SKU: FG.55011-315-2
ISBN 9790550113152.
The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.
SKU: HL.49003138
ISBN 9790220115561. 8.25x11.75x0.292 inches.
I: 2pic. * fl. * ob. * Ebcl. * Bbcl. * asax - 3tpt - egtr - perc (sn.dr., 2bngs, 3t.bl., log drum, xyl., 2 hand-held crots., 4 tuned low gngs, vibra slap)(2 Players) II: 4hn - perc (vib., crots. (2 octaves C-C), tub.bells)-synth. (with volume control and sustaining pedal)(3 Players) - pf. (amplified and lid removed) - 32vn. * 8va. * 10vc. * 8db (with low C) III: ca. * bcl. * tsax. * 2bn - 3tbn. * tuba - perc (sn.dr., 2bngs, 3 'Giant GreenO Korean t.bl., log drum, marimba., 2 hand-held crots, 4 tuned low gngs, very lge. metal bar or high pitched anvil)(2 Players) -ebgtr.I: 2pic. * fl. * ob. * Ebcl. * Bbcl. * asax - 3tpt - egtr - perc (sn.dr., 2bngs, 3t.bl., log drum, xyl., 2 hand-held crots., 4 tuned low gngs, vibra slap)(2 Players) II: 4hn - perc (vib., crots. (2 octaves C-C), tub.bells)-synth. (with volume control and sustaining pedal)(3 Players) - pf. (amplified and lid removed) - 32vn. * 8va. * 10vc. * 8db (with low C) III: ca. * bcl. * tsax. * 2bn - 3tbn. * tuba - perc (sn.dr., 2bngs, 3 'Giant GreenO Korean t.bl., log drum, marimba., 2 hand-held crots, 4 tuned low gngs, very lge. metal bar or high pitched anvil)(2 Players) -ebgtr.
SKU: HL.49033218
ISBN 9790001135450. UPC: 840126938678. 8.25x11.75x0.23 inches.
4 (4. auch Picc.) * 4 (4. auch Engl. Hr.) * 4 (4. auch Es-Klar.) * Bassklar. * 3 * Kfg. - 5 * 3 * 4 * 1 - P. S. (Trgl. * Beckenpaar * 3 hg. Beck. [h./m./t.] * 2 Tamt. [h./t.] * Crotalenbaum * Schellenbaum *korean. Gl. [o. 4 Tamt. * 4 Gongs] * Rohrengl. * Plattengl. * Tomt. * kl. Tr. * Ruhrtr. * gr. Tr. m. Beck. * Glsp. * Xyl. * Marimba) (4 Spieler) - Cel. - Str. (16 * 14 * 12 * 12 * 10)Hinter der Buhne: Hr. - Rohrengl.Im Saal: 4 Tr.4 (4. auch Picc.) * 4 (4. auch Engl. Hr.) * 4 (4. auch Es-Klar.) * Bassklar. * 3 * Kfg. - 5 * 3 * 4 * 1 - P. S. (Trgl. * Beckenpaar * 3 hg. Beck. [h./m./t.] * 2 Tamt. [h./t.] * Crotalenbaum * Schellenbaum *korean. Gl. [o. 4 Tamt. * 4 Gongs] * Rohrengl. * Plattengl. * Tomt. * kl. Tr. * Ruhrtr. * gr. Tr. m. Beck. * Glsp. * Xyl. * Marimba) (4 Spieler) - Cel. - Str. (16 * 14 * 12 * 12 * 10)Hinter der Buhne: Hr. - Rohrengl.Im Saal: 4 Tr.
SKU: HL.49013034
ISBN 9790001131926.
