for Flute and Basso continuo Wq 133 G Major / Sol majeur / G-Dur-Cette édition présente l´une des plus célèbres oeuvres pour flûte traversière du répertoire de musique de chambre du 18e siècle : la Sonate en Sol Majeur Wq 133 de Carl Philipp Emanuel Bach plus connue sous le nom de ?Hamburger Sonata?. Cetteédition vous offre la possibilité de travailler l´oeuvre d´une manière systématique dans différents tempos avec un accompagnement professionel.

Par TELEMANN GEORG PHILIPP. Zwölf Methodische Sonaten Twv 4:41. Urtext/ Répertoire / Flûte Traversière ou Violon et Basse Continue

Par TELEMANN GEORG PHILIPP. From 'Essercizii Musici'/ Répertoire / Flûte Traversière et Basse Continue

Par BACH CARL PHILIPP EMMANUEL. Editeur(s) d'origine: Leisinger, Ulrich/ Répertoire / Flûte Traversière et Basse Continue

Par KIRNBERGER JOHANN PHILIPP. / Répertoire / Flûte Traversière et Basse Continue

Par KIRNBERGER JOHANN PHILIPP. / Répertoire / Flûte Traversière et Basse Continue

Par BACH CARL PHILIPP EMMANUEL. / Répertoire / Flûte Traversière et Basse Continue

Par BACH CARL PHILIPP EMMANUEL. Editeur(s) d'origine: Leisinger, Ulrich/ Répertoire / Flûte Traversière et Basse Continue

Par BACH CARL PHILIPP EMMANUEL. Editeur(s) d'origine: Leisinger, Ulrich/ Répertoire / Flûte Traversière et Basse Continue

From 'Essercizii Musici'. Par TELEMANN GEORG PHILIPP. Die viersätzige Sonate zeichnet sich durch zwei besonders wohlgeformte, dabei rhythmisch elegante Allegrosätze aus./ Répertoire / Flûte Traversière et Basse Continue

Par BACH CARL PHILIPP EMMANUEL. Editeur(s) d'origine: Leisinger, Ulrich/ Répertoire / Flûte Traversière et Basse Continue

für Querflöte und Generalbaß. Par TELEMANN GEORG PHILIPP. Stuttgarter Ausgaben (Urtext) -/ Répertoire / Flûte Traversière et Basse Continue

Solo for Flute and Basso continuo in B minor (TWV 41:h4)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover anindividual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition

for Flute or Violin and Continuo-?Methodical? was how Telemann?s six sonatas were described when they were published in 1732 because they included a second ornamented version of the simple melody line of the solo instrument for the slow opening movements andfor the second movement of the c-minor sonata. This is music that is both instructive and also a delight to play and G. Henle Publishers can highly recommend it to the flautists and violinists of today. This lavishly appointednew edition has separate solo and bass continuo parts that contain the other part in each case for orientation purposes. There is also an additional part featuring only the figured bass line. This edition includes the score whichalso features a historically faithful realisation of the figured bass. The first volume of ?Methodical Sonatas? has already been published (HN 1266); this means that all twelve of Telemann?s sonatas are now available as HenleUrtext editions.