790007239961. Language: German. Text: Hembold, Ludwig.

The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks after a meal, in the form of a strophic hymn with instrumental interludes. His sensitive approach to the textual model emphasizes inner details of the hymn, the content of which extends far beyond a mere musical grace. Score and part available separately - see item CA.3608100.

SKU: CA.3608111

ISBN 9790007239947. Language: German. Text: Hembold, Ludwig.

The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks after a meal, in the form of a strophic hymn with instrumental interludes. His sensitive approach to the textual model emphasizes inner details of the hymn, the content of which extends far beyond a mere musical grace. Score and part available separately - see item CA.3608100.

SKU: CA.3608112

ISBN 9790007239954. Language: German. Text: Hembold, Ludwig.

The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks after a meal, in the form of a strophic hymn with instrumental interludes. His sensitive approach to the textual model emphasizes inner details of the hymn, the content of which extends far beyond a mere musical grace. Score and part available separately - see item CA.3608100.