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Organ
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L'Orgue Aux Mille Saveurs Vol.1
Français
Organ
Editions Buissonnieres
Né d'une passion commune pour la pédagogie et du constat que nos élèves sont...
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Né d'une passion commune pour la pédagogie et du constat que nos élèves sont de plus en plus jeunes, ce recueil écrit par Marta Gliozzi et damien Simon propose une découverte de l'orgue renouvelée. Différentes sections ont été conçues pour que chacun puisse aborder la musique et l'orgue sous divers angles, sans ordre de priorité : écriture classique, musique graphique, improvisation, jeux rythmiques et aussi quelques amusements et éléments historiques.Marta Gliozzi et Damien Simon ont composé cette méthode basée sur leur expérience de professeur de conservatoire, proposant ainsi aux débutants un apprentissage progessif, varié et ludique basé sur une grande variété de partitions simples ou adaptées aux débutants. / Orgue
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Bach J.s. - Complete Organ Works Vol.5 - Sonatas, Trios, Concertos + Cd-rom
Organ
[Sheet music + CD-ROM]
Breitkopf & Härtel
Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter D...
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Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter Dirksen Organ Works Based on Compositions by Bach and Others Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements by Bach of original compositions and of works by other composers. Next to the Sonatas BWV 525?530 and the Concertos or concerto movements based on pieces by other composers BWV 592?596, the volume also contains the Trio in D minor BWV 583, the Trio settings BWV 585?587 as well as the early versions of BWV 527 and 528. Moreover, the CD-ROM offers eight arrangements of trio movements by Bach made by others. In his detailed introduction, Pieter Dirksen discusses various aspects of these pieces' origins, inasmuch as they help us better understand the works. The organist will especially welcome the comments on performance practice and registration. It is precisely the fact that these works derive from chamber-music models that leads to individual considerations for each work group.
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Organ and Keyboard Music of the Imperial Court Chapel Vienna, 1500 - 1700
Organ
[Sheet music]
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Easy
Barenreiter
Austria ?s imperial court chapel was active far beyond the confines of Vienna . ...
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Austria ?s imperial court chapel was active far beyond the confines of Vienna . It developed a rich musical tradition of its own, with composers of the stature of Heinrich Isaac , Jacob Hassler , Johann Jacob Froberger , and Johann Heinrich Schmelzer .
This volume consists entirely of première publications from the ?uvre of composers working at the imperial court during the fifteenth and sixteenth centuries, including the complete keyboard output of Giovanni Valentini and Johann Heinrich Schmelzer and a Toccata 2 di toni in g ( FbWV 130) by Johann Jacob Froberger.
Altogether it contains twenty-two compositions with a detailed preface, many facsimiles, and a critical commentary. The pieces range from easy to moderately difficult and are equally suitable for use in church services or concert performance.
- Easy to moderately difficult organ music for church or concert use
- Previously unpublished music from the heyday of Austria ?s imperial court chapel
- Contains the première publication of a piece by Froberger / Classique / Partition /
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Selected Works For Keyboard, Vol.I-IV
Organ
Barenreiter
La cour d'organiste Antonio de Cabezón, qui a été nommé à la chapelle de la...
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La cour d'organiste Antonio de Cabezón, qui a été nommé à la chapelle de la cour de la Reine Isabelle de Toledo à l'âge de 16 ans, a été considéré à juste titre par ses contemporains comme l'organiste espagnole leader et claviériste du 16 ème siècle. Ses hymnes et des versets sont basées sur courte, harmonisations décorée des tonalités psaume. Dans le tientos, la transformation du style motet vocal à un style d'écriture approprié pour les instruments à clavier est parfaitement exécuté.Cette édition Urtext contient une sélection des meilleurs Cabezon de travaux connus et se composera de quatre volumes. Il a été préparé par deux rédacteurs en chef travaillant dans les universités portugaises et espagnoles qui sont tous deux grands spécialistes des oeuvres de Cabezón et reflète les derniers résultats de recherche.- Première édition critique universitaire, des oeuvres sélectionnées par l'organiste leader espagnol- Reflète les derniers résultats de la recherche- Chaque volume avec une préface (Ger / Eng) avec des conseils sur la technique de rédaction, le commentaire critique (Ger / Eng) et l'indice de sources / Orgue, Piano, Clavecin
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Complete Organ Works Band 4 (SCHEIDEMANN HEINRICH)
Organ
[Sheet music]
Schott
Motet Intabulations. Par SCHEIDEMANN HEINRICH. Le présent volume de 12 Motet In...
