From two of the most prolific flautists of all time Claude-Paul Taffanel and Philippe Gaubert's Méthode Complète de Flûte provides an essential and well-informed aid to Flute studies. With notes in French English German and Spanish this volume is highly accessible and versatile. The first volume of Méthode Complète de Flûte addresses a huge number of musical elements including tone articulation syncopation key signatures scales breath control ornaments and tonguing among many other aspects. Having been outstanding performers on the Flute as well as providingsignificant contributions to teaching of the instrument the pair saw the need for their detailed Méthode Complète de Flûte compiling it with their combined invaluable expertise. Considering that two great names are associated and that the compilation is packed full of technical exercises this study book makes for an irresistable purchase for aspiring flautists.

Twelve Flute Studies by Marcel Bitsch is a set of studies for upper intermediate / advanced players. Edited by Jean-Pierre Rampal this set is dedicated to Gaston Crunelle. Each study in this book covers between one and 3 pages and focuses on a special aspect of practice:  1. For evenness of the fingers 2. For flexibility of the lips 3. For Staccato 4. For rhythm 5. For freedom of phrasing 6. For ornaments 7. For double tonguing 8. For speed 9. For triple tonguing 10. For tone quality 11. For intervals 12. Theme with variations These Twelve Flute Studies will really help serious players to master all the necessary techniques to get into more advanced levels. Marcel Bitsch is a French composer who wrote several orchestral works some chamber works and numerous pieces for wind instruments.

Arrangement: Harris Richard. Par HARRIS RICHARD. Play Christmas contains ten festive favourites arranged by Richard Harris for Flute solo. Each book contains instrument solo with CD backing and Piano accompaniment. A wide range of tunes from pop hits (Last Christmas, Do They Know It's Christmas) to seasonal standards (Jingle Bells, Rudolph The Red-Nosed Reindeer), all carefully arranged for the intermediate Flute player (grades 3-5), with fun backing tracks and piano accompaniments to print from the enhanced CD./ Recueil / Flûte Traversière et Piano

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto 2. Adagio non troppo and 3. Rondo: Allegretto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of G major. All three movements contain a cadenza which initially would have been left forthe performer to improvise. However cadenzas have since been written including those of Johannes Donjon (1839-1912). Donjon was a prominent flautist of his time and his understanding of Mozart's Flute Concerto in D is second to none making his cadenzas well-informed and essential to performers of the concerto.

Play 50 top hits from movies and musical theater on the Flute. This collection features pieces from Glee The Lord Of The Rings Porgy

Swinging electrifying and inspiring! “The Majesty of Gospel” presents 16 of the most popular and best-known gospel songs. Melodies in groovy new arrangements to touch your soul! Solo parts with additional written-out variations of the theme and chord symbols for your own improvisation.The accompanying CD recorded by top studio musicians contains all the pieces in two versions: as a complete version with melodic parts and as a band backing-track for playing along to. Let yourself be accompanied by a real gospel band! In addition all the music for the piano accompaniment (with the solo part printed above) is included as PDF files on the CD so that it can beprinted out to professional standards. All the fascination of gospel songs – at last available for solo instrumentalists to experience!

