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Gioachino Rossini: Mosè In Egitto (Volume 1 + 2): Voice: Vocal Score
Opera
[Sheet music]
Ricordi
Ed. critica di Charles S. Brauner - Riduzione per canto e pianoforte-Mosè in Eg...
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Ed. critica di Charles S. Brauner - Riduzione per canto e pianoforte-Mosè in Egitto (1818) is the fourth of the nine opere serie that Rossini composed for Naples between 1815 and 1822. As his letters to his mother show Rossini was very proud of this opera considering it an especially fine achievement that might appeal more to posterity than to the audiences of his day. In fact it proved to be one of his most frequently performed opere serie. The present reduction for voice and piano in two volumes derives from the critical edition of the score published by Fondazione Rossini Pesaro in collaboration with Casa Ricordi by Charles S. Brauner: the edition is based mainly on the autograph score now housed in theBibliothèque nationale de France in Paris. This autograph score is complete but it is not completely autograph and many sections have offered some problems for the reconstruction of the text: the recitative in Act I and the Aria Mosè in Act II are not by Rossini the first five recitatives in Act II are not in Rossini’s hand and may or may not be by Rossini also not in Rossini’s hand is the Aria Amaltea although undoubtedly by Rossini because borrowed from his earlier opera Ciro in Babilonia. The Preface and the Critical Commentary offer for the first time some valid tools to reconstruct the entire history of the opera since the first performance in Naples (1818 1819) to the Parisian ones (1822 – 1840). In particular in the appendices are included the original Aria Faraone which composed by Michele Carafa for the first two productions of the opera in Naples in 1818 and 1819 was later replaced by the Aria Faraone Rossini himself composed in 1820 and in Appendix II the new ending of the recitative following Duetto N. 3 which Rossini composed for one of the Parisian performances after 1822.
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Carl Nielsen: Saul And David: Voice: Vocal Score
Opera
[Sheet music]
Wilhelm Hansen
The vocal score for Neilsen's Opera/Oratorio. Full voices with a Piano reduction...
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The vocal score for Neilsen's Opera/Oratorio. Full voices with a Piano reduction of the composer's ochestral material.
68.99 GBP - Sold by Musicroom UK
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Richard Wagner: Parsifal: Voice: Vocal Score
Opera
[Vocal Score]
Peters
Vocal score for Richard Wagner's opera Parsifal for Voice and Piano accompanime...
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Vocal score for Richard Wagner's opera Parsifal for Voice and Piano accompaniment.
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Engelbert Humperdinck: Hänsel und Gretel: Voice: Vocal Score
Opera
[Vocal Score]
Peters
Engelbert Humperdinck's Hansel und Gretel for Voice and Piano.
34.95 GBP - Sold by Musicroom UK
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Scipione Affricano (CAVALLI FRANCESCO)
Opera
Barenreiter
Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two do...
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Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handful of operas to live on after its premiere season: it was revived eight times and chosen to inaugurate Rome’s Teatro Tordinona in 1671. Cavalli’s librettist, Nicolò Minato, was inspired by historical accounts of the life of the Roman general Scipio, whose defeat of Carthage in 202 BCE earned him the honorary agnomen “Africanus.” In setting Minato’s libretto, Cavalli drew upon the lyrical gifts that have made operas like “La Calisto” and “Giasone” so popular today. But at the same time “Scipione Affricano” also shows the composer embracing aspects of his two years in France, and responding to musical changes that, in the 1660s, were rapidly altering the face of Italian opera: the growing dominance of arias, a clearer sense of aria organization, and increased interplay between voice and instruments. The first goal of this edition is a practical one: to develop a version of the opera suited to the needs of both professional and student performers. A second goal is to reconstruct the opera’s complete performance history. An amply documented appendix reconstructs earlier versions of 21 arias. Other appendices print the surviving additional music from revivals in Rome and Venice. The edition is framed by a substantial Introduction, covering the drama, the musical style, the composition, premiere, and revivals, and a guide for performance today, plus a detailed “decoding” of the sources. - series Francesco Cavalli – Opere / Date parution : 2022-11-08/ Répertoire / Opéra
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Die Harmonie der Welt Teil C (HINDEMITH PAUL)
Opera
Schott
Par HINDEMITH PAUL. The opera is set in a variety of locations between the years...