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Motet Intabulations. Par SCHEIDEMANN HEINRICH. Le présent volume de 12 Motet Intabulations vient compléter les 3 volumes déjà publiés avec la musique d'orgue par Heinrich Scheidemann (vers 1595-1663), de sorte que le oeuvre d'orgue complet de l'organiste de Hambourg est maintenant disponible dans un éditorial modern standard. De 1611-1614 Scheidemann a étudié avec Jan Pieterszoon Sweelinck d'Amsterdam et de 1629, a travaillé comme organiste à St. Catherine à Hambourg depuis environ trois ans et demi décennies. Il a fusionné le style de son maître avec la tradition allemande du Nord et est donc considéré comme co-fondateur de l'école allemande d'orgue du Nord. Pendant longtemps, l'habileté à transférer des compositions vocales dans la notation de doigt avait été un des principales exigences sur un organiste formé de façon compétente. Au début du XVIIe siècle, cependant, la technique plutôt ' intabulation pratique ' s'est évanouie à l'arrière-plan en faveur des formes innovantes de l'arrangement de la firmi cantus sacrée. Scheidemann appartient au crédit pour aider la tradition du genre, qui avait la MINUS.../ Répertoire / Orgue
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Johann Sebastian Bach: Complete Organ Works - Volume 6: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Clavierübung III/Schübler-Choräle/Canonische Veränderungen ü. Vom Himmel ho...
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Clavierübung III/Schübler-Choräle/Canonische Veränderungen ü. Vom Himmel hoch-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of
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Johann Sebastian Bach: Complete Organ Works - Volume 7: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Orgelbüchlein - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's ...
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Orgelbüchlein - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of
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Johann Sebastian Bach: Complete Organ Works - Volume 1: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Präludien und Fugen I - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian...
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Präludien und Fugen I - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of
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Johann Sebastian Bach: Complete Organ Works - Volume 2: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Präludien und Fugen II - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastia...
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Präludien und Fugen II - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of
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Bach J.s. - Organ Works Vol.6 - Preludes, Toccatas, Fantasias and Fugues
Organ
Barenreiter
Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and F...
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Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?. The present volume is an updated edition of Series IV, Volume 6 of the ?New Bach Edition? (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the ?Fantasia in C minor? (BWV 1121), the ?Fantasia in G major? (BWV 571), the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand, the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its ?Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ? New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ? New contents reflecting the current state of source evaluations ? Links to sources in ?Bach digital? ? Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli
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Johann Sebastian Bach: Complete Organ Works Vol.6: Organ: Instrumental Album
Organ
[Sheet music]
-
Advanced
Barenreiter
Preludes Toccatas Fantasias and Fugues II/Early Versions and Variants to I (Vo...
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Preludes Toccatas Fantasias and Fugues II/Early Versions and Variants to I (Vol. 5) & II (Vol. 6)-Johann Sebastian Bach's Complete Organ Works in revised editions.Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s Organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?.The present volume is an updated edition of Series IV Volume 6 of the ?New Bach Edition? (NBA) prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessmentof existing handwritten copies have brought about changes to the contents of the volume which now includes the ?Fantasia in C minor? (BWV 1121) the ?Fantasia in G major? (BWV 571) the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious.Besides the new compilation and corrections of the musical text the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved.In collaboration with the Bach Archive Leipzig and its ?Bach? digital database links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis.Contents:BWV 551 563-566 (version in E major) 569-571 573-575 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a 533a 535a 543a 545a 549a 566 (version in C major) and 574b.New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources.New contents reflecting the current state of source evaluations.Links to sources in ?Bach digital?.Complete new engraving and revised page-turns.
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Arthur Wills Desmond Ratcliffe Francis Jackson Heathcote Statham Leo Sowerby:
Organ
[Sheet music]
-
Intermediate
Novello & Co Ltd.
In this collection the composers have attempted to provide pieces that display ...
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In this collection the composers have attempted to provide pieces that display the individual tone-colours of the modern organ. Works of this nature are scarce but their value particularly for the recital is considerable. This contrasted set could well be played as a group in one programme.
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The Complete Organ Player - Book 4
Organ
[Sheet music]
Amsco Wise Publications
Orgue / Clavier / Amsco Wise
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Etudes 2ème Cahier (LACOTE THOMAS)
Français
Organ
[Sheet music]
Lemoine, Henry
Par LACOTE THOMAS. Ces trois pièces ont été composées entre 2012 et 2015 sur...