2 (2. auch Picc. u. Altfl.) * 2 (2. auch Engl. Hr.) * 2 (2. auch Bassklar.) * 2 - 2 * 2 * 2 * 0 - P. S. (Glsp. * Crot. * Vibr. * Marimba * Trgl. * 3 hg. Beck. * 3 Tomt. * 3 Tamt. * 3 Bong. * kl. Tr. [mit u. ohne Schnarrs.] * Schellentr. * gr. Tr. [mit u. ohne Beck.] * Kast. * Ratsche * Woodbl. * Guiro) (4 Spieler) - Hfe * Klav. (auch Cel.) - Str. - Hinter der Buhne: Rohrengl.2 (2. auch Picc. u. Altfl.) * 2 (2. auch Engl. Hr.) * 2 (2. auch Bassklar.) * 2 - 2 * 2 * 2 * 0 - P. S. (Glsp. * Crot. * Vibr. * Marimba * Trgl. * 3 hg. Beck. * 3 Tomt. * 3 Tamt. * 3 Bong. * kl. Tr. [mit u. ohne Schnarrs.] * Schellentr. * gr. Tr. [mit u. ohne Beck.] * Kast. * Ratsche * Woodbl. * Guiro) (4 Spieler) - Hfe * Klav. (auch Cel.) - Str. - Hinter der Buhne: Rohrengl.
SKU: HL.49013489
ISBN 9783795736514. German.
Wortlich ubersetzt ist das Libretto ein 'kleines Buch', ein 'Buchlein'. Doch nicht irgendein Buchlein. Seit es Opern gibt, gibt es die Textbucher dazu. Oft erzahlen die Universalsprache Musik und der Ausdruck der Darsteller die Geschichte, auch wenn man die Worte nicht versteht. Trotzdem ist ein Libretto sehr hilfreich fur das Verstandnis der Details. Gerade dann, und das fast immer, wenn die Oper in der Originalsprache aufgefuhrt wird. In den Libretti ist in der Regel das Original der Ubersetzung gegenubergestellt. Sie konnen so problemlos parallel Handlung und Inhalt folgen. In den meisten Fallen existiert das Textbuch Oper bevor die Musik dazu komponiert wird. Spannende und dramatische Geschichten bilden die Grundlage fur faszinierende Opernkompositionen.3 (3. auch Picc.) * 2 * Engl. Hr. * 3 * Bassklar. * Sopr.-Sax. * 2 Alt-Sax. * 2 * Kfg. - 4 * 3 * 3 * 1 - P. S. (Trgl.-Set * Bell tree * Gl. * Crotales * 2 Gongs * hg. Beck. * Beck. * Tamb. * Mil. Tr. * Ruhrtr. * 6 Tomt. * Rototom * 6 Timb. * kl. Tr. * gr. Tr. * Guiro * Sage * Flex. * 3 Tamt. * Rohrengl. * Turmgl. * Lotosfl. * Kast. * Peitsche * Glspl. * Xyl. * Vibr. * Marimba) (2 Spieler) - Cel. * Org. - StrBuhnenmusik: 2 Picc. * SAT Blfl. * 2 Klar. in Es - 0 * 3 * 3 * 0 - S. (Tamb. * 2 Mil. Tr. * Ruhrtr. * kl. Tr. * 2 Ratschen * Kast. * Schellen * Holzbl. * Vibraslap * Timb.) - Cemb. - Vlc.3 (3. auch Picc.) * 2 * Engl. Hr. * 3 * Bassklar. * Sopr.-Sax. * 2 Alt-Sax. * 2 * Kfg. - 4 * 3 * 3 * 1 - P. S. (Trgl.-Set * Bell tree * Gl. * Crotales * 2 Gongs * hg. Beck. * Beck. * Tamb. * Mil. Tr. * Ruhrtr. * 6 Tomt. * Rototom * 6 Timb. * kl. Tr. * gr. Tr. * Guiro * Sage * Flex. * 3 Tamt. * Rohrengl. * Turmgl. * Lotosfl. * Kast. * Peitsche * Glspl. * Xyl. * Vibr. * Marimba) (2 Spieler) - Cel. * Org. - StrBuhnenmusik: 2 Picc. * SAT Blfl. * 2 Klar. in Es - 0 * 3 * 3 * 0 - S. (Tamb. * 2 Mil. Tr. * Ruhrtr. * kl. Tr. * 2 Ratschen * Kast. * Schellen * Holzbl. * Vibraslap * Timb.) - Cemb. - Vlc.
