Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided./ Répertoire / 4 Flûtes Traversières

Par BACH JOHANN SEBASTIAN. / Niveau : Assez Facile / classique / Répertoire / 4 Flûtes Traversières

Par DELANEY CHARLES. Night Thoughts is an original work for four C flutes, composed by Charles DeLaney in 1988. Reminiscent of the Elegie (flute quartet) of Joseph Jongen, the chromaticism and close harmonies help to create an other-worldly, haunting mood. Night Thoughts is an original work for four C flutes, composed by Charles DeLaney in 1988. Reminiscent of the Elegie (flute quartet) of Joseph Jongen, the chromaticism and close harmonies help to create an other-worldly, haunting mood./ Répertoire / 4 Flûtes Traversières

For 2 Flutes, Alto Flute and Bass Flute. Par MOERAN ERNEST / RAINFORD ROBERT (Arr.). / Niveau : Moyen-Difficile / Répertoire / 4 Flûtes

For 2 Flutes, Alto Flute and Bass Flute. Par COLERIDGE-TAYLOR SAMUEL / RAINFORD ROBERT (Arr.). / Niveau : Difficile / Répertoire / 4 Flûtes

Par KUHLAU FRIEDRICH. A set of variations on The Last Rose of Summer by Friedrich Kuhlau, arranged for flute quartet by Cassie Lear. Kuhlau first composed this work for flute and piano in 1829. The Irish poet Thomas Moore wrote the poem 'The Last Rose of Summer' in 1805, using the traditional tune 'The Young Man's Dream,' first transcribed by Edward Bunting in 1792. The tune has since been used by many composers, including Beethoven, Mendelssohn, Britten, and countless others. / Date parution : 2022-11-29/ Répertoire / 4 Flûte Traversières

Quatuor De Flutes [Piccolo, Ut, Alto, Basse] ou Flutes a Bec [Soprano, Alto, Tenor, Basse]. Par GOUDOUR PHILIPPE. / Niveau : 3ème Cycle / Répertoire / 4 Flûtes Traversières

Quatuor De Flutes [3Xut, Basse] ou Flutes a Bec [2Xalto, Tenor, Basse]. Par GOUDOUR PHILIPPE. / Niveau : 3ème Cycle / Répertoire / 4 Flûtes Traversières

Par ROZMAN ANZE. Anže Rozman's Waking of the Green Spring (Prebujanje zelene pomladi) draws together Impressionism and Minimalism as it paints an image of the titular spring erupting to life. The piece opens with the four flutes painting a mysterious running texture based in whole tones, swelling and fading in turns. The central slower section creates an almost reverent choral sound with large blocks of chords, building again into the opening textures but colored with more complex melodies and staccato runs. The work ends with a gentle spring dreamscape.Anže Rozman's Waking of the Green Spring (Prebujanje zelene pomladi) draws together Impressionism and Minimalism as it paints an image of the titular spring erupting to life. The piece opens with the four flutes painting a mysterious running texture based in whole tones, swelling and fading in turns. The central slower section creates an almost reverent choral sound with large blocks of chords, building again into the opening textures but colored with more complex melodies and staccato runs. The work ends with a gentle spring dreamscape./ Répertoire / 4 Flûtes Traversières

Flute Quartet. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Flûtes : 4 Flûtes - Niveau de Difficulté : 2/6 - Facile - Durée : 0 mn 50 - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Facile / Répertoire / 4 Flûtes Traversières

Quatuor De Flutes [Piccolo, 2Xut, Basse]. Par NAZARETH ERNESTO. Arr. : J. B. Plays / Niveau : 2ème Cycle / Répertoire / 4 Flûtes Traversières

Quatuor De Flutes En Ut. Par GRONDAHL. Arr. : L. Capodaglio / Niveau : Fin 1er Cycle / Répertoire / 4 Flûtes Traversières