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HARP
Choral SSAA
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Hugo Cole: Magnificat: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Novello & Co Ltd.
Hugo Cole (1917-1995) was a British composer cellist and music critic. He stud...
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Hugo Cole (1917-1995) was a British composer cellist and music critic. He studied under Herbert Howells at the Royal College of Music and with Nadia Boulanger in Paris. He is best remembered for writing several operas and choral works as well as much chamber music but he also wrote a series of pedagogical Cello books and had a successful career as a music critic for The Guardian and Country Life. Cole’s Magnificat was set in the key of G major and first published in 1957. It is scored for Female or Boys’ Choir (SSAA) with Piano accompaniment.
4.50 GBP - Sold by Musicroom UK
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Nicola Porpora: Credidi: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
Novello & Co Ltd.
Nicola Porpora (1686-1768) was a Neopolitan composer and singing teacher. A riva...
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Nicola Porpora (1686-1768) was a Neopolitan composer and singing teacher. A rival of Handel he formed an opera company which performed his own compositions all over Europe. He was widely acclaimed during his lifetime both as a composer and also as a pedagogue counting Haydn among his students. Regrettably most of his compositions have largely fallen into obscurity since his death. Credidi Propter is a setting of Psalm 116 originally for SSAA Upper Voice Choir Strings and Organ Continuo with optional Viola part. It has been edited by D. E. Hyde and arranged with Piano accompaniment.
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Felix Mendelssohn Bartholdy: Midsummer Night's Dream: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Novello & Co Ltd.
Mendelssohn’s A Midsummer Night’s Dream incidental music to the pl...
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Mendelssohn’s A Midsummer Night’s Dream incidental music to the play by Shakespeare is best known for the famous Wedding March though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces.The Overture was composed when Mendelssohn was just seventeen years old written as a concert overture. Then when King Frederick William IV of Prussia commissioned the adult Mendelssohn to create incidental music for the whole of the play in 1842 Mendelssohn incorporated the Overture and its themes repeatedly throughout the work. Mendelssohn particularly loved Shakespeare’s Midsummer Night’sDream having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre skillfully generating the spirit of each of the characters establishing ambiences for the various scenes and complementing Shakespeare’s own drama.
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Nicola Porpora: Laetatus Sum: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Edward B. Marks Music Company
Psalm 121-This 8-minute Latin setting of Psalm 121 for women's voices will be an...
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Psalm 121-This 8-minute Latin setting of Psalm 121 for women's voices will be an excellent choice for honor choirs college groups and better high school ensembles. The Baroque composer Nicola Porpora is well known for his florid style.Perform with keyboard or with chamber orchestra on rental from Theodore Presser. Duration: ca. 7:30.
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Paul Mealor: A Spotless Rose: SSAA: Vocal Score
Choral SSAA
SSAA divisi, A Cappella
Novello & Co Ltd.
A Spotless Rose by Welsh composer Paul Mealor arranged for unaccompanied SSAA d...
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A Spotless Rose by Welsh composer Paul Mealor arranged for unaccompanied SSAA divisi chorus. The sublime harmonies of this piece were released on the album 'A Tender Light' that also featured his piece composed for the Royal Wedding. The moving melodies and dramatic dynamics of the vocal parts in A Spotless Rose create a subtle solemnity in the wash of the beautiful soprano and alto parts. Featuring a Piano part for rehearsal only the unaccompanied soaring of the choir will make a truly lasting impression on any audience. In the September 2015 issue of the Organists' Review DavidLindley writes that this piece 'encompasses a wide dynamic range and some high tessitura for sopranos as the music celebrates 'Mary purest maid' contrasting with the slow-moving chordal setting of the rest of the text.'
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Edward Elgar: Praise To The Holiest: SSAA: Vocal Score
Choral SSAA
SSA, Piano
[Sheet music]
Novello & Co Ltd.
The Dream Of Gerontius was composed in 1900 for the Birmingham Music Festival. I...
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The Dream Of Gerontius was composed in 1900 for the Birmingham Music Festival. It was a large-scale work for chorus soloists and orchestra setting a poem by Cardinal John Henry Newman. The section of the text beginning Praise To The Holiest had already been set and popularised to an Anglican hymn tune but Elgar shunned this version preferring to write his own melody. This has been arranged here for female chorus with Piano accompaniment. Edward Elgar (1857-1934) is one of England’s best-known and most-loved composers. He was self-taught as composer coming from outside the musical and social establishment whichallowed his music to be fresh and unencumbered.
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Franz Schubert: The Lord Is My Shepherd: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
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Intermediate
Novello & Co Ltd.
The Lord Is My Shepherd Psalm 23 scored for female voices SSAA by Franz Schube...
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The Lord Is My Shepherd Psalm 23 scored for female voices SSAA by Franz Schubert.
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Tarik O'Regan: Triptych: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
Novello & Co Ltd.
This SSAA arrangement by Ryan Brandau of Triptych based closely on the original...
