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Organ
HARP
Piano solo
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Carl Czerny: Selected Piano Studies (Edizione Italiana): Piano: Instrumental
Italiano
Piano solo
Volonte and Co
The majority of works by Czerny are confusing to most Piano academics. Out of th...
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The majority of works by Czerny are confusing to most Piano academics. Out of these the following are still the classics: Op. 139 261 299 335 337 355 365 453 553 599 636 718 740 755 802 821 823 834 et 849. Each one of these volumes contains numerous exercises some contain more than a hundred. It is of course impossible for aspiring pianists to study them all and it is difficult for Piano teachers to sort them out and organise them into the ones that could be the most interesting in a logical and progressive way.This is exactly what Heinrich Germer has tried to do. Germer an outstanding teacher and German pianist was born in Sommerdorfin 1839 and died in Dresde in 1913. He was 18 years old when Cerny died at the age of 66 years. Germer had great luck in knowing the first generation of pianists he was studying and saw the need to reorganise this huge quantity of didactic material. Germer's success was down to the fact that his systematic organisation of Czerny's work split into three volumes continues to be the three used by contemporary piano teachers. Germer did not make hardly any changes to Czerny collections. And there is more - he adds dynamic text for phrasing and pedals so that there is more musicality in the books making the exercises more enjoyable to play. He changes some archaic armatures for more modern ones. He revises Czerny's method on regrouping notes by placing bar values making reading rhythms a lot easier. He corrected numerous printing errors. In the longest pieces he adds capital letters to indicate the beginning of each movement same or part period which helps pupils to know blocks it would be better for him to practise. The revision work undergone by Germer introduces order and the results obtained for the Piano teachers that use them are very satisfying.
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Olivier Messiaen: Les Fauvettes de l'Hérault - Concert des Garrigues: Piano:
Piano solo
Leduc, Alphonse
Around 1960 Olivier Messiaen began a large-scale concerto based on the birds of...
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Around 1960 Olivier Messiaen began a large-scale concerto based on the birds of the Hérault region (?Oiseaux de l?Hérault?) for piano various soloists and orchestra. Although the project remained unfinished the solo piano part was quite developed. The Olivier Messiaen Foundation entrusted Roger Muraro a renowned interpreter of Messiaen?s piano works with organizing the sketches and manuscripts found in the composer?s archives. This new publication emerged from Muraro?s research. The study that opens the volume describes his methods in detail discussing among other issues the relationship of this work to the later Sept Haïkaï. Richly illustrated with a number of facsimiles musical examples and photographs Muraro?s introduction retraces the origins and historic context of the work invites the reader to enter the composer?s workshop and offers suggestions for performance. Fauvettes de l?Hérault ? Concert des garrigues for solo piano is a ?concerto without orchestra? that blends reference to Claude Debussy a thinly veiled homage to Yvonne Loriod new birdsong from the Hérault region and the vast palette of rhythm timbre and colour that are typical of Olivier Messiaen?s musical universe. Around 1960 Olivier Messiaen began a large-scale concerto based on the birds of the Hérault region (?Oiseaux de l?Hérault?) for piano various soloists and orchestra. Although the project remained unfinished the solo piano part was quite developed. The Olivier Messiaen Foundation entrusted Roger Muraro a renowned interpreter of Messiaen?s piano works with organizing the sketches and manuscripts found in the composer?s archives. This new publication emerged from Muraro?s research. The study that opens the volume describes his methods in detail discussing among other issues the relationship of this work to the later Sept Haïkaï. Richly illustrated with a number of facsimiles musical examples and photographs Muraro?s introduction retraces the origins and historic context of the work invites the reader to enter the composer?s workshop and offers suggestions for performance. Fauvettes de l?Hérault ? Concert des garrigues for solo piano is a ?concerto without orchestra? that blends reference to Claude Debussy a thinly veiled homage to Yvonne Loriod new birdsong from the Hérault region and the vast palette of rhythm timbre and colour that are typical of Olivier Messiaen?s musical universe.
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THE ALEXANDER SILOTI COLLECTION
Piano solo
Carl Fischer
One of the least known of the great Russian pianists of the late 19th and early ...