SKU: HL.49013032
ISBN 9790001131902. 8.25x11.75x0.24 inches.
Schlagzeug I: 3 Beck. * kl. Tr. * Crot. * 7 Tempelbl. * Vibr. - Schlagzeug II: 8 Tamt. * 6 Boo-Bam * Vibr. * Ratsche - Schlagzeug III: Crot * gr. Tr. * 2 Flex. * Marimba (5 Okt.) - Schlagzeug IV: 6 Tomt. * Stempelfl. * Mar. * Cuica * 2 Kurbisraspeln * Marimba (4 Okt.) * Kast. - Schlagzeug V: P. * 1 Stempelfl. * Guiro * Glsp. - Schlagzeug VI: 14 Thai-Gongs * 6 Bong. * Holztomt. * Peitsche mit Fussmasch. (oder Gegenschlagblocke).
SKU: HL.49032629
ISBN 9790001112840. 8.25x11.75x0.242 inches. German.
1 (auch Picc.) * 1 * Engl. Hr. * 1 * Bassklar. * 1 * Kfg. - 2 * 2 * 1 * 1 - S. (P. * Trgl. * 2 Rohrengl. * hg. Beck. * Beckenpaar * Tamt. * 3 Tomt. * kl. Tr. * gr. Tr. [m. u. o. Beck.] * Clav. * Guiro * Trinidad steel-drums * Tempelbl. * Xyl. * Vibr. * Marimba) (3 Spieler) - Hfe. * 3 Klav. (1. u. 2. prap. Klav.) * Cel. * Org. - Str.1 (auch Picc.) * 1 * Engl. Hr. * 1 * Bassklar. * 1 * Kfg. - 2 * 2 * 1 * 1 - S. (P. * Trgl. * 2 Rohrengl. * hg. Beck. * Beckenpaar * Tamt. * 3 Tomt. * kl. Tr. * gr. Tr. [m. u. o. Beck.] * Clav. * Guiro * Trinidad steel-drums * Tempelbl. * Xyl. * Vibr. * Marimba) (3 Spieler) - Hfe. * 3 Klav. (1. u. 2. prap. Klav.) * Cel. * Org. - Str.
SKU: HL.49005334
ISBN 9790001057431. UPC: 073999320145. 8.75x11.75x0.639 inches.
3 (auch 3 Picc.) * 3 * 3 * 3 (3. auch Kfg.) - 4 * 3 * 3 * 1 - 6 P. [lat.-amerik.] (2 Spieler) S. (Trgl. * Gong * Rohrengl. * Beck. * Jazz-Beck. * Tamt. * 3 Tomt. * kl. Tr. * mittl. Tr. * gr. Tr. * 3 Tempelbl. * Glsp. * Xyl. * Vibr. * Marimba) (5 Spieler) - Cel. * Klav. (4 hd.) * 2 Hfn. - Str.3 (auch 3 Picc.) * 3 * 3 * 3 (3. auch Kfg.) - 4 * 3 * 3 * 1 - 6 P. [lat.-amerik.] (2 Spieler) S. (Trgl. * Gong * Rohrengl. * Beck. * Jazz-Beck. * Tamt. * 3 Tomt. * kl. Tr. * mittl. Tr. * gr. Tr. * 3 Tempelbl. * Glsp. * Xyl. * Vibr. * Marimba) (5 Spieler) - Cel. * Klav. (4 hd.) * 2 Hfn. - Str.
SKU: HL.49005714
ISBN 9790001061810. 9.0x11.75x0.21 inches. German.