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This SSAA arrangement by Ryan Brandau of Triptych based closely on the original SATB version by Tarik O’Regan was specially commissioned by Dr. Amanda Quist and the Westminster Choir College Symphonic Choir Women.
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Rhian Samuel: Ave Regina Coelorum: SSAA: Vocal Score
Choral SSAA
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Intermediate/advanced
Novello & Co Ltd.
Ave Regina Coelorum has been beautifully composed by Welsh composer Rhian Samue...
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Ave Regina Coelorum has been beautifully composed by Welsh composer Rhian Samuel for SSAA soloists and SATB divided chorus. Rhian Samuel has composed over 80 published works and her music has been performed in many different countries.
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Eriks Esenvalds: Choral Anthology 3: Upper Voices: Vocal Score
Choral SSAA
[Sheet music]
Peters
Born in 1977 in Latvia Eriks Esenvalds is an original and sought-after voice of...
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Born in 1977 in Latvia Eriks Esenvalds is an original and sought-after voice of the Baltic music tradition. Commissioners have included the Latvian Radio Choir and State Choir ‘Latvija’ the Britten Sinfonia Trinity College Choir Cambridge Temple University (USA) the Boston Symphony Orchestra and City of Birmingham Symphony Orchestra. His work is recorded on a number of CDs. Eriks Esenvalds is a former Fellow Commoner in Creative Arts at Trinity College University of Cambridge.
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Arthur Bliss: Prayer Of Saint Francis Of Assisi: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Novello & Co Ltd.
This is a beautiful setting of the simple Prayer Of Saint Francis Of Assisi. Sco...
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This is a beautiful setting of the simple Prayer Of Saint Francis Of Assisi. Scored for unaccompanied SSAA.
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John Dowland: Come Again Sweet Love Ssaa: SSAA: Vocal Score
Choral SSAA
Novello & Co Ltd.
Come Again Sweet Love Ssaa
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Herbert Howells: A Maid Peerless: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
Novello & Co Ltd.
Mediaeval poem set for a choir of women's voices (accompanied). Composed for th...
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Mediaeval poem set for a choir of women's voices (accompanied). Composed for the British Federation of Music Festivals National Competitive Festival June 1951. Orchestral accompaniment available on hire.
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Aulis Sallinen: Songs From The Sea Op.33: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
Novello & Co Ltd.
A choral work in four parts by Aulis Sallinen for unaccompanied upper voices. Th...
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A choral work in four parts by Aulis Sallinen for unaccompanied upper voices. The text has been paraphrased from the Finnish by Michael Hurd and is based on a Finnish folk song and a poem written by the composers two sons.
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Samuel Sebastian Wesley: Lead Me Lord: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Fred Bock Music Company
Fred Bock's setting of this famous Samuel Wesley tune was a classic from the sta...
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Fred Bock's setting of this famous Samuel Wesley tune was a classic from the start. It has been newly released as part of Fred's “Classics” series. A tasty keyboard accompaniment as only Fred could write supports awarm and rich choral part. Useful as an anthem offertory or service piece it is easy to medium in learning difficulty. Also available in SAB 2-Part and SSA.
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Gustav Holst: Tears Idle Tears From 'Songs From The Princess': SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Novello & Co Ltd.
The intertwining of women’s voices in Gustav Holst’s Tears Idle T...
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The intertwining of women’s voices in Gustav Holst’s Tears Idle Tears will lend an elevated atmosphere to any performance giving this secular piece an almost sacred character. It was written for a cappella female chorus (SSAA) in 1905 as the 3rd movement of the 5-movement suite ‘Songs From The Princess’ which was based on 5 thematic short poem’s from the British poet Tennyson’s long narrative poem ‘The Princess’ (1847). Performance time is approximately 2 minutes.As an experienced instrumentalist and orchestra member English composer arranger and teacher Gustav Holst understood music from the standpoint of his players and madesure that however challenging their parts were always practicable a compositional characteristic still well received and appreciated by performers and audiences today.
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Jerome Kern: Can't Help Lovin' Dat Man: SSAA: Vocal Score
Choral SSAA
SSAA
[Staff Paper]
Novello & Co Ltd.
Novello Ladies' Barbershop- Can't Help Lovin' Dat Man was a song with music by J...
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Novello Ladies' Barbershop- Can't Help Lovin' Dat Man was a song with music by Jerome Kern and lyrics by Oscar Hammerstein composed for the musical 'Showboat'. Associated with many of the greatest singers ever this beautiful work about forbidden love is a touching and heartbreaking ballad. Nicholas Hare's beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two staves for easy Piano rehearsal. The sound of a Ladies' Barbershop singing this smooth tune with romantic overtones and heart rendingundertones would be a memorable event for all involved. It's a fun song to sing and the bittersweet harmonies make it all the more emotional. A series of outstanding songs taken from the bestselling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs.
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Antonio Vivaldi: Gloria RV 589 - SSAA: SSAA: Score
Choral SSAA
SSAA
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Antonio Vivaldi: Gloria RV 589 - SSAA: Upper Voices: Vocal Score
Choral SSAA
[Sheet music]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Antonio Vivaldi: Kyrie RV 587 - SSAA: Mixed Choir: Vocal Score
Choral SSAA
[VHS]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Johannes Brahms: How Lovely Are Thy Dwellings (SSAA): SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
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Intermediate
Novello & Co Ltd.