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One of the least known of the great Russian pianists of the late 19th and early 20th Centuries, Alexander Siloti (1863-1945) was one of the most influential and progressive. As a concert promoter, he introduced the music of dozens of composers to the Russian public in the famous Siloti Concerts of 1903-1917, including Albeniz, Debussy, de Falla, Delius, Elgar, Enesco, Mahler and Schoenberg. A student of Liszt (and one of the teachers of Rachmaninoff), Siloti is a central figure in the development of the great age of the piano virtuoso. As with many of his colleagues, transcribing and arranging existing music for the piano was a major part of Siloti's activity, and since he madeno recordings, his published transcriptions are one of the few existing keys we have to his musical taste and philosophy. In an extended biographical essay, Dr. Charles Barber explores this issue and writes cogently about the style and influence of this remarkable man. The Alexander Siloti Collection is dominated by Siloti's remarkable transcriptions and arrangements of the music of J.S. Bach, notable particularly for their pianistic character and faithfulness to the unique genetic code of Bach's design. Some of the Bach works included are: Prelude in B Minor, BWV855a, Gigue from Suite in Bb Major, Chaconne in D Minor, the Organ Preludes in E Minor and G Minor and the celebrated Toccata and Fugue in D Minor, BWV 565. Music by Gluck, Mozart and Chopin is also contained in this generous compilation of pianistic wizardry. This addition to The Master's Collection is likely to be one of the most talked about piano folios of the year. (288 pages, smythe sewn binding).Prelude in B MinorAdagioAirChaconne in D MinorGigueAndanteFantasia in C MinorOrgan Prelude in E MinorParaphraseOrgan Prelude in G MinorPreludePrelude from Cantata No. 29Prelude from Cantata No. 35SicilianoToccata and Fugue in D MinorMelodyVariationsVariations in F MajorEtude No. 25 in F MinorScherzo in B-flat MinorAu bord d'une sourceAu lac de WallenstadtConsolation No. 3 in D-flat MajorConcert Etude in D-flat MajorSposalizioIl PenserosoSursum CordaLe cygneHumoresqueTheme original et variationsA Song of IndiaFour Russian Folk SongsFour Russian Folk SongsFour Russian Folk SongsTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesNo. 3. On the Beautiful Blue DanubeTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesEtude in C-sharp MinorPoemeRomanzePrelude in G-sharp Minor / Piano / Carl Fischer
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Nocturnes Recueil N01 A 8 Piano (FAURE GABRIEL)
Piano solo
[Sheet music]
Hamelle
Par FAURE GABRIEL. Gabriel Faure 's Nocturnes, nos. 1-8. Gabriel Faure was born ...
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Par FAURE GABRIEL. Gabriel Faure 's Nocturnes, nos. 1-8. Gabriel Faure was born in Pamiers (Ariège) on 12 May 1845. Owing to his precocious musical gifts, he was able, at the age of nine, to enter the celebrated Niedermeyer School, founded in Paris to train organists and choirmasters. For about ten years he received instruction of great quality, centred mainly on the study of sacred music and the great classic masterpieces, into which he was initiated notably by Camille Saint-Saë ns, his Piano teacher. As soon as he left the school, Faure began a brilliant career as an organist. In 1896 he succeededTheodore Dubois as an organist at the Church of the Madeleine in Paris, and was appointed professor of composition at the Conservatory, where his pupils included Ravel, Koechlin, Enesco and Schmitt. Meanwhile, he had met Liszt in Weimar and had been initiated into Wagner's art, which, however, never really influenced him. Appointed director of the Conservatory in 1905 after Theodore Dubois' resignation, a member of the French Institute and music critic, Faure spent his last years in solitude, suffering from an irreversible deafness that obliged him to resign from the Conservatory in 1920. He died in Paris on 4 th November 1924. The music of this sometimes misunderstood composer who wrote in nearly all genres (except Organ music) is of great refinement. An enemy of bombast, Faure put his elegant counterpoint, a highly individual harmonic style, unpredictable turns of phrase, and the secret of an unusual musical sensitivity at the service of music that is both varied and of very high quality./ Répertoire / Piano
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Gabriel Fauré: Nocturnes For Piano Nos.1-8: Piano: Instrumental Album
Piano solo
Hamelle
Gabriel Fauré's Nocturnes nos. 1-8. Gabriel Fauré was born in Pamiers (Arièg...