3 (2. auch Picc. und Afl.) * 3 (3. auch Engl. Hr.) * 3 (3. auch Bassklar.) * 3 (3. auch Kfg.) - 3 * 3 * Picc.-Trp. * 3 * 1 - P. S. (Trgl. * tiefer Gong * Rohrengl. * Beckenpaar * hg. Beck. * Tamt. * Tamb. * 3 Tomt. * 3 lateinamerik. Timbales * Ruhrtr. * kl. Tr. * gr. Tr. * Glsp. * Xyl. * Vibr. * Marimba) (5 Spieler) - Hfe. * Klav. (4hd.) * Cel. - Str.3 (2. auch Picc. und Afl.) * 3 (3. auch Engl. Hr.) * 3 (3. auch Bassklar.) * 3 (3. auch Kfg.) - 3 * 3 * Picc.-Trp. * 3 * 1 - P. S. (Trgl. * tiefer Gong * Rohrengl. * Beckenpaar * hg. Beck. * Tamt. * Tamb. * 3 Tomt. * 3 lateinamerik. Timbales * Ruhrtr. * kl. Tr. * gr. Tr. * Glsp. * Xyl. * Vibr. * Marimba) (5 Spieler) - Hfe. * Klav. (4hd.) * Cel. - Str.
SKU: HL.49045487
ISBN 9790001157179. UPC: 888680747992. 8.25x11.75x0.41 inches. Latin - German.
Deeply moved by his first visit to the city of Jerusalem with its seven gates, Krzysztof Penderecki composed this major vocal work to celebrate the city's 3,000th anniversary in 1995. Two years later, it was premiered as Symphony No. 7 in which the magic number seven has a special meaning: From the seven movements representing the seven gates to the seven powerful fortissimo chords concluding the oratorio, the biblical number runs through the entire work.4 (3. u. 4. auch Picc.) * 3 * Engl. Hr. * 3 (3. auch Es-Klar.) * Bassklar. * 3 * Kfg. - 4 * 3 * 4 (3. auch Basstrp.) * 1 - S. (I.: P. * Beckenpaar * 2 Tamt. (t.) * Rohrengl. * gr. Tr. m. Beck. * Crotalenbaum * 5 Tomt. * Marimba * Bin-Sasara * kl. Tr. * Ruhrtr.; II.: Trgl.-baum * 4 hg. Beck. * Tamt. (t.) * Rohrengl. * Kirchengl. * Tubaphon * Glsp. * Xyl. * Vibr. * Ruhrtr. * Tempelbl. * 2 Gongs; III.: 3 hg. Beck. * Mil. Tr. * Tubaphon * Kuhgl. * Tempelbl. * 2 Gongs; IV.: P. * hg. Beck. * 2 Tamt. * Beckenpaar * 5 Tomt. * gr. Tr. * Ruhrtr. * Bin-Sasara) (12 Spieler) - Cel. * Klav. * Org. ad lib. - Str.Im Saal: 0 * 0 * 3 * Bassklar. (auch Es-Klar.) * 3 * Kfg. - 4 * 3 * 4 * 1.
SKU: HL.49014917
ISBN 9790220118524.
3(3:pic) * 2 * ca. * bob.2 * bcl. * ssax * 2 * cbsn. - 4 * flhn. * 2 * 2 * btbn * 1 - timp. * perc.(4dr., large b.d., large sus.cym., cast., 2tam-tams, log drum, kit, marimba., vibra., glock., crots., tub.bells, 3gngs., maraca., cabaca)(2 players) - pf. (cel) * hp - str.
SKU: HL.14027993
ISBN 9788759811832. English.
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo3 Oboes, 3rd also Cor Anglais in F3 Clarinets in Bb, 3rd also Bass Clarinet in Bb3 Bassoons, 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion, four playersPlayer 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese CymbalPlayer 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle CymbalPlayer 4 - Bass Drum, Glockenspiel, Xylophone1 Harp1 Piano, also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes, except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.
SKU: HL.49014883
ISBN 9790220115394.
3 (3:picc.) * 2 * c.a. * 3 (3:b.cl.) * 2 * cbsn. - 4 * 2 * 2 * b.tbn. * 1 - timp. * perc. ( 2 congas, clash cym., 3 sus. cyms., 3 drums (unsnared and log drums), b.d., t.d. (unsnared), 3 Ggs., tam-tam, 4 tom-toms, crots., glock., marimba, tub.bells, vibra., xylo.)(3 players) - pf/celesta - str.
SKU: HL.49044408
ISBN 9790001141031. 8.25x11.75x0.384 inches.