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Par LACOTE THOMAS. Ces trois pièces ont été composées entre 2012 et 2015 sur l'orgue Cavaillé-Coll/Beuchet-Debierre de l'église de la Trinité à Paris. Pour The Fifth Hammer et Etude de transparence, la présence de deux boîtes expressives est indispensable. Pour Quilisma, une seule boîte expressive est nécessaire. Dans le cas d'une exécution complète de ce deuxième cahier, Quilisma peut être partagée entre les deux interprètes : l'un prend alors la place de l'autre à la mesure 62. Pour ne pas surcharger la partition, seul un numéro de combinaison est noté sur la partition pour chaque changement de registration. Il renvoie à la table des combinaisons jointe en 'partie séparée' pour chaque pièce. The Fifth Hammer La partition est proposée dans deux versions. La première, pensée pour les ressources de l'orgue de la Trinité, utilise une palette étendue (notamment Quinte 22/3 au Grand-Orgue, Tierce et Piccolo au Positif, Tierce au Récit, jeu d'anche de 16' à chaque clavier). La seconde est une adaptation pour un orgue de dimensions plus restreintes (pas de Quinte 22/3 au Grand-Orgue, pas de Tierce au Récit, pas de jeu d'anche de 16' au Positif) à partir du modèle de l'orgue Rieger du Conservatoire de Paris (CNSMDP). Aux mesures 1 à 23, quel que soit la clavier sur lequel il joue, l'interprète placé à gauche manipule la boîte expressive du Positif, et celui à droite celle du Récit, selon la disposition habituelle. Durant cette section, on veillera à ouvrir et fermer très progressivement les boîtes expressives, avec un maximum d'amplitude et de précision. Quilisma Dans cette pièce, les passages notés avec une grande précision rythmique visent en premier lieu l'efficacité qualitative d'un phénomène sonore global : ils seront donc interprétés, comme le reste de la pièce, avec la souplesse nécessaire. Mes. 37 : Pour ne pas surcharger la partition, les liaisons ne sont pas notées. Lier toutes les notes communes entre les accords. Mes. 63 : Chaque son, joué initialement au Récit (sans cercle) ou au Positif (avec cercle), est tenu, jusqu'à son passage à l'autre clavier ou une croix. Aucune hauteur n'est jouée simultanément sur les deux claviers à la fois. Durant ce passage, on cherchera le maximum de legato et de continuité dans l'échange entre les deux claviers. Etude de transparence Durant toute la pièce, veiller à ouvrir et fermer très progressivement les boîtes expressives, avec un maximum d'amplitude et de précision. / Contemporain / Etude / Orgue
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The Complete Organ Player - Book 2
Organ
[Sheet music]
Amsco Wise Publications
Orgue / Clavier / Amsco Wise
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2 Esquisses (BESINGRAND FRANCK)
Français
Organ
[Sheet music]
Combre
Par BESINGRAND FRANCK. Franck Besingrand, né en 1956 à Bordeaux, a étudié au...
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Par BESINGRAND FRANCK. Franck Besingrand, né en 1956 à Bordeaux, a étudié au Conservatoire National de Région de Toulouse. Après des études complètes, il obtint des récompenses, en particulier le Prix de composition. Organiste, il se distingue par des récompenses à des concours internationaux (Manchester, Paris : Prix Honneur de l'UFAM). Il se perfectionne auprès de grandes personnalités musicales tant en France qu'au Canada (Jean Guillou, Francis Chapelet, Henk Bouman...). Titulaire du certificat d'aptitude à l'enseignement musical des aveugles et mal-voyants, du diplôme d'état en instruments anciens, il enseigne à l'Institut des Jeunes Aveugles de Toulouse puis à l'Ecole Nationale de Musique du Tarn. Actuellement professeur d'orgue au Conservatoire de Rodez, il poursuit une carrière d'organiste et de compositeur. Plusieurs de ses esquisses pour orgue ont été sélectionnées au Concours de Composition de Martigues (2005). Il a publié Eclairs d'aube aux Editions Combre en 1995. Sa discographie comprend 5 cd, dont Splendeur de l'orgue en fête au XVllle siècle, unanimement salué par la presse musicale. Il donne régulièrement des concerts en France et à l'étranger (dont le Canada). / classique / Répertoire / Orgue
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Gliozzi M./ Simon D. - L'orgue Aux Milles Saveurs Vol.3
Français
Organ
Editions Buissonnieres
Les claviéristes gourmets se régalent ! Anthologie de pièces pour orgue (ou ...