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Gabriel Fauré's Nocturnes nos. 1-8. Gabriel Fauré was born in Pamiers (Ariège) on 12 May 1845. Owing to his precocious musical gifts he was able at the age of nine to enter the celebrated Niedermeyer School founded in Paris to train organists and choirmasters. For about ten years he received instruction of great quality centred mainly on the study of sacred music and the great classic masterpieces into which he was initiated notably by Camille Saint-Saëns his Piano teacher. As soon as he left the school Fauré began a brilliant career as an organist. In 1896 he succeededThéodore Dubois as an organist at the Church of the Madeleine in Paris and was appointed professor of composition at the Conservatory where his pupils included Ravel Koechlin Enesco and Schmitt. Meanwhile he had met Liszt in Weimar and had been initiated into Wagner’s art which however never really influenced him. Appointed director of the Conservatory in 1905 after Théodore Dubois’ resignation a member of the French Institute and music critic Fauré spent his last years in solitude suffering from an irreversible deafness that obliged him to resign from the Conservatory in 1920. He died in Paris on 4 th November 1924. The music of this sometimes misunderstood composer who wrote in nearly all genres (except Organ music) is of great refinement. An enemy of bombast Fauré put his elegant counterpoint a highly individual harmonic style unpredictable turns of phrase and the secret of an unusual musical sensitivity at the service of music that is both varied and of very high quality.
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Patrick Burgan: Chrysalides: Electric Keyboard: Instrumental Work
Piano solo
Leduc, Alphonse
Published in 2014 the Chrysalides for piano by Patrick Burgan (born in 1960) ar...
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Published in 2014 the Chrysalides for piano by Patrick Burgan (born in 1960) are the product of a commission by the Epinal International Piano Competition which included the ten-minute piece in the programme of its March 2015 edition. The initially somewhat enigmatic tagline of these Chrysalides which translates as “imaginal variations for piano” is in fact an organistic metaphor the chrysalid being the intermediary stage between the caterpillar and the butterfly’s final form the imago. Following the path of this metamorphosis Burgan’s imaginalvariations start with chaos (pre-birth) and undergo all the evolutionary stages which gradually clarify the image of the theme – the imago whose calm appeased and completed form we only discover at the very end. The listener perceives an inversed theme and variations in terms of structure but is also faced with the poetical evocation of a birth. Revealing the secrets of the metamorphosis through a musical language highly charged with sensuality this piece is a celebration of life.
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Der Jakobiner. Oper In Drei Akten (DVORAK ANTONIN)
Piano solo
[Sheet music]
Alkor
Par DVORAK ANTONIN. Arranged for congregational singing with accompaniments for ...
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Par DVORAK ANTONIN. Arranged for congregational singing with accompaniments for Organ and Brass Quartet(Two Trumpets, Two Trombones). Includes: Jesus Christ Is Risen Today Easter Hymn/Lyra Davidica/Worgan He Is Risen! He Is Risen Neander/Unser Herrscher The Strife Is O'er Victory/Palestrina Parts include: Trumpets I and II Trombones I and II Note: Purchase of Parts Packet entitles purchaser to duplicate copies of instrumental parts - for purchaser's needs only - as necessary for rehearsal and performance./ Répertoire / Piano
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Mosaic Pictures for Piano
Piano solo
[Sheet music]
Barenreiter
Par SZATHMARY ZSIGMOND. The powerful intensity of colour and expressiveness of t...
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Par SZATHMARY ZSIGMOND. The powerful intensity of colour and expressiveness of the mosaic images in the apse and altar area of the late antique church of San Vitale (from the 6th century) in Ravenna made a lasting impression on Zsigmond Szathmáry. The fascination of how imposing images emerge from tiny, luminous mosaic cubes and vividly tell the biblical stories inspired the composer to write his piano piece: 'In my composition, I tried to follow this path: to organise the smallest coloured and angular glass cubes ? that is, the smallest coloured and angular musical miniature events ? in such a way that they constantly grow and finally culminate in a tangible musical statement.' Despite this seemingly archaic procedure, the composer wants his piece to be understood as a continuation of the virtuoso piano music tradition of the 19th and 20th centuries. The 'Mosaikbilder ? (Mosaic Pictures) are dedicated to the great Hungarian pianist Zsoltán Kocsis, for whom they were written in 2012 / Date parution : 2023-07-31/ Recueil / Piano
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Nancy Faber Randall Faber: Level 1 - Lesson Book CD - 2nd Edition: Piano:
Piano solo
[Sheet music + CD]
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Beginner
Faber Piano Adventures
2nd Edition-Piano Adventures - Level 1 continues the intervallic orientation to ...