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Par HINDEMITH PAUL. The opera is set in a variety of locations between the years 1608 and 1630 and throws a spotlight on individual scenes, sometimes presented simultaneously, from the life of the astronomer Johannes Kepler (1571-1630); the opera takes its name from Kepler’s theoretical work ‘Harmonices mundi’. Hindemith utilises substantial historical studies as the basis for his sketches of individuals within Kepler’s circle who each accompany the astronomer’s scientific endeavours with a variety of personal ambitions. The military commander Wallenstein attempts to utilise Kepler’s astrological abilities to realise his own pretensions to power while Kepler’s assistant Ulrich aspires to scientific fame and recognition. Kepler’s mother urges her son to apply his scientific abilities to the services of her black magic and the Lutheran minister Hizler forbids the astronomer to receive communion because Kepler questions the doctrine of Holy Communion in the Lutheran church and expresses sympathy for Calvinist doctrine. The few figures shed in a positive light include Kepler’s wife Susanna who supports her husband’s pursuit of truth and knowledge and the child Susanna who listens to the voices of nature and the moon in her childish naivety, thereby gaining revelatory knowledge. At the end of his life, Kepler takes stock of his situation, succumbs to a state of resignation and considers death as the greatest harmony of all. In his state of agony, music of the spheres can be heard; the constellations appear as allegorical figures in the opera and contradict Kepler’s negative concepts: lying beyond all that can be researched by mankind is a final majestic realm with the powers to ‘permit us to be amalgamated into a gigantic harmony of the spheres.’ / Date parution : 2022-07-20/ Répertoire / Opéra
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Peter Maxwell Davies: Cinderella (German Libretto): Opera: Libretto
Opera
[Sheet music]
Chester
This short opera (duration of 50 minutes) aptly designed for children to perfor...
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This short opera (duration of 50 minutes) aptly designed for children to perform with modest resources is a version of the familiar tale though with certain adaptations.Musically the piece is a bright sequence of littlesongs choruses dialogue scenes and dances probably best suited to children between the ages of eight and twelve though the parts of the ugly sisters can usefully be taken by boys with broken voices.The music is scored foran orchestra of recorders trumpet percussion strings and keyboard and ranges through a variety of styles. The opera has eleven solo parts and a chorus who act as a train ball guests and the magic kittens. It is alsosuitable for performance by children aged eight and upwards.
3.75 GBP - Sold by Musicroom UK
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Franz Lehár: The Merry Widow (Hassal): Opera: Vocal Score
Opera
[Sheet music]
-
Intermediate/advanced
Musikverlag Josef Weinberger
The Vocal score for Franz Lehar's Opera The Merry Widow. For Voice and Piano wit...
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The Vocal score for Franz Lehar's Opera The Merry Widow. For Voice and Piano with complete lyrics and story synopsis. Based on an original text by Victor Leon this English version of the vocal score by Christopher Hassall.
16.95 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Deh Vieni Alla Finestra: Opera: Vocal Work
Opera
[Vocal Score]
Ricordi
Deh Vieni Alla Finestra is a delightful aria from Mozart's famous opera Don Gio...
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Deh Vieni Alla Finestra is a delightful aria from Mozart's famous opera Don Giovanni available here for Baritone voice with Piano accompaniment.
4.99 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: Cinderella English Text: Opera: Vocal Score
Opera
[Sheet music]
-
Intermediate
Chester
This short opera (duration of 50 minutes) aptly designed for children to perfor...
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This short opera (duration of 50 minutes) aptly designed for children to perform with modest resources is a version of the familiar tale though with certain adaptations. Cinderella is an au pair girl who arrives on the scene bytrain and there are three ugly sisters who get their just deserts in marriage to the appalling leaders of the armed forces. Writing for children in the Orkney Islands Davies has also included some local references: these can bechanged to suit other times and places. Musically the piece is a bright sequence of little songs choruses dialogue scenes and dances probably best suited to children between the ages of eight and twelve though the parts of theugly sisters can usefully be taken by boys with broken voices.Text only.Duration c. 50mins.
15.99 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: Cinderella - German Text: Opera: Vocal Score
Opera
[Sheet music]
-
Intermediate
Chester
This short opera (duration of 50 minutes) aptly designed for children to perfor...
(+)
This short opera (duration of 50 minutes) aptly designed for children to perform with modest resources is a version of the familiar tale though with certain adaptations. Cinderella is an au pair girl who arrives on the scene bytrain and there are three ugly sisters who get their just deserts in marriage to the appalling leaders of the armed forces. Writing for children in the Orkney Islands Davies has also included some local references: these can bechanged to suit other times and places. Musically the piece is a bright sequence of little songs choruses dialogue scenes and dances probably best suited to children between the ages of eight and twelve though the parts of theugly sisters can usefully be taken by boys with broken voices.Text only.Duration c. 50mins.
13.99 GBP - Sold by Musicroom UK
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Gustav Holst: Savitri: Opera: Vocal Score
Opera
[Sheet music]
J. Curwen and Sons
Gustav Holst has earned a place among the most revered of late 19th and early 20...