4 (2. auch Picc., 3. auch Picc. u. Altfl., 4. auch Altfl. u. Bassfl.) * 1 * Ob. d'am. * 2 Engl. Hr. (2. auch Heckelphon) * 4 (3. auch Bassklar., 4. auch Bassklar. u. Kb.-Klar.) * 4 (4. auch Kfg.) - 6 * 4 * 4 * 0 - P. S. (3 hg. Beck. * 3 Tamt. * 4 Thai Gongs * Trinidad Steel Drum * Wassergong [tief] * Crot. * 7 Bong. * 12 Tomt. [chrom.] * Schellentr. * O-Daiko * Log Drums * kl. Tr. * gr. Tr. mit Beck. * Tempelbl. * 3 Woodbl. * 2 Sistr. * Guiro * Mar. * Ratsche * Kast. * Frusta * 2 Flex. * Donnerblech [bronze] * Glsp. * Vibr. * Marimba) (5 Spieler) - Hfe. * Cel. * Klav. - Str.
SKU: HL.48182136
UPC: 888680835514. 7.25x10.75x0.704 inches.
Completed in 1960, Time-Colour by Olivier Messiaen is a famous orchestral piece composed by this author. This edition, published as a book, features the conductor?s score with all the following instruments: 16 First Violins, 16 Second Violins, 14 Violas, 12 Cellos, 10 Double Basses, 1 Piccolo, 3 Flutes, 3 Oboes, 4 Clarinets, 3 Bassoons, 1 Piccolo Trumpet, 3 C Trumpets, 4 F Horns, 3 Trombones, 1 Tuba, Suspended And Chinese Cymbal, 1 Glockenspiel, 1 Xylophone, 1 Marimba. It is written in seven movements: Introduction, Strophe I, Antistrophe I, Strophe II, Antistrophe II, Epode and Coda; and The Epode features birdsong and is played by 18 of the string instruments. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes..
SKU: HL.49004997
ISBN 9790001053556. 8.0x11.75x0.287 inches.
3 (2., 3. auch Picc.) * 3 (3. auch Engl. Hr.) * 3 (3. auch Bassklar.) * 3 (3. auch Kfg.) - 4 * 3 * 3 * 1 - P. (2 Spieler) S. (Beck. * Tamt. * kl. u. gr. Tomt. * Ruhrtr. * kl. Tr. * gr. Tr. * Vibr. * Xyl. * Marimba) (4 Spieler) - 2 Hfn. * Klav. (auch Cel.) - Str. (12 Vl. I * 10 Vl. II * 10 Vl. III * 6 Va. I * 6 Va. II * 10 Vc. * 8 Kb.).
SKU: HL.49006519
ISBN 9790001070782.
Sich einfach mal dem Spiel der Klange hinzugeben, empfiehlt Wilhelm Killmayer den Horern seiner 'Nachtgedanken'. Wie in der Nacht verdrangte Gedanken aus dem Unterbewusstsein aufsteigen, so entfalten und verdichten sich Killmayers spharische Klange in seinem 1973 komponierten Werk. Das eindrucksreiche Phantasiestuck des Orff-Schulers ist mal friedlich und eingangig, mal bohrend und erregend beklemmend. Es schliesst mit hohen eindringlichen Geigentonen.
SKU: HL.49006178
ISBN 9790001067171. UPC: 073999508550. 12.25x16.5x0.66 inches. Russian.
4 (1. u. 2. auch Picc., 4. auch Altfl.) * 3 * 3 (3. auch Es-Klar.) * Bassklar. * Kb.-Klar. * 2 Altsax. * 2 Baritonsax. * 3 * Kfg. - 6 * 5 * 4 * 2 - P. S. (2 Trgl. * 2 Gongs * Rohrengl. * 4 Beck. * 2 Tamt. * 4 Tomt. * 2 Bong. * kl. Tr. * gr. Holzplattentr. * Holzgl. * Holzbl. * Guiro * Clav. * Peitsche * jav. Gong * 2 Ratschen * Vibr. * Marimba) (4 Spieler) - Klav. * Harm. * Bassgit. - Str. (24 * 0 * 10 * 10 * 8).
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version