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2nd Edition-Piano Adventures - Level 1 continues the intervallic orientation to reading across the full range of the Grand Staff. The 5-finger position approach is presented here in a fresh musically appealing way.This lesson book organises materials into units which represent major concepts and skills and revises and reinforces concepts introduced earlier. The pieces represented in this book also cover a range of styles.This method truly brings a sense of adventure to learning the piano and encourages and motivates studentâ??s to learn with its diverse range of repertoire and resources. CD of backing tracks with orchestrations by Edwin McLean.
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Noah Baerman: Big Book Of Jazz Improvisation: Piano: Instrumental Tutor
Piano solo
[Sheet music + CD]
Alfred Publishing
Outstanding jazz performer and eduactor Noah Baerman has made a major contributi...
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Outstanding jazz performer and eduactor Noah Baerman has made a major contribution to the field of jazz piano with The Big Book Of Jazz Piano Improvisation. By Organising topics into three main categories - scales modes and other source material; practical application; and conceptual issues - Baerman's approach develops the skills you need to channel your improvisational techniques into great solos. Complex subjects are taught with an engaging and friendly style so topics such as patterns and rhythmic displacement are easy and enjoyable to learn.
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Bach E Debussy
Piano solo
Ricordi
This volume, by Barbara Malipiero, provides two studies edited by Riccardo Malip...
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This volume, by Barbara Malipiero, provides two studies edited by Riccardo Malipiero in 1948 on Bach and Debussy.These are both significant works, as they take us back to the 'real' music and lives of these two composers, misunderstood so far.Riccardo Malipiero (Milan, 24th July 1914 - 27th November 2003) was a versatile man: a composer and intellectual with an interest in all areas of culture, not just music, he was a journalist and essayist, and one of the first promoters of dodecaphonic music. He produced a large body of works for chamber and symphonic orchestra. He played a leading role in theatre and vocal music. He was one of the most active organisers of cultural events in the immediate post-war period, including the First International Congress of Dodecaphonic Music, held in Milan in 1949.Italian text. / Piano
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Borodine, Alexandre : Danse Polovtsienne n°17 (Collection Anacrouse)
Français
Piano solo
[Sheet music]
EBR Editions Bourges
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix...
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d??uvres classiques, allant de la Renaissance à l?époque moderne.
Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d?une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l?unité, a fait l?objet d?un travail éditorial attentif, tant sur le plan de l?établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces ?uvres.
Les partitions sont proposées sous la forme d?ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.
Créées à Saint-Pétersbourg, en version de concert sous la direction de Rimski-Korsakov, les Danses polovtsiennes d?Alexandre Borodine font partie des pièces les plus célèbres du compositeur russe.
Dans l?opéra Prince Igor, cette scène achève le deuxième acte : le khan polovtsien emprisonne le prince Igor et afin de distraire ce dernier, organise des danses auxquelles participent de jeunes esclaves.
La danse n°17 est également connue sous le nom de danse des jeunes filles aux mouvements ondulants. / Classique / Partition / Agrafé /
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Matz Carol - A Night At The Symphony Piano - Piano Solo
Piano solo
Alfred Publishing
A Night at the Symphony takes piano students on a fascinating journey into th...
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A Night at the Symphony takes piano students on a fascinating journey into the exciting world of orchestral music. Along with early-intermediate to intermediate piano arrangements of favorite orchestral themes, it includes instructions for organizing a symphony-themed recital, information on the basics of the orchestra, an explanation of symphonic terms, highlights of orchestral history and more. Seven timeless orchestral pieces are explored. The unit on each piece includes: a piano arrangement by Carol Matz, interesting background information on the composition and its form, a biography of the composer, and a fun activity page by Bernadine Johnson. 56 pages. Unit titles and arrangements: Spring (from The Four Seasons ) * Eine Kleine Nachtmusik * Surprise Symphony * Symphony No. 5 * Morning Mood (from Peer Gynt Suite ) * 1812 Overture * Rhapsody in Blue.
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Joseph Jongen: Premiere Etude De Concert (Piano): Piano: Instrumental Work
Piano solo
Bosworth
Premiere Etude De Concert in B minor was the first of three works for solo Piano...