Cela faisait longtemps que je voulais écrire une pièce pour flûte seule. En fait, depuis Eolia, une oeuvre des années 80 dans laquelle j'avais essayé de détourner le jeu volubile normal de la flûte tel qu'on l'employait dans la littérature traditionnelle. Dans Loops, le son de la flûte et les techniques de jeu importent moins finalement que les processus de transformation mis en oeuvre. Le titre de la pièce annonce et désigne déjà le principe d'écriture. Il y a un côté allitératif dans ce titre et je tiens absolument à conserver l'esprit qui caractérise ce genre de pièces. Je pars de petits motifs rythmiques qui se répètent et se transforment au fur et à mesure. En fait, ce sont des formules simples qui, par ajout ou soustraction successifs, finissent par créer elles-mêmes de nouvelles boucles. Ce qui m'intéresse, c'est ce qu'il y a entre les deux, la façon dont on y arrive et dont on en repart. Le résultat du processus m'importe peu. La boucle, elle, m'intéresse parce qu'il y a répétition et la répétition m'intéresse parce qu'elle est au fondement de toute transformation dans le temps. Dans cette oeuvre, le principe est poussé à l'extrême. Avec Open music, J'ai trouvé un système pour implémenter cette idée de répétition et de bouclage, tout un programme qui permet de prévoir la façon dont doivent se dérouler les transformations. Je n'avais encore jamais utilisé la boucle de façon aussi dépouillée, avec un seul instrument. Cette idée est pourtant prédominante dans toutes mes pièces. Il y a toujours eu ce principe de répétition dans ma musique. Sur le plan formel, il permet à l'auditeur de mieux comprendre, d'avoir des repères. Loops est une pièce que j'ai faite de façon très objective, mais à partir d'éléments intuitifs, improvisés vocalement lors de conférences. Je tente certaines choses ludiques. Je les teste... Un peu à la manière de Schoenberg lorsqu'il construisait ses contrepoints et ses carrés... Contenu : Compositeur/Auteur : HUREL Philippe Discipline/Instrument : flûte solo Support : Partition Style/Genre : contemporain Date de parution : nov.-99 Niveau de difficulté : 5 Nombre de pages : 4

Trevor Wye. An invaluable addition to study for all flautists. Each book concentrates on a different technical problem covering all aspects of playing the instrument. / Flûte Traversière

Par SCHWARZ OTTO M.. The play-along book ?Playing with the Concert Band VOL. I? has been designed for Flute, Bb Clarinet, Oboe, Bassoon, Eb Alto Saxophone, Bb Trumpet, F Horn, C Trombone, Bb Euphonium, C Euphonium, Tuba, Mallets Percussion and Timpani /Percussion. The original concert band part for each instrument with some additional parts is printed in its own edition. The concert band recordings were performed by an 50-strong professional wind band, the Luxembourg Military Band, conducted by Lieutenant Colonel Jean-Claude Braun. The series includes the newest works by the composer Otto M. Schwarz, such as Anima Negra, Symphonic Suite from ?Die Jungen von der Paulstrasse?, The Pied Piper of Hamelin and Symphonic Suite from ?1805 - A Town´s Tale?. / Date parution : 2022-02-17/ Recueil / Flûte Traversière

Pieces by nine baroque composers including John Stanley Telemann and C.P.E Bach. Edited for the ABRSM by Richard Jones. Continuo part provided.

3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Flûte Traversière

Cet ouvrage permet de travailler les grandes oeuvres du vaste répertoire de la musique classique à la flûte traversière. Il a ainsi pour triple objectif d'enrichir votre culture musicale, d'améliorer votre technique de jeu, mais aussi plus simplement de vous faire plaisir en jouant des airs connus à la flûte traversière. Tous les grands compositeurs y sont à l'honneur, au travers d'une ou plusieurs oeuvres. Vous y trouverez ainsi des concerts, des symphonies, des sonates, des lieder, des airs et ouvertures, des danses de la Renaissance, des pièces orchestrales, des valses, des ballets, mais aussi des pièces instrumentales telles que des préludes, des nocturnes, des études, des marches, des gymnopédies, etc. Et pour que le plaisir soit vraiment complet, chaque partition est accompagnée de 2 enregistrements audios sur le CD MP3 joint à la méthode. Le premier présente la partie de flûte traversière jouée sur son accompagnement musical, alors que le second propose le seul playback (accompagnement musical) afin de vous permettre de jouer à votre tour la partition avec votre flûte traversière. Soit, au total, 174 enregistrements et plus de 6 heures de musique à votre disposition ! / Flûte Traversière

Instrumental Play-Along. Nine instrumental solo arrangements with full demo and lovely accompaniment tracks so you can play along and sound like a pro! Songs include: Can You Feel the Love Tonight ? Circle of Life ? Hakuna Matata ? He Lives in You ? I Just Can't Wait to Be King ? The Lion Sleeps Tonight ? Never Too Late ? Spirit ? Stampede. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.