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Les claviéristes gourmets se régalent ! Anthologie de pièces pour orgue (ou clavier) Comprenant une partie méthode pour pédalier, une partie pédagogique sur l'harmonie au clavier, et quelques pièces d'orgue à 4 mains et de musique d'ensemble. Recueil de 360 pages en 2 volumes Format 22,5 x 32 cm, couverture pelliculée Complément : livret relié de parties séparées pour la partie Musiques d'ensemble Ecrit par Marta Gliozzi et Damien Simon, professeurs d'orgue en conservatoire. Notre apprenti-cuisinier-organiste continue à explorer des matériaux musicaux dans divers styles, découvrant les différentes saveurs esthétiques des pays européens : dans ce deuxième volume, les auteurs poursuivent leur démarche pédagogique, en renouvelant l?approche de la formation de l?organiste. Élèves avec professeur, professeurs avec élèves, élèves avec amis, les pièces de musique d?ensemble et les pièces à 4 mains sont pensées pour vous ! Alors, bonne cuisine à tous, avec patience, écoute attentive de soi et de l?autre, rigueur et surtout amour de tout ce que vous faites ! Bonne dégustation ! Dans ce recueil : ? Chansons populaires, Noëls, Chorals. ? Chants grégoriens, mélodies populaires
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Nicolas-Jacques Lemmens: Fanfare: Organ: Instrumental Work
Organ
[Sheet music]
Novello & Co Ltd.
Lemmens’s Fanfare in D is frequently performed and recorded. The thrillin...
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Lemmens’s Fanfare in D is frequently performed and recorded. The thrilling dynamic contrasts mark it as a piece of his era while the continuous semiquavers in the right hand owe much to the work of Lemmens’s musical hero J S Bach.Jaak Nikolaas [Jacques Nicolas] Lemmens was a Belgian Organist and composer of the 19th century. He was widely acknowledged to be the best Organist of his time with particularly beautiful legato and pedal technique some of which can be discerned from his compositions for his work Organ School where this fanfare first appeared. He was instrumental in bringing the works of Bach to France and Belgium and was influential as an educator.
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Pièces D'Orgue Consistantes En Deux Messes. Messe Propre 'Pour Les Couvents De Religieux Et Religieuses.'
Organ
Martin, Robert
Edition : Manuscrit 1038 (Carpentras), 1690Fac-similé du seul exemplaire connu ...
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Edition : Manuscrit 1038 (Carpentras), 1690Fac-similé du seul exemplaire connu de la copie que Couperin destinait à la vente. La préface comporte une comparaison détaillée de ce document avec le manuscrit de Versailles.Préface de : Philippe Lescat : notice bibliographiqueJean Saint-Arroman : agrémentation, manques, liaisons, altérations ajoutées, rythme, altérations, graphisme / Orgue / 64 pages / niveau : 1 / Fac-Similés - Format: 22 X 31
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William Bolcom: Complete Gospel Preludes: Organ: Instrumental Album
Organ
[Sheet music]
Edward B. Marks Music Company
This edition for advanced organists corrects and combines all of Bolcom's gospel...
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This edition for advanced organists corrects and combines all of Bolcom's gospel preludes. Includes new program notes.
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Heathcote Statham: Rhapsody On A Ground Organ: Organ: Instrumental Work
Organ
[Sheet music]
Novello & Co Ltd.
Heathcote Dicken Statham (1889-1973) was a British organist composer and conduc...
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Heathcote Dicken Statham (1889-1973) was a British organist composer and conductor of international renown. His best-known work is the 1944 magnum opus Rhapsody On A Ground for solo Organ.Statham studied at Gonville and Caius College Cambridge and the Royal College of Music in London. He then become organist at Calcutta Cathedral and later Norwich Cathedral where he stayed for almost 40 years. He also conducted the London Symphony Orchestra throughout the Second World War earning a reputation for musicianship of the highest standard.
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Nicolas-Jacques Lemmens: Grand Fantasia: The Storm In E Minor For: Organ:
Organ
[Sheet music]
Novello & Co Ltd.
The Grand Fantasia (The Storm) uses the drama of a physical storm to represent a...
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The Grand Fantasia (The Storm) uses the drama of a physical storm to represent an emotional one. The opening ominous chords lead to thundering chords and a programmatic representation of a storm that could fill every corner of a cathedral with reverberation. The storm is quelled by a Chorale section entitled ‘Prayer’ followed by a swelling finale of grandeur and peace.Jaak Nikolaas [Jacques Nicolas] Lemmens was a Belgian Organist and composer of the 19th century. He was widely acknowledged to be the best Organist of his time with particularly beautiful legato and pedal technique some of which can be discerned from his compositions for his work Organ School. He wasinstrumental in bringing the works of Bach to France and Belgium and was influential as an educator.