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Premiere Etude De Concert in B minor was the first of three works for solo Piano published in 1920 as the composer’s Opus 65. The suite was dedicated to the Ukrainian pianist Alexander Brailowsky who is best remembered for his virtuosic interpretation of Chopin’s complete works. Joseph Jongen (1873-1953) was a Belgian organist and composer. A precocious talent he was admitted to the Liege Conservatory at the age of 7 studying Fugue Piano Composition and Organ. He began writing music at the age of 13 and eventually composed over 200 works though some were later destroyed. His Symphonie Concertante is considered by many to be amongthe greatest works ever written for Organ and Orchestra.
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Roux-Jan: Let's Play Jazz 1: Electric Keyboard: Mixed Songbook
Italiano
Piano solo
[Sheet music + CD]
Carisch
A selection of jazz pieces arranged for Keyboard and Guitar (both chord symbols ...
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A selection of jazz pieces arranged for Keyboard and Guitar (both chord symbols and tablatures are included). For every piece you will find three versions: A simplified version: with the melody in the right hand and an easy accompanying line in the left hand (for beginners) A version for organ: with the melody in the right hand chords in the left and bass line for the pedal a version for solo piano for use with the piano or keyboard (medium difficulty) VOICE: It is possible to use the version contained in the CD for singing the pieces. The texts are found in the sheets inserted at the end of the volume and themelodies are given in the keyboard parts (right hand) GUITAR: All the guitar boxes for the chords are given in the single sheets inserted at the end of the volume. The sheet for each piece contains besides the guitar chords the text and a table with the melodic line (right hand) of the keyboard versions. OTHER INSTRUMENTS: It is also possible to play the melody parts or to improvise with other instruments such as flute violin etc. It should be noted that for instruments such as the clarinet or the saxophone the melodies will have to be transposed. A bass can be added to the group playing from the pedal part of the organ versions.
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Suzanne W. Guy Tonya M. Holland: Wit and Wisdom from the Piano Bench: Piano:
Piano solo
Faber Piano Adventures
50 Witty and 50 Wise Ways to Inspire Aspiring Musicians-In this delightful book ...
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50 Witty and 50 Wise Ways to Inspire Aspiring Musicians-In this delightful book of reflections Suzanne Guy shares witty sayings and wise truths gathered over 45 years of teaching piano. From daily chuckles to profound thoughts the rich imagery and concepts presented here sparkle like musical gems offering the perfect dose of inspiration. About the Author: Suzanne Guy has presented workshops and master classes at colleges conventions and professional organizations throughout the United States. Guy holds the MTNA Master Teacher Certificate and was also selected to be a Mobil Ambassador teacher at the ninth Van Cliburn Competition. Guy holds a degree in piano performance from Agnes Scott College and taught piano pedagogy at bothPeabody Conservatory and George Mason University.
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H. Walford Davies: Solemn Melody (Piano): Piano: Instrumental Work
Piano solo
[Sheet music]
Novello & Co Ltd.
Solemn Melody was originally scored for Organ and Strings and later adapted by t...
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Solemn Melody was originally scored for Organ and Strings and later adapted by the composer for full Orchestra. There also exists a concert band arrangement and one for solo Organ. H. Walford Davies was a composer and musical director at the University of Wales as well as Organist at among others Temple Church where his student Leopold Stokowski (later one of the leading conductors of the 20th century) assisted him. Davies is best remembered for this work and for the march ‘RAF March Past’. Davies also did much to educate the public about serious music through radio programmes and his writings.
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Practicing the Piano: Piano: Instrumental Tutor
Piano solo
[Sheet music]
Hal Leonard
In Practicing the Piano Nancy O'Neill Breth offers a broad selection of practic...
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In Practicing the Piano Nancy O'Neill Breth offers a broad selection of practice tips with musical examples to help students of all ages find imaginative solutions to pianistic problems. The book explores how to: organize practice time; map music before Practicing to uncover the musical terrain that lies ahead; use practice time effectively from the first reading through performance; develop fluency with accuracy; polish and memorize a piece; and lay the foundation for confident performance. Practicing the Piano is a handbook of practice techniques. Teachers can use it to reinforce and augment their own ideas on practising. Parents will find a wealth ofideas for guiding their children's practice sessions. Students young and old will discover how to make each practice session count. Using the book's wide range of practice tips not only improves a pianist's skills but also adds adventure and enjoyment to the process of mastering a piece.
