Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Fo 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.

Italian composer Antonio Vivaldi (1678 - 1741) is considered one of the most prolific composers in all of classical music. During his lifetime he composed more than 500 concertos of which approximately 350 of them were for violin. Four works by Vivaldi were known to have been composed for solo lute including this Concerto in D Major F.XII n.15 in three movements: Allegro giusto Largo and Allegro. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Italian composer Antonio Vivaldi (1678 - 1741) is considered one of the most prolific composers in all of classical music. During his lifetime he composed more than 500 concertos of which approximately 350 of them were for violin. Four works by Vivaldi were known to have been composed for solo lute including this Concerto in D Major F.XII n.15 in three movements: Allegro giusto Largo and Allegro. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass

Vivaldi, Antonio The Four Seasons Edition no. TP 399 ISMN 9790006204625 Editor Hogwood, Christopher This study score follows our very successful publications of the Urtext full score and performance material (BA 6994) and the piano reduction of all four concertos (BA 6994a). This critical edition of Vivaldi?s masterpiece is based on the Manchester manuscript source, which originates from Vivaldi?s circle, and represents an alternative (in many cases, more explicit) version of these famous concertos. The Manchester source has until now not been used as the primary source for a modern edition. - First study score to be based on the Manchester source - Critical scholarly edition - Details regarding the work's source history as well as comments on performance practice

F.Xii/6. Par VIVALDI ANTONIO. Langue: English(US) / Date parution : 1905-06-06/ Répertoire / Orchestre

Rv 783 - F. Vi/17 - Parti. Par VIVALDI ANTONIO. / oeuvre solo et Orchestre / Date parution : 1905-06-23/ Répertoire / Orchestre

F.Vii-4 - Tomo 222 - Parti. Par VIVALDI ANTONIO. Langue: English(US) / oeuvre solo et Orchestre / Date parution : 1905-06-14/ Répertoire / Orchestre

Edizione critica a cura di Reinhard Strohm (Vol. 1 and Vol. 2). Par VIVALDI ANTONIO. / Date parution : 2022-07-23/ Répertoire / Orchestre

Parti Strumentali. Par VIVALDI ANTONIO. / Date parution : 1905-06-13/ Répertoire / Orchestre

'L'Ottavina' Rv 763 - Critical Edition, Softcover - F.I/240 - Parti. Par VIVALDI ANTONIO. L'Ottavina' Rv 763 - Critical Edition, Softcover - F.I/240 - Parti / oeuvre solo et Orchestre / Date parution : 1905-06-14/ Répertoire / Orchestre

4 Vl. E 1 Vc. In Re Op.Iii N.1 Rv 549 - F.Iv/7 - Tomo 406 - Parti. Par VIVALDI ANTONIO. 4 Vl. E 1 Vc. In Re Op.Iii N.1 Rv 549 - F.Iv/7 - Tomo 406 - Parti/ Répertoire / Orchestre

3 Violons, Orchestre et Clavecin. Score. Par VIVALDI ANTONIO. / Répertoire / Orchestre

Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 1 contains:-Playing Tag (Richard Ling); Eastern March (Richard Ling); Autumn from Four Seasons (Vivaldi); Entertainer (Joplin); St.Anthony Chorale (Brahms/Haydn); Jazz Train (Richard Ling); Caribbean Carnival (Richard Ling); Hark the herald angels sing.