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Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.But before that great work in his use of Englsh folksongs Gnostic texts and these Vedic hymns one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In Savitri he makes use of modal styles bitonality austerity ofOrchestration in some places richness of texture in others and an ability to suggest Indian exoticism. The piece has a performance time of thirty minutes and has minimal staging requirements.
17.99 GBP - Sold by Musicroom UK
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Gian Carlo Menotti: The Medium: Opera: Libretto
Opera
Schirmer
Menotti's 'The Medium' is something of a cautionary tale which had its genesis ...
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Menotti's 'The Medium' is something of a cautionary tale which had its genesis in a séance attended by the composer himself. The plot of the libretto (by Menotti himself) runs as follows: Living in conditions of near-squalor Baba poses as a medium with her daughter Monica posing as ghosts from the beyond. She takes in Toby a mute as a lodger but distrusts him. The business continues until during a séance she feels a 'cold hand' tightening abouther throat. When her customers return for another session she tells them that she is a fake and demonstrates her tricks but her clients protest that she must be real that it was not Monica's voice they heard. She drives themout and resolves to cast out Toby as well. When Toby returns she shoots and inadvertently kills him. At the conclusion she still wonders if it had been Toby. This Libretto is in English only.
4.99 GBP - Sold by Musicroom UK
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Madam Butterfly (PUCCINI GIACOMO)
Opera
[Sheet music]
Peters
Par PUCCINI GIACOMO. Voice - Piano/ Répertoire / Opéra
58.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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Nicolai: Lustige Weiber Von Winsor: Mixed Choir: Vocal Score
Opera
[Vocal Score]
Peters
Otto Nicolai's The Merry Wives of Windsor for Voice and Piano.
44.00 GBP - Sold by Musicroom UK
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Il Trovatore (VERDI GIUSEPPE)
Opera
[Sheet music]
Peters
Par VERDI GIUSEPPE. Voice - Piano/ Répertoire / Opéra
58.00 EUR - Sold by LMI-partitions
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Don Carlos (VERDI GIUSEPPE)
Opera
[Sheet music]
Peters
Par VERDI GIUSEPPE. Voice - Piano/ Répertoire / Opéra
46.20 EUR - Sold by LMI-partitions
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Aida (VERDI GIUSEPPE)
Opera
[Sheet music]
Peters
Par VERDI GIUSEPPE. Voice - Piano/ Répertoire / Opéra
46.40 EUR - Sold by LMI-partitions
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Der Goldene Hahn/The Golden Cockerel (RIMSKI-KORSAKOV NICOLAI)
Opera
[Sheet music]
Peters
Par RIMSKI-KORSAKOV NICOLAI. Voice - Piano/ Répertoire / Opéra
33.60 EUR - Sold by LMI-partitions
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Rigoletto (VERDI GIUSEPPE)
Opera
[Sheet music]
Peters
Par VERDI GIUSEPPE. Voice - Piano/ Répertoire / Opéra
58.00 EUR - Sold by LMI-partitions
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The Barber Of Seville (ROSSINI GIOACHINO)
Opera
Soli, mixted choir and piano
[Sheet music]
Peters
Par ROSSINI GIOACHINO. Voice - Piano/ Répertoire / Opéra
52.20 EUR - Sold by LMI-partitions
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Abu Hassan (WEBER CARL MARIA VON)
Opera
[Sheet music]
Peters
Par WEBER CARL MARIA VON. Voice - Piano/ Répertoire / Opéra
42.70 EUR - Sold by LMI-partitions
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Der Corregidor (WOLF HUGO)
Opera
[Sheet music]
Peters
Par WOLF HUGO. Voice - Piano/ Répertoire / Opéra
58.00 EUR - Sold by LMI-partitions
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The Bartered Bride (SMETANA BEDRICH)
Opera
[Sheet music]
Peters
Par SMETANA BEDRICH. Voice - Piano/ Répertoire / Opéra
58.00 EUR - Sold by LMI-partitions
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Gustave Charpentier: Louise: Voice: Vocal Score
Opera
[Vocal Score]
Heugel
French composer Gustave Charpentier (1860-1956) is best known for his Opera Lo...
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French composer Gustave Charpentier (1860-1956) is best known for his Opera Louise. Having premiered in 1900 the Opera remains performed to this day. Louise depicts Parisian working-class life telling the story between a young seamstress Louise and an artist Julien. Having undertaken composition lessons from Jules Massenet at the Paris Conservatoire Charpentier's career took off immediately. The Opera Louise was successful from the first performance and was made into a film in 1939. For all Opera fans Charpentier's Louise is an essential contribution tothe genre.
84.99 GBP - Sold by Musicroom UK
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