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Piano Concerto Chiavi in Mano: Piano: Instrumental Album
Piano solo
[Sheet music]
Associated
'The idea for a Piano concerto for the Boston Symphony was instigated by Robert ...
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'The idea for a Piano concerto for the Boston Symphony was instigated by Robert Levin the great Mozart scholar and Pianist. The idea was evidently embraced by BSO Artistic Administrator Tony Fogg and supported by MusicDirector James Levine. Much of the concerto was composed during the summer of 2004 at the American Academy in Rome in a secluded studio hidden within the Academy walls. While much of the composing took place farfrom home the concerto comes out as a particularly “American” piece shot through with vernacular elements. As in many of my compositions simple familiar musical ideas are the starting point. A shape a melodicfragment a rhythm a chord a texture or a sonority may ignite the appetite for exploration. How such simple insignificant things can be altered elaborated extended and combined becomes the exciting challenge ofcomposition. I also want the finished work to breathe in a natural way to progress spontaneously organically moving toward a transformation of the musical substance in ways unimaginable to me when I began thejourney. Transformation is the goal with the intention of achieving an altered state of perception and exposure that I am otherwise unable to achieve. “Chiavi in mano” – the title of the concerto – is themantra used by automobile salesmen and realtors in Italy: Buy the house or the car and the keys are yours. But the more pertinent reason for the title is the fact that the piano writing is designed to fall “under thehand” and no matter how difficult it may be it remains physically comfortable and devoid of stress. In other words: 'Keys in hand.'' - Yehudi Wyner December 13 2004
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John W. Schaum: Jewish Folk & Holiday Songs: Piano: Instrumental Album
Piano solo
Schaum Publications
NFMC 2016-2020 Piano Hymn Event Class I Selection-These revered Jewish folk and ...
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NFMC 2016-2020 Piano Hymn Event Class I Selection-These revered Jewish folk and holiday songs have been simplified so that they are easily playable by most students. Respectful arrangements retain the traditional characters of the music. This collection is intended for all types of youth and adult Jewish organizations clubs and groups. The selections are mainly in Hebrew in either the Ashkenazic or the Sephardic dialect. There are a few songs in Yiddish and English. The vocal ranges of the melodies are in suitable keys for group singing. 21 songs including: Adon Olam - Chauka Song - Eli Eli - Hatikvah - Hava Nagila - Shalom Chaveyreem - Zum Gali Gali - and more.
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Johann Sebastian Bach: French Suite No. 2 In C Minor: Piano: Instrumental Work
Piano solo
[Sheet music]
Edwin Ashdown
J. S. Bach (1685-1750) was a German Baroque composer who is revered for the orig...
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J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster he was familiar with many different keyboard instruments. He used this knowledge when composing his six French Suites in 1722-1725.French Suite No.2 in C Minor (BWV813) is a collection of sevenshort dance-style pieces for solo Piano Harpsichord or Clavichord.This popular edition from the highly-regarded musicologist Orlando Morgan is designed with the performer in mind and is still seen as the bestedition available for students today. It includes phrasing fingering and annotations.
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Brun, Jérémy / Reynaud, Armand : Kenny Barron : The book - Relevés et Analyses
Français
Piano solo
[Sheet music]
Lemoine, Henry
Transcriptions et analyses par Armand Reynaud et Jérémy Brun
Je su...
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Transcriptions et analyses par Armand Reynaud et Jérémy Brun
Je suis honoré d'écrire quelques mots à propos d'un des plus grands pianistes, Kenny Barron. Il a été une figure importante de la scène New Yorkaise durant quarante ans et il fait partie de l'élite des pianistes de jazz dans le monde.
J'ai tout d'abord rencontré Mr Barron en 1977 dans un haut lieu du duo piano/basse, au Bradley's, dans Greenwich Village. Je l'ai entendu à Cincinnati (dans la ville où j'habitais) en 1974 avec le Quartette de Yusef Lateef et fus très impressionné. Au Bradley's, il était chaleureux et a été très encourageant avec moi, pianiste de 21 ans récemment arrivé à Big Apple (New York). Le moment venu, il me laissa m'asseoir avec son bassiste, le grand Buster Williams - ce fut un réel plaisir.
