This poignant story about a young life lost too early touched listeners around the world when released by The Band Perry. This contemporary a cappella setting is an appropriate choice for those more reflective concert occasions. / Choeur SSAA A Cappella

With the opportunity to feature several soloists, this arrangement is filled with inspiration and great energy from the beginning to the end. 'There's a great camp meetin' in the Promised Land!? / Choeur SSAA A Cappella

Irving Berlin's classic in an exquisite a cappella setting. / Choeur (Unisson), Voix Hautes Et Voix Egales

It is particularly in his choral music that Peteris Vasks reveals his strong attachment to his Latvian home country. Nature, customs and traditions and the idea of freedom are the central themes of the texts he sets to music, while carefully using modern techniques of choral singing as well. Alternating with traditional, even archaic singing, the music creates a multi-faceted, immediately effective sound image in the listener's mind.The poem 'Ziles zina' by the contemporary Latvian poet Uldis Berzins (*1944) centres on the themes of man, nature and transience in aphoristic brevity.Vasks wrote a piece of music on this poem which contains downright rewarding tasks for the choir and opens up to the listener a fascinating world of sound. / Choeur De Femmes (SSAA) A Cappella

It is created out of nothing and develops into sound. This choral improvisation on the kyrie from 'Messe à trois voix' by André Caplet gives the singers space to shape the piece themselves while nevertheless being self-contained. A short concert piece for experienced musicians. / Choeur SSAA A Cappella

Viva La Musica! ( Long Live Music!) is a wonderful theme for any concert. And David Brunner has crafted a wonderful concert opening with a strong, bold, unison exclamation to open the piece. Originally a top selling SATB voicing (BHI 48137) this is a welcome addition to the women's repertoire. / Choeur SSAA A Cappella

Par MCCARTHY JAMES. The words of Peaceful was the Night are taken from John Milton?s ode On the Morning of Christ?s Nativity, written in 1629. Milton describes the universe halting in utter stillness at the moment of Christ?s appearing on the earth. (As the poet wrote: ?His reign of peace upon the Earth began. ?) In James McCarthy?s carol, the voices play a dual role, as narrator, and by evoking the atmosphere of a singular moment of frozen time. Although commissioned by Sonoro for performance during the Christmas period, this singable, lyrical setting would fit well into a programme of music suitable for any time of the year. / Date parution : 1905-07-10/ Feuillet / SSAA a Cappella

A great final piece or encore, this arrangement of the popular German lullaby, sung by Heinz Rühmann in the film 'Wenn der Vater mit dem Sohne', is set for upper voices and is certain to leave the audience in a good mood. / Choeur SSAA A Cappella

En respectant le mélange stylistique de Sister Rosetta Tharpe, cet arrangement a une funky Doo-wop aromatisée moyenne section qui nous rappelle juste combien de styles différents rock remontent à la source de l'Evangile. / 4 Parties Voix Aigues (SSAA) A Cappella

Here is a soulful a cappella rendition of the 1968 #1 pop hit by Otis Redding that's great for pop and jazz groups. / Voix Mixtes

Arrangement: Burton Ken. Par BURTON KEN. Following the outstanding success of Feel the Spirit! , this second Ken Burton collection will doubtless prove another sensation. Good News! is a superb introduction for all upper-voice choirs to the Gospel genre. / Niveau : Assez Facile / Date parution : 2000-01-20/ Recueil / SSAA

What an extraordinary text for women's chorus that speaks of the 'comfort of feeling safe with a person.' Excellent vocal writing that is beautifully supported and enhanced by the piano and flute. Commissioned by the BYU Women's Chorus. / Choeur SSAA, Flûte Et Piano