Originally part of Brahms's Requiem Op.45 this undulating and expressive settin...
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Originally part of Brahms's Requiem Op.45 this undulating and expressive setting has been arranged by H.A. Chambers for a chorus of high voices with a full Piano accompaniment derived from the orchestral score.
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Wolfgang Amadeus Mozart: Laudate Dominum: SSAA: Vocal Score
Choral SSAA
Novello & Co Ltd.
Mozart's Laudate Dominum from Vesperae solennes de confessore K. 339 is arran...
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Mozart's Laudate Dominum from Vesperae solennes de confessore K. 339 is arranged here for solo Soprano SSA choir and piano or organ accompaniment. This piece has been arranged with an English translation adapted from Psalm 117.
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This Little Light of Mine: SSAA: Vocal Score
Choral SSAA
Shawnee Press
Energetic and electric this dynamic arrangement of the familiar spiritual ?Thi...
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Energetic and electric this dynamic arrangement of the familiar spiritual ?This Little Light of Mine ? will become a favorite of singers and audiences alike. Tight harmonies and playful syncopation make this pieceso much fun it seems effortless. Altos will love their moment in the spotlight with instructions such as ?chesty and raucous ? and each vocal part gets its own time to shine. A great concert contest or festivalselection.
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Anton Stepanovich Arensky: Slumber Song: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Bosworth
Slumber Song is an Art Song by the Russian composer Anton Arensky. It is scored ...
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Slumber Song is an Art Song by the Russian composer Anton Arensky. It is scored for SSAA Upper Voice Chorus with a Piano reduction provided for rehearsal purposes. It has been translated into English by the composer Frederick Corder (1852-1932). Anton Arensky (1861-1906) was a Russian composer pianist and pedagogue. He studied composition at the St Petersburg Conservatory with Rimsky-Korsakov before becoming a Professor at the Moscow Conservatory and later director of the Imperial Choir. His musical style was initially dismissed as being unoriginal and heavily reliant on Tchaikovsky but has recently been re-evaluated and hischamber music is now experiencing a revival.
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Emma Lou Diemer: Five Limericks: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Edward B. Marks Music Company
Emma Lou Diemer's wit and style are on full display in this collection of short ...
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Emma Lou Diemer's wit and style are on full display in this collection of short musical settings of limericks by her sister Dorothy Diemer Hendry (1918-2006). SSAA voices with piano or 2 pianos and percussion. Movements include: A Wanna-be Poet At the Derby Homing Pigeons The Beatles and a Beetle Road Rag. Score and Parts for Two Pianos and Percussion available digitally. Duration: 11:00.
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James Syler: Ubi Caritas: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
H.T. FitzSimons Company
This beautiful prayer catches your attention with the first opening phrase. The ...
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This beautiful prayer catches your attention with the first opening phrase. The familiar Latin text set by so many composers finds a fresh expression that does not follow the original chant lines. Yet the harmony and form harken back to a traditional time moving in logical sequences that cadence with satisfaction. Appropriate at church or school.
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Gabriel Fauré: Requiem Op.48: SSAA: Vocal Score
Choral SSAA
SSAA, Organ
Barenreiter
A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Re...
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A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Requiem? for soloists (SA) female choir (SSAA) and Organ the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged while the original baritone solo now resounds in the alto. The Organ arrangement takes all three versions of the ?Requiem? into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation ofthe instrumental parts.However the Organ part is tailored to the arrangement rather than trying to imitate the sound of the Orchestra. This vocal score is compatible with the performance material of the original work (BA9461). - Arrangement for female choir (SSAA) based on the Urtext of ?Gabriel Fauré The Complete Works? - Includes an idiomatic Organ reduction.
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Cole Porter: Anything Goes (from the musical Anything Goes): Mixed Choir: Vocal
Choral SSAA
SSAA, Piano
Alfred Publishing
From Cole Porter's landmark 1934 musical Anything Goes comes this rousing show...
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From Cole Porter's landmark 1934 musical Anything Goes comes this rousing showstopper brilliantly arranged by Philip Kern. Features an opening female solo outstanding choral scoring and a classic Porter-style piano accompaniment.
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Franz Schubert: Kyrie From The Mass In G Major: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Schirmer
Franz Schubert was an Austrian composer who was extremely prolific during his l...
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Franz Schubert was an Austrian composer who was extremely prolific during his lifetime despite dying at 31 his output consists of over six hundred secular Vocal works (mainly Lieder) seven complete symphonies sacred music operas incidental music and a large body of chamber and Piano music. Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century.Schubert composed his ‘Mass No. 2 in G major’ in less than a week (March 2 to 7 1815). Kyrie the second of the 6 movements is arranged here byWilliam Hermann for SSAA choir and Piano accompaniment. Performance time of this piece is approximately 3:10.
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