Lorsque j'ai commencé à réaliser des CD pour le bénéfice de Classical Action : Performing Arts Against AIDS, dans le début des années 90, je lui ai demandé de participer au second enregistrement Fred Hersch and Friends : The Duo Album en jouant un duo avec moi. Cette organisation collecte des fonds vraiment nécessaires pour les services de personnes atteintes du Sida et la prévention. Kenny, sans attendre, donna de son temps et joua magnifiquement. Il apparaît aussi sur le disque suivant, The Richard Rodgers Centennial Solo Jazz Piano Album .
Nous avons également joué à deux pianos à New York au Town Hall et deux fois au Jazz Standard, pour mon plus grand plaisir. C'est un partenaire merveilleux et compréhensif, disposé à tout essayer. Bien qu'il soit difficile de l'identifier, et je ne veux le mettre dans aucune sorte de boîtes, je perçois son style comme étant en grande partie influencé par McCoy Tyner (les lignes longues et claires) et Tommy Flanagan (le phrasé et l'utilisation de l'espace). Il a réussi à obtenir le statut rare de maître du jazz par la vertu de sa longévité, sa profondeur et sa musicalité. Nous partageons tous les deux une passion pour la musique de Monk, Strayhorn et de l'American Popular Songbook et nous sommes tous les deux de grands partisans de l'idée de rendre ce que nous avons absorbé en enseignant aux jeunes pianistes et en devenant leurs mentors.
En plus, il a une personnalité chaleureuse et engageante - il est d'un grand soutien, a un grand sens de l'humour et une attitude posée. Je suis très heureux que ce livre puisse apporter un éclairage sur le parcours du pianiste Kenny Barron - je suis sûr que cela sera d'une grande valeur musicale et historique pour tous ceux qui suivent l'évolution du piano jazz. / Jazz / Partition /
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STADTFELD MARTIN - PIANO SONGBOOK
Piano solo
SCHOTT
L'édition officielle des partitions de l'album du même nom « Piano Songbook ...
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L'édition officielle des partitions de l'album du même nom « Piano Songbook » chez Sony Classical. Elle contient des arrangements et des fantaisies sur des œuvres populaires, du baroque au romantisme, ainsi que des compositions originales de Martin Stadtfeld. Niveau de difficulté facile à intermédiaire - idéal pour les jeunes et ceux qui se remettent au piano.
« Les œuvres rassemblées dans ce volume m'ont accompagné toute ma vie. Dans des périodes difficiles, cette musique m'apporte du réconfort et de la certitude.
Les arrangements sont en partie libres et subjectifs, distillant ce qui est essentiel pour moi. La devise était : le moins de notes possible. C'est également ce que je revendique pour mes dix propres compositions dans la troisième partie. Ainsi, la plupart des pièces peuvent être jouées dans des cours de piano. Même ceux qui se remettent au piano après une longue période peuvent commencer avec ces pièces. Je souhaite que beaucoup de gens, lorsqu'ils les joueront, ressentent ce que j'ai ressenti lorsque j'ai écrit ce volume : contemplation, approfondissement, force intérieure. »
(Martin Stadtfeld)
Part I, 10 piano songs after Händel, Bach, Beethoven and Schumann: I Hymn (after Händel’s “Zadok the Priest”)
II Never alone (after Bach’s “Bist Du bei mir”)
III Shepherd’s song (after Bach’s “Schafe können sicher weiden”)
IV Nature song (after Beethoven’s “Pastorale”)
V Organ piece I (after Bach’s “Toccata in C”)
VI Study (after Schumann’s “Die Rose, die Lilie, die Taube, die Sonne“)
VI Organ piece II (after Bach’s “Sonata No. 5”)
VIII Choral (after Schumann’s “Aus meinen Tränen sprießen”)
IX Siciliano (after Bach’s “Erbarme Dich”)
X Hymn II (after Händel’s “Zadok the Priest”)
Part II, 10 piano songs after Bach, Dvorak, Schubert, Vivaldi, Purcell, Beethoven and Mozart: I New song (after Bach’s “Singet dem Herrn ein neues Lied”)
II Folksong (after Dvořák’s “Dumka from piano quintet”)
III Passacaille (after Bach’s “Crucifixus”)
IV Night song (after Schubert’s “Nachtstück”)
V Aria (after Vivaldi’s “Sovente il sole”)
VI Bach meets Vivaldi (after Vivaldi’s “Sovente il sole”)
VII Canon (after Bach’s “Ich folge Dir gleichfalls mit freudigen Schritten”)
VIII Lamento (after Purcell’s “When I am laid in earth”)
IX Folksong (after Beethoven’s “Eroica”)
X Variation (after Mozart’s “Marsch der Priester”)
Part III, Ten Piano Songs: I Lullaby
II Choral
III Old song
IV Passacaille
V Minuet
VI Eichendorff song
VII Natural loud
VIII Choral
IX March
X Lullaby
Encore 1: Eroica Dance (after Beethoven’s “Eroica”)
Encore 2: Jesu my joy (after Bach’s “Jesu bleibet meine Freude“) / Partitions classique / Piano - instruments à clavier / Piano / SCHOTT
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James Booker: The James Booker Collection: Piano: Instrumental Work
Piano solo
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Intermediate/advanced
Hal Leonard
James Booker III was born in New Orleans in December, 17 1939. He was classicall...