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Johann Sebastian Bach: Complete Organ Works - Volume 4: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Toccaten und Fugen/Einzelwerke - mit CD-ROM-Bach: Complete Organ Works Vol. 4 - ...
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Toccaten und Fugen/Einzelwerke - mit CD-ROM-Bach: Complete Organ Works Vol. 4 - Toccatas (And Fugues) contains the famous D-minor Toccata BWV 565. The editor of this volume the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this book is the Canzona in d BWV 588. Written before 1707 this early work is found in a contemporary copy by Johann Gottlieb Preller with embellishments fingerings and a closing cadenza; this version is printed in the Appendix.The enclosed CD-ROM* contains early versions further ornamented versions and pieces that can clearly no longer be attributed to Bach.*Important Note for MAC usersThe version of the Edirom program delivered on CD can only run on Apple computers under the current operating system Mac OS X 10.6 (Snow Leopard).The installation of the Bach volume on Intel-based 64-bit-capable processors with Mac OS X 10.5 (Leopard) systems is only possible with an update which you can download here (c. 150 KB).Due to outdated Java versions older operating systems (Mac OS X 10.4 Tiger) unfortunately cannot be supported.
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The Complete Organ Player - Book 5
Organ
[Sheet music]
Amsco Wise Publications
Orgue / Clavier / Amsco Wise
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Felix Mendelssohn Bartholdy: Complete Organ Works Volume III: Organ:
Organ
[Sheet music]
Novello & Co Ltd.
Mendelssohn produced an early work for Organ in 1837 but it was a London music ...
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Mendelssohn produced an early work for Organ in 1837 but it was a London music publishing firm who commissioned the first of his mature Organ works. The second half of the commissioned pieces are published in this volume. Mendelssohn himself saved all his manuscripts and they have survived in libraries in Berlin and Krakow providing the subtitle of this book.Eleven movements are included here all written in 1844 and 1845. What were originally commissioned as ‘Voluntaries’ were changed at the composer’s request to ‘Sonatas’. Whether one considers these movements as drafts and sketches or as distinct musical entities in their own right the works are not identical tothe final printed versions. For those who appreciate or study the Mendelssohn Organ oeuvre this volume is of immense interest.While the Organ never completely fell from grace as the instrument of church and religious music it is the editor’s belief that in the century dividing JS Bach from these works of Mendelssohn fashion and church practice had greatly diminished its importance and few works of real note were produced. Mendelssohn was introduced to the Organ early in his prodigious career and found a warm audience for his Organ performances in Engand to which he returned nine times over nearly twenty years.
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Complete Organ Works Vol.3
Organ
Novello & Co Ltd.
Mendelssohn produced an early work for Organ in 1837, but it was a London music ...
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Mendelssohn produced an early work for Organ in 1837, but it was a London music publishing firm who commissioned the first of his mature Organ works. The second half of the commissioned pieces are published in this volume. Mendelssohn himself saved all his manuscripts and they have survived in libraries in Berlin and Krakow, providing the subtitle of this book.Eleven movements are included here, all written in 1844 and 1845. What were originally commissioned as 'Voluntaries' were changed at the composer's request to 'Sonatas'. Whether one considers these movements as drafts and sketches or as distinct musical entities in their own right, the works are not identical to the final, printed versions. For those who appreciate or study the Mendelssohn Organ oeuvre, this volume is of immense interest.While the Organ never completely fell from grace as the instrument of church and religious music, it is the editor's belief that in the century dividing JS Bach from these works of Mendelssohn, fashion and church practice had greatly diminished its importance and few works of real note were produced. Mendelssohn was introduced to the Organ early in his prodigious career and found a warm audience for his Organ performances in Engand, to which he returned nine times over nearly twenty years. / Orgue
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Johann Sebastian Bach: Oeuvres Complètes Pour Orgue Volume 6: Organ: Score
Organ
Leduc, Alphonse
4 Concertos 2 Trios et Pièces Diverses-As one of the most famous contributor...
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4 Concertos 2 Trios et Pièces Diverses-As one of the most famous contributors to classical music ever to have lived Johann Sebastian Bach's (1685-1750) catalogue is extensive. Moreover being an organist himself his Organ works are significant and remain ever-popular to this day. When French organist Marcel Dupré (1886-1971) compiled the series of Bach's Complete Organ Works it was well-received and to this day remains popular with all organists. The fourth volume includes a favoured selection of Bach's four concertos two trios and his Diverse Pieces. In addition Dupré's annotations in CompleteOrgan Works comprise fingerings rules on technique and instructions on ornamentation among other aspects. This compilation of J. S. Bach's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.
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