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James Booker III was born in New Orleans in December, 17 1939. He was classically trained on piano from the age of six, at which time his astounding talents were already evident, and he was considered a child prodigy. He found his way into the local music scene as a young teenager recording his first single, Doin' the Hambone, at fourteen. Although it failed commercially, Booker got extensive studio work as a result, including uncredited 'ghost' piano tracks for Fats Domino. Throughout high school, booker played regularly with many local and regional bands, while still maintaining an excellent academic record. After graduating, Booker hit the road with Joe Tex, and spent the next several years gigging with various bands including Earl King, Dee Clark and Huey 'Piano' Smith and the Clowns (actually replacing Huey who preferred not to tour). In 1960, Booker recorded what would be his most commercially successful song, the organ-driven instrumental 'Gonzo'. Despite reaching number 10 on the Billboard R
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Sonatina G Major
Piano solo
Schott
Thomas Attwood (1765-1838) a été l'élève de Wolfgang Amadeus Mozart de 1784 ...
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Thomas Attwood (1765-1838) a été l'élève de Wolfgang Amadeus Mozart de 1784 jusqu'en 1787. Depuis 1795, il travailla comme organiste à la la cathédrale Saint-Paul de Londres, depuis 1821 comme organiste de la chapelle privée du roi George IV à Brighton et devint organiste de la chapelle royale Vocal en 1836. Sa Sonate de trois mouvements en sol majeur (Allegro - Minuetto Andante - Rondo Allegro) se démarque par son thème vocal ludique. L'accompagnement à la main gauche est joué, presque exclusivement, dans les accords brisées afin que l'élève ou un joueur peut se concentrer entièrement sur l'interprétation de la ligne mélodique. / Piano
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Leos Janacek: In the Mists: Piano: Instrumental Work
Piano solo
Barenreiter
Most of Czech composer Leo? Janá ek?s music for solo Piano was produced during ...
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Most of Czech composer Leo? Janá ek?s music for solo Piano was produced during the relatively short period between 1900 and 1912. This was a period in which Janá ek suffered the death of his second child and had to come to terms with multiple rejections from the Prague music scene which denied the composer and his distinctive musical language the opportunity to participate in international musical developments until 1916 when his work finally managed to gain international recognition.In the Mists was composed during this period of great difficulty and despair in a house in the garden of the Brno Organ School hidden from the eyes ofthe world with a broken self confidence and a mind in a state of melancholy.Influenced by Debussy?s impressionism In the Mists is one of the most remarkable works in 20th-century Piano literature said to be 20 years ahead of its time. In the Bärenreiter Urtext edition Janá ek?s cycle is presented in the form that can be found in the Complete Critical Edition of the Works of Leo? Janá ek. A preface by Ji Zahrádka is also included in Czech English and German.Because of the virtuoso nature of Janá ek?s work it is more challenging and less accessible but extremely rewarding when mastered.
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Carl Nielsen: Chaconne Op.32: Piano: Instrumental Work
Piano solo
Carl Nielsen Edition
Carl Nielsen's Chaconne Op.32 for Piano solo dating from 1916. The present scor...
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Carl Nielsen's Chaconne Op.32 for Piano solo dating from 1916. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12
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